Something Cool

~ Veröffentlichung von June Christy (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼10″-Vinyl
Nr.TitelBewertungLänge
A1Something Cool
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-08-14)
baritone saxophone:
Chuck Gentry (am 1953-08-14)
Bassposaune:
George Roberts (american bass trombone) (am 1953-08-14)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-08-14)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1953-08-14)
Posaune:
Milt Bernhart (am 1953-08-14), Herbie Harper (am 1953-08-14) und Tommy Pederson (am 1953-08-14)
Trompete:
Maynard Ferguson (am 1953-08-14), Conrad Gozzo (am 1953-08-14) und Shorty Rogers (trumpet) (am 1953-08-14)
vocals:
June Christy (am 1953-08-14)
conductor:
Pete Rugolo (am 1953-08-14)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-14)
recording of:
Something Cool (am 1953-08-14)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
44:20
A2It Could Happen to You
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18, am 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18, am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18, am 1960-04-27), Harry Klee (am 1954-01-18) und Paul Horn (am 1960-04-27)
Klavier:
Russ Freeman (pianist) (am 1954-01-18) und Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1954-01-18, am 1960-04-27), Harry Betts (am 1954-01-18), Tommy Pederson (am 1954-01-18) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18) und Larry Bunker (am 1960-04-27)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18, am 1960-04-27), Shorty Rogers (trumpet) (am 1954-01-18), Frank Beach (trombone, trumpet) (am 1960-04-27) und Conte Candoli (am 1960-04-27)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
John Graas (am 1954-01-18) und Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1954-01-18, am 1960-04-27)
conductor:
Pete Rugolo (am 1954-01-18, am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
It Could Happen to You (am 1954-01-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
41:57
A3Lonely House
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18)
Waldhorn:
John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
Lonely House (from “Street Scene”) (am 1954-01-18)
Texter:
Langston Hughes
Komponist(in):
Kurt Weill (composer)
basiert auf:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
43:58
B1Midnight Sun
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-12-27)
baritone saxophone:
Chuck Gentry (am 1953-12-27)
Bass:
Joe Mondragon (am 1953-12-27)
Posaune:
Tommy Pederson (am 1953-12-27)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-12-27)
Trompete:
Frank Beach (trombone, trumpet) (am 1953-12-27) und Conrad Gozzo (am 1953-12-27)
vocals:
June Christy (am 1953-12-27)
conductor:
Pete Rugolo (am 1953-12-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-27)
recording of:
Midnight Sun (am 1953-12-27)
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
33:15
B2I'll Take Romance
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19), Paul Horn (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Joe Castro (am 1954-01-19) und Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19), Frank Rosolino (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Rohrblattinstrumente:
Buddy Collette (am 1954-01-19) und Chuck Gentry (am 1954-01-19)
Schlagzeug:
Larry Bunker (am 1954-01-19) und Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-19), Conte Candoli (am 1954-01-19), Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19) und Phil Stephens (bass and tuba player) (am 1954-01-19)
Waldhorn:
Vincent DeRosa (am 1954-01-19) und John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
I’ll Take Romance (am 1954-01-19)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Ben Oakland
22:20
B3A Stranger Called the Blues
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19)
Waldhorn:
John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
A Stranger Called the Blues (am 1954-01-19)
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
43:58
B4I Should Care
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-18) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18), Paul Horn (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Joe Castro (am 1954-01-18) und Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18), Frank Rosolino (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Rohrblattinstrumente:
Chuck Gentry (am 1954-01-18)
Schlagzeug:
Larry Bunker (am 1954-01-18) und Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-18), Conte Candoli (am 1954-01-18), Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1954-01-18)
Waldhorn:
Vincent DeRosa (am 1954-01-18) und John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
I Should Care (am 1954-01-18)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
42:11