The V-discs

~ Release by Art Tatum (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Sweet Lorraine
double bass:
Oscar Pettiford (on 1944-01-18)
drums (drum set):
Sid Catlett (on 1944-01-18)
piano:
Art Tatum (US jazz pianist) (on 1944-01-18)
recorded at:
Metropolitan Opera House (the old Met at 1411 Broadway, New York, NY until 1966) in New York, New York, United States (on 1944-01-18)
recording of:
Sweet Lorraine (on 1944-01-18)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:48
2Cocktails for Two
double bass:
Slam Stewart (on 1945-10-26)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1945-10-26)
piano:
Art Tatum (US jazz pianist) (on 1945-10-26)
instrumental recording of:
Cocktails for Two (on 1945-10-26)
lyricist:
Arthur Johnston (American composer and songwriter)
composer:
Sam Coslow
2:43
3Liza
double bass:
Slam Stewart (on 1945-10-26)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1945-10-26)
piano:
Art Tatum (US jazz pianist) (on 1945-10-26)
2:04
4She's Funny That Way
piano:
Art Tatum (US jazz pianist) (from 1945 until 1946)
instrumental recording of:
She’s Funny That Way
lyricist:
Richard A. Whiting (composer) (in 1928)
writer:
Neil Moret and Richard A. Whiting (composer)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
4:18
5Gershwin Medley
piano:
Art Tatum (US jazz pianist) (from 1945 until 1946)
medley including a instrumental recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
medley including a instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
medley including a instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
medley including a instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:30
6Body and Soul
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
instrumental recording of:
Body and Soul (on 1946-01-21)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:36
7Lover
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
4:06
8Begin the Beguine
recorded in:
Los Angeles, California, United States (on 1946-01-21)
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
instrumental recording of:
Begin the Beguine (on 1946-01-21)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
3:25
9Indiana
recorded in:
Los Angeles, California, United States (on 1946-01-21)
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
2:44
10Poor Butterfly
recorded in:
Los Angeles, California, United States (on 1946-01-21)
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
instrumental recording of:
Poor Butterfly (on 1946-01-21)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
3:34
11Where or When
recorded in:
Los Angeles, California, United States (on 1946-01-21)
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1946-01-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
4:11
12Song of the Vagabonds
recorded in:
Los Angeles, California, United States (on 1946-01-21)
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
2:22
13I'm Beginning to See the Light
recorded in:
Los Angeles, California, United States (on 1946-01-21)
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
instrumental recording of:
I’m Beginning to See the Light (on 1946-01-21)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:19
149:20 Special
recorded in:
Los Angeles, California, United States (on 1946-01-21)
piano:
Art Tatum (US jazz pianist) (on 1946-01-21)
instrumental recording of:
9:20 Special (on 1946-01-21)
lyricist:
William Engvick (in 1945)
writer:
Jack Palmer (Jazz pianist and composer)
composer:
Earle Warren (in 1941)
2:32