The Power of Love: Breathless

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Little Lies
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Christine McVie
Perkussion und Schlagzeug:
Mick Fleetwood
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
Sologesang:
Christine McVie
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
recording of:
Little Lies
Texter und Komponist(in):
Christine McVie und Eddy Quintela
publisher:
BMG Songs, Inc. und Careers–BMG Music Publishing, Inc.
Fleetwood Mac4.153:39
2Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:17
3Alone
assistierende(r) Techniker(in):
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) und Toby Wright (producer & engineer)
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Gitarre:
Howard Leese
Schlagzeug:
Denny Carmassi
Hintergrundgesang:
Howard Leese und Nancy Wilson (guitarist/singer of “Heart”)
Sologesang:
Ann Wilson (lead singer of Heart)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Musikvideos:
Alone von Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (vom 1983 bis heute) und Denise Barry Music (vom 1983 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.653:40
4Nothing’s Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:29
5Big Log
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1983)
recording of:
Big Log
Komponist(in):
Robbie Blunt, Robert Plant (of Led Zeppelin) und Gerald Woodruffe
publisher:
Bay Music Co., Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Talk Time Music, Inc.
Robert Plant4:59
6In a Big Country
Produzent(in):
Steve Lillywhite
Herausgeber:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1983)
Bearbeitung von:
In a Big Country von Big Country
Musikvideos:
In a Big Country von Big Country
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 14)
recording of:
In a Big Country
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3.953:53
7Black Magic Woman
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (percussionist) (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04)
membranophone:
Michael Shrieve (drummer) (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 28)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana3.83:20
8Each Time You Break My Heart
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:27
9You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:20
10Sometimes Love Just Ain’t Enough
Interpret(in):
Don Henley
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1992)
recording of:
Sometimes Love Just Ain’t Enough
Verfasser(in):
Glen Burtnik und Patty Smyth
publisher:
BMG Music Publishing Ltd., EMI Blackwood Music Inc., EMI Songs Ltd., Hampstead Heath Music Publishing Ltd., Pink Smoke Music, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Patty Smyth44:29
11Kiss on My List
phonographisches Urheberrecht (℗) von:
RCA Records Ltd. (RCA Records, not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recording of:
Kiss on My List
Verfasser(in):
Janna Allen (songwriter) und Daryl Hall
publisher:
Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian und Unichappell Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Hall & Oates4.553:50
12While You See a Change
recording of:
While You See a Chance
Texter und Komponist(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood5:10
13Running Up That Hill
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Balalaika:
Paddy Bush
Bass:
Del Palmer
Gitarre:
Alan Murphy (UK session guitarist)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
vocals:
Kate Bush
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
Running Up That Hill (music video) von Kate Bush
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 7), Billboard Year-End Hot 100 singles of 2022 (Nummer: 23), Billboard Hot 100: 2026-01-17 (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 60), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 279)
recording of:
Running Up That Hill
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:54
14You Have Placed a Chill in My Heart
recording engineer und Mix:
Fred Defaye
zusätzlich recording engineer:
Manu Guiot (sound engineer)
Programmierung:
Olle Romo (Swedish music producer, songwriter, and drummer)
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
assistierende(r) Mix:
Claude Pons
aufgenommen bei:
Chateau Dangu Normandy in Dangu, Eure, Normandie (Normandy), Frankreich
mixed at:
Grand Armée Studios Paris in Paris, Île-de-France, Frankreich
recording of:
You Have Placed a Chill in My Heart
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
D’n’A Ltd.
Eurythmics4.53:49
15She Makes My Day
recording of:
She Makes My Day
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Island Music Ltd.
Robert Palmer4:13
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Drove All Night
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
I Drove All Night
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. und Warner Chappell Music Ltd.
Cyndi Lauper4.354:11
2The Flame
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988)
recording of:
The Flame
Verfasser(in):
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) und Bob Mitchell (UK production music composer & songwriter)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Hit & Run Music (Publishing) Ltd, Lorimar Music Corp., Sony Music Publishing (UK) Limited (2003–2008, 2021–present), Sony/ATV Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick54:46
3Waiting for a Girl Like You
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.354:48
4Only Women Bleed
assistierende(r) Produzent(in):
Michael Sherman (producer)
Produzent(in):
Bob Ezrin
Bass:
Prakash John
Gitarre:
Steve Hunter (rock guitarist) und Dick Wagner
Rhodes Piano:
Jozef Chirowski
Schlagzeug:
Whitey Glan
Slide-Gitarre:
Dick Wagner
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present)
vocals:
Jozef Chirowski und Dick Wagner
arranger:
Bob Ezrin und Allan MacMillan
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
produced for:
My Own Production Company Ltd.
recording of:
Only Women Bleed
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975–present) und Dick Wagner
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Early Frost Music Corp. (, vom 1975 bis ????), EMI Blackwood Music Inc., Ezra Music, Mushroom Music Pty. Ltd., Primary Wave Music Publishing, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group, Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1975 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.55:49
5Release Me
recording of:
Release Me
Verfasser(in):
Chynna Phillips, Carnie Wilson und Wendy Wilson
publisher:
EMI Blackwood Music Inc., Smooshie Music und Willphill Music
Wilson Phillips3:52
6We Let the Stars Go
recording of:
We Let the Stars Go
Texter und Komponist(in):
Paddy McAloon
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. (in 1990) und Kitchen Music Ltd. (in 1990)
Prefab Sprout33:37
7First Picture of You
phonographisches Urheberrecht (℗) von:
Arista Records, LLC (holding company - file NO releases here!) (in 1983)
recording of:
The First Picture of You
Verfasser(in):
Jeremy Kelly, Peter Coyle und Ged Quinn (Keyboardist)
publisher:
Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
The Lotus Eaters33:40
8Forever Autumn
cover recording of:
Forever Autumn
Texter:
Gary Osborne und Paul Vigrass
Komponist(in):
Jeff Wayne (musician)
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jeff Wayne’s Musical Version of “The War of the Worlds”
Justin Hayward44:08
9Night Owl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979)
recording of:
Night Owl
Texter und Komponist(in):
Gerry Rafferty
Gerry Rafferty24:24
10Two Out of Three Ain’t Bad
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recording of:
Two Out of Three Ain’t Bad
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf4.54:48
11Love & Affection
recording of:
Love and Affection
Texter und Komponist(in):
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading4:28
12I’ll Find My Way Home
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Instrumente und Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis)
vocals:
Jon Anderson (Yes/Jon & Vangelis)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981) und Spheric B.V. (in 1981)
recording of:
I’ll Find My Way Home
Texter:
Jon Anderson (Yes/Jon & Vangelis)
Komponist(in):
Jon Anderson (Yes/Jon & Vangelis) und Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Chappell North America
Jon and Vangelis44:31
13Shine Silently
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
recording of:
Shine Silently
Verfasser(in):
Nils Lofgren und Dick Wagner
publisher:
Candlewood Mountain Music Publishing Inc.
Nils Lofgren3:36
14Parisienne Walkways
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Chris Tsangarides
accordion, Gitarre, Mandoline, string synthesizer und Hintergrundgesang:
Gary Moore (Thin Lizzy, blues guitar) (von 1978-03 bis 1978-05)
Bass und Gast Sologesang:
Phil Lynott (von 1978-03 bis 1978-05)
Schlagzeug:
Brian Downey (Thin Lizzy drummer) (von 1978-03 bis 1978-05)
recording of:
Parisienne Walkways (von 1978-03 bis 1978-05)
Verfasser(in):
Phil Lynott und Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc und Maxwood Music Ltd.
basiert auf:
Blue Bossa
Gary Moore3.653:21
15I’ll Stand by You
Techniker(in):
Steve Williams (UK recording engineer, aka Syco)
Produzent(in):
Ian Stanley
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Adam Seymour
Schlagzeug:
Jimmy Copley und J.F.T. Hood
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
The Pretenders3.553:54

Nennungen

Veröffentlichungsgruppe

Teil von:The Power of Love (Time-Life Music) (Nummer: 2) (Reihenfolge: 2)