Capital Gold Guitar Legends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Now I’m Here
Techniker(in):
Kris Fredriksson, Justin Shirley‐Smith und Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Roy Thomas Baker (producer) und Queen (UK rock group)
Bassgitarre:
John Deacon
E-Gitarre und Klavier:
Brian May (Queen guitarist)
Orgel und Sologesang:
Freddie Mercury
Schlagzeug:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
Orchestrator(in):
Brian May (Queen guitarist)
phonographisches Urheberrecht (℗) von:
Queen (UK rock group) (in 1974)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1974) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1975)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich, Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Now I’m Here
Texter und Komponist(in):
Brian May (Queen guitarist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
Queen3.554:13
2Layla
recording of:
Layla
Verfasser(in):
Eric Clapton und Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos2:51
3Walk This Way (edit)
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records) und Russell Simmons
Gast-Gitarre:
Joe Perry (guitarist for Aerosmith)
Gast vocals:
Steven Tyler
phonographisches Urheberrecht (℗) von:
Arista Records, LLC (holding company - file NO releases here!) (in 1986), Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
Bearbeitung von:
Walk This Way von Run‐D.M.C.
Musikvideos:
Walk This Way (music video) von Run‐D.M.C.
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
cover recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Run‐D.M.C. feat. Aerosmith3.73:37
4Since You Been Gone
recording engineer:
Leigh Mantle (in 1979-04) und Dr. Michael Palmer (engineer) (in 1979-04)
Techniker(in):
Gary Edwards (producer, engineer)
Produzent(in):
Roger Glover
Bassgitarre:
Roger Glover (in 1979-04)
Gitarre:
Ritchie Blackmore (in 1979-04)
Keyboard:
Don Airey (in 1979-04)
Schlagzeug:
Cozy Powell (in 1979-04)
Sologesang:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, Frankreich (in 1979-04) und Maison Rouge Mobile Studio (in 1979-04)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 82)
cover recording of:
Since You Been Gone (in 1979-04)
Texter und Komponist(in):
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. und Virgin Music (Publishers) Ltd.
Rainbow43:14
5Smoke on the Water
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
phonographisches Urheberrecht (℗) von:
EMI Records (EMI Records, or EMI Music only if there is no other imprint) (vom 1972 bis heute)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple5:20
6Whatever You Want
Produzent(in):
Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
recording of:
Whatever You Want
geschrieben in:
Jersey
Verfasser(in):
Andy Bown und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo43:48
7Addicted to Love
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer44:16
8Ace of Spades
Produzent(in):
Vic Maile (von 1980-08-04 bis 1980-09-15)
E-Bass und Sologesang:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (von 1980-08-04 bis 1980-09-15)
E-Gitarre:
'Fast' Eddie Clarke (Motörhead guitarist) (von 1980-08-04 bis 1980-09-15)
Schlagzeug:
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (von 1980-08-04 bis 1980-09-15)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) und Universal Music (plain logo: “Universal Music”) (in 1980)
aufgenommen bei:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Vereinigtes Königreich (von 1980-08-04 bis 1980-09-15)
Musikvideos:
Ace of Spades von Motörhead
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 33), TV Cream: Real 100 Best Singles Ever (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 442)
recording of:
Ace of Spades (von 1980-08-04 bis 1980-09-15)
Verfasser(in):
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) und Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:46
9Sabre Dance
teilweise instrumental cover recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Love Sculpture34:50
10Summertime Blues
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-03-28)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
Schlagzeug:
Earl Palmer (am 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-28)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 73) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 432)
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:56
11Johnny B Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:38
12You Really Got Me
Produzent(in):
Shel Talmy (in 1964-07)
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
Gitarre:
Harry Fryer (in 1964-07)
Gitarre [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
zusätzlich Klavier:
Perry Ford (English pop singer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
sonstige Unterstützung:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1964-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 162) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
recording of:
You Really Got Me (in 1964-07)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks4.252:13
13Happening Ten Years Ago
recording of:
Happenings Ten Years Time Ago
Texter:
Keith Relf
Komponist(in):
Jeff Beck (English rock guitarist), Jim McCarty (UK drummer, Yardbirds member) und Jimmy Page
publisher:
Glenwood Music Corp.
The Yardbirds2:55
14You Need Love
recording of:
You Need Love (in 1962)
Texter und Komponist(in):
Willie Dixon
publisher:
Hoochie Coochie Music
Muddy Waters52:44
15Killing Floor
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1964-08)
baritone saxophone und bass saxophone:
Donald Hankins (Saxophonist) (in 1964-08)
Bass:
Andrew McMahon (Andrew "Blueblood" McMahon) (in 1964-08)
E-Bass:
Andrew Palmer (Blues bassist) (in 1964-08)
Gitarre:
Hubert Sumlin (Chicago blues guitarist and singer) (in 1964-08)
guitar family:
Buddy Guy (in 1964-08) und Hubert Sumlin (Chicago blues guitarist and singer) (in 1964-08)
Klavier:
Lafayette Leake (in 1964-08)
Kontrabass:
Willie Dixon (in 1964-08)
Mundharmonika und Sologesang:
Howlin’ Wolf (in 1964-08)
Schlagzeug:
Sam Lay (in 1964-08)
Tenorsaxophon:
Arnold Rogers (Saxophonist) (in 1964-08)
vocals:
Howlin’ Wolf (in 1964-08)
recording of:
Killing Floor (in 1964-08)
Texter und Komponist(in):
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf22:50
16Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:26
17You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:31
18Jet Airliner
Techniker(in):
Mike Fusaro
Produzent(in):
Steve Miller (leader of Steve Miller Band)
assistierende(r) Mix:
Win Kutz (engineer/producer)
Mix:
Jim Gaines
Bass:
Lonnie Turner
Gitarre [guitars] und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Schlagzeug:
Gary Mallaber
phonographisches Urheberrecht (℗) von:
Sailor Records (Steve Miller label)
cover recording of:
Jet Airliner
Texter und Komponist(in):
Paul Pena
publisher:
No Thought Music und Sailor Music
Steve Miller Band3.54:29
19Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Billboard Hot 100: 2026-07-18 (Nummer: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:39
20Rocky Mountain Way
Produzent(in):
Bill Szymczyk und Joe Walsh (Eagles/James Gang)
Bassgitarre und Gitarre:
Kenny Passarelli (Bass, piano) (von 1972 bis 1973) und Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Hybrid-Piano, Klavier, Perkussion und Schlagzeug:
Joe Vitale (von 1972 bis 1973)
Keyboard:
Rocke Grace (von 1972 bis 1973), Joe Vitale (von 1972 bis 1973) und Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Synthesizer und Sologesang:
Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Hintergrundgesang:
Rocke Grace (von 1972 bis 1973) und Kenny Passarelli (Bass, piano) (von 1972 bis 1973)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (von 1972 bis 1973)
Verfasser(in):
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale und Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
Joe Walsh3.75:14
21Show Me the Way
recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3.53:35
2▼CD
Nr.TitelKünstlerBewertungLänge
1Jessica
recording of:
Jessica
Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
The Allman Brothers Band54:02
2Whiskey in the Jar
Produzent(in):
Phil Lynott und Nick Tauber
Akustikgitarre und Bassgitarre:
Phil Lynott
Gitarre:
Eric Bell (Thin Lizzy cofounder)
vocals:
Phil Lynott
arranger:
Eric Bell (Thin Lizzy cofounder), Brian Downey (Thin Lizzy drummer) und Phil Lynott
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1972) und Decca Records (in 1972)
Teil von:
AUX: 10 Cover Songs Better Than The Orignials
recording of:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Thin Lizzy (Irish hard rock band)
publisher:
Pippin the Friendly Ranger Music Co. Ltd., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Version von:
Whiskey in the Jar (traditional)
Thin Lizzy4.355:42
3More Than a Feeling
Produzent(in):
John Boylan und Tom Scholz
Akustikgitarre, Bass und E-Gitarre:
Tom Scholz (von 1975-10 bis 1976-04)
Schlagzeug:
Sib Hashian (von 1975-10 bis 1976-04)
vocals:
Brad Delp (von 1975-10 bis 1976-04)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
recording of:
More Than a Feeling (von 1975-10 bis 1976-04)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston4.83:24
4Still Got the Blues (single version)
assistierende(r) Techniker(in) und assistierende(r) Mix:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris und Greg Muden
Techniker(in) und Mix:
Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Bassgitarre:
Andy Pyle
Gast-Saiteninstrumente:
Gavyn Wright (UK violinist, conductor)
Gitarre und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
Keyboard:
Don Airey
Klavier:
Nicky Hopkins (pianist and organist)
Schlagzeug:
Graham Walker (UK drummer)
conductor:
Don Airey
Saiteninstrumente arranger:
Don Airey und Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Still Got the Blues (for You)
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs und Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:11
5Black Magic Woman
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (percussionist) (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04)
membranophone:
Michael Shrieve (drummer) (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 28)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana3.83:15
6Cocaine
Produzent(in):
Audie Ashworth
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1976)
recording of:
Cocaine (in 1976)
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale3.352:46
7Chill Out (Things Gonna Change)
Techniker(in):
Samuel Lehmer
Produzent(in):
Carlos Santana
Bass:
Benny Rietveld (bass guitar player)
Conga:
Raul Rekow
Gitarre:
Carlos Santana
Keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
Schlagzeug:
Gaylord Birch
Timbales:
Karl Perazzo
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
phonographisches Urheberrecht (℗) von:
The John Lee Hooker Family Limited Partnership (in 1995)
engineered at:
Russian Hill Recording in San Francisco, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
recording of:
Chill Out (Things Gonna Change)
Verfasser(in):
John Lee Hooker (US blues singer, songwriter & guitarist), Carlos Santana und Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
King of Boogie
John Lee Hooker feat. Carlos Santana3.54:46
8The Thrill Is Gone
B.B. King5:01
9Pride and Joy
Assistent recording engineer:
James Geddes
recording engineer:
Richard Mullen
assistierende(r) Produzent(in):
Mikie Harris
leitende(r) Produzent(in):
John Hammond (producer)
Produzent(in):
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen und Stevie Ray Vaughan
assistierende(r) Mix:
Harry Spiridakis und Don Wershba (engineer)
Mix:
Lincoln Clapp (engineer)
Bassgitarre:
Tommy Shannon
Gitarre:
Stevie Ray Vaughan
Schlagzeug:
Chris Layton
vocals:
Stevie Ray Vaughan
aufgenommen bei:
Down Town Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und Riverside Sound in Austin, Texas, Vereinigte Staaten
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Pride and Joy
Texter und Komponist(in):
Stevie Ray Vaughan
publisher:
Wixen Music UK Ltd.
Stevie Ray Vaughan4.253:40
10Thing Called Love
recording engineer und Mix:
Ed Cherney
Produzent(in):
Don Was
Akustikgitarre:
Johnny Lee Schell
Bassgitarre:
Hutch Hutchinson (American bassist)
Perkussion und Timbales:
Tony Braunagel
Schlagzeug:
Ricky Fataar
Slide-Gitarre:
Bonnie Raitt
vocals:
Bonnie Raitt und Johnny Lee Schell
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
cover recording of:
Thing Called Love
Texter und Komponist(in):
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Careers–BMG Music Publishing, Inc. und Lillybilly Publishing (in 1987)
Bonnie Raitt3.53:51
11I’m Your Witchdoctor
Produzent(in):
Jimmy Page
Bass:
John McVie (in 1965-10)
E-Gitarre:
Eric Clapton (in 1965-10)
Schlagzeug:
Hughie Flint (in 1965-10)
recording of:
I'm Your Witchdoctor
Texter und Komponist(in):
John Mayall
publisher:
Carlin Music Corp
sub-publisher:
Warner Chappell Music France
John Mayall & the Bluesbreakers feat. Eric Clapton22:11
12Dust My Blues
recording of:
Dust My Blues
Verfasser(in):
Joe Bihari und Elmore James
zusätzliche(r) Verfasser(in):
Robert Johnson (1930s blues legend)
Version von:
Dust My Broom
Elmore James3:10
13I Ain’t Superstitious
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Mickie Most (English record producer)
Bass:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Gitarre:
Jeff Beck (English rock guitarist)
membranophone:
Micky Waller
Sologesang:
Rod Stewart
vocals und Interpret(in):
Rod Stewart
cover recording of:
I Ain’t Superstitious (von 1968-05-14 bis 1968-05-26)
Texter und Komponist(in):
Willie Dixon
publisher:
Bug Music Ltd. und Hoochie Coochie Music
Jeff Beck3.54:53
14Smoking Gun
recording engineer:
Bill Dashiell
leitende(r) Produzent(in):
Larry Sloven (producer)
Produzent(in):
Bruce Bromberg und Dennis Walker
assistierende(r) Mix:
Charlie Brocco
Mix:
Jeff Hendrickson (sound engineer)
Bass:
Richard Cousins
Gitarre:
Robert Cray (blues guitarist, singer and songwriter)
Keyboard:
Peter Boe
Posaune und Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Schlagzeug:
David Olson (drummer)
Tenorsaxophon:
Andrew Love
vocals:
Robert Cray (blues guitarist, singer and songwriter)
aufgenommen bei:
Sage & Sound, Los Angeles in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Village Recorders, Los Angeles (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Smoking Gun
Verfasser(in):
Bruce Bromberg, Richard Cousins und Robert Cray (blues guitarist, singer and songwriter)
Robert Cray44:05
15Shakin’ All Over
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates3.752:19
16Wonderful Land
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Wonderful Land
Komponist(in):
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows42:04
17Blue Guitar
recording engineer:
Eric Stewart
Produzent(in):
10cc und Tony Clarke (UK producer/guitarist)
phonographisches Urheberrecht (℗) von:
Threshold Records (UK label founded by the Moody Blues) (in 1975)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
recording of:
Blue Guitar
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
Justin Hayward & John Lodge3:37
18Need Your Love So Bad
cover recording of:
Need Your Love So Bad
Texter und Komponist(in):
Little Willie John und Mertis John Jr. (older brother of Little Willie John)
publisher:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. und Trio Music Co., Inc.
Fleetwood Mac46:14
19Sweet Dreams
Produzent(in):
Peter K. Siegel (American folk producer, engineer & banjo player)
E-Bass [bass]:
Pete Van Allen (bass) (in 1972-07)
E-Gitarre [lead guitar]:
Roy Buchanan (in 1972-07)
E-Gitarre [rhythm guitar]:
Teddy Irwin (guitarist) (in 1972-07)
Keyboard:
Dick Heintze (in 1972-07)
Schlagzeug:
Ned Davis (drums) (in 1972-07)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1972)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1972-07)
instrumental cover recording of:
Sweet Dreams (in 1972-07)
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1955-12-28)
Roy Buchanan3:30
20Time Has Told Me
Techniker(in):
John Wood (UK producer)
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records)
Akustikgitarre und Sologesang:
Nick Drake (English singer‐songwriter)
E-Gitarre:
Richard Thompson (UK folk rock singer/songwriter/guitarist)
Gast-Bass:
Danny Thompson (English double bass player)
Gast-Klavier:
Paul Harris (American keyboardist/pianist session player)
recording of:
Time Has Told Me
Texter und Komponist(in):
Nick Drake (English singer‐songwriter)
Nick Drake4.454:26

Nennungen

Veröffentlichungsgruppe

Teil von:Capital Gold Legends (Nummer: Guitar) (Reihenfolge: 10)