The Sublime Mozart

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Symphony no. 25 in G minor, K.183: I. Allegro con brio
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
7:49
2Serenade no. 10 in B flat for 13 wind instruments, K.361: III. Adagio
conductor:
Otto Klemperer (German-born conductor and composer)
performer:
London Wind Quintet and Ensemble
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
6:39
3The Escape from the Seraglio: Martern aller Arten (Constanze, Act 2)
soprano vocals:
Anneliese Rothenberger (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Josef Krips (conductor/violinist)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
8:52
4The Escape from the Seraglio: Turkish Music (Act 3)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Josef Krips (conductor/violinist)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt III
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
1:32
5Mass in C minor, K.427: Kyrie
choir vocals:
John Alldis Choir (The John Alldis Choir)
soprano vocals:
Ileana Cotrubas (Romanian soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Raymond Leppard (conductor and harpsichordist)
chorus master:
John Alldis (chorusmaster and conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): I. Kyrie
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (Great Mass in C minor, K. 427/417a, fragment)
8:07
6Concerto in C for Flute, Harp and Orchestra, K.299: I. Allegro
flute:
Michel Debost (flutist)
harp:
Lily Laskine (harpist)
orchestra:
Orchestre De Chambre De Toulouse
conductor:
Louis Auriacombe (conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
10:48
7Piano concerto no. 22 in E flat, K.482: III. Allegro - Andantino cantabile - Allegro
piano:
Annie Fischer (pianist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785-12)
part of:
Concerto for Piano no. 22 in E-flat major, K. 482
10:47
8Symphony no. 29 in A, K.201: I. Allegro moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Symphony no. 29 in A major, K. 186a / 201: I. Allegro moderato
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 in A major, K. 186a / 201
7:46
2▼CD
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1The marriage of Figaro: Non più andrai (Figaro, Act 1)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:43
2The marriage of Figaro: Fandango (Act 3)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
1:09
3The marriage of Figaro: Contessa, perdono (Act 4 Finale)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Le nozze di Figaro, KV 492: Atto IV. “Contessa perdono …” …“Ah tutti contenti” (Tutti)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
3:31
4Don Giovanni: Graveyard Scene (Act 2)
vocals:
Richard van Allan (operatic bass-baritone), Sir Thomas Allen (baritone) and Dmitri Kavrakos (operatic bass)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Don Giovanni: Atto II
7:25
5Piano Concerto no. 20 in D minor, K.466: I. Allegro
piano:
Annie Fischer (pianist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
13:53
6The magic Flute: Der Hölle Rache kocht in meinem Herzen (Queen of the Night, Act 2)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:46
7The magic Flute: Ein Mädchen oder Weibchen (Papageno, Act 2)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:15
8The magic Flute: Pa-Pa-Papagena (Duet, Papageno & Papagena, Act 2)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
2:38
9Piano concerto no. 20 in D minor: II. Romance (beginning)
piano:
Annie Fischer (pianist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
partial recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
4:42
10Requiem, K.626: Introitus - Requiem aeternam
soprano vocals:
Helen Donath (soprano)
vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (original version, fragment)
5:07
11Requiem, K.626: Rex tremendae majestasis
vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
2:33
12Requiem, K.626: Confutatis maledictis - Lacrymosa dies illa
vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
6:28

Credits

Release

phonographic copyright (℗) by:Angel Records (please read annotations before use! primarily classical genre imprint, EMI subsidiary)
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
Discogs:https://www.discogs.com/release/9914294 [info]