Why Don’t You Do Right

~ Veröffentlichung von Peggy Lee (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Elmer’s Tune
recording of:
Elmer’s Tune
Texter:
Sammy Gallop
Komponist(in):
Elmer Albrecht und Dick Jurgens
2:53
2I See a Million People But All I Can See Is You
2:46
3I Got It Bad and That Ain’t Good
3:18
4My Old Flame
cover recording of:
My Old Flame
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:11
5How Deep Is the Ocean
cover recording of:
How Deep Is the Ocean?
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:08
6Somebody Else Is Taking My Place
cover recording of:
Somebody Else Is Taking My Place
Verfasser(in):
Bob Ellsworth, Richard Howard (US songwriter) und Russ Morgan (Big Band orchestra leader)
3:14
7How Long Has This Been Going On
3:19
8Winter Weather
recording of:
Winter Weather
Texter und Komponist(in):
Ted Shapiro
3:04
9Blues in the Night
cover recording of:
Blues in the Night (My Mama Done Tol’ Me)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
3:18
10On the Sunny Side of the Street
cover recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
3:14
11The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
3:22
12We’ll Meet Again
cover recording of:
We’ll Meet Again
Texter:
Hugh Charles
Komponist(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), World Music Co. und World Music, Inc.
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:20
13Full Moon (Noche de luna)
Klarinette:
Benny Goodman (clarinetist and bandleader)
vocals:
Peggy Lee (jazz vocalist)
cover recording of:
Full Moon
Verfasser(in):
Gonzalo Curiel (Mexican composer), Marcelene Odette und Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
2:12
14Why Don’t You Do Right?
alto saxophone:
Clint Neagley (am 1942-07-27) und Hymie Shertzer (am 1942-07-27)
baritone saxophone:
Bob Poland (am 1942-07-27)
Gitarre:
Dave Barbour (am 1942-07-27)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1942-07-27)
Klavier:
Mel Powell (American composer and jazz pianist) (am 1942-07-27)
Kontrabass:
Cliff Hill (bass) (am 1942-07-27)
Posaune:
Charlie Castaldo (am 1942-07-27) und Lou McGarity (am 1942-07-27)
Schlagzeug:
Hud Davies (am 1942-07-27)
Tenorsaxophon:
Leonard Sims (am 1942-07-27) und Jon Walton (am 1942-07-27)
Trompete:
Al Davis (am 1942-07-27), Tony Faso (am 1942-07-27), Jimmy Maxwell (Trumpet) (am 1942-07-27) und Lawrence Stearns (am 1942-07-27)
vocals:
Peggy Lee (jazz vocalist) (am 1942-07-27)
recording of:
Why Don’t You Do Right? (am 1942-07-27)
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
3:18
15Ain’t Goin’ No Place
vocals:
Peggy Lee (jazz vocalist) (am 1944-01-07)
Interpret(in):
The Capitol Jazzmen (am 1944-01-07)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-01-07)
recording of:
Ain’t Goin’ No Place (am 1944-01-07)
Verfasser(in):
Richard "Dick" Larkin
3:04
16That Old Feeling
cover recording of:
That Old Feeling
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
2:44
17What More Can a Woman Do
Gitarre:
Dave Barbour (am 1944-12-27)
Klarinette:
Heine Beau (am 1944-12-27), Harold Lawson (am 1944-12-27) und Maury Stein (am 1944-12-27)
Klavier:
Milt Raskin (Milton Raskin) (am 1944-12-27)
Kontrabass:
Arthur "Artie" Shapiro (am 1944-12-27)
Schlagzeug:
Nick Fatool (am 1944-12-27)
Trompete:
Billy May (am 1944-12-27)
vocals:
Peggy Lee (jazz vocalist) (am 1944-12-27)
Orchester:
Dave Barbour and His Orchestra (am 1944-12-27)
arranger:
Heine Beau
recording of:
What More Can a Woman Do? (am 1944-12-27)
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
2:46
18You Was Right, Baby
Gitarre:
Dave Barbour (am 1944-12-27)
vocals:
Peggy Lee (jazz vocalist)
recording of:
You Was Right Baby
Texter und Komponist(in):
Dave Barbour und Peggy Lee (jazz vocalist)
2:30
19Waitin’ for the Train to Come In
recording of:
Waiting for the Train to Come In
Verfasser(in):
Martin Block (composer) und Sunny Skylar
3:08
20I Don’t Know Enough About You
cover recording of:
I Don’t Know Enough About You
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
3:22
21Everything’s Movin’ Too Fast
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-11-22)
Produzent(in):
Lee Gillette
vocals:
Peggy Lee (jazz vocalist) (am 1946-11-22)
Orchester:
Dave Barbour and His Orchestra
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Everything’s Movin’ Too Fast (in 1946)
Texter:
Peggy Lee (jazz vocalist)
Komponist(in):
Dave Barbour
3:01
22Linger in My Arms a Little Longer, Baby
Gitarre:
Dave Barbour
Orchester:
Dave Barbour and His Orchestra
cover recording of:
Linger in My Arms a Little Longer, Baby
Texter und Komponist(in):
Herb Magidson
3:06
23It’s a Good Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-07-12)
vocals:
Peggy Lee (jazz vocalist) (am 1946-07-12)
conductor:
Dave Barbour (am 1946-07-12)
arranger:
Heinie Beau und Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
It’s a Good Day
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. und Michael H. Goldsen Inc.
cover recording of:
It’s a Good Day
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. und Michael H. Goldsen Inc.
4.52:53
24It’s Lovin’ Time
vocals:
Peggy Lee (jazz vocalist) (am 1946-11-22)
2:50
25It’s All Over Now
cover recording of:
It’s All Over Now
Verfasser(in):
Don Marcotte und Sunny Skylar
3:00