Lady in Autumn: The Best of the Verve Years

~ Release by Billie Holiday (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Body and Soul
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1946-04-22)
double bass:
Red Callender (on 1946-04-22)
drums (drum set):
Dave Coleman (jazz drummer) (on 1946-04-22)
guitar:
Irving Ashby (on 1946-04-22)
piano:
Milt Raskin (Milton Raskin) (on 1946-04-22)
tenor saxophone:
Coleman Hawkins (on 1946-04-22) and Lester Young (saxophonist) (on 1946-04-22)
trombone:
Tommy Turk (on 1946-04-22)
trumpet:
Buck Clayton (on 1946-04-22) and Joe Guy (trumpet) (on 1946-04-22)
vocals:
Billie Holiday (on 1946-04-22)
recording of:
Body and Soul (on 1946-04-22)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday3:27
2Strange Fruit
piano:
Milt Raskin (Milton Raskin) (on 1946-04-22)
vocals:
Billie Holiday (on 1946-04-22)
recording of:
Strange Fruit (on 1946-04-22)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday2:55
3Trav’lin’ Light
piano:
Milt Raskin (Milton Raskin) (on 1946-04-22)
trombone:
Tommy Turk (on 1946-04-22)
vocals:
Billie Holiday (on 1946-04-22)
recording of:
Trav’lin’ Light (on 1946-04-22)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
Billie Holiday3:26
4All of Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1946-04-22)
double bass:
Red Callender (on 1946-04-22)
drums (drum set):
Dave Coleman (jazz drummer) (on 1946-04-22)
guitar:
Irving Ashby (on 1946-04-22)
piano:
Milt Raskin (Milton Raskin) (on 1946-04-22)
tenor saxophone:
Coleman Hawkins (on 1946-04-22) and Lester Young (saxophonist) (on 1946-04-22)
trombone:
Tommy Turk (on 1946-04-22)
trumpet:
Buck Clayton (on 1946-04-22) and Joe Guy (trumpet) (on 1946-04-22)
vocals:
Billie Holiday (on 1946-04-22)
recording of:
All of Me (on 1946-04-22)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday1:58
5There Is No Greater Love
piano:
Bobby Tucker (on 1947-05-24)
vocals:
Billie Holiday (on 1947-05-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-05-24)
live recording of:
There Is No Greater Love (on 1947-05-24)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Billie Holiday2:37
6I Cover the Waterfront
piano:
Bobby Tucker (on 1947-05-24)
vocals:
Billie Holiday (on 1947-05-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-05-24)
live recording of:
I Cover the Waterfront (on 1947-05-24)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
Billie Holiday2:52
7These Foolish Things (Remind Me of You)
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
orchestra:
Billie Holiday and Her Orchestra (in 1952)
recording of:
These Foolish Things (Remind Me of You) (on 1952-03-26)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Billie Holiday and Her Orchestra53:37
8Tenderly
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
J.C. Heard (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Tenderly (in 1952-04)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Billie Holiday and Her Orchestra3:23
9Autumn in New York
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
J.C. Heard (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Autumn in New York (1934) (in 1952-04)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Billie Holiday and Her Orchestra3:54
10My Man
recorded in:
New York, New York, United States (on 1952-07-27)
double bass and double bass [bass]:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
J.C. Heard (on 1952-07-27) and Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1952-07-27)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
Billie Holiday & Her Lads of Joy42:39
11Stormy Weather
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
J.C. Heard (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Stormy Weather (on 1952-07-27)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Billie Holiday & Her Lads of Joy3:42
12Yesterdays
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
J.C. Heard (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
organ:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Yesterdays (on 1952-07-27)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Billie Holiday & Her Lads of Joy2:50
13(I Got a Man Crazy for Me) He’s Funny That Way
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
J.C. Heard (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
She’s Funny That Way (on 1952-07-27)
lyricist:
Richard A. Whiting (composer) (in 1928)
writer:
Neil Moret and Richard A. Whiting (composer)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
Billie Holiday & Her Lads of Joy3:11
14What a Little Moonlight Can Do
double bass:
Ray Brown (jazz bassist) (on 1954-04-14)
drums (drum set):
Ed Shaughnessy (on 1954-04-14)
guitar:
Herb Ellis (jazz guitarist) (on 1954-04-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-14)
trumpet:
Charlie Shavers (on 1954-04-14)
vocals:
Billie Holiday (on 1954-04-14)
recording of:
What a Little Moonlight Can Do (on 1954-04-14)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
Billie Holiday and Her Orchestra3:15
15I Cried for You (Now It’s Your Turn to Cry Over Me)
double bass:
Ray Brown (jazz bassist) (on 1954-04-14)
drums (drum set):
Ed Shaughnessy (on 1954-04-14)
guitar:
Herb Ellis (jazz guitarist) (on 1954-04-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-14)
trumpet:
Charlie Shavers (on 1954-04-14)
vocals:
Billie Holiday (on 1954-04-14)
recording of:
I Cried for You (on 1954-04-14)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
Billie Holiday and Her Orchestra2:30
16Too Marvelous for Words
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
Too Marvelous for Words (on 1954-09-03)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday and Her Orchestra2:16
17I Wished on the Moon
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Carl Drinkard (pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
I Wished on the Moon (on 1955-02-14)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Billie Holiday with Tony Scott and His Orchestra56:47
18I Don’t Want to Cry Anymore
alto saxophone:
Benny Carter (on 1955-08-23)
double bass:
John Simmons (bassist) (on 1955-08-23)
drums (drum set):
Larry Bunker (on 1955-08-23)
guitar:
Barney Kessel (on 1955-08-23)
piano:
Jimmy Rowles (on 1955-08-23)
trumpet:
Harry “Sweets” Edison (on 1955-08-23)
vocals:
Billie Holiday (on 1955-08-23)
recording of:
I Don’t Want to Cry Anymore (on 1955-08-23)
lyricist and composer:
Victor Schertzinger
Billie Holiday and Her Orchestra3:58
19Prelude to a Kiss
alto saxophone:
Benny Carter (on 1955-08-23)
double bass:
John Simmons (bassist) (on 1955-08-23)
drums (drum set):
Larry Bunker (on 1955-08-23)
guitar:
Barney Kessel (on 1955-08-23)
piano:
Jimmy Rowles (on 1955-08-23)
trumpet:
Harry “Sweets” Edison (on 1955-08-23)
vocals:
Billie Holiday (on 1955-08-23)
recording of:
Prelude to a Kiss (on 1955-08-23)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Billie Holiday and Her Orchestra5:35
2▼CD
#TitleArtistRatingLength
1Nice Work If You Can Get It
alto saxophone:
Benny Carter (on 1955-08-23)
double bass:
John Simmons (bassist) (on 1955-08-23)
drums (drum set):
Larry Bunker (on 1955-08-23)
guitar:
Barney Kessel (on 1955-08-23)
piano:
Jimmy Rowles (on 1955-08-23)
trumpet:
Harry “Sweets” Edison (on 1955-08-23)
vocals:
Billie Holiday (on 1955-08-23)
recording of:
Nice Work If You Can Get It (on 1955-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Billie Holiday and Her Orchestra3:53
2Come Rain or Come Shine
alto saxophone:
Benny Carter (on 1955-08-25)
double bass:
John Simmons (bassist) (on 1955-08-25)
drums (drum set):
Larry Bunker (on 1955-08-25)
guitar:
Barney Kessel (on 1955-08-25)
piano:
Jimmy Rowles (on 1955-08-25)
trumpet:
Harry “Sweets” Edison (on 1955-08-25)
vocals:
Billie Holiday (on 1955-08-25)
recording of:
Come Rain or Come Shine (on 1955-08-25)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Billie Holiday and Her Orchestra4:21
3What’s New?
alto saxophone:
Benny Carter (on 1955-08-25)
celesta:
Jimmy Rowles (on 1955-08-25)
double bass:
John Simmons (bassist) (on 1955-08-25)
drums (drum set):
Larry Bunker (on 1955-08-25)
guitar:
Barney Kessel (on 1955-08-25)
vocals:
Billie Holiday (on 1955-08-25)
recording of:
What’s New? (on 1955-08-25)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Billie Holiday and Her Orchestra4:18
4God Bless the Child
recorded in:
New York, New York, United States (on 1956-06-07)
bass and double bass:
Aaron Bell (jazz double bassist) (on 1956-06-07)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-07)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-07)
trumpet:
Charlie Shavers (on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-07)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
recording of:
God Bless the Child (on 1956-06-07)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday with Tony Scott and His Orchestra4:01
5Do Nothin’ Till You Hear From Me
double bass:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recording of:
Do Nothin’ Till You Hear From Me (on 1956-08-14)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
Billie Holiday and Her Orchestra4:15
6April in Paris
double bass:
Joe Mondragon (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recording of:
April in Paris (on 1956-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Billie Holiday and Her Orchestra3:04
7Lady Sings the Blues
double bass:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
guitar:
Kenny Burrell (on 1956-11-10)
piano:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Lady Sings the Blues (on 1956-11-10)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday & Chico Hamilton2:39
8Don’t Explain
double bass:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Don’t Explain (on 1956-11-10)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Billie Holiday & Chico Hamilton2:25
9Fine and Mellow
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Fine and Mellow (on 1956-11-10)
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday & Chico Hamilton3:23
10I Didn’t Know What Time It Was
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1957-01-04)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
Billie Holiday and Her Orchestra36:01
11Stars Fell on Alabama
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
electric guitar:
Barney Kessel (from 1957-01-07 until 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Stars Fell on Alabama (on 1957-01-08)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music
Billie Holiday and Her Orchestra2.754:30
12One for My Baby (and One More for the Road)
producer:
Norman Granz
double bass:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Larry Bunker (on 1957-01-08) and Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
One for My Baby (and One More for the Road) (on 1957-01-08)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Billie Holiday and Her Orchestra45:40
13Gee Baby, Ain’t I Good to You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recording of:
Gee, Baby Ain’t I Good to You (on 1957-01-09)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
Billie Holiday and Her Orchestra5:39
14Lover Man (Oh, Where Can You Be?)
double bass:
Milt Hinton (on 1958-09-26)
drums (drum set):
Don Lamond (on 1958-09-26)
piano:
Mal Waldron (American jazz pianist) (on 1958-09-26)
trumpet:
Buck Clayton (on 1958-09-26)
vocals:
Billie Holiday (on 1958-09-26)
recording of:
Lover Man (on 1958-09-26)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday3:08
15All the Way
recorded in:
New York, New York, United States (on 1959-03-03)
alto saxophone and bass clarinet:
Romeo Penque (on 1959-03-03)
celesta and piano:
Hank Jones (piano) (on 1959-03-03)
double bass:
Joe Benjamin (US jazz bassist) (on 1959-03-03)
drums (drum set):
Osie Johnson (on 1959-03-03)
harp:
Janet Putnam (harpist) (on 1959-03-03)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1959-03-03)
vocals:
Billie Holiday (on 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1959-03-03)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
All the Way (from “The Joker Is Wild”) (on 1959-03-03)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
Billie Holiday with Ray Ellis and His Orchestra3.753:25
16Don’t Worry ’Bout Me
alto saxophone:
Gene Quill (on 1959-03-04)
double bass:
Milt Hinton (on 1959-03-04)
drums (drum set):
Osie Johnson (on 1959-03-04)
guitar:
Barry Galbraith (on 1959-03-04)
piano:
Hank Jones (piano) (on 1959-03-04)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1959-03-04)
trumpet:
Harry “Sweets” Edison (on 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1959-03-04)
recording of:
Don’t Worry ’Bout Me (on 1959-03-04)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
Billie Holiday with Ray Ellis and His Orchestra43:09