The Best of All Woman, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:37
2Show Me Heaven
recording engineer:
George Massenburg
zusätzlich recording engineer:
Frank Wolf (engineer at Skyline Recording)
Produzent(in):
Peter Asher
Mix:
Chris Lord‐Alge
arranger:
David Campbell (Australian singer)
cover recording of:
Show Me Heaven
Verfasser(in):
Eric Rackin (Production music composer), Maria McKee und Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Tina Arena4:22
3The Sun Ain't Gonna Shine Anymore
cover recording of:
The Sun Ain’t Gonna Shine (Anymore)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Cher5:14
4Marlene on the Wall
recording of:
Marlene on the Wall
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Suzanne Vega3:42
5Hyper‐Ballad
recording engineer:
Howard Bernstein und Steve Price (UK recording engineer/producer/orchestrator/arranger)
sonstige Unterstützung:
Isobel Griffiths (Aufgabe: Orchestral Contractor)
Programmierung:
Marius de Vries
assistierende(r) Techniker(in):
Kirsten Cowie, Oswald "Wiz" Bowe, Adrian Scarff und Mark Warner (UK DVD designer and recording engineer)
Produzent(in):
Björk und Nellee Hooper
Mix:
Mark “Spike” Stent (producer, engineer) und Al Stone (UK engineer)
Bratsche / Viola:
Rob Smissen (violist)
Cello:
Tony Pleeth (cellist)
Keyboard:
Björk und Marius de Vries
vocals:
Björk
conductor:
Eumir Deodato
Saiteninstrumente arranger:
Eumir Deodato
arranger:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Björk Overseas Ltd. (in 1995), Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1995) und One Little Indian Ltd. (in 1995)
recording of:
Hyperballad
Texter und Komponist(in):
Björk
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), PolyGram Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Björk4.45:23
6From a Distance
Produzent(in):
Arif Mardin und Bette Midler
Sologesang:
Bette Midler (in 1990)
arranger:
Arif Mardin und Steve Skinner
vocals arranger:
Marc Shaiman (American score composer and lyricist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
cover recording of:
From a Distance (in 1990)
Texter und Komponist(in):
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bette Midler2.54:40
7Holding On
Techniker(in):
Barry Hammond
Produzent(in):
Paul Samwell-Smith
Mix:
Frank Filipetti
Gast-alto saxophone:
Frank Mead
Gast-Bassgitarre:
Pat Donaldson
Gast-Gitarre:
Simon Nicol (singer, multi-instrumentalist and producer from England)
Gast-Keyboard:
Bias Boshell
Gast-Perkussion und Gast-Schlagzeug:
Dave Mattacks
Pianoakkordeon, Hintergrundgesang und Sologesang:
Beverley Craven
Gast Hintergrundgesang:
Tubs Andrew, Sheila Parker, Sheryl Parker (vocalist), Suzanne Rhatigan und Paul Samwell-Smith
recording of:
Holding On
Texter und Komponist(in):
Beverley Craven
Beverley Craven3:50
8Free
Produzent(in):
Charles Stepney (musician, producer, arranger and songwriter) und Maurice White (Earth, Wind & Fire)
Bearbeitung von:
Free von Deniece Williams (US soul/funk vocalist/songwriter)
recording of:
Free
Verfasser(in):
Susaye Greene, Hank Redd, Nathan Watts und Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams42:52
9Real Love
Mary J. Blige3:57
10Hello (Turn Your Radio On)
recording of:
Hello (Turn Your Radio On)
Verfasser(in):
Marcella Detroit, Siobhan Fahey und Jean Guiot (composer credits pseudonym of Dave Stewart)
Shakespears Sister4:23
11Rhythm of Life
Produzent(in):
David Bascombe und Roland Orzabal (UK musician, songwriter and producer)
Bass:
Pino Palladino
Keyboard:
Oleta Adams
Schlagzeug:
John Cushon
Hintergrundgesang:
Carol Kenyon und Tessa Niles
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!)
recording of:
Rhythm of Life
Verfasser(in):
Nicky Holland und Roland Orzabal (UK musician, songwriter and producer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Go Dutch Music
Oleta Adams4:20
12The First Cut Is the Deepest
Produzent(in):
Mike Hurst (musician and record producer from London, England)
vocals:
P.P. Arnold
arranger:
Art Greenslade
recording of:
The First Cut Is the Deepest
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. und Salafa Ltd.
P.P. Arnold43:18
13No More the Fool
recording of:
No More the Fool
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd und Virgin Music (Publishers) Ltd.
Elkie Brooks4:57
14Anything for You
recording of:
Anything for You
Texter und Komponist(in):
Gloria M. Estefan
Gloria Estefan3:38
15Black Velvet
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles3:41
16Walking Down Madison
recording of:
Walking Down Madison
Verfasser(in):
Kirsty MacColl und Johnny Marr
Kirsty MacColl4:41
17I Just Want to Make Love to You
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Etta James33:06
18Until You Come Back to Me
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:27
19Stay With Me Till Dawn
recording of:
Stay With Me Till Dawn
Verfasser(in):
Mike Paxman (multi-instrumentalist & record producer) und Judie Tzuke
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Rocket Music Ltd. (publisher)
Judie Tzuke3:52
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Believe
Produzent(in):
Chris Thomas (UK record producer / remixer)
recording of:
I Believe
Texter und Komponist(in):
Marcella Detroit
publisher:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26)
Marcella Detroit2.54:48
2Oh No Not My Baby
Maxine Brown2:42
3Somebody Else's Girl
recording of:
Somebody Else’s Guy
Verfasser(in):
Annette E. Brown und Jocelyn Brown
publisher:
Jocelyn Brown's Music, SM Publishing (UK) Limited (Sony Music, 2009–2020), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Jocelyn Brown3:52
4Love Is a Battlefield
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar4:12
5China in Your Hand
Techniker(in):
Norman Goodman
Produzent(in):
Tim Burgess (T'Pau drummer) und Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Bearbeitung von:
China in Your Hand von T’Pau
recording of:
China in Your Hand
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. und Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:08
6I Never Felt Like This Before
recording of:
I Never Felt Like This Before
Verfasser(in):
Sally Jo Dakota und Narada Michael Walden
publisher:
Gratitude Sky Music
Mica Paris4:12
7One Day I'll Fly Away
recording of:
One Day I’ll Fly Away
Texter:
Will Jennings
Komponist(in):
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. und Leeds Music Ltd.
Randy Crawford4:58
8The Moon and St. Christopher
Mary Black4:07
9Moments of Pleasure
recording of:
Moments of Pleasure
Texter und Komponist(in):
Kate Bush
Kate Bush35:19
10Bee in the Bottle
Sinéad Lohan2:45
11I'm Lucky
recording of:
I'm Lucky
Texter und Komponist(in):
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
Joan Armatrading3:06
12I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
Nina Simone4.252:36
13Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:44
14The Right Thing to Do
recording engineer und Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Conga:
Ray Cooper (percussionist) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Schlagzeug:
Andy Newmark (von 1972-09 bis 1972-10)
Hintergrundgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1972-09 bis 1972-10), Carly Simon (von 1972-09 bis 1972-10) und Liza Strike (von 1972-09 bis 1972-10)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Kirby Johnson
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
recording of:
The Right Thing to Do (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’Est Music und Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon3.53:01
15She Cries Your Name
recording of:
She Cries Your Name
Texter und Komponist(in):
William Orbit (English musician, composer and record producer) und Beth Orton
publisher:
Guerilla Studios Ltd. und Kobalt Music Services Ltd. (UK)
sub-publisher:
Kobalt Music Publishing France
Beth Orton4:47
16I Drove All Night
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
I Drove All Night
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. und Warner Chappell Music Ltd.
Cyndi Lauper4.354:12
17Wrecking Ball
cover recording of:
Wrecking Ball
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Emmylou Harris34:50
18Don't It Make Your Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:36
19Save the Best for Last
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
zusätzlich arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
recording of:
Save the Best for Last
Verfasser(in):
Phil Galdston, Jon Lind und Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:40

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