Masterworks Heritage

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Reissued in EU, 2013.
https://www.discogs.com/release/4809591

Annotation last modified on 2018-07-14 07:15 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Caprice, op. 1: No. 1
violin:
Michael Rabin (violinist) (on 1950-05-19)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-19)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 1 in E major: Andante “l’Arpeggio” (on 1950-05-19)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini1:45
2Caprice, op. 1: No. 5
violin:
Michael Rabin (violinist) (on 1950-05-19)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-19)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 5 in A minor: Agitato (on 1950-05-19)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini2:22
3Caprice, op. 1: No. 9
violin:
Michael Rabin (violinist) (on 1950-05-19)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-19)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 9 in E major: Allegretto “La Chasse” (on 1950-05-19)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini2:56
4Caprice, op. 1: No. 11
violin:
Michael Rabin (violinist) (on 1950-05-19)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-19)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 11 in C major: Andante – Presto (on 1950-05-19)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini4:11
5Caprice, op. 1: No. 13
violin:
Michael Rabin (violinist) (on 1950-05-19)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-19)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 13 in B-flat major: Allegro “The Devil’s Laughter” (on 1950-05-19)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini2:43
6Caprice, op. 1: No. 14
violin:
Michael Rabin (violinist) (on 1950-05-25)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-25)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 14 in E-flat major: Moderato (on 1950-05-25)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini1:12
7Caprice, op. 1: No. 16
violin:
Michael Rabin (violinist) (on 1950-05-19)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-19)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 16 in G minor: Presto (on 1950-05-19)
composer:
Niccolò Paganini (Italian composer and violinist)
publisher:
AFMusic & Publishing (publishing branch of AFM Records)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini1:28
8Caprice, op. 1: No. 17
violin:
Michael Rabin (violinist) (on 1950-05-25)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-25)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 17 in E-flat major: Sostenuto – Andante (on 1950-05-25)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini3:29
9Caprice, op. 1: No. 18
violin:
Michael Rabin (violinist) (on 1950-05-19)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-19)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 18 in C major: Corrente – Allegro (on 1950-05-19)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini2:08
10Caprice, op. 1: No. 21
violin:
Michael Rabin (violinist) (on 1950-05-25)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-25)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 21 in A major: Amoroso – Presto (on 1950-05-25)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini3:05
11Caprice, op. 1: No. 24
violin:
Michael Rabin (violinist) (on 1950-05-25)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-05-25)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (on 1950-05-25)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini4:26
12Slavonic Dance no. 2 in E minor, op. 46
piano:
Artur Balsam (pianist) (on 1952-03-05)
violin:
Michael Rabin (violinist) (on 1952-03-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-03-05)
recording of:
Slawische Tänz, op. 46 nr. 2 in e-Moll, B. 170: Dumka (for violin and piano, Dvořák) (on 1952-03-05)
composer:
Antonín Dvořák (composer) (from 1878-03-18 until 1878-05-07)
piano and violin arranger:
Antonín Dvořák (composer) (in 1891-12)
part of:
Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 170)
arrangement of:
Slawische Tänz, op. 46, nr. 2 in e-Moll, Allegretto scherzando (Dumka) (for Piano, four hands)
Antonín Dvořák4:25
13Caprice in A minor
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-03-18) and Artur Balsam (pianist) (on 1952-03-18)
violin:
Michael Rabin (violinist) (on 1952-03-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-03-18)
recording of:
Étude-Caprice, op. 18 no. 4, in A minor, Tempo di Saltarella, ma non troppo vivo (for violin and piano, arr. Kreisler) (on 1952-03-18)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 4)
arrangement of:
Étude-Caprice, op. 18 no. 4, in A minor, Tempo di Saltarella, ma non troppo vivo (original version for 2 violins)
Henryk Wieniawski1:31
14Concert fantasies on Carmen, op. 25: Finale
piano:
Artur Balsam (pianist) (on 1952-03-18)
violin:
Michael Rabin (violinist) (on 1952-03-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-03-18)
partial recording of:
Carmen Fantasy, op. 25 (for violin and piano, ed. Francescatti) (on 1952-03-18)
composer:
Pablo de Sarasate (violinist and composer)
piano and violin arranger:
Zino Francescatti (violinist)
arrangement of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Georges Bizet2:43
15La Chasse
piano:
Artur Balsam (pianist) (on 1952-03-18)
violin:
Michael Rabin (violinist) (on 1952-03-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-03-18)
Fritz Kreisler1:49
16Sea Shell
piano:
Artur Balsam (pianist) (on 1952-03-05)
violin:
Michael Rabin (violinist) (on 1952-03-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-03-05)
recording of:
Sea-Shell (on 1952-03-05)
composer:
Carl Engel (musicologist)
Carl Engel2:56
17Banjo and Fiddle
piano:
Artur Balsam (pianist) (on 1952-03-05)
violin:
Michael Rabin (violinist) (on 1952-03-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-03-05)
recording of:
Banjo and Fiddle (for violin and piano) (on 1952-03-05)
composer:
William Kroll
William Kroll2:46
18Perpetuum mobile
violin:
Michael Rabin (violinist) (on 1953-03-29)
orchestra:
Columbia Symphony Orchestra (on 1953-03-29)
conductor:
Donald Voorhees (American composer and conductor) (on 1953-03-29)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1953-03-29)
recording of:
Perpetuum mobile, op. 5 no. 4 (for violin and piano) (on 1953-03-29)
composer:
Ottokar Nováček (Violinist, composer)
part of:
8 Concert Caprices, op. 5
Ottokar Nováček2:26
19Perpetuum mobile, op. 11
violin:
Michael Rabin (violinist) (on 1953-01-29)
orchestra:
Columbia Symphony Orchestra (on 1953-01-29)
conductor:
Donald Voorhees (American composer and conductor) (on 1953-01-29)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-29)
Niccolò Paganini3:09
20Zigeunerweisen, op. 20, no. 1
violin:
Michael Rabin (violinist) (on 1953-01-29)
orchestra:
Columbia Symphony Orchestra (on 1953-01-29)
conductor:
Donald Voorhees (American composer and conductor) (on 1953-01-29)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-29)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra) (on 1953-01-29)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate8:37
21Romanza Andaluza, Danse espagnole no. 3, op. 22, no. 1:
recorded in:
New York, New York, United States (on 1938-10-20)
piano:
Walter Robert (classical pianist, 1908-1999) (on 1938-10-20)
violin:
Ossy Renardy (on 1938-10-20)
recording of:
Spanish Dances, op. 22, no. 1: Romanza andaluza (for violin (or mandolin) and piano) (on 1938-10-20)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 22 (for violin (or mandolin) and piano)
Pablo de Sarasate4:36
22Jota Navarra, Danse espagnole no. 4, op. 22, no. 2
recorded in:
New York, New York, United States (on 1938-10-20)
piano:
Walter Robert (classical pianist, 1908-1999) (on 1938-10-20)
violin:
Ossy Renardy (on 1938-10-20)
recording of:
Spanish Dances, op. 22, no. 2: Jota navarra (for violin (or mandolin) and piano) (on 1938-10-20)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 22 (for violin (or mandolin) and piano)
Pablo de Sarasate4:43
23Zapateado, Danse espagnole no. 6, op. 23 no. 2
recorded in:
New York, New York, United States (on 1939-03-29)
piano:
Walter Robert (classical pianist, 1908-1999) (on 1939-03-29)
violin:
Ossy Renardy (on 1939-03-29)
recording of:
Spanish Dances, op. 23, no. 2: Zapateado (on 1939-03-29)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 23 (for violin and piano)
Pablo de Sarasate3:23
24Adiós montañas mias (Celebre Zortzico), Danse espagnole, op. 37
recorded in:
New York, New York, United States (on 1939-03-29)
piano:
Walter Robert (classical pianist, 1908-1999) (on 1939-03-29)
violin:
Ossy Renardy (on 1939-03-29)
recording of:
Danse espagnole, op. 37 "Adiós montañas mías" (on 1939-03-29)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Works of Pablo de Sarasate by opus number (number: op. 37)
Pablo de Sarasate2:58
25Sonata no. 12 in E minor
recorded in:
New York, New York, United States (on 1938-10-06)
piano:
Walter Robert (classical pianist, 1908-1999) (on 1938-10-06)
violin:
Ossy Renardy (on 1938-10-06)
Niccolò Paganini3:00
2▼CD
#TitleArtistRatingLength
1Hungarian Dance no. 5 in F-sharp minor
piano:
Camille Decreus (composer, pianist) (on 1912-12-30)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-30)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-30)
recording of:
Hungarian Dances: No. 5 in F-sharp minor [trans. G minor] (for violin and piano, Joachim) (on 1912-12-30)
composer:
Johannes Brahms (German composer)
arranger:
Joseph Joachim (Hungarian violinist and composer)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances (for violin and piano, Joachim)
Johannes Brahms2:34
2Pièce pittoresque no. 10: Scherzo-valse
piano:
Camille Decreus (composer, pianist) (on 1912-12-20)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-20)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-20)
Emmanuel Chabrier4:05
3Humoresque in G-flat major, op. 101 no. 7
piano:
Camille Decreus (composer, pianist) (on 1914-03-09)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1914-03-09)
recorded at:
Columbia Studios in New York, New York, United States (on 1914-03-09)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Kreisler) (on 1914-03-09)
composer:
Antonín Dvořák (composer) (in 1894)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák3:49
4Berceuse, op. 16
piano:
Camille Decreus (composer, pianist) (on 1912-12-27)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-27)
recording of:
Berceuse for Violin (or Cello) and Piano in D major, op. 16 (in 1912-12)
composer:
Gabriel Fauré (French composer) (from 1878 until 1879)
part of:
Works of Gabriel Fauré by opus number (number: op. 16)
Gabriel Fauré4:32
5Caprice viennois, op. 2
piano:
Camille Decreus (composer, pianist) (on 1912-12-30)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-30)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-30)
recording of:
Caprice viennois, op. 2 (on 1912-12-30)
composer:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1910)
Fritz Kreisler4:58
6Concerto for Violin and Orchestra in E minor, op. 64: III. Allegro molto vivace
piano:
Camille Decreus (composer, pianist) (on 1912-12-27)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-27)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (catch-all for arrangements) (on 1912-12-27)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844)
arrangement of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace)
Felix Mendelssohn5:05
7Ave Maria, D. 839
piano:
Camille Decreus (composer, pianist) (on 1914-03-09)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1914-03-09)
recorded at:
Columbia Studios in New York, New York, United States (on 1914-03-09)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements) (on 1914-03-09)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert4:19
8Abendlied, op. 85 no. 12
piano:
Camille Decreus (composer, pianist) (on 1912-12-24)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-24)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-24)
recording of:
12 Klavierstücke, op. 85: No. 12. Abendlied (for violin and piano) (on 1912-12-24)
composer:
Robert Schumann (German classical composer)
arrangement of:
Zwölf vierhändige Klavierstücke für kleine und große Kinder, op. 85: Nr. 12. Abendlied
Robert Schumann3:40
9Rondino, op. 32 no. 2
piano:
Camille Decreus (composer, pianist) (on 1912-12-30)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-30)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-30)
recording of:
Rondino, op. 32 no. 2 (for violin and piano) (on 1912-12-30)
composer:
Henri Vieuxtemps (Belgian 19th century composer & violinist)
part of:
3 morceaux de salon, op. 32 (for violin and piano)
Henri Vieuxtemps5:15
10Albumblatt in C major
piano:
Camille Decreus (composer, pianist) (on 1912-12-30)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-30)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-30)
Richard Wagner4:14
11"Prize Song" from Die Meistersinger von Nürnberg
piano:
Camille Decreus (composer, pianist) (on 1912-02-01)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-02-01)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-02-01)
Richard Wagner5:07
12Mazurka, op. 19: No. 1 in G major, "Obertass"
piano:
Camille Decreus (composer, pianist) (on 1912-12-26)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-26)
recording of:
Obertass (Mazurka), op. 19 no. 1 (violin and piano) (on 1912-12-26)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1860)
part of:
Works of Henryk Wieniawski by opus number (number: op. 19 no. 1)
part of:
2 Mazurkas caractéristiques, op. 19
Henryk Wieniawski2:08
13Mazurka, op. 19: No. 2 in D major, "Dudziarz"
piano:
Camille Decreus (composer, pianist) (on 1912-12-26)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1912-12-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1912-12-26)
recording of:
Dudziarz Le Ménétrier (Mazurka), op. 19 no. 2 (on 1912-12-26)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1860)
part of:
Works of Henryk Wieniawski by opus number (number: op. 19 no. 2)
part of:
2 Mazurkas caractéristiques, op. 19
Henryk Wieniawski3:08
14Mazurka in B minor, op. 11 no. 3, "Lointaine passé"
piano:
Camille Decreus (composer, pianist) (on 1913-02-01)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1913-02-01)
recorded at:
Columbia Studios in New York, New York, United States (on 1913-02-01)
recording of:
Mazurka no. 3: Lointain passé, op. 11 (on 1913-02-01)
composer:
Eugène Ysaÿe (Belgian violinist, composer and conductor)
dedicated to:
Alfred Marchot
part of:
Works of Eugène Ysaÿe by opus number (number: op. 11)
Eugène Ysaÿe4:23
15Rêve d'enfant, op. 14
piano:
Camille Decreus (composer, pianist) (on 1913-02-01)
violin:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1913-02-01)
recorded at:
Columbia Studios in New York, New York, United States (on 1913-02-01)
recording of:
Rêve d'enfant, op. 14 (for violin and piano) (on 1913-02-01)
composer and arranger:
Eugène Ysaÿe (Belgian violinist, composer and conductor)
arrangement of:
Rêve d'enfant, op. 14 (for violin and orchestra)
Eugène Ysaÿe5:22
16Marche joyeuse
orchestra:
Cincinnati Symphony Orchestra (on 1919-11-30)
conductor:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1919-11-30)
recorded at:
Columbia Studios in New York, New York, United States (on 1919-11-30)
recording of:
Joyeuse marche (for orchestra) (on 1919-11-30)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier3:51
17Intermezzo from Naïla ("Pas des fleurs, Grande valse")
orchestra:
Cincinnati Symphony Orchestra (on 1919-11-28)
conductor:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1919-11-28)
recorded at:
Columbia Studios in New York, New York, United States (on 1919-11-28)
Léo Delibes3:59
18Overture to Les dragons de Villars
orchestra:
Cincinnati Symphony Orchestra (on 1919-11-28)
conductor:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1919-11-28)
recorded at:
Columbia Studios in New York, New York, United States (on 1919-11-28)
recording of:
Les Dragons de Villars: Overture (on 1919-11-28)
composer:
Aimé Maillart (French composer)
part of:
Les Dragons de Villars
Aimé Maillart3:59
19Navarraise from Le Cid
orchestra:
Cincinnati Symphony Orchestra (on 1919-11-28)
conductor:
Eugène Ysaÿe (Belgian violinist, composer and conductor) (on 1919-11-28)
recorded at:
Columbia Studios in New York, New York, United States (on 1919-11-28)
recording of:
Le Cid: Ballet: VII. Navarraise (on 1919-11-28)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte II
part of:
Le Cid : Acte II, scène 2. Ballet
Jules Massenet3:17
3▼CD
#TitleArtistRatingLength
1Concert for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso
piano:
Claudio Arrau (pianist) (on 1952-02-17)
orchestra:
The Philadelphia Orchestra (on 1952-02-17)
conductor:
Eugene Ormandy (conductor) (on 1952-02-17)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1952-02-17)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso (on 1952-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt5:40
2Concert for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio
piano:
Claudio Arrau (pianist) (on 1952-02-17)
orchestra:
The Philadelphia Orchestra (on 1952-02-17)
conductor:
Eugene Ormandy (conductor) (on 1952-02-17)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1952-02-17)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio (on 1952-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt5:23
3Concert for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato
piano:
Claudio Arrau (pianist) (on 1952-02-17)
orchestra:
The Philadelphia Orchestra (on 1952-02-17)
conductor:
Eugene Ormandy (conductor) (on 1952-02-17)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1952-02-17)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato (on 1952-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt4:13
4Concert for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato
piano:
Claudio Arrau (pianist) (on 1952-02-17)
orchestra:
The Philadelphia Orchestra (on 1952-02-17)
conductor:
Eugene Ormandy (conductor) (on 1952-02-17)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1952-02-17)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato (on 1952-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt4:10
5Fantasia in E minor on Hungarian Folk Songs: Andante mesto -
piano:
Claudio Arrau (pianist) (on 1952-02-17)
orchestra:
The Philadelphia Orchestra (on 1952-02-17)
conductor:
Eugene Ormandy (conductor) (on 1952-02-17)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1952-02-17)
partial recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (on 1952-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14
Franz Liszt3:34
6Fantasia in E minor on Hungarian Folk Songs: Allegro eroico - Piú animato -
piano:
Claudio Arrau (pianist) (on 1952-02-17)
orchestra:
The Philadelphia Orchestra (on 1952-02-17)
conductor:
Eugene Ormandy (conductor) (on 1952-02-17)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1952-02-17)
partial recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (on 1952-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14
Franz Liszt2:48
7Fantasia in E minor on Hungarian Folk Songs: Molto adagio, quasi Fantasia - Allegretto alla zingarese - Molto animato -
piano:
Claudio Arrau (pianist) (on 1952-02-17)
orchestra:
The Philadelphia Orchestra (on 1952-02-17)
conductor:
Eugene Ormandy (conductor) (on 1952-02-17)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1952-02-17)
partial recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (on 1952-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14
Franz Liszt5:51
8Fantasia in E minor on Hungarian Folk Songs: Vivace assai - Prestissimo
piano:
Claudio Arrau (pianist) (on 1952-02-17)
orchestra:
The Philadelphia Orchestra (on 1952-02-17)
conductor:
Eugene Ormandy (conductor) (on 1952-02-17)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1952-02-17)
partial recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (on 1952-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14
Franz Liszt3:32
9Hungarian Rhapsodies: No. 11 in A minor
piano:
Claudio Arrau (pianist) (on 1951-10-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1951-10-18)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 11 in A minor, S. 244 no. 11 (on 1951-10-18)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:38
10Hungarian Rhapsodies: No. 10 in E major
piano:
Claudio Arrau (pianist) (on 1952-02-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-02-22)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 10 in E major, S. 244 no. 10 (on 1952-02-22)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt5:33
11Hungarian Rhapsodies: No. 8 in F-Sharp minor "Capriccio"
piano:
Claudio Arrau (pianist) (on 1951-10-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1951-10-18)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 8 in F-sharp minor, S. 244 no. 8 (on 1951-10-18)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:23
12Hungarian Rhapsodies: No. 9 in E-Flat major "Carneval de Pest"
piano:
Claudio Arrau (pianist) (on 1951-10-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1951-10-18)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 9 in E-flat major, S. 244 no. 9 "Carnival in Pest" (on 1951-10-18)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt11:00
13Hungarian Rhapsodies: No. 13 in A minor
piano:
Claudio Arrau (pianist) (on 1952-02-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-02-22)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 13 in A minor, S. 244 no. 13 (on 1952-02-22)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt9:03
4▼CD
#TitleArtistRatingLength
1Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appasionato
violin:
Zino Francescatti (violinist) (on 1954-11-17)
orchestra:
New York Philharmonic (on 1954-11-17)
conductor:
Dimitri Mitropoulos (conductor) (on 1954-11-17)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1954-11-17)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato) (on 1954-11-17)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn11:40
2Concerto for Violin and Orchestra in E minor, op. 64: II. Andante
violin:
Zino Francescatti (violinist) (on 1954-11-17)
orchestra:
New York Philharmonic (on 1954-11-17)
conductor:
Dimitri Mitropoulos (conductor) (on 1954-11-17)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1954-11-17)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (on 1954-11-17)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:26
3Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace
violin:
Zino Francescatti (violinist) (on 1954-11-17)
orchestra:
New York Philharmonic (on 1954-11-17)
conductor:
Dimitri Mitropoulos (conductor) (on 1954-11-17)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1954-11-17)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace) (on 1954-11-17)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn6:15
4Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Vorspiel. Allegro moderato
violin:
Zino Francescatti (violinist) (on 1952-02-02)
orchestra:
New York Philharmonic (on 1952-02-02)
conductor:
Dimitri Mitropoulos (conductor) (on 1952-02-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-02-02)
recording of:
Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato (on 1952-02-02)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:12
5Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio
violin:
Zino Francescatti (violinist) (on 1952-02-02)
orchestra:
New York Philharmonic (on 1952-02-02)
conductor:
Dimitri Mitropoulos (conductor) (on 1952-02-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-02-02)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (on 1952-02-02)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:32
6Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale. Allegro energico
violin:
Zino Francescatti (violinist) (on 1952-02-02)
orchestra:
New York Philharmonic (on 1952-02-02)
conductor:
Dimitri Mitropoulos (conductor) (on 1952-02-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-02-02)
recording of:
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico (on 1952-02-02)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:03
7Concerto no. 3 for Violin and Orchestra in B minor, op. 61: I. Allegro non troppo
violin:
Zino Francescatti (violinist) (on 1950-01-23)
orchestra:
New York Philharmonic (on 1950-01-23)
conductor:
Dimitri Mitropoulos (conductor) (on 1950-01-23)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-01-23)
recording of:
Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo (on 1950-01-23)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Camille Saint‐Saëns8:19
8Concerto no. 3 for Violin and Orchestra in B minor, op. 61: II. Andantino quasi allegretto
violin:
Zino Francescatti (violinist) (on 1950-01-23)
orchestra:
New York Philharmonic (on 1950-01-23)
conductor:
Dimitri Mitropoulos (conductor) (on 1950-01-23)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-01-23)
recording of:
Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto (on 1950-01-23)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Camille Saint‐Saëns7:20
9Concerto no. 3 for Violin and Orchestra in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro
violin:
Zino Francescatti (violinist) (on 1950-01-23)
orchestra:
New York Philharmonic (on 1950-01-23)
conductor:
Dimitri Mitropoulos (conductor) (on 1950-01-23)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1950-01-23)
recording of:
Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo (on 1950-01-23)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Camille Saint‐Saëns9:25
5▼CD
#TitleArtistRatingLength
1Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
violin:
Zino Francescatti (violinist) (on 1954-03-27)
orchestra:
New York Philharmonic (on 1954-03-27)
conductor:
Dimitri Mitropoulos (conductor) (on 1954-03-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1954-03-27)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato (on 1954-03-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky17:01
2Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
violin:
Zino Francescatti (violinist) (on 1954-03-27)
orchestra:
New York Philharmonic (on 1954-03-27)
conductor:
Dimitri Mitropoulos (conductor) (on 1954-03-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1954-03-27)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (on 1954-03-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky6:34
3Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
violin:
Zino Francescatti (violinist) (on 1954-03-27)
orchestra:
New York Philharmonic (on 1954-03-27)
conductor:
Dimitri Mitropoulos (conductor) (on 1954-03-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1954-03-27)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo (on 1954-03-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky9:28
4Concerto no. 2 for Violin and Orchestra, op. 63: I. Allegro moderato
violin:
Zino Francescatti (violinist) (on 1952-10-27)
orchestra:
New York Philharmonic (on 1952-10-27)
conductor:
Dimitri Mitropoulos (conductor) (on 1952-10-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-10-27)
recording of:
Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato (on 1952-10-27)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1935)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in G minor, op. 63
Sergei Prokofiev10:19
5Concerto no. 2 for Violin and Orchestra, op. 63: II. Andante assai
violin:
Zino Francescatti (violinist) (on 1952-10-27)
orchestra:
New York Philharmonic (on 1952-10-27)
conductor:
Dimitri Mitropoulos (conductor) (on 1952-10-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-10-27)
recording of:
Violin Concerto no. 2 in G minor, op. 63: II. Andante assai (on 1952-10-27)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1935)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in G minor, op. 63
Sergei Prokofiev8:48
6Concerto no. 2 for Violin and Orchestra, op. 63: III. Allegro, ben marcato
violin:
Zino Francescatti (violinist) (on 1952-10-27)
orchestra:
New York Philharmonic (on 1952-10-27)
conductor:
Dimitri Mitropoulos (conductor) (on 1952-10-27)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-10-27)
recording of:
Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato (on 1952-10-27)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1935)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in G minor, op. 63
Sergei Prokofiev6:17
7Poème for Violin and Orchestra, op. 25
violin:
Zino Francescatti (violinist) (on 1957-11-10)
orchestra:
The Philadelphia Orchestra (on 1957-11-10)
conductor:
Eugene Ormandy (conductor) (on 1957-11-10)
recorded at:
Broadwood Hotel in Philadelphia, Pennsylvania, United States (on 1957-11-10)
recording of:
Poème, op. 25 (for violin and orchestra) (on 1957-11-10)
composed in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1896-04 until 1896-06-29)
composer:
Ernest Chausson (composer) (from 1896-04 until 1896-06-29)
dedicated to:
Eugène Ysaÿe (Belgian violinist, composer and conductor)
premiered at:
[concert] (1896-12-27)
publisher:
Breitkopf & Härtel (in 1897-05)
part of:
Works of Ernest Chausson by opus number (number: op. 25)
Ernest Chausson15:30
6▼CD
#TitleArtistRatingLength
1Symphony no. 1 in D major "Titan": I. Langsam. Schleppend - Immer sehr gemächlich
orchestra:
Minneapolis Symphony Orchestra (on 1940-11-04)
conductor:
Dimitri Mitropoulos (conductor) (on 1940-11-04)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1940-11-04)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (on 1940-11-04)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler13:35
2Symphony no. 1 in D major "Titan": II. Kräftig bewegt - Trio. Recht gemächlich
orchestra:
Minneapolis Symphony Orchestra (on 1940-11-04)
conductor:
Dimitri Mitropoulos (conductor) (on 1940-11-04)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1940-11-04)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (on 1940-11-04)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler6:17
3Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
orchestra:
Minneapolis Symphony Orchestra (on 1940-11-04)
conductor:
Dimitri Mitropoulos (conductor) (on 1940-11-04)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1940-11-04)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (on 1940-11-04)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:26
4Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch
orchestra:
Minneapolis Symphony Orchestra (on 1940-11-04)
conductor:
Dimitri Mitropoulos (conductor) (on 1940-11-04)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1940-11-04)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (on 1940-11-04)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler17:31
5The Isle of the Dead, Tone poem after a painting by Bvcklin, op. 29
orchestra:
Minneapolis Symphony Orchestra (on 1945-03-02)
conductor:
Dimitri Mitropoulos (conductor) (on 1945-03-02)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1945-03-02)
recording of:
The Isle of the Dead, op. 29 (on 1945-03-02)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1909)
publisher:
A. Gutheil (in 1909)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 29)
Sergei Rachmaninoff20:15
7▼CD
#TitleArtistRatingLength
1Symphony no. 6 in B minor, op. 54: I. Largo
orchestra:
Pittsburgh Symphony Orchestra (on 1945-03-26)
conductor:
Fritz Reiner (conductor) (on 1945-03-26)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1945-03-26)
recording of:
Symphony no. 6 in B minor, op. 54: I. Largo (on 1945-03-26)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1939)
part of:
Symphony no. 6 in B minor, op. 54
Dmitri Shostakovich18:27
2Symphony no. 6 in B minor, op. 54: II. Allegro
orchestra:
Pittsburgh Symphony Orchestra (on 1945-03-26)
conductor:
Fritz Reiner (conductor) (on 1945-03-26)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1945-03-26)
recording of:
Symphony no. 6 in B minor, op. 54: II. Allegro (on 1945-03-26)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1939)
part of:
Symphony no. 6 in B minor, op. 54
Dmitri Shostakovich6:31
3Symphony no. 6 in B minor, op. 54: III. Presto
orchestra:
Pittsburgh Symphony Orchestra (on 1945-03-26)
conductor:
Fritz Reiner (conductor) (on 1945-03-26)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1945-03-26)
recording of:
Symphony no. 6 in B minor, op. 54: III. Presto (on 1945-03-26)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1939)
part of:
Symphony no. 6 in B minor, op. 54
Dmitri Shostakovich7:31
4Dances of Galánta: I. Lento
orchestra:
Pittsburgh Symphony Orchestra (on 1945-03-27)
conductor:
Fritz Reiner (conductor) (on 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1945-03-27)
recording of:
Galántai táncok: I. Lento (Dances of Galánta: I. Lento) (on 1945-03-27)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Galántai táncok (Dances of Galánta)
Zoltán Kodály5:03
5Dances of Galánta: II. Lento - Allegretto moderato
orchestra:
Pittsburgh Symphony Orchestra (on 1945-03-27)
conductor:
Fritz Reiner (conductor) (on 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1945-03-27)
recording of:
Galántai táncok: II. Allegretto moderato (Dances of Galánta: II. Allegretto moderato) (on 1945-03-27)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Galántai táncok (Dances of Galánta)
Zoltán Kodály3:00
6Dances of Galánta: III. Allegro con moto - grazioso
orchestra:
Pittsburgh Symphony Orchestra (on 1945-03-27)
conductor:
Fritz Reiner (conductor) (on 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1945-03-27)
recording of:
Galántai táncok: III. Allegro con moto, grazioso (Dances of Galánta: III. Allegro con moto, grazioso) (on 1945-03-27)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Galántai táncok (Dances of Galánta)
Zoltán Kodály1:20
7Dances of Galánta: IV. Allegro
orchestra:
Pittsburgh Symphony Orchestra (on 1945-03-27)
conductor:
Fritz Reiner (conductor) (on 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1945-03-27)
recording of:
Galántai táncok: IV. Allegro (Dances of Galánta: IV. Allegro) (on 1945-03-27)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Galántai táncok (Dances of Galánta)
recording of:
Galántai táncok: V. Allegro vivace (Dances of Galánta: V. Allegro vivace) (on 1945-03-27)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Galántai táncok (Dances of Galánta)
Zoltán Kodály5:52
8Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": I. Jó alapos csárdás. Tempo di Csárdás (quasi alla Marcia)
orchestra:
Pittsburgh Symphony Orchestra (from 1945-03-26 until 1945-03-27)
conductor:
Fritz Reiner (conductor) (from 1945-03-26 until 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (from 1945-03-26 until 1945-03-27)
recording of:
Divertimento no. 1, op. 20: I. Tempo di csardás (quasi alla marcia) “Jó alapos csárdás” (from 1945-03-26 until 1945-03-27)
composer:
Leó Weiner (Hungarian composer) (in 1923)
part of:
Divertimento no. 1, op. 20
Leó Weiner1:41
9Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": II. Róka-tánc. Vivace
orchestra:
Pittsburgh Symphony Orchestra (from 1945-03-26 until 1945-03-27)
conductor:
Fritz Reiner (conductor) (from 1945-03-26 until 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (from 1945-03-26 until 1945-03-27)
recording of:
Divertimento no. 1, op. 20: II. Vivace “Rókatánc” (from 1945-03-26 until 1945-03-27)
composer:
Leó Weiner (Hungarian composer) (in 1923)
part of:
Divertimento no. 1, op. 20
Leó Weiner2:13
10Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": III. Marosszéki keringös. Allegretto moderato (quasi andantino)
orchestra:
Pittsburgh Symphony Orchestra (from 1945-03-26 until 1945-03-27)
conductor:
Fritz Reiner (conductor) (from 1945-03-26 until 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (from 1945-03-26 until 1945-03-27)
recording of:
Divertimento no. 1, op. 20: III. Allegretto moderato (quasi andantino) “Marosszéki keringős” (from 1945-03-26 until 1945-03-27)
composer:
Leó Weiner (Hungarian composer) (in 1923)
part of:
Divertimento no. 1, op. 20
Leó Weiner1:44
11Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": IV. Verbunkos. Tempo de Marcia (un poco grottescamente)
orchestra:
Pittsburgh Symphony Orchestra (from 1945-03-26 until 1945-03-27)
conductor:
Fritz Reiner (conductor) (from 1945-03-26 until 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (from 1945-03-26 until 1945-03-27)
recording of:
Divertimento no. 1, op. 20: IV. Tempo di Marcia “Verbunkos” (from 1945-03-26 until 1945-03-27)
composer:
Leó Weiner (Hungarian composer) (in 1923)
part of:
Divertimento no. 1, op. 20
Leó Weiner2:07
12Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": V. Csürdöngölö. Presto
orchestra:
Pittsburgh Symphony Orchestra (from 1945-03-26 until 1945-03-27)
conductor:
Fritz Reiner (conductor) (from 1945-03-26 until 1945-03-27)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (from 1945-03-26 until 1945-03-27)
recording of:
Divertimento no. 1, op. 20: V. Presto “Csűrdöngölő” (from 1945-03-26 until 1945-03-27)
composer:
Leó Weiner (Hungarian composer) (in 1923)
part of:
Divertimento no. 1, op. 20
Leó Weiner2:10
13Hungarian Sketches, Sz. 97: IV. Kicsit Ázottan. Allegretto rubato "Slightly Tipsy"
orchestra:
Pittsburgh Symphony Orchestra (on 1947-04-01)
conductor:
Fritz Reiner (conductor) (on 1947-04-01)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1947-04-01)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 4: Slightly Tipsy (on 1947-04-01)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Three Burlesques, Sz. 47, BB 55, No. 2: A Little Tipsy
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:11
14Hungarian Sketches, Sz. 97: II. Medvetánc. Allegro vivace "Bear Dance"
orchestra:
Pittsburgh Symphony Orchestra (on 1947-04-01)
conductor:
Fritz Reiner (conductor) (on 1947-04-01)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1947-04-01)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 2: Bear Dance (on 1947-04-01)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Ten Easy Pieces, Sz. 39, BB 51, No. 10: Bear Dance
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók1:49
15Colas Breugnon Overture, op. 24
orchestra:
Pittsburgh Symphony Orchestra (on 1945-03-26)
conductor:
Fritz Reiner (conductor) (on 1945-03-26)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1945-03-26)
recording of:
Colas Breugnon, op. 24: Overture (on 1945-03-26)
composer:
Dimitri Kabalevsky (Dmitri Kabalevsky, Soviet composer/teacher) (from 1936 until 1938)
part of:
Colas Breugnon, op. 24
Dmitri Kabalevsky4:24
16Kamarinskaya
orchestra:
Pittsburgh Symphony Orchestra (on 1946-02-02)
conductor:
Fritz Reiner (conductor) (on 1946-02-02)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1946-02-02)
recording of:
Kamarinskaya (on 1946-02-02)
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer)
Mikhail Glinka6:21
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD
18▶CD
19▶CD
20▶CD
21▶CD
22▶CD
23▶CD
24▶CD
25▶CD
26▶CD
27▶CD
28▶CD

Credits

Release

ASIN:US: B008919TS6 [info]