The Ultimate Chick Flick Soundtrack

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Can’t Fight the Moonlight
supporto a vario titolo:
Sara Lind (incarico: technical assistant) e Robert Orton (incarico: technical assistant)
tecnico e tecnico di missaggio:
Steve MacMillan
tecnico aggiunto:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach e Tim Weidner (engineer)
produttore:
Trevor Horn
basso :
Lee Sklar (bassist, session musician) e Jamie Muhoberac
batteria [drums] :
Curt Bisquera e John Robinson (session drummer)
chitarra :
Tim Pierce (US session guitarist)
pianoforte :
Alan Pasqua
tastiera [keyboards] :
Jamie Muhoberac
voce di accompagnamento:
Sue Ann Carwell e Niki Harris (US singer and dancer)
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 2000) e Curb Records, Inc. (holding company - do not use as release label) (nel 2020)
registrata presso:
Royal Tone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Sarm West Coast in Los Angeles, California, Stati Uniti
video musicali:
Can't Fight the Moonlight (longer version) di LeAnn Rimes (US country & pop singer)
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 56)
registrazione di:
Can’t Fight the Moonlight
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs e Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:35
2Girls Just Want to Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:49
3When You Say Nothing at All
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
basso :
Stephen Lipson
batteria :
Andy Duncan (UK drummer and producer)
chitarra :
Dominic Miller (guitarist)
fisarmonica e fischietto :
James McNally
tastiera :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Ronan Keating
voce di accompagnamento:
Tessa Niles e Miriam Stockley
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1999) e Polygram Ireland Ltd. (nel 1999)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito e The Aquarium (Studio) in London (Greater London), England, Regno Unito
mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione cover di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
Ronan Keating2.754:14
4Show Me Heaven
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:45
5It’s Raining Men
programmazione e produttore:
Stephen Lipson
programmazione degli strumenti:
Andy Duncan (UK drummer and producer)
tecnico e tecnico di missaggio:
Heff Moraes
arrangiatore archi :
Nick Ingman
registrazione cover di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Geri Halliwell34:18
6Love Is All Around
co-produttore:
Graeme Duffin (Scottish musician)
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:51
7Pure Shores
programmazione:
Sean Spuehler
produttore:
William Orbit (English musician, composer and record producer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
voce:
Melanie Blatt e Shaznay Lewis
diritti fonografici (℗) detenuti da:
Warner Music UK Limited (not for release label use!) (nel 2000)
parte di:
The Downloader’s Music Source Book (numero: 380)
registrazione di:
Pure Shores
compositore:
Shaznay Lewis e William Orbit (English musician, composer and record producer)
All Saints3.654:28
8Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.32:59
9Stay (I Missed You)
tecnico e produttore:
Juan Patiño
tecnico aggiunto:
Steve Holroyd
tecnico di missaggio:
Brian Malouf
batteria e percussione :
Jonathan Feinberg
chitarra acustica e voce di accompagnamento [harmony vocals] e voce principale:
Lisa Loeb
chitarra basso [bass] :
Joe Quigley
chitarra elettrica :
Tim Bright e Daniel Littleton
percussione :
Steve Forman (US percussionist)
voce di accompagnamento [harmony vocals]:
Elizabeth Mitchell e Juan Patiño
arrangiatore voce di accompagnamento [vocal harmonies]:
Lisa Loeb e Juan Patiño
diritti fonografici (℗) detenuti da:
Lisa Loeb (nel 1994)
video musicali:
Stay (I Missed You) di Lisa Loeb
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 389)
registrazione di:
Stay
editore:
Lisa Loeb
paroliere e compositore:
Lisa Loeb
Lisa Loeb3.63:02
10Why Does My Heart Feel So Bad?
tecnico, produttore e tecnico di missaggio:
Moby (electronic musician Richard Melville Hall)
cori e cori ospite:
The Shining Light Gospel Choir
video musicali:
Why Does My Heart Feel So Bad? (Animated) di Moby (electronic musician Richard Melville Hall)
registrazione di:
Why Does My Heart Feel So Bad?
paroliere e compositore:
Moby (electronic musician Richard Melville Hall)
editore:
Little Idiot Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Moby43:44
11Turn Back Time
produttore e tecnico di missaggio:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
arrangiatore:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
diritti fonografici (℗) detenuti da:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
registrazione di:
Turn Back Time
autore:
Claus Norreen e Søren Rasted
editore:
MCA Music Scandinavia AB e Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:06
12It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:19
13Lonely at the Top
tecnico e tecnico di missaggio:
Lee Herschberg
produttore:
Russ Titelman e Lenny Waronker
pianoforte :
Randy Newman (American singer‐songwriter and score composer) (il 1971-08-21, nel 1972)
sassofono contralto :
Abe Most (nel 1972)
voce:
Randy Newman (American singer‐songwriter and score composer) (il 1971-08-21)
arrangiatore:
Randy Newman (American singer‐songwriter and score composer)
registrazione dal vivo di:
It’s Lonely at the Top (il 1971-08-21)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
January Music Corp. (nel 1970) e Unichappell Music, Inc. (nel 1970)
registrazione di:
It’s Lonely at the Top (nel 1972)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
January Music Corp. (nel 1970) e Unichappell Music, Inc. (nel 1970)
Randy Newman2:33
14Wives & Lovers
registrazione cover di:
Wives and Lovers
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
Dionne Warwick3:04
15Lady Marmalade
produttore:
Allen R. Toussaint
arrangiatore:
Allen R. Toussaint
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 411) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 479)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1974)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
LaBelle3.33:55
16Every You Every Me
tecnico di registrazione aggiunto:
Téo Miller e Phil Vinall (UK producer)
tecnico:
Adrian Bushby
tecnico aggiunto:
Paul Corkett e Téo Miller
produttore:
Steve Osborne (producer)
tecnico di missaggio:
Phil Vinall (UK producer)
remixer:
Placebo (UK alternative rock band) e Phil Vinall (UK producer)
registrazione di:
Every You Every Me
paroliere:
Paul Campion e Brian Molko
compositore:
Placebo (UK alternative rock band)
editore:
BMG Consortium Music Publishing Germany, BMG FM Music Limited, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Elevator Lady Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mukka Music, Sony/ATV Music Publishing LLC (1995–2020), Stage Three Music Publishing Limited, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Placebo43:35
17Have You Met Miss Jones?
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
tecnico:
Jim Brumby (UK engineer) e Steve Price (UK recording engineer/producer/orchestrator/arranger)
tecnico aggiunto:
Jim Brumby (UK engineer) e Tom Jenkins (English sound engineer)
produttore:
Guy Chambers (English songwriter and record producer)
assistente tecnico di missaggio:
Steve Genewick
batteria [drums] :
Ralph Salmins
chitarra elettrica :
Mitch Dalton
contrabbasso :
Sam Burgess
pianoforte :
Dave Arch (pianist, conductor, arranger and composer)
sassofono baritono :
Phil Todd (UK flautist/saxophonist)
sassofono contralto [alto saxophones] :
Iain Dixon e Andy Mackintosh (British-born saxophonist)
sassofono tenore [tenor saxophones] :
Dave Bishop (saxophonist) e Chris White (UK jazz saxophonist)
tromba [trumpets] :
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner (trumpet player) e Paul Spong (trumpetist)
trombone [trombones] :
Gordon Campbell (UK trombone player; BBC Big Band), Richard Edwards (trombonist) e Neil Sidwell
trombone basso :
Dave Stewart (trombonist)
vibrafono :
Anthony Kerr
voce:
Robbie Williams
direttore d'orchestra:
Steve Sidwell (English composer & wind instrumentalist)
arrangiatore:
Steve Sidwell (English composer & wind instrumentalist)
registrazione cover di:
Have You Met Miss Jones? (I’d Rather Be Right)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
Robbie Williams3.42:36
18Hippy Hippy Shake
produttore:
The Georgia Satellites e Brendan O’Brien (engineer)
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Georgia Satellites2.51:48
19Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:06
20Why
programmazione:
Marius de Vries, Stephen Lipson e Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
tecnico:
Heff Moraes
produttore:
Stephen Lipson
assistente tecnico di missaggio:
Will O'Donovan
chitarra :
Stephen Lipson
flauto dolce :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
tastiera :
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson e Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
BMG Ariola Muenchen GmbH (nel 1992) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1992)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito e The Church Studios in London (Greater London), England, Regno Unito
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
registrazione di:
Why
paroliere e compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. e Universal Music Publishing MGB Ltd.
Annie Lennox3.54:53
21Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:26
22Cruel Summer
produttore:
Steve Jolley e Tony Swain (songwriter, producer)
voce principale:
Sara Dallin (nel 1983-04), Siobhan Fahey (nel 1983-04) e Keren Woodward (nel 1983-04)
esecutore:
Bananarama (nel 1983-04)
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1983) e London Records Ltd. (not release label) (nel 1984)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 44) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 414)
registrazione di:
Cruel Summer (nel 1983-04)
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:27
2▼CD
#TitoloArtistaValutazioneDurata
1Move on Up
registrazione di:
Move On Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield3:33
2I Say a Little Prayer
produttore:
Andy Marvel
registrazione cover di:
I Say a Little Prayer
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:33
3Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:14
4Hot Stuff
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:45
5I’m Coming Out
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1980)
registrazione di:
I’m Coming Out
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Diana Ross43:54
6Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:22
7American Pie
programmazione:
Rico Conning e Sean Spuehler
tecnico:
Jake Davies, Mark Endert e Sean Spuehler
produttore:
Madonna (“Queen of Pop”) e William Orbit (English musician, composer and record producer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
tastiera :
Damian LeGassick
voce di accompagnamento [backup vocals]:
Rupert Everett
voce principale:
Madonna (“Queen of Pop”)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2000) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2000)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione cover di:
American Pie
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Madonna3.24:28
8Teenager of the Year
registrazione di:
Teenager of the Year
paroliere e compositore:
Luke Irvin Hanigan
Lo‐Tel34:28
9Don’t Let Go (Love)
registrazione di:
Don't Let Go (Love)
autore:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) e Rico Wade
En Vogue43:59
10Erase/Rewind
registrazione di:
Erase/Rewind
paroliere:
Nina Persson
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
The Cardigans3:35
11This Could Be Heaven
programmazione:
Henry Jackman (English score composer)
archi :
London Symphony Orchestra
batteria :
Earl Harvin
chitarra [lead guitar] :
Jeff Beck (English rock guitarist)
chitarra [lead guitar] aggiunto:
Gus Isidore
chitarra basso :
Chris Bruce
tastiera :
Henry Jackman (English score composer)
voce di accompagnamento:
Carol Perry, Darlene Perry, Lori Perry e Sharon Perry
voce principale:
Seal (English‐born singer and songwriter)
direttore d'orchestra:
Andrew Pryce Jackman
registrata presso:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, Regno Unito (archi)
registrazione di:
This Could Be Heaven
autore:
Guy Gershoni, Henry Jackman (English score composer), Dave Palmer (American keyboardist from Texas) e Seal (English‐born singer and songwriter)
Seal4:01
12All the Love in the World
registrazione di:
All the Love in the World
autore:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr e Robert John “Mutt” Lange (Robert John Lange)
The Corrs4:05
13No Ordinary Love
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1992)
registrazione di:
No Ordinary Love
paroliere:
Sade Adu
compositore:
Sade Adu e Stuart Matthewman
editore:
Angel Music Ltd., Sony ATV Songs LLC e Sony/ATV Music Publishing UK Ltd.
Sade23:58
14The Ballad of Lucy Jordan
Marianne Faithfull3:57
15Is She Really Going Out With Him?
tecnico:
Rod Hewison
produttore:
David Kershenbaum
batteria :
David Houghton (nel 1978-08)
chitarra :
Gary Sanford (nel 1978-08)
chitarra basso :
Graham Maby (nel 1978-08)
voce principale:
Joe Jackson (English musician) (nel 1978-08)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 438)
registrazione di:
Is She Really Going Out With Him? (nel 1978-08)
paroliere e compositore:
Joe Jackson (English musician)
editore:
Kobalt Music (publisher) e Pokazuka Limited
Joe Jackson4.43:34
16Life Is What You Make of It
Mishelle Bradford-Jones3:43
17To Think I Used to Love You (DJ Homicide remix)
registrazione di:
To Think I Used to Love You
autore:
Uncle Kracker
Uncle Kracker3:25
18At My Most Beautiful
produttore:
Pat McCarthy e R.E.M. (American rock band)
tecnico di missaggio:
John Hanlon (recording engineer)
diritti fonografici (℗) detenuti da:
R.E.M./Athens L.L.C. (nel 1998, nel 2014)
registrazione di:
At My Most Beautiful
autore:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Temporary Music
R.E.M.33:33
19Something to Talk About
registrazione di:
Something to Talk About
paroliere e compositore:
Damon Gough
editore:
Badly Drawn Boy Music Ltd. e Big Life Music Ltd.
Badly Drawn Boy3:37
20The Grease Megamix
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin' di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:47