Requiem / Magnificat / Moteti

~ Veröffentlichung von Lassus; Pro Cantione Antiqua (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Missa Pro defunctis (Requiem) à 5, H. vi/135: Introitus
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Introitus (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:28
2Missa Pro defunctis (Requiem) à 5, H. vi/135: Kyrie
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Kyrie (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:20
3Graduale
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
Graduale (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
[anonymous]3:27
4Missa Pro defunctis (Requiem) à 5, H. vi/135: Tractus: Absolve Domine
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Tractus: Absolve Domine (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus4:55
5Missa Pro defunctis (Requiem) à 5, H. vi/135: Offertorium: Domine Jesu Christe
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Offertorium: Domine Jesu Christe (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:53
6Missa Pro defunctis (Requiem) à 5, H. vi/135: Sanctus - Benedictus
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Sanctus - Benedictus (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:35
7Missa Pro defunctis (Requiem) à 5, H. vi/135: Agnus Dei
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Agnus Dei (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:32
8Missa Pro defunctis (Requiem) à 5, H. vi/135: Communio: Lux aeterna
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Communio: Lux aeterna (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus2:59
9O bone Jesu, S. i/69
sonstige Unterstützung:
Dr. Alfred Krings (Aufgabe: recording supervision) und Hubert Kübler (producer) (Aufgabe: recording supervision)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) und David Thomas (British operatic bass) (in 1971-04)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) und Kevin Smith (english counter-tenor) (in 1971-04)
Tenor-Gesang:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) und Ian Thompson (tenor) (in 1971-04)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
aufgenommen bei:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen, Deutschland (in 1971-04)
recording of:
O bone Jesu, S. i, 69 (in 1971-04)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Orlando di Lasso: Sämtliche Werke (S.) (Nummer: S. i/69)
Orlande de Lassus3:51
10Magnificat "Praeter rerum seriem", H. xv/248
Instrumente:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
zusätzlich Instrumente:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1973), Brian Etheridge (operatic bass) (in 1973), William Mason (opera bass) (in 1973) und David Thomas (British operatic bass) (in 1973)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1973), John Elwes (tenor) (in 1973), Paul Esswood (countertenor) (in 1973), Geoffrey Mitchell (in 1973) und Kevin Smith (english counter-tenor) (in 1973)
Tenor-Gesang:
James Griffett (tenor) (in 1973), James Lewington (in 1973) und Ian Thompson (tenor) (in 1973)
Orchester:
Collegium Aureum (in 1973)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1973)
aufgenommen bei:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Deutschland (in 1973)
recording of:
Magnificat secundi toni, LV 1070 "Praeter rerum seriem" (in 1973)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
basiert auf:
Praeter rerum seriem (a 6)
Orlande de Lassus13:45
11Alma Redemptoris mater a 6, S. xiii/108
Instrumente:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
zusätzlich Instrumente:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1973), Brian Etheridge (operatic bass) (in 1973), William Mason (opera bass) (in 1973) und David Thomas (British operatic bass) (in 1973)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1973), John Elwes (tenor) (in 1973), Paul Esswood (countertenor) (in 1973), Geoffrey Mitchell (in 1973) und Kevin Smith (english counter-tenor) (in 1973)
Tenor-Gesang:
James Griffett (tenor) (in 1973), James Lewington (in 1973) und Ian Thompson (tenor) (in 1973)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1973)
aufgenommen bei:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Deutschland (in 1973)
recording of:
Alma Redemptoris mater a 6, S. xiii, 108 (One of the four by Lassus) (in 1973)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Orlando di Lasso: Sämtliche Werke (S.) (Nummer: S. xiii/108)
Orlande de Lassus4:17
12Ave Maria gratia plena, S. v/118
Instrumente:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1974)
zusätzlich Instrumente:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1974)
Bass-Gesang:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1974), Brian Etheridge (operatic bass) (in 1974), William Mason (opera bass) (in 1974) und David Thomas (British operatic bass) (in 1974)
Chorgesang:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1974)
Countertenorgesang:
Keith Davis (doo wop artist) (in 1974), John Elwes (tenor) (in 1974), Paul Esswood (countertenor) (in 1974), Geoffrey Mitchell (in 1974) und Kevin Smith (english counter-tenor) (in 1974)
Tenor-Gesang:
James Griffett (tenor) (in 1974), James Lewington (in 1974) und Ian Thompson (tenor) (in 1974)
Orchester:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1974)
conductor und chorus master:
Bruno Turner (musicologist, choral conductor) (in 1974)
aufgenommen bei:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Deutschland (in 1974)
recording of:
Ave Maria Gratia Plena À 5 (in 1974)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Orlando di Lasso: Sämtliche Werke (S.) (Nummer: S. v/118)
Orlande de Lassus2:43

Nennungen

Veröffentlichung

hergestellt in:Deutschland
gedruckt in:Deutschland
Fotografie:Peter-Cornell Richter (photographer) (Aufgabe: booklet back photo)
liner notes:Bruno Turner (musicologist, choral conductor)
liner notes Übersetzer:Giorgio Giandomenici
Jane Heller (translation)
Anne Wölfli (translation)
booklet editor:Dr. Jens Markowsky (liner notes)
hergestellt von:Sonopress (Sonopress GmbH, German vinyl, cassette, CD and DVD manufacturer. see annotations)
vertrieben von:BMG Ariola (company mostly named as distributor in Europe)
BMG Records (not for release label use! primarily named as distributor in the UK)
urheberrechtlich geschützt (©) von:harmonia mundi (in 1990)
phonographisches Urheberrecht (℗) von:harmonia mundi (in 1988)
Discogs:https://www.discogs.com/release/2140297 [Info]
ASIN:DE: B000001TWR [Info]