Samson et Dalila (Sung in german)

~ Release by Camille Saint‐Saens; Res Fischer, Lorenz Fehenberger, Fred Destal, Hans Altmann (see all versions of this release, 1 available)

Annotation

Recorded in Munich, Germany, 8 October 1948

Symphonie-Orchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks
Conductor: Hans Altmann

Lorenz Fehenberger (Samson, tenor)
Res Fischer (Dalila, mezzo-soprano)
Fred Destal (Oberpriester des Dagon, bariton)
Max Proebstl (Abimélech, bass),
Maximilian Eibl (Ein alter Hebräer, bass)
Kurt Messerschmidt (Ein Bote der Philister, tenor)

Annotation last modified on 2021-03-19 13:02 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Samson et Dalila, op. 47: Akt I. „Gott! Gott Israels!” (Chor)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt I. „Gott! Gott Israels!” (Chor)
part of:
Samson und Dalila: Akt I
Camille Saint‐Saëns5:17
2Samson et Dalila, op. 47: Akt I. „Seit jenem Tag” (Chor)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt I. „Seit jenem Tag” (Chor)
part of:
Samson und Dalila: Akt I
Camille Saint‐Saëns4:55
3Samson et Dalila, op. 47: Akt I. „Haltet ein, meine Brüder!” (Samson)
tenor vocals [Samson]:
Lorenz Fehenberger (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt I. „Haltet ein, meine Brüder!” (Samson)
part of:
Samson und Dalila: Akt I
Camille Saint‐Saëns5:48
4Samson et Dalila, op. 47: Akt I. „Wer ist's, von dem der Ruf ertönt?” (Abimelech)
bass vocals [Abimélech]:
Max Proebstl (operatic bass)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt I. „Wer ist's, von dem der Ruf ertönt?” (Abimelech)
part of:
Samson und Dalila: Akt I
Camille Saint‐Saëns6:27
5Samson et Dalila, op. 47: Akt I. „Was seh' ich! Abimelech!” (Oberpriester)
baritone vocals [Oberpriester]:
Fred Destal
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt I. „Was seh' ich! Abimelech!” (Oberpriester)
part of:
Samson und Dalila: Akt I
Camille Saint‐Saëns5:26
6Samson et Dalila, op. 47: Akt I. „Lobet den Herrn” (Chor)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt I. „Lobet den Herrn” (Chor)
part of:
Samson und Dalila: Akt I
Camille Saint‐Saëns6:03
7Samson et Dalila, op. 47: Akt I. „Gegrüßt seist du mir, stolzer Krieger” (Dalila)
mezzo-soprano vocals [Dalila]:
Res Fischer (contralto)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt I. „Gegrüßt seist du mir, stolzer Krieger” (Dalila)
part of:
Samson und Dalila: Akt I
Camille Saint‐Saëns5:24
8Samson et Dalila, op. 47: Akt I. „Die Sonne, sie lachte” (Dalila)
mezzo-soprano vocals [Dalila]:
Res Fischer (contralto)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt I. „Die Sonne, sie lachte” (Dalila)
translated version of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu)
part of:
Samson und Dalila: Akt I
Camille Saint‐Saëns5:14
9Samson et Dalila, op. 47: Akt II. „Samson, diese Nacht muss ihn bringen” (Dalila)
mezzo-soprano vocals [Dalila]:
Res Fischer (contralto)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt II. „Samson, diese Nacht muss ihn bringen” (Dalila)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns6:19
10Samson et Dalila, op. 47: Akt II. „Ich erklomm diesen Felsen” (Oberpriester)
baritone vocals [Oberpriester]:
Fred Destal
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt II. „Ich erklomm diesen Felsen” (Oberpriester)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns5:41
2▼CD
#TitleArtistRatingLength
1Samson et Dalila, op. 47: Akt II. „Doch ist er dir gewiss” (Oberpriester)
baritone vocals [Oberpriester]:
Fred Destal
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt II. „Doch ist er dir gewiss” (Oberpriester)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns4:52
2Samson et Dalila, op. 47: Akt II. „Samson, so sagtest du” (Oberpriester)
baritone vocals [Oberpriester]:
Fred Destal
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt II. „Samson, so sagtest du” (Oberpriester)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns3:14
3Samson et Dalila, op. 47: Akt II. „Wehrlos hat mein Schritt” (Samson)
tenor vocals [Samson]:
Lorenz Fehenberger (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt II. „Wehrlos hat mein Schritt” (Samson)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns3:46
4Samson et Dalila, op. 47: Akt II. „Was kümmert mein trostloses Herz” (Dalila)
mezzo-soprano vocals [Dalila]:
Res Fischer (contralto)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt II. „Was kümmert mein trostloses Herz” (Dalila)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns4:37
5Samson et Dalila, op. 47: Akt II. „Sieh, mein Herz erschließet sich” (Dalila)
mezzo-soprano vocals [Dalila]:
Res Fischer (contralto)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt II. „Sieh, mein Herz erschließet sich” (Dalila)
translated version of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns6:16
6Samson et Dalila, op. 47: Akt II. „Doch! Nein! Ich träume nun!” (Dalila)
mezzo-soprano vocals [Dalila]:
Res Fischer (contralto)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt II. „Doch! Nein! Ich träume nun!” (Dalila)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns6:27
7Samson et Dalila, op. 47: Akt III. „Siehe mein Elend, Herr!” (Samson)
tenor vocals [Samson]:
Lorenz Fehenberger (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt III. „Siehe mein Elend, Herr!” (Samson)
part of:
Samson und Dalila: Akt III
Camille Saint‐Saëns5:31
8Samson et Dalila, op. 47: Akt III. „Brüder! Euer Klagegesang” (Samson)
tenor vocals [Samson]:
Lorenz Fehenberger (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt III. „Brüder! Euer Klagegesang” (Samson)
part of:
Samson und Dalila: Akt III
Camille Saint‐Saëns4:48
9Samson et Dalila, op. 47: Akt III. „Die Sonne erwacht” (Chor)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt III. „Die Sonne erwacht” (Chor)
part of:
Samson und Dalila: Akt III
Camille Saint‐Saëns8:52
10Samson et Dalila, op. 47: Akt III. „Seht her! Es naht der Richter Israels” (Oberpriester)
baritone vocals [Oberpriester]:
Fred Destal
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt III. „Seht her! Es naht der Richter Israels” (Oberpriester)
part of:
Samson und Dalila: Akt III
Camille Saint‐Saëns4:13
11Samson et Dalila, op. 47: Akt III. „Herr, dein Gebot achtet' ich nicht” (Samson)
tenor vocals [Samson]:
Lorenz Fehenberger (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt III. „Herr, dein Gebot achtet' ich nicht” (Samson)
part of:
Samson und Dalila: Akt III
Camille Saint‐Saëns6:44
12Samson et Dalila, op. 47: Akt III. „Um uns'ren Sieg gehörig zu krönen” (Oberpriester)
baritone vocals [Oberpriester]:
Fred Destal
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (on 1948-10-08)
conductor:
Hans Altmann (german conductor, pianist and composer) (on 1948-10-08)
recording of:
Samson et Dalila, op. 47: Akt III. „Um uns'ren Sieg gehörig zu krönen” (Oberpriester)
part of:
Samson und Dalila: Akt III
Camille Saint‐Saëns4:16
13Cavalleria rusticana: „Ha, da siehst du was du getan hast”
soprano vocals:
Marianne Schech (soprano) (in 1952)
tenor vocals:
Lorenz Fehenberger (tenor) (in 1952)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1952)
conductor:
Hans Altmann (german conductor, pianist and composer) (in 1952)
recording of:
Cavalleria rusticana: „Ha, da siehst du was du getan hast” (Turiddu, Santuzza) (in 1952)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: "Ah! Lo vedi che hai tu detto?" (Turiddu, Santuzza)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni5:04
14Cavalleria rusticana: „Mutter, der Rote was allzu feurig”
soprano vocals:
Marianne Schech (soprano) (in 1952)
tenor vocals:
Lorenz Fehenberger (tenor) (in 1952)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1952)
conductor:
Hans Altmann (german conductor, pianist and composer) (in 1952)
recording of:
Cavalleria rusticana: „Mutter, der Rote war allzu feurig” (Turiddu, Lucia) (in 1952)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria Rusticana: "A voi tutti salute!" (Alfio, Coro, Lola)
translated version of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:02
15Fra Diavolo, S. 18: „Ewig will ich dir gehören”
tenor vocals:
Lorenz Fehenberger (tenor) (in 1949)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1949)
conductor:
Hans Altmann (german conductor, pianist and composer) (in 1949)
recording of:
Fra Diavolo, S. 18: „Ewig will ich dir gehören”
composer:
Daniel François Esprit Auber (composer)
part of:
Fra Diavolo (German version)
Daniel François Esprit Auber3:21

Credits

Release

part of:Walhall Eternity Series (order: 16)
ASIN:DE: B0002O38G2 [info]