Melodies: The Best of AOR

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1I.G.Y.
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
Bassgitarre:
Anthony Jackson (US bassist)
Gitarre:
Hugh McCracken
Hybrid-Piano:
Greg Phillinganes
Perkussion:
Roger Nichols (US mastering, recording engineer and producer) und Starz Vanderlocket
Posaune:
Dave Bargeron (US trombonist & tubist)
Schlagzeug:
James Gadson (American drummer)
Synthesizer:
Donald Fagen und Rob Mounsey
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Randy Brecker
zusätzlich Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders und Valerie Simpson
Sologesang:
Donald Fagen
arranger:
Donald Fagen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
Texter und Komponist(in):
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:04
2What You Won’t Do for Love
Produzent(in):
Ann Holloway (producer/songwriter)
Analoger Synthesizer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
Bassgitarre:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), George "Chocolate" Perry (bassist aka "Chocolate") und Richie Valesquez (bassist)
Gitarre:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) und Alfons Kettner
Keyboard:
Benny Latimore (US blues/R&B singer, songwriter and pianist) und Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
Schlagzeug:
Joe Galdo (US drummer & percussionist) und Ed Greene (drummer)
vocals:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
phonographisches Urheberrecht (℗) von:
Sin‐Drome Records, Ltd. (holding company - file NO releases here!) (in 1978)
recording of:
What You Won’t Do for Love
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) und Alfons Kettner
publisher:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Bobby Caldwell3.44:45
3Livin’ It Up
recording engineer:
Mark Linett
Produzent(in):
Russ Titelman
Mix:
Lee Herschberg und Mark Linett
alto saxophone:
David Sanborn
Bassgitarre:
Willie Weeks (US bass player)
Gitarre:
Dean Parks (American session guitarist)
Klavier:
Clarence McDonald
Perkussion:
Lenny Castro
Rhodes Piano und Sologesang:
Bill LaBounty
Schlagzeug:
Steve Gadd (drummer)
Synthesizer:
Ian Underwood
Hintergrundgesang:
Patti Austin, Bill LaBounty und Gwen Dickey
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Livin’ It Up
Verfasser(in):
Bill LaBounty, Barry Mann und Cynthia Weil
publisher:
Dyad Music Ltd., Sony/ATV Songs LLC, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ATV Music Corp. (vom 1981 bis ????), Captain Crystal Music (vom 1981 bis heute) und Mann and Weil Songs, Inc. (vom 1981 bis heute)
Bill LaBounty4:18
4Jojo
Synthesizer-Programmierung:
Michael Boddicker, Larry Fast (American synthesizer player and composer) und Steve Porcaro
assistierende(r) Techniker(in):
Stephen Marcussen (mastering engineer) und Gabe Veltri
Techniker(in) und Produzent(in):
Bill Schnee
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Ray Parker Jr.
Keyboard:
David Foster (Canadian music producer, arranger and composer)
Perkussion:
Lenny Castro
Schlagzeug:
Jeff Porcaro
Solo-Saxophon:
Adrian Tapia
Hintergrundgesang:
Charlotte Crossley, David Lasley und Sharon Redd
Sologesang:
Boz Scaggs
Saiteninstrumente arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
aufgenommen bei und mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Jojo
Texter:
David Lasley und Boz Scaggs
Komponist(in):
David Foster (Canadian music producer, arranger and composer) und Boz Scaggs
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Songs, Inc., Boz Scaggs Music (publisher), Foster Frees Music Inc., Irving Music (BMI), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK) und Rondor Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Boz Scaggs5:51
5Georgy Porgy
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
zusätzliche(r) Produzent(in):
Tom Knox
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich und Steve Porcaro
Klavier:
David Paich
Perkussion:
Lenny Castro und Jeffrey Porcaro
Schlagzeug:
Jeffrey Porcaro
Hintergrundgesang:
Cheryl Lynn (1970s disco singer)
Sologesang:
Cheryl Lynn (1970s disco singer), Jean-Michel Byron und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, Cheryl Lynn (1970s disco singer), David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
Saiteninstrumente arranger:
Marty Paich und Sid Sharp
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Georgy Porgy
Texter und Komponist(in):
D. Paich
publisher:
Hudmar Publishing Co. Inc. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
basiert auf:
Georgie Porgie (nursery rhyme)
Toto3.54:08
6You’re Only Lonely
recording engineer:
Lee Herschberg
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
J.D. Souther
Bassgitarre:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Gitarre:
Danny Kortchmar (Danny Kootch), J.D. Souther und Waddy Wachtel
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Sologesang:
J.D. Souther
Interpret(in):
James Taylor (singer-songwriter and guitarist)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re Only Lonely
Texter und Komponist(in):
J.D. Souther
publisher:
EMI Blackwood Music Inc. und Ice Age Music
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
J.D. Souther53:46
7What a Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:42
8Don’t Worry Baby
recording of:
Don’t Worry Baby
Texter und Komponist(in):
John McBurnie
publisher:
Copyright Administration Services Ltd. (Copyright Administration Services Limited) und Victor Music Arts
Vapour Trails3:45
9Don’t Talk
Techniker(in):
Bill Drescher (Producer and sound engineer)
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
Bassgitarre:
David Hungate
Gitarre:
Jon Goin
Keyboard:
Nicky Hopkins (pianist and organist)
Perkussion:
Lenny Castro
Schlagzeug:
Mike Baird (drummer)
Synthesizer:
Gabriel Katona
Hintergrundgesang:
Bill Champlin, Tom Kelly (songwriter) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Sologesang:
Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
aufgenommen bei und mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Talk
Verfasser(in):
Terry Britten und Sue Shifrin
publisher:
Intersong U.S.A. (publisher), Palancar Music, Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Larry Lee3:19
10Skip to My Lou
Finis Henderson5:02
11Lost in Love
Techniker(in) und Mix:
William Wittman
Produzent(in):
Rick Chertoff, Charles Fisher (Australian producer) und Robie Porter
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, David Moyse, Nancy Nash und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) und Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
aufgenommen bei:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australien
mixed at:
Soundmixers in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 295)
recording of:
Lost in Love
Texter und Komponist(in):
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:53
12Biggest Part of Me
Produzent(in):
Ambrosia (L.A. prog rock band) und Freddie Piro
Bass:
Joe Puerta
Chamberlin, Clavinet, elektronische Orgel und Minimoog:
Christopher North
Gitarre:
David Pack
Perkussion:
Burleigh Drummond und Royce Jones
Schlagzeug:
Burleigh Drummond
vocals:
Burleigh Drummond, Royce Jones, David Pack und Joe Puerta
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 16)
recording of:
Biggest Part of Me
Texter und Komponist(in):
David Pack
publisher:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Ambrosia5:25
13Take Me to Your Heaven
recording of:
Take Me to Your Heaven
Verfasser(in):
Kelly Wilson (of The Wilson Bros. westcoast pop duo) und Steve Wilson (member of The Wilson Bros. westcoast pop duo)
publisher:
Wilson Bros. Music und フジパシフィックミュージック (Fujipacific Music, Inc.)
Wilson Bros.3:40
14Is It You?
Bass:
Abraham Laboriel
Gitarre:
Lee Ritenour
Keyboard:
David Foster (Canadian music producer, arranger and composer) und Richard Tee
membranophone:
Harvey Mason (jazz drummer)
Perkussion:
Alex Acuña
Trompete:
Jerry Hey
vocals:
Bill Champlin und Eric Tagg
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980)
recording of:
Is It You?
Texter:
Bill Champlin und Eric Tagg
Komponist(in):
Lee Ritenour
publisher:
Budde Music Inc. (US publisher), Captain Fingers Productions, Downtown DLJ Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und Rit of Habeas Music
Lee Ritenour4:27
15Goin’ Down
Koproduzent(in):
Greg Guidry
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
Sologesang:
Greg Guidry
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
produced for:
Chicago Kid Productions
recording of:
Goin’ Down
Verfasser(in):
Greg Guidry und David C. Martin (Canadian songwriter)
publisher:
World Song Publishing Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Greg Guidry3:44
16Cool Night
Produzent(in):
Paul Davis (American singer) und Ed Seay
vocals:
Paul Davis (American singer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981)
aufgenommen bei und mixed at:
Web IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
recording of:
Cool Night
Texter und Komponist(in):
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC, Web IV Music Inc. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:38
17After the Love Has Gone
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
After the Love Has Gone
Verfasser(in):
Bill Champlin, David Foster (Canadian music producer, arranger and composer) und Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music und Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.154:26
18Sailing
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Hintergrundgesang und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Synthesizer:
Rob Meurer
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Tommy Taylor (US drummer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sailing
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:15
2▼CD
Nr.TitelKünstlerBewertungLänge
1Hard to Say I’m Sorry
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Hard to Say I’m Sorry
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:40
2Heart of Mine
Bobby Caldwell4:49
3I Just Wanna Stop
recording engineer und Mix:
Norm Kinney
assistierende(r) Techniker(in):
Chris Desmond
Produzent(in):
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
assistierende(r) Mix:
Paul Aronoff und Betsy Banghart (engineer)
Bass-Synthesizer [synthesized electric bass]:
Leon Gaer
Gitarre:
Carlos Rios (producer/guitarist)
Hybrid-Piano und Synthesizer:
Joe Vannelli (Canadian musician, composer and record producer)
Perkussion:
Manuel Badrena
Schlagzeug:
Mark Craney
Tenorsaxophon:
Ernie Watts (jazz and blues saxophonist)
Hintergrundgesang:
Julia Tillman Waters, Maxine Willard Waters, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) und Ross Vannelli
Sologesang:
Gino Vannelli
arranger:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
phonographisches Urheberrecht (℗) von:
A&M Records und A&M Records, Inc. (in 1978)
aufgenommen bei:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Group IV Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Just Wanna Stop
Texter und Komponist(in):
Ross Vannelli
publisher:
Ross Vannelli Publishing und 日音 Synch事業部 (NICHION, INC. Synch Division)
Gino Vannelli3.13:36
4Rosanna
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Conga:
Lenny Castro
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hammond-Orgel und Synthesizer:
David Paich und Steve Porcaro
Instrumente:
Lenny Castro
Keyboard:
David Paich und Steve Porcaro
Klavier:
David Paich
Perkussion:
Lenny Castro und Jeff Porcaro
Posaune:
James Pankow
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug [drums]:
Jeff Porcaro
Trompete:
Gary Grant (brass) und Jerry Hey
Hintergrundgesang [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und David Paich
Sologesang:
Jean-Michel Byron, Bobby Kimball und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
Blechblasinstrumente [horns] arranger:
Jerry Hey und David Paich
arranger:
David Paich und Jerry Hey
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 15)
recording of:
Rosanna
Texter und Komponist(in):
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:31
5Mornin’
recording engineer:
Eric Prestis
Techniker(in):
Ian Eales und Jay Graydon
Produzent(in):
Jay Graydon
Bassgitarre:
Abe LaBoriel
Gitarre:
Jay Graydon
Rhodes Piano und Synthesizer:
David Foster (Canadian music producer, arranger and composer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang und Sologesang:
Al Jarreau (jazz, pop and r&b singer-songwriter)
Perkussion [rhythm] arranger:
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
Saiteninstrumente arranger:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
aufgenommen bei und mixed at:
Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mornin’
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Jay Graydon und Al Jarreau (jazz, pop and r&b singer-songwriter)
publisher:
AlJarreau Music, Garden Rake Music, Inc. und Peermusic III, Ltd. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 大洋音楽 (Taiyō Music)
Al Jarreau54:16
6Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:53
7Seeing You (for the First Time)
recording of:
Seeing You (for the First Time)
Texter und Komponist(in):
Jim Messina
publisher:
Jasperilla Music Co.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Jim Messina5:54
8Her Town Too
Assistent recording engineer:
Niko Bolas
recording engineer:
Val Garay
Produzent(in):
Peter Asher
Akustikgitarre:
Waddy Wachtel
Bassgitarre:
Leland Sklar (bassist, session musician)
E-Gitarre:
Dan Dugmore
Hybrid-Piano und Orgel:
Don Grolnick
Schlagzeug:
Rick Marotta (US drummer/percussionist)
vocals:
J.D. Souther und James Taylor (singer-songwriter and guitarist)
conductor:
Gene Page (conductor, composer, arranger and record producer)
Saiteninstrumente arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1980-09-05 bis 1981-01-18)
recording of:
Her Town Too
Verfasser(in):
J.D. Souther, James Taylor (singer-songwriter and guitarist) und Waddy Wachtel
publisher:
Country Road Music, Inc. (ASCAP-affiliated), Ice Age Music, Leadsheet Land Music, 日音 Synch事業部 (NICHION, INC. Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
James Taylor3.54:31
9Antonio’s Song (The Rainbow)
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Don Henderson (engineer)
Produzent(in):
Tommy LiPuma
Bassgitarre:
Wilton Felder
Gitarre:
Larry Carlton
Klavier und Solo-Klavier:
Joe Sample
Perkussion:
Ray Armando
Schlagzeug:
John Guerin
Solo-alto saxophone:
David Sanborn
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Antonio’s Song (The Rainbow)
Texter und Komponist(in):
Michael Franks
publisher:
Mississippi Mud Music Co.
sub-publisher:
Universal Music Publishing France (not for release label use!) und 大洋音楽 (Taiyō Music)
Michael Franks5:05
10Just for the Moment
recording of:
Just for the Moment
Verfasser(in):
Jack Conrad (producer and songwriter) und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
Seven Summits Music, Sony/ATV Melody und X‐Ray Music
Ray Kennedy3:24
11I Keep Forgettin’ (Every Time You’re Near)
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:40
12Heart to Heart
recording engineer:
Bruce Botnick
Produzent(in):
Bruce Botnick und Kenny Loggins
andere Instrumente [“artistic debris”]:
David Sanborn
Bassgitarre:
Derek Jackson (bassist)
Conga:
Paulinho da Costa (Brazilian percussionist)
Flügel:
David Foster (Canadian music producer, arranger and composer)
Gitarre:
Mike Hamilton (US guitarist based in Laguna Beach, CA)
Perkussion:
Lenny Castro
Rhodes Piano:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Steve George (US keyboardist for Mr. Mister & Pages), Michael McDonald (R&B & soul singer) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Sologesang:
Kenny Loggins
Saiteninstrumente arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recording of:
Heart to Heart
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Kenny Loggins und Michael McDonald (R&B & soul singer)
publisher:
Foster Frees Music Inc., Genevieve Music, Kobalt Music Publishing Ltd. (UK), Milk Money Music, Peermusic III, Ltd. (BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins5:19
13Steal Away
Techniker(in):
Gary Brandt
Conga:
Miguel Rivera (percussionist)
Gitarre:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) und Brian Ray
Keyboard:
Rick Chudacoff und Bill Elliott (keyboardist/composer)
Marimba:
Alan Estes
Mundharmonika:
Robbie Dupree
Perkussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas und Miguel Rivera (percussionist)
Saxophon:
Jerry Peterson
Synthesizer:
Michael Boddicker und Bill Elliott (conductor, producer)
Hintergrundgesang:
Kal David, Bill LaBounty, Arno Lucas und Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 64)
recording of:
Steal Away
Texter:
Rick Chudacoff
Komponist(in):
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Robbie Dupree3:29
14Him
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Jim Boyer (producer/engineer) und Rupert Holmes
Bass [electric bass]:
Frank Gravis
Schlagzeug:
Leo Adamian
phonographisches Urheberrecht (℗) von:
Infinity Records Inc., Geffen Records (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979, in 1980)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Him
Texter, Komponist(in) und arranger:
Rupert Holmes
publisher:
The Holmes Line of Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Rupert Holmes4:08
15Baby Come Back
Techniker(in):
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) und Joe Sidore
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
Bassgitarre:
Ronn Moss
Clavinet, Hybrid-Piano und Synthesizer:
Wayne Cook
Conga, Maracas / Rumba-Rasseln und Schlagzeug:
John Friesen (drummer)
Gitarre:
Peter Beckett (lead singer of Player)
Hintergrundgesang und Sologesang:
J.C. Crowley
vocals:
Peter Beckett (lead singer of Player) und Ronn Moss
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 7) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 24)
recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player4.354:16
16It Will Be Alright
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
Mix:
Jay Graydon
Bassgitarre:
David Hungate
Gitarre:
Jay Graydon
Keyboard:
David Foster (Canadian music producer, arranger and composer)
Hintergrundgesang:
David Foster (Canadian music producer, arranger and composer), Tommy Funderburk und Jay Graydon
Sologesang:
Tommy Funderburk und Jay Graydon
arranger:
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It Will Be Alright
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Jay Graydon und Allee Willis
publisher:
Foster Frees Music Inc., Garden Rake Music, Inc., Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 大洋音楽 (Taiyō Music)
Airplay4:00
17Just the Two of Us
Produzent(in):
Ralph MacDonald und Grover Washington, Jr.
E-Bass:
Marcus Miller (jazz musician) (von 1980-06 bis 1980-07)
E-Gitarre:
Eric Gale (von 1980-06 bis 1980-07)
Perkussion:
Ralph MacDonald (von 1980-06 bis 1980-07)
Rhodes Piano:
Richard Tee (von 1980-06 bis 1980-07)
Saxophon:
Grover Washington, Jr. (von 1980-06 bis 1980-07)
Schlagzeug:
Steve Gadd (drummer) (von 1980-06 bis 1980-07)
Sologesang:
Bill Withers (von 1980-06 bis 1980-07)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Bearbeitung von:
Just the Two of Us (original studio mix) von Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (von 1980-06 bis 1980-07)
Verfasser(in):
Ralph MacDonald, William Salter (songwriter, bassist, producer) und Bill Withers
publisher:
Antisia Music Inc. und Bleunig Music
Grover Washington, Jr.2.653:58
18We’re All Alone
Techniker(in):
Tom Perry (engineer)
Produzent(in):
Joe Wissert
Akustikgitarre:
Louie Shelton (in 1975-09)
Bassgitarre:
David Hungate (in 1975-09)
Blasinstrumente:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) und Bud Shank (in 1975-09)
Blechblasinstrumente:
Dick Hyde (in 1975-09)
Gitarre:
Fred Tackett (in 1975-09)
Horn:
Vincent DeRosa (in 1975-09)
Keyboard:
David Paich (in 1975-09)
Schlagzeug:
Jeff Porcaro (in 1975-09)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) und Paul Hubinon (in 1975-09)
Sologesang:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
We’re All Alone (in 1975-09)
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs24:11

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