Pop & Wave, Volume 5: The Neverending 80s

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Personal Jesus
producer:
Depeche Mode and Flood (British producer Mark Ellis)
mixer:
François Kevorkian
lead vocals:
Dave Gahan
part of:
Indie 88: Top 500 Indie Rock Songs (number: 13), Pitchfork: The Story of Goth in 33 Songs and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 369)
recording of:
Personal Jesus
lyricist and composer:
Martin L. Gore
publisher:
EMI Music Publishing (do not use as a release label!)
Depeche Mode4.14:55
3Dr. Mabuse
recording of:
Dr. Mabuse
lyricist:
Ralf Dörper
composer:
Ralf Dörper, Michael Mertens (German musician & producer) and Andreas Thein
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda4:16
4Johnny Come Home
producer:
Andy Cox (Composer) and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
phonographic copyright (℗) by:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1985)
music videos:
Johnny Come Home by Fine Young Cannibals
recording of:
Johnny Come Home
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1985)
Fine Young Cannibals3.73:33
5Running Up That Hill
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
balalaika:
Paddy Bush
bass:
Del Palmer
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Alan Murphy (UK session guitarist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
Running Up That Hill (music video) by Kate Bush
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 7), Billboard Year-End Hot 100 singles of 2022 (number: 23), Billboard Hot 100: 2026-01-17 (number: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 60), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 279)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:57
6What’s the Colour of Money
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1986)
recording of:
What's the Colour of Money?
writer:
Mark Rogers (Hollywood Beyond) and Jamie B. Rose
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:26
7If I Was
producer:
Midge Ure
guest performer:
Mark King (bass guitarist and vocalist)
arranger:
Midge Ure
phonographic copyright (℗) by:
Chrysalis (in 1985)
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure45:19
8Mad World
programming:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
bass guitar:
Curt Smith
drums (drum set):
Manny Elias
guitar:
Roland Orzabal (UK musician, songwriter and producer)
keyboard:
Roland Orzabal (UK musician, songwriter and producer), Curt Smith and Ian Stanley
percussion:
Chris Hughes (producer, aka “Merrick”)
vocals:
Curt Smith
conductor:
Chris Hughes (producer, aka “Merrick”)
performer:
Ross Cullum and Phil Palmer (guitarist)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
music videos:
Mad World by Tears for Fears
recording of:
Mad World
lyricist and composer:
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing and Virgin Music Ltd.
Tears for Fears3.73:34
9It Ain’t Necessarily
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Bronski Beat4:43
10They All Run After the Carving Knife
recording of:
They All Run After the Carving Knife
lyricist and composer:
Tony Mansfield (producer & songwriter)
New Musik4:53
11My Soul Unwraps Tonight
recording of:
My Soul Unwraps Tonight
lyricist and composer:
Richard Kenton
Savage Progress3:20
12Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Level 423.63:59
13The Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman (UK musician, songwriter and producer. One half of Goldfish Productions.)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex4:14
14Imagination
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some33:32
15The Night
recording of:
The Night
lyricist:
Barbara Addoms
composer:
Giuseppe Nicolosi
publisher:
Sangy Publishing
Valerie Dore6:17
16Ship of Fools
engineer:
David Jacob
co-producer:
David Jacob
producer:
Stephen Hague
recording of:
Ship of Fools
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure3:58
17I Won’t Let You Down
recording of:
I Won’t Let You Down
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Tony Hymas
Ph.D.44:15
18Cry
producer:
Godley & Creme and Trevor Horn
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1985) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recorded by:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
recording of:
Cry
writer:
Lol Creme and Kevin Godley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:54
2CD
#TitleArtistRatingLength
1Sunglasses at Night
engineer:
Jon Astley, Phil Chapman (engineer) and Andy MacPherson
producer:
Jon Astley and Phil Chapman (engineer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 30)
recording of:
Sunglasses at Night
lyricist and composer:
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edition Meridian
Corey Hart3.655:16
2Love Is a Batterfield
producer:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman and Peter Coleman (British engineer & producer)
mixer:
Neil Giraldo (multi-instrumentalist, songwriter, producer) and Peter Coleman (British engineer & producer)
bass guitar:
Roger Capps
drums (drum set):
Myron Grombacher
electric guitar:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
keyboard:
Charles Giordano (American keyboardist and accordionist)
lead vocals:
Pat Benatar
vocals:
Pat Benatar
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
recorded at:
MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar4.14:02
3You Might Think
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
You Might Think
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.73:04
4Talking in Your Sleep
engineer:
Hal Hansford and Jim Sessody
producer:
Peter Solley (English pianist, songwriter and producer)
mixer:
Neil Kernon and Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Nemperor Records, Inc. (in 1983)
recorded at:
Criteria Studios in Miami, Florida, United States
recording of:
Talking in Your Sleep
writer:
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) and Peter Solley (English pianist, songwriter and producer)
publisher:
ForeverEndeavor Music, Inc. (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
The Romantics3.93:50
5Midnight Man
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
Midnight Man
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan3.754:52
6Rain in May
phonographic copyright (℗) by:
Nada International C.V. (in 1981)
recording of:
Rain in May
writer:
Chris Meldon and Chris Pilgram (singer, songwriter, arranger, producer)
publisher:
Nada Music GmbH and Roba Music (publisher)
Max Werner3:31
7In the Dutch Mountains
engineer:
Paul Telman
phonographic copyright (℗) by:
CBS Grammofoonplaten B.V. (not for release label use! NL subsidiary of CBS Records, Inc.) (in 1987)
recorded at:
Werf Studio (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
In the Dutch Mountains
lyricist:
Henk Hofstede
composer:
Henk Hofstede, Rob Kloet and Robert Jan Stips
publisher:
Soss Music (in 1987)
Nits53:25
8The Riddle
assistant engineer:
Dave Meegan (producer)
engineer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
lead vocals:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
music videos:
The Riddle by Nik Kershaw
recording of:
The Riddle
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. and Rondor Musikverlag GmbH
Nik Kershaw3.253:50
9AlwaysReal Life3:52
10We Need ProtectionPicnic at the Whitehouse6:24
11Colours of Ever
recording of:
Colours of Ever
lyricist:
Marc Berry (Austrian songwriter), Mario Bottazzi and Hans David Bronner (Austrian producer and pianist)
composer:
Marc Berry (Austrian songwriter) and Hans David Bronner (Austrian producer and pianist)
The Form3:47
12Stand and Deliver
engineer:
Alan Douglas (Scottish born engineer)
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar and lead vocals:
Adam Ant (English new wave singer and actor)
drums (drum set):
Chris Hughes (producer, aka “Merrick”) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
part of:
The Downloader’s Music Source Book (number: 145)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:05
13Cool for Cats
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 81)
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3.53:07
14John Wayne Is Big Leggy
recording of:
John Wayne Is Big Leggy
writer:
Paul Caplin, Kate Garner and Jeremy Healy
publisher:
Carlin Music Corporation, Chrysalis Music Ltd. (music publisher, affiliated with PRS) and EMI Music Publishing Ltd. (PRS‐affiliated)
Haysi Fantayzee3:19
15Our Lips Are Sealed
engineer:
Jeremy Green
producer:
David Byrne (Talking Heads)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
cover recording of:
Our Lips Are Sealed
lyricist and composer:
Terry Hall and Jane Wiedlin
publisher:
BMG Music Pty Ltd, Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music, Matthews Music Pty. Ltd. and Plangent Visions Music
Fun Boy Three3:34
16Heaven
additional engineer:
Dave Wittman
engineer:
Steve Hodge (engineer and producer)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass:
Tim Butler (co‐founder of The Psychedelic Furs)
drums (drum set) and percussion:
Keith Forsey (drummer, producer and songwriter) and Tommy Price
guitar:
John Ashton
saxophone:
Mars Williams (US jazz and rock saxophonist)
vocals:
Richard Butler (singer)
remixer:
Dave Wittman
arranger:
The Psychedelic Furs
recording of:
Heaven
lyricist:
Richard Butler (singer)
writer:
Tim Butler (co‐founder of The Psychedelic Furs)
publisher:
EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
The Psychedelic Furs53:21
17Name and Number
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1989)
recording of:
Name and Number
writer:
Julian Godfrey Brookhouse, Michael John McEvoy, Migi Drummond, Glenn Skinner, Nick Thorpe and Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
publisher:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd., Universal–Songs of PolyGram International, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Curiosity Killed the Cat4:01
18Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.13:23

Credits

Release

ASIN:DE: B00000IB4M [info]

Release group

part of:Pop & Wave (number: 5) (order: 19)