Aretha Franklin

~ Release by Aretha Franklin (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleRatingLength
1Unforgettable
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
vibraphone:
Teddy Charles (on 1964-02-10)
lead vocals:
Aretha Franklin (on 1964-02-10)
arranger:
Robert Mersey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Unforgettable (on 1964-02-10)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
43:41
2God Bless the Child
recorded in:
New York, New York, United States (on 1962-05-11)
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-05-11)
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
God Bless the Child (on 1962-05-11)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
43:04
3Jump to It
recording engineer and mixer:
Michael Brauer (engineer)
producer:
Luther Vandross
bass and synthesizer:
Marcus Miller (jazz musician)
congas:
Crusher Bennett
drums (drum set):
Yogi Horton
guitar:
Doc Powell
keyboard:
Nat Adderley, Jr.
background vocals:
Tawatha Agee, Phillip Ballou, Michelle Cobbs, Cissy Houston, Fonzi Thornton, Luther Vandross and Brenda White (Brenda Kutz White)
instruments arranger:
Marcus Miller (jazz musician)
synthesizer arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
Jump to It
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. and Uncle Ronnie's Music Co. Inc.
4:18
4Every Little Bit Hurts
producer:
Clyde Otis (American songwriter and record producer)
conductor:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
arranger:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
Every Little Bit Hurts (on 1964-10-06)
lyricist and composer:
Ed Cobb
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
2:50
5Here We Go Again
sound engineer:
Phil Tan (Malaysian-American audio engineer)
co-producer:
Manuel Seal
producer:
Jermaine Dupri (American rapper, record producer, actor & DJ)
mixer:
Jermaine Dupri (American rapper, record producer, actor & DJ) and Phil Tan (Malaysian-American audio engineer)
instruments:
JD (American rapper, record producer, actor & DJ) and Carl So-Lowe
background vocals:
Trina Broussard
produced for:
So So Def Productions
recorded at:
Krosswire Studios in Atlanta, Georgia, United States and Vanguard Recording Complex (Oak Park, Detroit) in Oak Park, Michigan, United States
mixed at:
Studio LaCoCo in Atlanta, Georgia, United States
recording of:
Here We Go Again
publisher:
Smitty Son
writer:
Trina Broussard, Jermaine Dupri (American rapper, record producer, actor & DJ), Wayne Garfield, Trey Lorenz, Mauro Malavasi and Davide Romani
publisher:
Arapesh Communications, Croon Tunes, Little Macho Music, So So Def and Sony/ATV Songs LLC
3:31
6You'll Lose a Good Thing
recorded in:
New York, New York, United States (on 1964-10-05)
producer:
Clyde Otis (American songwriter and record producer)
conductor:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer) (on 1964-10-05)
arranger:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
cover recording of:
You’ll Lose a Good Thing (on 1964-10-05)
lyricist and composer:
Barbara Lynn Ozen
publisher:
Crazy Cajun Music (This is the publisher. Label is Crazy Cajun only), Dandelion Music Co. and Jamie Music Publishing Co.
2:39
7A Rose Is Still a Rose
programming:
Vada Nobles
sound engineer:
Commissioner Gordon (US hip hop producer Gordon Williams) and Warren Riker
artist & repertoire support:
Drew Dixon (American former music executive)
producer:
Ms. Lauryn Hill
assistant mixer:
Alex Olsson
mixer:
Commissioner Gordon (US hip hop producer Gordon Williams)
bass guitar:
Vere Isaac
guitar:
Johari Newton
piano:
James Poiser (soul, r&b, hip-hop producer and songwriter)
strings:
Indigo Quartet (string quartet led by Akua Dixon)
background vocals:
Ms. Lauryn Hill
strings arranger:
Akua Dixon
arranger:
Ms. Lauryn Hill
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (from 1997 until 1998)
recorded at:
Chung King Studios in New York, New York, United States and Vanguard Recording Complex (Oak Park, Detroit) in Oak Park, Michigan, United States
mixed at:
Chung King Studios in New York, New York, United States
recording of:
A Rose Is Still a Rose
lyricist and composer:
Ms. Lauryn Hill
publisher:
Obverse Creation Music, Sony/ATV Tunes LLC (ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
4:29
8Love for Sale
recorded in:
New York, New York, United States (on 1965-02-10)
producer:
Clyde Otis (American songwriter and record producer)
mixer:
Leo Sacks and Mark Wilder (US recording/mastering engineer)
bass:
James Richardson (on 1965-02-10)
drums (drum set):
Hindal Butts (on 1965-02-10)
guitar:
Kenny Burrell (on 1965-02-10)
vocals:
Aretha Franklin (on 1965-02-10)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965)
live cover recording of:
Love for Sale (on 1965-02-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
32:32
9Misty
recorded in:
New York, New York, United States (on 1965-02-10)
producer:
Clyde Otis (American songwriter and record producer)
bass:
James Richardson (on 1965-02-10)
drums (drum set):
Hindal Butts (on 1965-02-10)
guitar:
Kenny Burrell (on 1965-02-10)
piano:
Ted Harris (Soul music writer) (on 1965-02-10)
vocals:
Aretha Franklin (on 1965-02-10)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965)
live cover recording of:
Misty (on 1965-02-10)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
3:39
10Walk on By
recorded in:
New York, New York, United States (from 1964-10-05 until 1964-10-07)
producer:
Clyde Otis (American songwriter and record producer)
conductor:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer) (from 1964-10-05 until 1964-10-07)
arranger:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965, in 1992)
cover recording of:
Walk On By (from 1964-10-05 until 1964-10-07)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
2:52
2CD
#TitleRatingLength
1A Deeper Love
recording engineer and engineer:
Bob Rosa
programming:
Ricky Crespo
producer:
C+C Music Factory
mixer:
C+C Music Factory and Bob Rosa
drums (drum set) and percussion:
Robert Clivillés (record producer, songwriter, arranger, music video director)
keyboard:
David Cole (US musician/producer, member of C+C Music Factory)
background vocals:
David Cole (US musician/producer, member of C+C Music Factory), Deborah Cooper, Lisa Fischer (American vocalist), Paulette McWilliams and Cindy Mizelle
remixer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
arranger:
C+C Music Factory
phonographic copyright (℗) by:
Touchstone Records (TST catnos) (in 1993) and Touchstone Pictures (from 1993 until 1994)
cover recording of:
A Deeper Love
writer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) and Virgin/EMI (80s–early 00s UK compilations)
44:37
2Doctor's Orders
drums (drum set) programming:
Hubert Eaves III
engineer:
Ray Bardani and Paul Brown (smooth jazz performer/producer)
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Luther Vandross
mixer:
Ray Bardani
bass:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Nat Adderley, Jr., John “Skip” Anderson (funk/soul producer and songwriter), Hubert Eaves III and Jason Miles (jazz producer/keyboardist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Tawatha Agee, Cindy Mizelle and Fonzi Thornton
vocals:
Aretha Franklin and Luther Vandross
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
recording of:
Doctor’s Orders
writer:
Hubert Eaves III and Luther Vandross
publisher:
EMI April Music Inc. and EMI Blackwood Music Inc.
4:37
3This Could Be the Start of Something
recorded in:
New York, New York, United States (on 1965-02-10)
producer:
Clyde Otis (American songwriter and record producer)
bass:
James Richardson (on 1965-02-10)
drums (drum set):
Hindal Butts (on 1965-02-10)
guitar:
Kenny Burrell (on 1965-02-10)
piano:
Ted Harris (Soul music writer) (on 1965-02-10)
vocals:
Aretha Franklin (on 1965-02-10)
live cover recording of:
This Could Be the Start of Something Big (on 1965-02-10)
lyricist:
Steve Allen (US actor, musician & comedian)
composer:
Steve Allen (US actor, musician & comedian) (in 1956)
publisher:
Meadowlane Music, Inc.
1:26
4Get It Right
recording engineer and mixer:
Michael Brauer (engineer)
producer:
Luther Vandross
bass and synthesizer:
Marcus Miller (jazz musician)
congas and triangle:
Steve Kroon
drums (drum set):
Yogi Horton
guitar:
Doc Powell and Georg “Jojje” Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
vibraphone:
David Friedman (US jazz percussionist, mainly vibraphone and marimba)
background vocals:
Tawatha Agee, Phillip Ballou, Michelle Cobbs, Yvonne Lewis (vocalist for Good News), Fonzi Thornton, Luther Vandross and Brenda White (Brenda Kutz White)
instruments arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1983)
recording of:
Get It Right
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc., Thriller Miller Music and Uncle Ronnie's Music Co. Inc.
4:15
5Mockingbird
recorded in:
New York, New York, United States (from 1964-10-05 until 1964-10-07)
producer:
Clyde Otis (American songwriter and record producer)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965, in 1992)
cover recording of:
Mockingbird (from 1964-10-05 until 1964-10-07)
writer:
Charlie Foxx and Inez Foxx
publisher:
EMI Unart Catalog Inc.
is based on:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
2:48
6Willing to Forgive
drums (drum set) programming and keyboard programming:
Babyface (R&B musician Kenny Edmonds)
assistant engineer:
Jason Shablik
engineer:
Jim "Z" Zumpano (production engineer)
producer:
Babyface (R&B musician Kenny Edmonds) and Daryl Simmons
mixer:
Barney Perkins
bass:
Nathan East
saxophone:
Everette Harp
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1994)
recording of:
Willing to Forgive
writer:
Babyface (R&B musician Kenny Edmonds) and Daryl Simmons
publisher:
Boobie Loo Music, ECAF Music, Sony Songs Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
44:14
7Freeway of Love
engineer:
Dr. Dave Frazer
producer:
Narada Michael Walden
additional mixer:
Michael Brauer (engineer)
bass:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set) and percussion:
Narada Michael Walden
guitar:
Corrado Rustici
keyboard:
Walter Afanasieff and Preston Glass
solo saxophone:
Clarence Clemons
tambourine:
Greg “Gigi” Gonaway
background vocals:
Kitty Beethoven, Jim Gilstrap, Preston Glass, Laundon Von Kendricks, Sylvester (US disco and soul singer-songwriter), Jeanie Tracy and Vickie Randle
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
Freeway of Love
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
Carlin Music Corporation, Gratitude Sky Music, Inc., Polo Grounds Music and When Words Collide Music
55:54
8I Dreamed a Dream (From "Les Miserables")
producer:
David "Pic" Conley (soul musician)
vocals:
Aretha Franklin
cover recording of:
I Dreamed a Dream (Fantine)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. and Faber Music
translated version of:
J’avais rêvé d’une autre vie (Fantine)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
4:20
9What a Difference a Day Makes
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
lead vocals:
Aretha Franklin (on 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964, in 1992)
cover recording of:
What a Diff’rence a Day Made (on 1964-02-10)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
33:32
10Jumpin' Jack Flash (From "Jumping Jack Flash")
assistant engineer:
Mike Iacopelli (engineer)
engineer:
Steve Lillywhite
producer:
Keith Richards (Rolling Stones guitarist)
mixer:
Michael Frondelli
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
drums (drum set):
Steve Jordan (US drummer/multi-instrumentalist, composer & producer) (in 1986)
guitar:
Keith Richards (Rolling Stones guitarist) (in 1986), Alan Rogan (in 1986) and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1986)
keyboard:
Chuck Leavell (in 1986)
piano and lead vocals:
Aretha Franklin (in 1986)
background vocals:
Ortheia Barnes (in 1986), Margaret Branch (in 1986) and Brenda Corbett (in 1986)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (from 1986 until 1987)
cover recording of:
Jumpin’ Jack Flash (in 1986)
written in:
West Sussex, England, United Kingdom
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International Ltd. and Westminster Music Ltd.
5:04

Credits

Release

ASIN:UK: B002UGTDVY [info]