| # | Title | Artist | Rating | Length |
|---|
| 1 | Dancing on the Streets- producer:
- William Stevenson
- baritone saxophone:
- Thomas Bowles (on 1964-06-29)
- bass guitar:
- James Jamerson (on 1964-06-29)
- drums (drum set):
- Marvin Gaye (on 1964-06-29)
- guitar:
- Joe Messina (on 1964-06-29), Robert White (on 1964-06-29) and Eddie Willis (on 1964-06-29)
- other instruments [tire iron]:
- Ivy Jo Hunter (on 1964-06-29)
- percussion, tambourine and vibraphone [vibes]:
- Jack Ashford (on 1964-06-29)
- tenor saxophone:
- Henry Cosby (on 1964-06-29)
- trombone:
- George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
- trumpet:
- Russell Conway (on 1964-06-29) and Herbert Williams (on 1964-06-29)
- background vocals:
- Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (on 1964-06-29)
- lead vocals:
- Martha Reeves (on 1964-06-29)
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (number: 403)
- recording of:
- Dancing in the Street (on 1964-06-29)
- writer:
- I. Hunter, M. Gaye and W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha Reeves and the Vandellas | 3.55 | 2:40 |
| 2 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:30 |
| 3 | Reach Out (I’ll Be There)- producer:
- Lamont Dozier and Brian Holland
- instruments:
- The Funk Brothers (in 1966)
- background vocals:
- The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
- lead vocals:
- Levi Stubbs (in 1966)
- phonographic copyright (℗) by:
- Motown Record Company (in 1966)
- recorded at:
- Hitsville in Detroit, Michigan, United States (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (number: 206)
- recording of:
- Reach Out, I’ll Be There (in 1966)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Four Tops | 4 | 2:58 |
| 4 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:29 |
| 5 | Uptight (Everything’s All Right) | Stevie Wonder | 4.7 | 2:55 |
| 6 | Going Up the Country | Canned Heat | | 2:53 |
| 7 | Surf City | Jan & Dean | | 2:30 |
| 8 | The Letter- producer:
- Dan Penn
- phonographic copyright (℗) by:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) and Atoll Music (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (number: 364)
- recording of:
- The Letter (in 1967)
- lyricist and composer:
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control , EMI Music , Lovolar Music, Sony Music Publishing (Japan) Inc. and Warner Chappell Music
| The Box Tops | 4.15 | 1:56 |
| 9 | My Girl- producer:
- Smokey Robinson and Ronald White
- bass:
- James Jamerson (from 1964-09-25 until 1964-11-17)
- drums (drum set):
- Benny Benjamin (from 1964-09-25 until 1964-11-17)
- guitar:
- Robert White (from 1964-09-25 until 1964-11-17)
- instruments:
- The Funk Brothers (from 1964-09-25 until 1964-11-17)
- strings:
- Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
- background vocals:
- Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (from 1964-09-25 until 1964-11-17) and Paul Williams (from 1964-09-25 until 1964-11-17)
- lead vocals:
- David Ruffin (from 1964-09-25 until 1964-11-17)
- performer:
- The Temptations (from 1964-09-25 until 1964-11-17)
- strings arranger:
- Paul Riser
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1964)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
- part of:
- Billboard: The 500 Best Pop Songs (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (number: 88)
- recording of:
- My Girl (from 1964-09-25 until 1964-11-17)
- lyricist:
- Smokey Robinson
- composer:
- Smokey Robinson and Ronald White
- publisher:
- Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa , Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Temptations | 4.45 | 2:44 |
| 10 | You Keep Me Hanging On | Vanilla Fudge | | 3:02 |
| 11 | Sky Pilot (Parts 1 & 2) | Eric Burdon & the Animals | | 7:22 |
| 12 | It’s a Man’s, Mans, Mans, World | James Brown | | 2:44 |
| 13 | Roll Over Lay Down | Status Quo | | 4:42 |
| 14 | Bad, Bad Leroy Brown- vocals:
- Jim Croce (on 1972-06-02)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (on 1972-06-02)
- recording of:
- Bad, Bad Leroy Brown (on 1972-06-02)
- lyricist and composer:
- Jim Croce
- publisher:
- American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music and MCA, Inc.
| Jim Croce | 4.6 | 3:02 |
| 15 | It’s All Over Now Baby Blue | Graham Bonnet | | 4:16 |
| 16 | The Promised Land | Dave Edmunds | | 2:39 |
| 17 | Never, Never Gonna Give Ya Up | Barry White | 5 | 4:02 |
| 18 | Paranoid- engineer:
- Tom Allom and Brian Humphries
- producer:
- Rodger Bain (from 1970-06 until 1970-07)
- drums (drum set) and percussion:
- Bill Ward (from 1970-06-16 until 1970-06-21)
- electric bass guitar:
- Geezer Butler (from 1970-06-16 until 1970-06-21)
- electric guitar:
- Tony Iommi (from 1970-06-16 until 1970-06-21)
- lead vocals:
- Ozzy Osbourne (in 1970)
- phonographic copyright (℗) by:
- Gimcastle Ltd., Sanctuary Records Group Ltd. , Warner Bros. Records Inc. , Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (in 1976) and Icarus Music (in 2006)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970) and Regent Sound Studios in London , England, United Kingdom (from 1970-06-16 until 1970-06-21)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 4), NME: 50 Greatest Guitar Riffs of All Time (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
- recording of:
- Paranoid (from 1970-06-16 until 1970-07-08)
- lyricist:
- Geezer Butler
- composer:
- Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
- publisher:
- Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
| Black Sabbath | 4.6 | 2:50 |
| 19 | Love Hurts | Nazareth | | 3:54 |
| 20 | Nights in White Satin | The Moody Blues | 4.4 | 4:28 |
| 21 | Eleanor Rigby- phonographic copyright (℗) by:
- EMI Music Australia (in 1971)
- cover recording of:
- Eleanor Rigby
- written in:
- London , England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
- writer:
- John Lennon and Paul McCartney
- publisher:
- Blackwood Music Inc. , EMI Music Publishing , Maclen Publishing Co. , MPL Communications Ltd. , Music Corporation of America, Inc. , Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Songs LLC and Sony/ATV Tunes LLC
- written at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1966)
| Zoot | | 4:43 |
| 22 | My Sharona- bass:
- Prescott Niles (in 1979-04)
- drums (drum set):
- Bruce Gary (in 1979-04)
- guitar [lead guitar]:
- Berton Averre (in 1979-04)
- guitar [rhythm guitar] and lead vocals:
- Doug Fieger (in 1979-04)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2002), Capitol Records, LLC (in 1979), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recording of:
- My Sharona (in 1979-04)
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 3.9 | 4:01 |
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