The World of Operetta

~ Release by Joan Sutherland / Stuart Burrows (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1You Are My Heart’s Delight (The Land of Smiles)
tenor vocals:
Stuart Burrows (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Robin Stapleton (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
The Land of Smiles: You Are My Heart's Delight
composer:
Franz Lehár (composer)
librettist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
translator:
Harry B. Smith and Harry Graham (in 1931)
translated version of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
part of:
The Land of Smiles
Franz Lehár3:27
2Girls Were Made to Love and Kiss (Paganini)
tenor vocals:
Stuart Burrows (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Robin Stapleton (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
Paganini: “Girls were Made to Love and Kiss”
composer:
Franz Lehár (composer)
translator:
A.P. Herbert (librettist and politician)
translated version of:
Paganini: Akt II. Nr. 9 “Gern hab’ ich die Frau’n geküsst” (Paganini)
Franz Lehár3:15
3Students’s Chorus…deep in My Heart, Dear (The Student Prince)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recording of:
The Student Prince, Act I: Deep in My Heart, Dear (Karl Franz, Kathie)
lyricist:
Dorothy Donnelly
composer:
Sigmund Romberg
publisher:
Chappell Music Ltd. and Redwood Music Ltd. (Carlin)
part of:
The Student Prince: Act I
Sigmund Romberg5:38
4Serenade (The Student Prince)
tenor vocals:
Stuart Burrows (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Robin Stapleton (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
The Student Prince: Act I. Serenade (Overhead the Moon is Beaming) (Karl Franz, Detlef, Lucas, Von Asterberg, Students)
lyricist:
Dorothy Donnelly
composer:
Sigmund Romberg
publisher:
Chappell Music Ltd. and Redwood Music Ltd. (Carlin)
part of:
The Student Prince: Act I
Sigmund Romberg3:14
5Desert Song (The Desert Song)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recording of:
The Desert Song: Act I. The Desert Song (Pierre, Margot)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach and Frank Mandel
composer:
Sigmund Romberg
part of:
The Desert Song: Act I
Sigmund Romberg3:48
6Indian Love Call (Rose Marie)
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Ambrosian Light Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1966-07)
soprano vocals:
Joan Sutherland (soprano) (in 1966-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (in 1966-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
Rudolf Friml4:48
7Farewell My Love, Farewell (Frasquita)
tenor vocals:
Stuart Burrows (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Robin Stapleton (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
Serenade from Frasquita: “Farewell My Love, Farewell”
lyricist:
Reginald Arkell
composer:
Franz Lehár (composer)
translated version of:
Frasquita: Akt II. “Hab’ ein blaues Himmelbett” (Serenade)
Franz Lehár3:58
8Waltz Song (Tom Jones)
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Ambrosian Light Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1966-07)
soprano vocals:
Joan Sutherland (soprano) (in 1966-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recording of:
Tom Jones: Act III. "For Tonight" (Sophia's Waltz-Song) (in 1966-07)
composer:
Edward German (English composer)
part of:
Tom Jones: Act III
Edward German2:26
9Vilja (The Merry Widow)
choir vocals:
Ambrosian Light Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recording of:
The Merry Widow: Vilja
composer:
Franz Lehár (composer)
part of:
The Merry Widow (unknown version)
Franz Lehár7:09
10Love Unspoken (The Merry Widow)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Werner Krenn (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recording of:
The Merry Widow: Love Unspoken
lyricist:
Victor Léon (librettist) and Leo Stein
composer:
Franz Lehár (composer)
translator:
Adrian Ross (lyricist)
Franz Lehár4:08
11Vienna, City of My Dreams
tenor vocals:
Stuart Burrows (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Robin Stapleton (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
Vienna, City of My Dreams (English version of „Wien, du Stadt meiner Träume“)
composer:
Rudolf Sieczyński
translator:
Edward Lockton
translated version of:
Wien, du Stadt meiner Träume (Wien, Wien, nur du allein)
Rudolf Sieczyński4:47
12My Hero (The Chocolate Soldier)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
My Hero (from “The Chocolate Soldier”)
composer:
Oscar Straus
librettist:
Rudolf Bernauer
translator:
Stanislaus Stange
translated version of:
Der tapfere Soldat: 1. Akt. „Komm, komm, Held meiner Träume“ (Nadina)
part of:
The Chocolate Soldier
part of:
Two Weeks With Love (1950 film)
Oscar Straus3:37
13Maiden, o Maiden (Frederica)
tenor vocals:
Stuart Burrows (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Robin Stapleton (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
Frederica: Oh Maiden, My Maiden
composer:
Franz Lehár (composer)
Franz Lehár2:47
14The Dubarry (The Dubarry)
choir vocals:
Ambrosian Light Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
partial recording of:
The Dubarry
composer:
Carl Millöcker (composer)
translated version of:
Die Dubarry
Carl Millöcker4:57
15Love Live Forever (Paganini)
choir vocals:
Ambrosian Light Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recording of:
Paganini: Love Live Forever
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Paul Knepler (librettist and composer)
translator:
A. P. Herbert (English novelist and playwright)
arrangement of:
Paganini: Akt II. Nr. 13a “Ich kann es nicht fassen, nicht glauben”
Franz Lehár3:57

Credits

Release

manufactured in:Germany
printed in:Germany
art direction:Jeremy Tilston (art director and designer)
photography:Reg Wilson (theatre photographer)
copyrighted (©) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
Discogs:https://www.discogs.com/release/12055466 [info]