70s Easy Living

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Landslide
recording engineer:
Keith Olsen (US producer and engineer)
engineer:
David DeVore
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks and Keith Olsen (US producer and engineer)
acoustic guitar, banjo, electric guitar and resonator guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02)
bass guitar:
John McVie (in 1975-02)
drums (drum set) [drums] and percussion:
Mick Fleetwood (in 1975-02)
keyboard [keyboards] and synthesizer:
Christine McVie (in 1975-02)
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02), Christine McVie (in 1975-02) and Stevie Nicks (in 1975-02)
phonographic copyright (℗) by:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1975, in 2017)
part of:
Billboard Hot 100: 2026-01-17 (number: 41) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 163)
recording of:
Landslide (in 1975-02)
lyricist:
Stevie Nicks
composer:
Stephanie Nicks
publisher:
Sony Songs Inc., Sony/ATV Music Publishing (1995–2020) and Welsh Witch Music (BMI affiliated)
was commissioned by:
BBC Enterprises Ltd. (predecessor of BBC Worldwide Ltd.)
Fleetwood Mac4.43:20
2What a Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:40
3If You Leave Me Now
recording engineer:
Armin Steiner (from 1976-03 until 1976-04: strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.23:54
4New Kid in Town
engineer:
Allan Blazek, Bruce Hensal, Ed Mashal and Bill Szymczyk
producer and mixer:
Bill Szymczyk
acoustic guitar and lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
bass guitar and guitarrón mexicano and background vocals:
Randy Meisner
drums (drum set), percussion and background vocals [& harmony]:
Don Henley
electric guitar [lead]:
Don Felder
Hammond organ [hammond] and Rhodes piano [fender rhodes]:
Joe Walsh (Eagles/James Gang)
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976) and Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (in 1976)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1976-03 until 1976-10) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
New Kid in Town
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley and J.D. Souther
Eagles3.955:05
5I’d Really Love to See You Tonight
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:39
6Right Down the Line
Gerry Rafferty4:28
7I Don’t Want to Talk About It
producer:
Bernard Edwards (American bassist and record producer) and Rod Stewart
cover recording of:
I Don’t Want to Talk About It (in 1989)
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music and Rondor Music
Rod Stewart4:52
8You’re So Vain
Carly Simon4:18
9Please Don’t Go
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and EMI Songs Ltd.
KC and the Sunshine Band43:50
10Summer Breeze
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10)
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:26
11She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:15
12My Eyes Adored You
Frankie Valli3:32
13Killing Me Softly With His Song
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 273) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 361)
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.554:47
14You’ve Got a Friend
engineer:
Richard Sanford Orshoff
producer:
Peter Asher
acoustic guitar:
James Taylor (singer-songwriter and guitarist)
acoustic guitar and congas:
Danny Kortchmar (Danny Kootch)
bass guitar:
Leland Sklar (bassist, session musician)
cabasa, congas and drums (drum set):
Russ Kunkel (session drummer)
background vocals:
Joni Mitchell and James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
James Taylor4.44:29
15Breezin’
recording engineer:
Al Schmitt (from 1976-01-06 until 1976-01-08)
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass guitar and guitar [rhythm guitar]:
Phil Upchurch (from 1976-01-06 until 1976-01-08)
clavinet and piano:
Jorge Dalto (from 1976-01-06 until 1976-01-08)
drums (drum set):
Harvey Mason (jazz drummer) (from 1976-01-06 until 1976-01-08)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1976-01-06 until 1976-01-08)
Minimoog [mini-moog] and electric piano:
Ronnie Foster (from 1976-01-06 until 1976-01-08)
percussion:
Ralph MacDonald (from 1976-01-06 until 1976-01-08)
conductor:
Claus Ogerman (from 1976-01-06 until 1976-01-08)
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-01-06 until 1976-01-08)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Breezin’ (from 1976-01-06 until 1976-01-08)
composer:
Bobby Womack
publisher:
Unart Music Corp. (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson45:42
16Crazy Love
executive producer:
Lewis Merenstein
producer:
Van Morrison
mixer:
Elliot Scheiner (in 1969-12)
background vocals:
Judy Clay (American soul and gospel singer) (in 1969), Emily Houston (in 1969) and Jackie Verdell (in 1969)
lead vocals:
Van Morrison (in 1969)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1970)
produced for:
Inherit Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1969-12)
recording of:
Crazy Love (in 1969)
lyricist and composer:
Van Morrison
publisher:
Caledonia Soul Music (, in 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America and WB Music Corp. (1929–2019) (in 1970)
Van Morrison3.72:35
17Street Life (edit)
recording of:
Street Life
writer:
Will Jennings and Joe Sample
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Randy Crawford4:49
18Hello It’s Me (single version)
Todd Rundgren4:20
19Close to You
Dionne Warwick2:54
20Could It Be I’m Falling in Love
The Spinners4:10
21Just a Song Before I Go
Crosby, Stills & Nash2:14
22California
Joni Mitchell3:50
23Guitar Man
engineer:
Armin Steiner
associate producer:
James Griffin (soft rock singer/songwriter/guitarist)
producer:
David Gates (singer/songwriter, lead singer of Bread)
bass guitar:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set) and percussion:
Michael Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread) and James Griffin (soft rock singer/songwriter/guitarist)
piano:
James Griffin (soft rock singer/songwriter/guitarist)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
The Guitar Man
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–Columbia Music, Inc.
Bread43:44
24A Song for You
Donny Hathaway5:26
25Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
26So Very Hard to Go
Tower of Power3:37
27Be Like a Woman
Chris Rainbow4:16
28Year of the Cat
Al Stewart6:43
29Rainy Night in Georgia
Brook Benton3:54
30Goodbye Girl
acoustic guitar, bass guitar and piano:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
electric guitar:
Dean Parks (American session guitarist)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:49
31A Warm Summer Night
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Chic6:05
32Lotta Love
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar:
Herb Pedersen
bass:
Bob Glaub
drums (drum set):
Rick Schlosser (drummer)
flute:
Plas Johnson
guitar:
Dave Kalish
keyboard:
Mark T. Jordan
saxophone:
Andrew Love
tambourine:
Nicolette Larson
background vocals:
Nicolette Larson and Ted Templeman
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
33Why Can’t We Be Friends?
War3:48
34I Never Cry
Alice Cooper3:45
35Dance With Me
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
Dance With Me
lyricist:
Johanna Hall
composer:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Orleans53:01
36Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:20
37Tin Man
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass, bass, guitar and keyboard, guitar and keyboard:
America (US folk/soft rock band)
drums (drum set) and percussion:
Willie Leacox
tape:
Pete Henderson (engineer)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Tin Man
lyricist and composer:
Dewey Bunnell
live recording of:
Tin Man
lyricist and composer:
Dewey Bunnell
America3.853:30
38Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:50
39Undercover Angel
Alan O’Day3:31
40I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:04
41Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 25)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright44:16
42Wishing on a Star (edit)
recording of:
Wishing on a Star
lyricist and composer:
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce43:59
43You Are the Woman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
lyricist and composer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:46
44Day Dreaming (single version)
Aretha Franklin4:01
45Count on Me
Jefferson Starship3:15
46Desperado
engineer:
John Haeny
producer:
J.D. Souther
mixer:
Al Schmitt
bass:
Chris Ethridge
drums (drum set):
Dennis St. John
electric guitar:
J.D. Souther
piano:
Spooner Oldham
trombone:
Gail Martin
trumpet:
Darrell Leonard and Mac Johnson
background vocals:
Clydie King, Sherlie Matthews (US vocalist) and Marti McCall (session vocalist)
horn and strings arranger:
Jim Ed Norman
cover recording of:
Desperado
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Warner Bros. Music GmbH (publisher) (in 1981)
Linda Ronstadt3:32
47Natural High
recorded in:
London (Greater London), England, United Kingdom
recording of:
Natural High
lyricist and composer:
Charles McCormick
publisher:
IQ Music Ltd.
Bloodstone4:09
48Fool (If You Think It’s Over)
Chris Rea4:07
49Love the One You’re With
engineer:
Andy Johns
producer:
Bill Halverson and Stephen Stills
bass:
Calvin Samuels (in 1970-03)
congas:
Jeff Whittaker (in 1970-03)
guitar, organ, percussion and lead vocals:
Stephen Stills (in 1970-03)
steelpan:
Stephen Stills
background vocals:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) and John Sebastian (in 1970-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
lyricist and composer:
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:06
50Falling
LeBlanc and Carr3:12
51If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot4.63:49
52It’s the Falling in Love
recording of:
It’s the Falling in Love
writer:
Carole Bayer Sager and David Foster (Canadian music producer, arranger and composer)
publisher:
Begonia Melodies Inc., Foster Frees Music Inc. and Irving Music (BMI)
Carole Bayer Sager & Michael McDonald3:56
53The Lady Wants to Know
Michael Franks4:46
54Do You Want to Dance
recording engineer:
Lew Hahn
producer:
Joel Dorn
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1972-01-19)
drums (drum set):
Ray Lucas (on 1972-01-19)
percussion:
Ralph MacDonald (on 1972-01-19)
piano:
Barry Manilow (on 1972-01-19)
background vocals:
Cissy Houston (on 1972-01-19), Beverly McKenzie (on 1972-01-19), Renelle Broxton (on 1972-01-19), Tender Loving Care (on 1972-01-19) and Deidre Tuck (on 1972-01-19)
lead vocals:
Bette Midler (on 1972-01-19)
remixer:
Bob Liftin
brass [horns] arranger and strings arranger:
Thom Bell (keyboards, songwriter, producer)
arranger:
Barry Manilow
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1972-01-19)
remixed at:
Regent Sound Studios in New York, New York, United States
cover recording of:
Do You Want to Dance (on 1972-01-19)
lyricist and composer:
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. and Sherwin Music (publisher)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Bette Midler32:44
55Thin Line Between Love and Hate
The Persuaders3:22
56Have You Never Been Mellow
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Have You Never Been Mellow
lyricist and composer:
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal/MCA Music Publishing Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Olivia Newton‐John3.53:34
57Ooh La La
assistant engineer:
Phil Chapman (engineer)
engineer and producer:
Glyn Johns
acoustic guitar:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
drums (drum set) and percussion:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
harmonium and piano:
Ian McLagan
lead vocals:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 246)
recording of:
Ooh La La
lyricist:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
composer:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
58Sideshow
Blue Magic4:12
59(Where Do I Begin) Love Story
producer:
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
recording of:
(Where Do I Begin?) Love Story (Love Story)
lyricist:
Carl Sigman
composer:
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
version of:
Theme From Love Story (Instrumental)
Shirley Bassey3:17
60Every Which Way but Loose
Eddie Rabbitt2:52
61Your Song
Cilla Black3:57
62You Might Need Somebody
recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Turley Richards3:37
63Love Hurts
engineer and mixer:
Hugh Davies (US recording engineer)
producer:
Gram Parsons
acoustic guitar and lead vocals:
Gram Parsons (from 1973-05 until 1973-09)
bass:
Emory Gordy (from 1973-05 until 1973-09)
drums (drum set):
Ron Tutt (drummer) (from 1973-05 until 1973-09)
electric guitar:
James Burton (guitarist) (from 1973-05 until 1973-09)
guitar [rhythm guitar]:
Herb Pedersen (in 1973)
pedal steel guitar:
Al Perkins (Texas born guitarist esp. steel guitar) (from 1973-05 until 1973-09)
piano:
Glen D. Hardin (from 1973-05 until 1973-09)
vocals:
Emmylou Harris (from 1973-05 until 1973-09)
cover recording of:
Love Hurts (in 1973)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:39
64Backstabbers
Tina Turner3:38
65Angel From Montgomery
Bonnie Raitt3:59