Live at Mister Kelly’s

~ Release by Ella Fitzgerald (see all versions of this release, 3 available)

Tracklist

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1▼CD: The Main Show
#TitleRatingLength
1Your Red Wagon
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Red Wagon (Your Red Wagon) (on 1958-08-10)
lyricist:
Gene de Paul and Don Raye
composer:
Richard M. Jones (US jazz pianist)
3:00
2Nice Work If You Can Get It
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Nice Work If You Can Get It (on 1958-08-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:36
3I’m Glad There Is You
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
I’m Glad There Is You (on 1958-08-10)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
2:54
4How Long Has This Been Going On?
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1958-08-10)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
2:45
5Across the Alley From the Alamo
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Across the Alley From the Alamo (on 1958-08-10)
lyricist and composer:
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
2:14
6Perdido
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Perdido (with lyrics) (on 1958-08-10)
lyricist:
Ervin Drake (songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
5:45
7The Lady Is a Tramp
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1958-08-10)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:01
8Bewitched
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1958-08-10)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
5:48
9Summertime
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-10)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:01
10In the Wee Small Hours of the Morning
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
In the Wee Small Hours of the Morning (on 1958-08-10)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
3:55
11St. Louis Blues
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
St. Louis Blues (on 1958-08-10)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
6:13
12Witchcraft
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Witchcraft (on 1958-08-10)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:58
13Love Me or Leave Me
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Love Me or Leave Me (on 1958-08-10)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
3:48
14Joe Williams’ Blues
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live recording of:
Joe Williams’ Blues (on 1958-08-10)
lyricist and composer:
Ella Fitzgerald (American jazz singer)
5:58
15Porgy and Bess Medley: I Loves You Porgy / Porgy, I’s You Woman Now (Bess, You Is My Woman Now)
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1958-08-10)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1958-08-10)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
5:48
16How High the Moon
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
How High the Moon (on 1958-08-10)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:56
2▼CD: The Late Show
#TitleRatingLength
1Introductions
engineer:
Harry Weinger
producer:
Richard Seidel
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
1:54
2Exactly Like You
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Exactly Like You (on 1958-08-10)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
7:38
3Come Rain or Come Shine
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Come Rain or Come Shine (on 1958-08-10)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
4:30
4Stardust
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Stardust (the jazz standard) (on 1958-08-10)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
6:15
5’S Wonderful
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
’S Wonderful (on 1958-08-10)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
1:36
6You Don’t Know What Love Is
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
You Don’t Know What Love Is (on 1958-08-10)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:38
7Witchcraft
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Witchcraft (on 1958-08-10)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:52
8Perdido
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Perdido (with lyrics) (on 1958-08-10)
lyricist:
Ervin Drake (songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
6:31
9In the Wee Small Hours of the Morning
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
In the Wee Small Hours of the Morning (on 1958-08-10)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
4:04
10My Funny Valentine
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1958-08-10)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
3:05
11Anything Goes
engineer:
Harry Weinger
producer:
Richard Seidel
double bass:
Max Bennett (US jazz bassist and session musician) (on 1958-08-10)
drums (drum set):
Gus Johnson (drums) (on 1958-08-10)
piano:
Lou Levy (on 1958-08-10)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-08-10)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-08-10)
live cover recording of:
Anything Goes (on 1958-08-10)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
2:10

Credits

Release

ASIN:FR: B000PTYTIU [info]