Electric: 60 Killer Guitar Tracks

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group) und John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff
Schlagzeug:
Simon Kirke
Sologesang:
Paul Rodgers
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:13
2Black Night
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:27
3Let’s Work Together
recording engineer und Mix:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
Techniker(in):
Joe Bellamy, Paul du Gré und Willie "Bass" Rice (engineer)
Produzent(in):
Canned Heat, Fito de la Parra und Skip Taylor
Bassgitarre:
Larry Taylor (US bassist) (von 2001-03 bis 2002-12)
flute, Horn [horns] und Mundharmonika:
Stanley Behrens (von 2001-03 bis 2002-12)
Gitarre [rhythm guitar]:
Harvey Mandel (American guitarist) (von 2001-03 bis 2002-12)
Perkussion, Schlagzeug und Timbales:
Fito de la Parra (von 2001-03 bis 2002-12)
Slide-Gitarre:
John Paulus (von 2001-03 bis 2002-12)
vocals:
Dallas Hodge (von 2001-03 bis 2002-12)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1970)
aufgenommen bei und mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Let’s Work Together (von 2001-03 bis 2002-12)
Texter:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. und United Artists Musik GmbH
Canned Heat42:47
4Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.653:58
5Bad to the Bone
Techniker(in):
Paul Mufson und John Nagy
assistierende(r) Produzent(in):
Ken Irwin und John Nagy
Produzent(in):
Terry Manning (US recording engineer) und The Delaware Destroyers (George Thorogood & the Destroyers)
Mix:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) und Terry Manning (US recording engineer) (in 1992)
Bass:
Bill Blough (von 1981 bis 1982)
Gitarre und Sologesang:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (von 1981 bis 1982)
Keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (von 1981 bis 1982)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member)
Saxophon:
Hank Carter (Hank "Hurricane" Carter) (von 1981 bis 1982)
Schlagzeug:
Jeff Simon (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
aufgenommen bei:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Vereinigte Staaten (von 1981 bis 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, Vereinigte Staaten
recording of:
Bad to the Bone (von 1981 bis 1982)
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:51
6Rocky Mountain Way
Produzent(in):
Bill Szymczyk und Joe Walsh (Eagles/James Gang)
Bassgitarre und Gitarre:
Kenny Passarelli (Bass, piano) (von 1972 bis 1973) und Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Hybrid-Piano, Klavier, Perkussion und Schlagzeug:
Joe Vitale (von 1972 bis 1973)
Keyboard:
Rocke Grace (von 1972 bis 1973), Joe Vitale (von 1972 bis 1973) und Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Synthesizer und Sologesang:
Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Hintergrundgesang:
Rocke Grace (von 1972 bis 1973) und Kenny Passarelli (Bass, piano) (von 1972 bis 1973)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (von 1972 bis 1973)
Verfasser(in):
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale und Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
Joe Walsh3.75:16
7Rock and Roll People
cover recording of:
Rock and Roll People
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lenono Music
Johnny Winter2:47
8Can’t Get Enough
recording of:
Can’t Get Enough
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company4:16
9Texas Flood
recording of:
Texas Flood
Texter:
Larry Davis (US blues guitarist/vocalist)
Komponist(in):
Larry Davis (US blues guitarist/vocalist) und J.W. Scott (40s–60s US blues artist)
publisher:
Duchess Music Corporation (BMI-affiliated)
Stevie Ray Vaughan5:23
10Angel
Produzent(in):
The Jeff Healey Band und Thom Panunzio
Mix:
Thom Panunzio
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1995)
cover recording of:
Angel
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Jeff Healey Band4:29
11Still in Love With You
recording of:
Still in Love With You
Texter und Komponist(in):
Phil Lynott
publisher:
PolyGram Music Publishing Ltd.
Thin Lizzy4:42
12Bird of Paradise
phonographisches Urheberrecht (℗) von:
Snowy White (guitarist) (in 1984)
recording of:
Bird of Paradise
Texter und Komponist(in):
Snowy White (guitarist)
publisher:
Campbell Connolly Ltd. und Novello & Co. Ltd.
Snowy White4.55:00
13Parisienne Walkways
recording of:
Parisienne Walkways
Verfasser(in):
Phil Lynott und Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc und Maxwood Music Ltd.
basiert auf:
Blue Bossa
Gary Moore3:20
14Samba pa ti
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-19)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-19)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-19)
Gitarre:
Carlos Santana (am 1970-07-19)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-19)
Perkussion:
Rico Reyes (am 1970-07-19)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-19)
tabla:
Steven Saphore (am 1970-07-19)
arranger:
Gregg Rolie (keyboardist and vocalist) und Carlos Santana
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-19)
recording of:
Samba pa ti (am 1970-07-19)
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
Santana3.754:34
15Albatross
Produzent(in):
Mike Vernon
E-Bass:
John McVie (am 1968-10-06)
Gitarre:
Peter Green (former member of Fleetwood Mac) (am 1968-10-06) und Danny Kirwan (Fleetwood Mac) (am 1968-10-06)
Schlagzeug:
Mick Fleetwood (am 1968-10-06)
phonographisches Urheberrecht (℗) von:
Blue Horizon Records (in 1968) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 52)
recording of:
Albatross (am 1968-10-06)
Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Fleetwood Mac43:09
2▼CD
Nr.TitelKünstlerBewertungLänge
1Paranoid
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-06-21)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-06-21)
Perkussion und Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-06-21)
Sologesang:
Ozzy Osbourne (in 1970)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-06-21)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 13), TV Cream: Real 100 Best Singles Ever (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 250) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 338)
recording of:
Paranoid (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. und Westminster Music Ltd. (in 1970)
Black Sabbath4.62:49
2School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975–present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:29
3Snortin’ Whiskey
recording of:
Snortin' Whiskey
Texter und Komponist(in):
Pat Thrall (guitarist, producer & engineer) und Pat Travers
Pat Travers3:26
4Armed and Ready
recording of:
Armed and Ready
Texter und Komponist(in):
Gary John Barden und Michael Schenker
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Michael Schenker Group4:07
5Rock ’n Roll Children
recording of:
Rock ’n’ Roll Children
Texter und Komponist(in):
Ronnie James Dio
publisher:
Niji Music und Round Hill Compositions
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dio4:20
6Starstruck
mixed in:
New York, New York, Vereinigte Staaten
Produzent(in) und Mix:
Martin Birch
Bassgitarre:
Jimmy Bain (in 1976-02)
Gitarre:
Ritchie Blackmore (in 1976-02)
Keyboard:
Tony Carey (in 1976-02)
Schlagzeug:
Cozy Powell (in 1976-02)
Sologesang:
Ronnie James Dio (in 1976-02)
arranger:
Ritchie Blackmore und Ronnie James Dio
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1976)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1976-02)
recording of:
Starstruck (in 1976-02)
Texter:
Ronnie James Dio
Komponist(in):
Ritchie Blackmore und Ronnie James Dio
publisher:
Purple (USA) Music, Inc.
Rainbow4.24:07
7Rising Force
recording of:
Rising Force
Texter:
Joe Lynn Turner (US rock vocalist)
Komponist(in):
Yngwie Malmsteen
publisher:
Chappell Music, Inc. (publisher) und Malmsteen Music
Yngwie J. Malmsteen4:26
8For the Love of God
Produzent(in):
Steve Vai
Bass:
Stuart Hamm (double bass player)
Gitarre und Keyboard:
Steve Vai
Schlagzeug:
Tris Imboden
arranger:
Steve Vai
aufgenommen bei:
The Mothership in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 80)
recording of:
For the Love of God
Komponist(in):
Steve Vai
publisher:
Sy Vy Music
sub-publisher:
大洋音楽 (Taiyō Music)
Steve Vai46:04
9Faith Healer
recording of:
The Faith Healer
Verfasser(in):
Alex Harvey (of The Sensational Alex Harvey Band) und Hugh McKenna
The Sensational Alex Harvey Band3:12
10Nothing Is Easy
Techniker(in):
Andy Johns
Bassgitarre:
Glenn Cornick
Schlagzeug und Perkussion:
Clive Bunker
vocals:
Ian Anderson (of Jethro Tull)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Nothing Is Easy (am 1969-04-23)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.354:24
11Rock Me BabyRobin Trower4:14
12Going Home
Ten Years After2:53
13Sabre Dance
teilweise instrumental cover recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Love Sculpture34:52
14American Woman
Produzent(in):
Nimbus 9 und Jack Richardson
phonographisches Urheberrecht (℗) von:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 3) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 4)
recording of:
American Woman (von 1969-08 bis 1969-11)
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.15:08
15Who Do You Love
cover recording of:
Who Do You Love?
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Juicy Lucy3:03
3▼CD
Nr.TitelKünstlerBewertungLänge
1Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:26
2Spirit of Radio
recording engineer:
Paul Northfield
Produzent(in):
Terry Brown (producer) und Rush (Canadian rock trio)
assistierende(r) Mix:
Steve S. Hort (engineer), Geddy Lee, Craig Milliner (engineer) und Adam Moseley
Mix:
Terry Brown (producer)
Akustikgitarre, Basspedal [Taurus pedals], E-Gitarre, zwölfsaitige Gitarre [12-string acoustic guitar] und zwölfsaitige Gitarre [12-string electric guitar]:
Alex Lifeson (von 1979-09 bis 1979-10)
Bassgitarre, Basspedal [Taurus pedal synthesizer], Minimoog und Synthesizer [Oberheim polyphonic: OB-1]:
Geddy Lee (von 1979-09 bis 1979-10)
Crotales / antike Zimbeln, Glockenbaum, Pauke [tympani], Röhrenglocken, Röhrenglocken [orchestra bells], Schlagzeug, Timbales, triangle und Windspiel:
Neil Peart (von 1979-09 bis 1979-10)
vocals:
Geddy Lee (von 1979-09 bis 1979-10)
arranger:
Terry Brown (producer) und Rush (Canadian rock trio)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1980), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1979-09 bis 1979-10)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-11)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 88)
recording of:
The Spirit of Radio (von 1979-09 bis 1979-10)
Texter:
Neil Peart
Komponist(in):
Geddy Lee und Alex Lifeson
publisher:
Core Music Publishing und Anthem Core Music Publishing (SOCAN‐affiliated) (vom 1980 bis heute)
Rush4.154:59
3Birds of Fire
Techniker(in):
Jim Green (US recording engineer/studio manager, Columbia Studios, NY) und Ken Scott (UK record producer & engineer)
Produzent(in):
Mahavishnu Orchestra
Bass:
Rick Laird
Geige / Violine:
Jerry Goodman
Gitarre:
John McLaughlin (guitarist)
Keyboard [keyboards] und Moog:
Jan Hammer
Perkussion:
Billy Cobham
engineered at:
CBS (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Birds of Fire (in 1972-08)
Komponist(in):
John McLaughlin (guitarist)
publisher:
Chinmoy Music, Inc.
Mahavishnu Orchestra45:45
4Take It Off the Top
recording of:
Take It Off the Top
Komponist(in):
Steve Morse (American guitarist)
Dixie Dregs4:13
5Heartline
recording of:
Heartline
Verfasser(in):
Robin George (AOR, Hard Rock, Pop Rock, UK)
Robin George3:16
6Midnight Blue
recording of:
Midnight Blue
Komponist(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Bruce Turgon
publisher:
Colgems-EMI Music Inc. und Stray Notes Music
Lou Gramm3:33
7Wasting My Time
Techniker(in) und Mix:
Leif Mases
Produzent(in):
Jimmy Page
Bassgitarre:
Tony Franklin (UK rock bassist)
E-Gitarre:
Jimmy Page
Schlagzeug:
Jason Bonham
Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist)
recording of:
Wasting My Time
Verfasser(in):
John Miles (UK singer/songwriter/guitarist/keyboardist) und Jimmy Page
Jimmy Page44:31
8Philby
Rory Gallagher3:51
9Rugged Road
Robben Ford4:00
10Don’t Be Afraid of the Dark
recording of:
Don’t Be Afraid of the Dark
Texter und Komponist(in):
Dennis Walker
publisher:
Calhoun St. Music
Robert Cray3:49
11Into the Night
Techniker(in):
Freddy Stonewall
Produzent(in):
John Landis und Ira Newborn
Bass:
Neil Stubenhaus (in 1984-10)
Bass-Synthesizer:
Randy Kerber (in 1984-10)
Gitarre:
B.B. King (in 1984-10) und Steve Watson (guitarist, recorded B.B. King) (in 1984-10)
Klavier:
John Hobbs (in 1984-10)
Schlagzeug:
Ed Greene (drummer) (in 1984-10)
Synthesizer:
Jim Cox (US keyboard player, composer) (in 1984-10) und John Hobbs (in 1984-10)
vocals:
B.B. King (in 1984-10)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1985) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1985)
aufgenommen bei:
The Studio (Hialeah) in Hialeah, Florida, Vereinigte Staaten (in 1984-10)
cover recording of:
Into the Night (in 1984-10)
Texter und Komponist(in):
Ira Newborn
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Ltd.
recording of:
Into the Night
Texter und Komponist(in):
Ira Newborn
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Ltd.
B.B. King34:12
12Sweet Dreams
Roy Buchanan3:34
1390’s Blues
assistierende(r) Techniker(in):
Philippe Garcia (Producer/sound engineer) und Simon Wall (Engineer)
Techniker(in):
Neil Amor
Produzent(in):
Chris Rea
E-Gitarre:
Chris Rea
vocals:
Chris Rea
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1992)
aufgenommen bei:
Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
mixed at:
The Mill in Bradford, Bradford (City of Bradford), West Yorkshire, England, Vereinigtes Königreich
recording of:
90’s Blues
Texter und Komponist(in):
Chris Rea
Chris Rea5:07
14Big LogRobert Plant5:00
15Beck’s Bolero
Techniker(in):
Ken Scott (UK record producer & engineer) (am 1966-05-16)
Produzent(in):
Mickie Most (English record producer) (am 1966-05-16)
Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1966-05-16)
E-Gitarre:
Jeff Beck (English rock guitarist) (am 1966-05-16) und Jimmy Page (am 1966-05-16)
Klavier:
Nick Hopkins (pianist and organist) (am 1966-05-16)
Schlagzeug:
Keith Moon (drummer) (am 1966-05-16)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
engineered at:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1966-05-16)
recording of:
Beck’s Bolero (am 1966-05-16)
Komponist(in):
Jimmy Page
Jeff Beck Group32:53
4▼CD
Nr.TitelKünstlerBewertungLänge
1Apache
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Apache
Komponist(in):
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows4.652:54
2Peter Gunn
Produzent(in):
Art of Noise, Anne Dudley (English score composer), J.J. Jeczalik und Gary Langan
Gast-Gitarre:
Duane Eddy
arranger:
Anne Dudley (English score composer), J.J. Jeczalik und Gary Langan
instrumental cover recording of:
Peter Gunn
Texter und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Teil von:
Peter Gunn (American TV series 1958–1961)
recording of:
Peter Gunn
Texter und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Teil von:
Peter Gunn (American TV series 1958–1961)
Art of Noise feat. Duane Eddy43:58
3In a Big Country
Produzent(in):
Steve Lillywhite
Herausgeber:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1983)
Bearbeitung von:
In a Big Country von Big Country
Musikvideos:
In a Big Country von Big Country
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 14)
recording of:
In a Big Country
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3.953:55
4Message of Love
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2000)
recording of:
Message of Love
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
The Pretenders3:27
5Motorbikin’
Techniker(in):
Douglas Hopkins (engineer)
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
Motor Bikin’
Texter und Komponist(in):
Chris Spedding
Chris Spedding3.352:39
6My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.94:02
7Whatever You Want
assistierende(r) Techniker(in):
Freek Feenstra
Techniker(in):
John Eden (producer) und Barry Hammond
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
Mix:
Simon Sullivan
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (not for release label use!) (in 1979) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
produced for:
Handle Records Ltd.
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Musikvideos:
Whatever You Want von Status Quo (UK boogie rock band)
recording of:
Whatever You Want
geschrieben in:
Jersey
Verfasser(in):
Andy Bown und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo44:03
8Stay With Me
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4:45
9Juke Box Hero
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar] und Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby und Larry Fast (American synthesizer player and composer)
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Juke Box Hero
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.64:22
10Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard Hot 100: 2026-07-18 (Nummer: 35), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:12
11More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.954:45
12Rosanna
Produzent(in):
Toto (US rock group)
Bass:
David Hungate
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich und Steve Porcaro
Perkussion und Schlagzeug:
Jeff Procaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
arranger:
David Paich und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Rosanna
Texter und Komponist(in):
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:04
13Born to Be a Rock ’n’ Roll Man
Albert Lee3:11
14China Grove
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
China Grove
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:17
15FreebirdLynyrd Skynyrd4:22

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Veröffentlichung

ASIN:US: B000NSMGXI [Info]