The Complete CBS Recordings of Eddie Condon and His All Stars

~ Release by Eddie Condon and His All-Stars (see all versions of this release, 2 available)

Tracklist

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1▼12" Vinyl
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A1Beale Street Blues
recorded in:
New York, New York, United States (on 1953-11-24)
bass:
Walter Page (on 1953-11-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1953-11-24)
cornet:
Wild Bill Davison (on 1953-11-24)
drums (drum set):
Cliff Leeman (on 1953-11-24)
guitar:
Eddie Condon (on 1953-11-24)
piano:
Gene Schroeder (on 1953-11-24)
trombone:
Cutty Cutshall (on 1953-11-24)
recording of:
Beale Street Blues (on 1953-11-24)
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
4:12
A2Riverboat Shuffle
recorded in:
New York, New York, United States (on 1953-11-24)
bass:
Walter Page (on 1953-11-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1953-11-24) and Peanuts Hucko (on 1953-11-24)
cornet:
Wild Bill Davison (on 1953-11-24)
drums (drum set):
Cliff Leeman (on 1953-11-24)
guitar:
Eddie Condon (on 1953-11-24)
piano:
Gene Schroeder (on 1953-11-24)
trombone:
Cutty Cutshall (on 1953-11-24)
trumpet:
Dick Cary (piano, trumpet, alto horn) (on 1953-11-24)
recording of:
Riverboat Shuffle (on 1953-11-24)
composer:
Hoagy Carmichael, Irving Mills, Parish and Dick Voynow
4:23
A3Medley: Emaline / Don’t Worry ’Bout Me / I Can’t Give You Anything but Love
recorded in:
New York, New York, United States (on 1953-11-24)
bass:
Walter Page (on 1953-11-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1953-11-24)
cornet:
Wild Bill Davison (on 1953-11-24)
drums (drum set):
Cliff Leeman (on 1953-11-24) and George Wettling (on 1953-11-24)
guitar:
Eddie Condon (on 1953-11-24)
piano:
Gene Schroeder (on 1953-11-24)
trombone:
Cutty Cutshall (on 1953-11-24) and Lou McGarity (on 1953-11-24)
medley including a instrumental recording of:
Don’t Worry ’Bout Me (on 1953-11-22)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
medley including a instrumental recording of:
Emaline (on 1953-11-24)
writer:
Mitchell Parish and Frank Perkins
publisher:
Peter Maurice Music Co. Ltd.
medley including a instrumental recording of:
I Can’t Give You Anything but Love, Baby (on 1953-11-24)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:50
A4Medley: Jam Session Blues
recorded in:
New York, New York, United States (on 1953-11-24)
bass:
Walter Page (on 1953-11-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1953-11-24)
cornet:
Wild Bill Davison (on 1953-11-24)
drums (drum set):
Cliff Leeman (on 1953-11-24)
guitar:
Eddie Condon (on 1953-11-24)
piano:
Gene Schroeder (on 1953-11-24)
trombone:
Cutty Cutshall (on 1953-11-24)
10:11
B1Blues My Naughty Sweetie Gave to Me
recorded in:
New York, New York, United States (on 1954-06-24)
bass:
Al Hall (on 1954-06-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-06-24) and Peanuts Hucko (on 1954-06-24)
cornet:
Wild Bill Davison (on 1954-06-24)
drums (drum set):
Cliff Leeman (on 1954-06-24)
guitar:
Eddie Condon (on 1954-06-24)
piano:
Gene Schroeder (on 1954-06-24)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1954-06-24)
tenor saxophone:
Bud Freeman (on 1954-06-24)
trombone:
Cutty Cutshall (on 1954-06-24) and Lou McGarity (on 1954-06-24)
trumpet:
Billy Butterfield (on 1954-06-24)
recording of:
Blues My Naughty Sweetie Gives to Me (on 1954-06-24)
writer:
Charles McCarron, Carey Morgan and Arthur Swanstrom
5:41
B2How Come You Do Me Like You Do
recorded in:
New York, New York, United States (on 1954-06-24)
bass:
Al Hall (on 1954-06-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-06-24) and Peanuts Hucko (on 1954-06-24)
cornet:
Wild Bill Davison (on 1954-06-24)
drums (drum set):
Cliff Leeman (on 1954-06-24)
guitar:
Eddie Condon (on 1954-06-24)
piano:
Gene Schroeder (on 1954-06-24)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1954-06-24)
tenor saxophone:
Bud Freeman (on 1954-06-24)
trombone:
Cutty Cutshall (on 1954-06-24) and Lou McGarity (on 1954-06-24)
trumpet:
Billy Butterfield (on 1954-06-24)
recording of:
How Come You Do Me Like You Do (Do, Do) (on 1954-06-24)
writer:
Gene Austin (in 1924) and Roy Bergere (in 1924)
publisher:
EMI Harmonies Limited and EMI Mills Music Inc. (ASCAP-affiliated)
12:53
2▼12" Vinyl
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C1Medley: When My Sugar Walks Down the Street / I Can’t Believe That You’re in Love With Me
recorded in:
New York, New York, United States (on 1954-06-24)
bass:
Al Hall (on 1954-06-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-06-24) and Peanuts Hucko (on 1954-06-24)
cornet:
Wild Bill Davison (on 1954-06-24)
drums (drum set):
Cliff Leeman (on 1954-06-24)
guitar:
Eddie Condon (on 1954-06-24)
piano:
Gene Schroeder (on 1954-06-24)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1954-06-24)
tenor saxophone:
Bud Freeman (on 1954-06-24)
trombone:
Cutty Cutshall (on 1954-06-24) and Lou McGarity (on 1954-06-24)
trumpet:
Billy Butterfield (on 1954-06-24)
medley including a instrumental recording of:
I Can’t Believe That You’re in Love With Me (on 1954-06-24)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
medley including a instrumental recording of:
When My Sugar Walks Down the Street (on 1954-06-24)
writer:
Gene Austin, Jimmy McHugh (songwriter) and Irving Mills
5:36
C2There’ll Be Some Changes Made
recorded in:
New York, New York, United States (on 1954-07-01)
bass:
Al Hall (on 1954-07-01)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-07-01) and Peanuts Hucko (on 1954-07-01)
cornet:
Wild Bill Davison (on 1954-07-01)
drums (drum set):
Cliff Leeman (on 1954-07-01)
guitar:
Eddie Condon (on 1954-07-01)
piano:
Gene Schroeder (on 1954-07-01)
tenor saxophone:
Bud Freeman (on 1954-07-01)
trombone:
Cutty Cutshall (on 1954-07-01) and Lou McGarity (on 1954-07-01)
trumpet:
Billy Butterfield (on 1954-07-01)
recording of:
There’ll Be Some Changes Made (on 1954-07-01)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
7:16
C3Tin Roof Blues
recorded in:
New York, New York, United States (on 1954-07-01)
bass:
Al Hall (on 1954-07-01)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-07-01) and Peanuts Hucko (on 1954-07-01)
cornet:
Wild Bill Davison (on 1954-07-01)
drums (drum set):
Cliff Leeman (on 1954-07-01)
guitar:
Eddie Condon (on 1954-07-01)
piano:
Gene Schroeder (on 1954-07-01)
tenor saxophone:
Bud Freeman (on 1954-07-01)
trombone:
Cutty Cutshall (on 1954-07-01) and Lou McGarity (on 1954-07-01)
trumpet:
Billy Butterfield (on 1954-07-01)
recording of:
Tin Roof Blues (original instrumental version) (on 1954-07-01)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
7:37
D1Singin’ the Blues
recorded in:
New York, New York, United States (on 1955-04-20)
bass:
Walter Page (on 1955-04-20)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-20)
cornet:
Bobby Hackett (on 1955-04-20)
drums (drum set):
George Wettling (on 1955-04-20)
guitar:
Eddie Condon (on 1955-04-20)
piano:
Gene Schroeder (on 1955-04-20)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1955-04-20)
trombone:
Cutty Cutshall (on 1955-04-20)
4:17
D2From Monday On
recorded in:
New York, New York, United States (on 1955-04-20)
bass:
Walter Page (on 1955-04-20)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-20)
cornet:
Bobby Hackett (on 1955-04-20)
drums (drum set):
George Wettling (on 1955-04-20)
guitar:
Eddie Condon (on 1955-04-20)
piano:
Gene Schroeder (on 1955-04-20)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1955-04-20)
trombone:
Cutty Cutshall (on 1955-04-20)
instrumental recording of:
From Monday On (on 1955-04-20)
writer:
Harry Barris and Bing Crosby
4:07
D3I’m Comin’ Virginia
recorded in:
New York, New York, United States (on 1955-04-20)
bass:
Walter Page (on 1955-04-20)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-20)
cornet:
Bobby Hackett (on 1955-04-20)
drums (drum set):
George Wettling (on 1955-04-20)
guitar:
Eddie Condon (on 1955-04-20)
piano:
Gene Schroeder (on 1955-04-20)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1955-04-20)
trombone:
Cutty Cutshall (on 1955-04-20)
recording of:
I’m Coming Virginia (on 1955-04-20)
lyricist:
Will Marion Cook
composer:
Donald Heywood
2:53
D4I’ll Be a Friend With Pleasure
recorded in:
New York, New York, United States (on 1955-04-20)
bass:
Walter Page (on 1955-04-20)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-20)
cornet:
Bobby Hackett (on 1955-04-20)
drums (drum set):
George Wettling (on 1955-04-20)
guitar:
Eddie Condon (on 1955-04-20)
piano:
Gene Schroeder (on 1955-04-20)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1955-04-20)
trombone:
Cutty Cutshall (on 1955-04-20)
recording of:
I'll Be A Friend (With Pleasure) (on 1955-04-20)
lyricist and composer:
Maceo Pinkard
2:47
D5Royal Garden Blues
recorded in:
New York, New York, United States (on 1955-04-20)
bass:
Walter Page (on 1955-04-20)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-20)
cornet:
Bobby Hackett (on 1955-04-20)
drums (drum set):
George Wettling (on 1955-04-20)
guitar:
Eddie Condon (on 1955-04-20)
piano:
Gene Schroeder (on 1955-04-20)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1955-04-20)
trombone:
Cutty Cutshall (on 1955-04-20)
recording of:
Royal Garden Blues (on 1955-04-20)
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) and Spencer Williams (US jazz composer, pianist & singer) (in 1919)
5:01
3▼12" Vinyl
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E1At the Jazz Band Ball
recorded in:
New York, New York, United States (on 1955-04-22)
bass and double bass:
Walter Page (on 1955-04-22)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-22)
cornet:
Wild Bill Davison (on 1955-04-22)
drums (drum set):
George Wettling (on 1955-04-22)
guitar:
Eddie Condon (on 1955-04-22)
piano:
Gene Schroeder (on 1955-04-22)
trombone:
Cutty Cutshall (on 1955-04-22)
performer:
Gene Schroeder (on 1955-04-22)
recording of:
At the Jazz Band Ball (on 1955-04-22)
composer:
Nick LaRocca and Larry Shields
4:43
E2Louisiana
recorded in:
New York, New York, United States (on 1955-04-22)
bass:
Walter Page (on 1955-04-22)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-22)
cornet:
Wild Bill Davison (on 1955-04-22)
drums (drum set):
George Wettling (on 1955-04-22)
guitar:
Eddie Condon (on 1955-04-22)
piano:
Gene Schroeder (on 1955-04-22)
trombone:
Cutty Cutshall (on 1955-04-22)
recording of:
Louisiana (on 1955-04-22)
lyricist:
Andy Razaf and Bob Schafer
composer:
J.C. Johnson
3:08
E3Ol’ Man River
recorded in:
New York, New York, United States (on 1955-04-22)
bass:
Walter Page (on 1955-04-22)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-22)
cornet:
Wild Bill Davison (on 1955-04-22)
drums (drum set):
George Wettling (on 1955-04-22)
guitar:
Eddie Condon (on 1955-04-22)
piano:
Gene Schroeder (on 1955-04-22)
trombone:
Cutty Cutshall (on 1955-04-22)
recording of:
Ol’ Man River (Show Boat) (on 1955-04-22)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
3:29
E4Fidgety Feet
recorded in:
New York, New York, United States (on 1955-04-22)
bass:
Walter Page (on 1955-04-22)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-22)
cornet:
Wild Bill Davison (on 1955-04-22)
drums (drum set):
George Wettling (on 1955-04-22)
guitar:
Eddie Condon (on 1955-04-22)
piano:
Gene Schroeder (on 1955-04-22)
trombone:
Cutty Cutshall (on 1955-04-22)
recording of:
Fidgety Feet (on 1955-04-22)
composer:
Nick LaRocca and Larry Shields
5:08
E5Jazz Me Blues
recorded in:
New York, New York, United States (on 1955-04-22)
bass:
Walter Page (on 1955-04-22)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1955-04-22)
cornet:
Wild Bill Davison (on 1955-04-22)
drums (drum set):
George Wettling (on 1955-04-22)
guitar:
Eddie Condon (on 1955-04-22)
piano:
Gene Schroeder (on 1955-04-22)
trombone:
Cutty Cutshall (on 1955-04-22)
recording of:
Jazz Me Blues (on 1955-04-22)
composer:
Tom Delaney
3:42
F1I’m Gonna Sit Right Down and Write Myself a Letter
recorded in:
New York, New York, United States (on 1956-02-16)
bass:
Walter Page (on 1956-02-16)
clarinet:
Pee Wee Russell (on 1956-02-16)
cornet:
Wild Bill Davison (on 1956-02-16)
drums (drum set):
George Wettling (on 1956-02-16)
guitar:
Eddie Condon (on 1956-02-16)
piano:
Gene Schroeder (on 1956-02-16)
trombone:
Cutty Cutshall (on 1956-02-16)
instrumental recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1956-02-16)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
2:41
F2Don’t Get Around Much Anymore
recorded in:
New York, New York, United States (on 1956-02-16)
bass:
Walter Page (on 1956-02-16)
clarinet:
Pee Wee Russell (on 1956-02-16)
cornet:
Wild Bill Davison (on 1956-02-16)
drums (drum set):
George Wettling (on 1956-02-16)
guitar:
Eddie Condon (on 1956-02-16)
piano:
Gene Schroeder (on 1956-02-16)
trombone:
Cutty Cutshall (on 1956-02-16)
instrumental recording of:
Don’t Get Around Much Anymore (on 1956-02-16)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
3:23
F3Three Two One Blues
recorded in:
New York, New York, United States (on 1956-02-16)
bass:
Walter Page (on 1956-02-16)
clarinet:
Pee Wee Russell (on 1956-02-16)
cornet:
Wild Bill Davison (on 1956-02-16)
drums (drum set):
George Wettling (on 1956-02-16)
guitar:
Eddie Condon (on 1956-02-16)
piano:
Gene Schroeder (on 1956-02-16)
trombone:
Cutty Cutshall (on 1956-02-16)
2:01
F4I’m Confessin’
recorded in:
New York, New York, United States (on 1956-02-16)
bass:
Walter Page (on 1956-02-16)
clarinet:
Pee Wee Russell (on 1956-02-16)
cornet:
Wild Bill Davison (on 1956-02-16)
drums (drum set):
George Wettling (on 1956-02-16)
guitar:
Eddie Condon (on 1956-02-16)
piano:
Gene Schroeder (on 1956-02-16)
trombone:
Cutty Cutshall (on 1956-02-16)
instrumental recording of:
I’m Confessin’ (That I Love You) (on 1956-02-16)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:36
F5Sometimes I’m Happy
recorded in:
New York, New York, United States (on 1956-02-16)
bass:
Walter Page (on 1956-02-16)
clarinet:
Pee Wee Russell (on 1956-02-16)
cornet:
Wild Bill Davison (on 1956-02-16)
drums (drum set):
George Wettling (on 1956-02-16)
guitar:
Eddie Condon (on 1956-02-16)
piano:
Gene Schroeder (on 1956-02-16)
trombone:
Cutty Cutshall (on 1956-02-16)
instrumental recording of:
Sometimes I’m Happy (on 1956-02-16)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
2:47
F6Since My Best Gal Turned Me Down
recorded in:
New York, New York, United States (on 1956-02-20)
bass:
Walter Page (on 1956-02-20)
clarinet:
Pee Wee Russell (on 1956-02-20)
cornet:
Wild Bill Davison (on 1956-02-20)
drums (drum set):
George Wettling (on 1956-02-20)
guitar:
Eddie Condon (on 1956-02-20)
piano:
Gene Schroeder (on 1956-02-20)
reeds:
Peanuts Hucko (on 1956-02-20)
trombone:
Cutty Cutshall (on 1956-02-20)
trumpet:
Billy Butterfield (on 1956-02-20)
instrumental recording of:
Since My Best Gal Turned Me Down (on 1956-02-20)
writer:
Howard Quicksell (in 1927)
composer:
Ray Lodwig (in 1927)
2:20
F7Just Friends
recorded in:
New York, New York, United States (on 1956-02-20)
bass:
Walter Page (on 1956-02-20)
clarinet:
Pee Wee Russell (on 1956-02-20)
cornet:
Wild Bill Davison (on 1956-02-20)
drums (drum set):
George Wettling (on 1956-02-20)
guitar:
Eddie Condon (on 1956-02-20)
piano:
Gene Schroeder (on 1956-02-20)
reeds:
Peanuts Hucko (on 1956-02-20)
trombone:
Cutty Cutshall (on 1956-02-20)
trumpet:
Billy Butterfield (on 1956-02-20)
instrumental recording of:
Just Friends (on 1956-02-20)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
2:35
4▼12" Vinyl
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G1Someday You’ll Be Sorry
recorded in:
New York, New York, United States (on 1956-02-20)
bass:
Walter Page (on 1956-02-20)
clarinet:
Pee Wee Russell (on 1956-02-20)
cornet:
Wild Bill Davison (on 1956-02-20)
drums (drum set):
George Wettling (on 1956-02-20)
guitar:
Eddie Condon (on 1956-02-20)
piano:
Gene Schroeder (on 1956-02-20)
reeds:
Peanuts Hucko (on 1956-02-20)
trombone:
Cutty Cutshall (on 1956-02-20)
trumpet:
Billy Butterfield (on 1956-02-20)
recording of:
Someday You’ll Be Sorry (on 1956-02-20)
writer:
Louis Armstrong
5:05
G2Duff Campbell’s Revenge
recorded in:
New York, New York, United States (on 1956-02-23)
bass:
Walter Page (on 1956-02-23)
clarinet:
Peanuts Hucko (on 1956-02-23)
drums (drum set):
George Wettling (on 1956-02-23)
guitar:
Eddie Condon (on 1956-02-23)
piano:
Ralph Sutton (stride pianist) (on 1956-02-23)
trombone:
Cutty Cutshall (on 1956-02-23)
trumpet:
Billy Butterfield (on 1956-02-23)
3:31
G3I’ve Got a Crush on You
recorded in:
New York, New York, United States (on 1956-02-23)
bass:
Walter Page (on 1956-02-23)
clarinet:
Peanuts Hucko (on 1956-02-23)
drums (drum set):
George Wettling (on 1956-02-23)
guitar:
Eddie Condon (on 1956-02-23)
piano:
Ralph Sutton (stride pianist) (on 1956-02-23)
trombone:
Cutty Cutshall (on 1956-02-23)
trumpet:
Billy Butterfield (on 1956-02-23)
instrumental recording of:
I’ve Got a Crush on You (on 1956-02-23)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
3:38
G4I’ve Found a New Baby
recorded in:
New York, New York, United States (on 1956-02-23)
bass:
Walter Page (on 1956-02-23)
clarinet:
Peanuts Hucko (on 1956-02-23)
drums (drum set):
George Wettling (on 1956-02-23)
guitar:
Eddie Condon (on 1956-02-23)
piano:
Ralph Sutton (stride pianist) (on 1956-02-23)
trombone:
Cutty Cutshall (on 1956-02-23)
trumpet:
Billy Butterfield (on 1956-02-23)
recording of:
I’ve Found a New Baby (on 1956-02-23)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
3:56
G5Original Dixieland One Step
recorded in:
New York, New York, United States (on 1956-02-23)
bass:
Walter Page (on 1956-02-23)
clarinet:
Peanuts Hucko (on 1956-02-23)
drums (drum set):
George Wettling (on 1956-02-23)
guitar:
Eddie Condon (on 1956-02-23)
piano:
Ralph Sutton (stride pianist) (on 1956-02-23)
trombone:
Cutty Cutshall (on 1956-02-23)
trumpet:
Billy Butterfield (on 1956-02-23)
recording of:
Original Dixieland One-Step (on 1956-02-23)
writer:
Joe Jordan (ragtime/jazz musician/composer) and Nick LaRocca
composer:
George Crandall
4:26
H1Dippermouth Blues
clarinet:
Peanuts Hucko (on 1956-07-05)
cornet:
Wild Bill Davison (on 1956-07-05)
double bass:
Jack Lesberg (on 1956-07-05)
drums (drum set):
Cliff Leeman (on 1956-07-05)
guitar:
Eddie Condon (on 1956-07-05)
piano:
Gene Schroeder (on 1956-07-05)
tenor saxophone:
Bud Freeman (on 1956-07-05)
trombone:
Lou McGarity (on 1956-07-05)
recorded at:
Newport Jazz Festival 1956, Day 1 (1956-07-05)
instrumental recording of:
Dippermouth Blues (on 1956-07-05)
composer:
Louis Armstrong and King Oliver (jazz cornetist)
5:38
H2Bye and Bye
clarinet:
Peanuts Hucko (on 1956-07-05)
cornet:
Wild Bill Davison (on 1956-07-05)
double bass:
Jack Lesberg (on 1956-07-05)
drums (drum set):
Cliff Leeman (on 1956-07-05)
guitar:
Eddie Condon (on 1956-07-05)
piano:
Gene Schroeder (on 1956-07-05)
tenor saxophone:
Bud Freeman (on 1956-07-05)
trombone:
Lou McGarity (on 1956-07-05)
recorded at:
Newport Jazz Festival 1956, Day 1 (1956-07-05)
5:23
H3Squeeze Me
clarinet:
Peanuts Hucko (on 1956-07-05)
cornet:
Wild Bill Davison (on 1956-07-05)
double bass:
Jack Lesberg (on 1956-07-05)
drums (drum set):
Cliff Leeman (on 1956-07-05)
guitar:
Eddie Condon (on 1956-07-05)
piano:
Gene Schroeder (on 1956-07-05)
tenor saxophone:
Bud Freeman (on 1956-07-05)
trombone:
Lou McGarity (on 1956-07-05)
recorded at:
Newport Jazz Festival 1956, Day 1 (1956-07-05)
7:20
H4Struttin’ With Some Barbecue
clarinet:
Peanuts Hucko (on 1956-07-05)
cornet:
Wild Bill Davison (on 1956-07-05)
double bass:
Jack Lesberg (on 1956-07-05)
drums (drum set):
Cliff Leeman (on 1956-07-05)
guitar:
Eddie Condon (on 1956-07-05)
piano:
Gene Schroeder (on 1956-07-05)
tenor saxophone:
Bud Freeman (on 1956-07-05)
trombone:
Lou McGarity (on 1956-07-05)
recorded at:
Newport Jazz Festival 1956, Day 1 (1956-07-05)
live recording of:
Struttin’ With Some Barbecue (on 1956-07-05)
composer:
Lil Hardin Armstrong
5:09
5▼12" Vinyl
#TitleRatingLength
I1I Want a Big Butter and Egg Man
clarinet:
Peanuts Hucko (on 1956-07-05)
cornet:
Wild Bill Davison (on 1956-07-05)
double bass:
Jack Lesberg (on 1956-07-05)
drums (drum set):
Cliff Leeman (on 1956-07-05)
guitar:
Eddie Condon (on 1956-07-05)
piano:
Gene Schroeder (on 1956-07-05)
tenor saxophone:
Bud Freeman (on 1956-07-05)
trombone:
Lou McGarity (on 1956-07-05)
recorded at:
Newport Jazz Festival 1956, Day 1 (1956-07-05)
live instrumental recording of:
Big Butter and Egg Man (on 1956-07-05)
writer:
Louis Armstrong and Percy Venable (in 1926)
5:26
I2What Cha Call ’em Blues
recorded in:
New York, New York, United States (on 1957-06-28)
clarinet:
Bob Wilber (on 1957-06-28)
double bass:
Leonard Gaskin (on 1957-06-28)
drums (drum set):
George Wettling (on 1957-06-28)
guitar:
Eddie Condon (on 1957-06-28)
piano:
Gene Schroeder (on 1957-06-28)
trombone:
Cutty Cutshall (on 1957-06-28)
trumpet:
Billy Butterfield (on 1957-06-28)
3:21
I3Heebie Jeebies
recorded in:
New York, New York, United States (on 1957-06-28)
clarinet:
Bob Wilber (on 1957-06-28)
double bass:
Leonard Gaskin (on 1957-06-28)
drums (drum set):
George Wettling (on 1957-06-28)
guitar:
Eddie Condon (on 1957-06-28)
piano:
Gene Schroeder (on 1957-06-28)
trombone:
Cutty Cutshall (on 1957-06-28)
trumpet:
Billy Butterfield (on 1957-06-28)
instrumental recording of:
Heebie Jeebies (on 1957-06-28)
lyricist and composer:
Boyd Atkins
3:30
I4Chimes Blues
recorded in:
New York, New York, United States (on 1957-06-28)
clarinet:
Bob Wilber (on 1957-06-28)
double bass:
Leonard Gaskin (on 1957-06-28)
drums (drum set):
George Wettling (on 1957-06-28)
guitar:
Eddie Condon (on 1957-06-28)
piano:
Gene Schroeder (on 1957-06-28)
trombone:
Cutty Cutshall (on 1957-06-28)
trumpet:
Billy Butterfield (on 1957-06-28)
recording of:
Chimes Blues (jazz standard) (on 1957-06-28)
composer:
King Oliver (jazz cornetist) (in 1923)
instruments arranger:
Lil Hardin Armstrong (in 1923)
3:09
I5My Monday Date
recorded in:
New York, New York, United States (on 1957-06-28)
clarinet:
Bob Wilber (on 1957-06-28)
double bass:
Leonard Gaskin (on 1957-06-28)
drums (drum set):
George Wettling (on 1957-06-28)
guitar:
Eddie Condon (on 1957-06-28)
piano:
Gene Schroeder (on 1957-06-28)
trombone:
Cutty Cutshall (on 1957-06-28)
trumpet:
Billy Butterfield (on 1957-06-28)
recording of:
My Monday Date (on 1957-06-28)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
4:18
J1Wolverine Blues
recorded in:
New York, New York, United States (on 1957-08-19)
clarinet:
Bob Wilber (on 1957-08-19)
cornet:
Wild Bill Davison (on 1957-08-19)
double bass:
Leonard Gaskin (on 1957-08-19)
drums (drum set):
George Wettling (on 1957-08-19)
guitar:
Eddie Condon (on 1957-08-19)
piano:
Gene Schroeder (on 1957-08-19)
trombone:
Vic Dickenson (on 1957-08-19)
recording of:
Wolverine Blues (on 1957-08-19)
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
5:07
J2China Boy (alternate take)
recorded in:
New York, New York, United States (on 1957-08-19)
clarinet:
Bob Wilber (on 1957-08-19)
cornet:
Wild Bill Davison (on 1957-08-19)
double bass:
Leonard Gaskin (on 1957-08-19)
drums (drum set):
George Wettling (on 1957-08-19)
guitar:
Eddie Condon (on 1957-08-19)
piano:
Gene Schroeder (on 1957-08-19)
trombone:
Vic Dickenson (on 1957-08-19)
recording of:
China Boy (on 1957-08-19)
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
4:03
J3China Boy
recorded in:
New York, New York, United States (on 1957-08-19)
clarinet:
Bob Wilber (on 1957-08-19)
cornet:
Wild Bill Davison (on 1957-08-19)
double bass:
Leonard Gaskin (on 1957-08-19)
drums (drum set):
George Wettling (on 1957-08-19)
guitar:
Eddie Condon (on 1957-08-19)
piano:
Gene Schroeder (on 1957-08-19)
trombone:
Vic Dickenson (on 1957-08-19)
recording of:
China Boy (on 1957-08-19)
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
3:33
J4St. James Infirmary
recorded in:
New York, New York, United States (on 1957-08-19)
clarinet:
Bob Wilber (on 1957-08-19)
cornet:
Wild Bill Davison (on 1957-08-19)
double bass:
Leonard Gaskin (on 1957-08-19)
drums (drum set):
George Wettling (on 1957-08-19)
guitar:
Eddie Condon (on 1957-08-19)
piano:
Gene Schroeder (on 1957-08-19)
trombone:
Vic Dickenson (on 1957-08-19)
instrumental recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1957-08-19)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
4:20
J5That’s a Plenty
recorded in:
New York, New York, United States (on 1957-08-19)
clarinet:
Bob Wilber (on 1957-08-19)
cornet:
Wild Bill Davison (on 1957-08-19)
double bass:
Leonard Gaskin (on 1957-08-19)
drums (drum set):
George Wettling (on 1957-08-19)
guitar:
Eddie Condon (on 1957-08-19)
piano:
Gene Schroeder (on 1957-08-19)
trombone:
Vic Dickenson (on 1957-08-19)
instrumental recording of:
That’s a Plenty (on 1957-08-19)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
6:13
6▼12" Vinyl
#TitleRatingLength
K1The Song Is Ended
recorded in:
New York, New York, United States (on 1957-08-19)
clarinet:
Bob Wilber (on 1957-08-19)
cornet:
Wild Bill Davison (on 1957-08-19)
double bass:
Leonard Gaskin (on 1957-08-19)
drums (drum set):
George Wettling (on 1957-08-19)
guitar:
Eddie Condon (on 1957-08-19)
piano:
Gene Schroeder (on 1957-08-19)
trombone:
Vic Dickenson (on 1957-08-19)
instrumental recording of:
The Song Is Ended (but the Melody Lingers On) (on 1957-08-19)
lyricist:
Irving Berlin
composer:
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
2:30
K2Hindustan
recorded in:
New York, New York, United States (on 1957-08-19)
clarinet:
Bob Wilber (on 1957-08-19)
cornet:
Wild Bill Davison (on 1957-08-19)
double bass:
Leonard Gaskin (on 1957-08-19)
drums (drum set):
George Wettling (on 1957-08-19)
guitar:
Eddie Condon (on 1957-08-19)
piano:
Gene Schroeder (on 1957-08-19)
trombone:
Vic Dickenson (on 1957-08-19)
instrumental recording of:
Hindustan (on 1957-08-19)
lyricist:
Oliver Wallace (English composer and conductor, Walt Disney Studios)
composer:
Harold Weeks
2:55
K3Put ’em Down Blues
recorded in:
New York, New York, United States (on 1957-09-24)
clarinet:
Bob Wilber (on 1957-09-24)
double bass:
Leonard Gaskin (on 1957-09-24)
drums (drum set):
George Wettling (on 1957-09-24)
guitar:
Eddie Condon (on 1957-09-24)
piano:
Gene Schroeder (on 1957-09-24)
trombone:
Cutty Cutshall (on 1957-09-24)
trumpet:
Billy Butterfield (on 1957-09-24)
recording of:
Put 'Em Down Blues (on 1957-09-24)
composer:
Louis Armstrong
2:45
K4Davenport Blues
recorded in:
New York, New York, United States (on 1957-09-24)
clarinet:
Bob Wilber (on 1957-09-24)
double bass:
Leonard Gaskin (on 1957-09-24)
drums (drum set):
George Wettling (on 1957-09-24)
guitar:
Eddie Condon (on 1957-09-24)
piano:
Gene Schroeder (on 1957-09-24)
trombone:
Cutty Cutshall (on 1957-09-24)
trumpet:
Billy Butterfield (on 1957-09-24)
recording of:
Davenport Blues (on 1957-09-24)
composer:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (in 1925)
3:11
K5Apex Blues (alternate take)
recorded in:
New York, New York, United States (on 1957-09-24)
clarinet:
Bob Wilber (on 1957-09-24)
double bass:
Leonard Gaskin (on 1957-09-24)
drums (drum set):
George Wettling (on 1957-09-24)
guitar:
Eddie Condon (on 1957-09-24)
piano:
Gene Schroeder (on 1957-09-24)
trombone:
Cutty Cutshall (on 1957-09-24)
trumpet:
Billy Butterfield (on 1957-09-24)
recording of:
Apex Blues (on 1957-09-24)
composer:
Jimmie Noone
3:18
K6Apex Blues
recorded in:
New York, New York, United States (on 1957-09-24)
clarinet:
Bob Wilber (on 1957-09-24)
double bass:
Leonard Gaskin (on 1957-09-24)
drums (drum set):
George Wettling (on 1957-09-24)
guitar:
Eddie Condon (on 1957-09-24)
piano:
Gene Schroeder (on 1957-09-24)
trombone:
Cutty Cutshall (on 1957-09-24)
trumpet:
Billy Butterfield (on 1957-09-24)
recording of:
Apex Blues (on 1957-09-24)
composer:
Jimmie Noone
3:14
L1What’s the Use
recorded in:
New York, New York, United States (on 1957-09-24)
clarinet:
Bob Wilber (on 1957-09-24)
double bass:
Leonard Gaskin (on 1957-09-24)
drums (drum set):
George Wettling (on 1957-09-24)
guitar:
Eddie Condon (on 1957-09-24)
piano:
Gene Schroeder (on 1957-09-24)
trombone:
Cutty Cutshall (on 1957-09-24)
trumpet:
Billy Butterfield (on 1957-09-24)
recording of:
What's the Use (on 1957-09-24)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter)
composer:
Isham Jones
2:41
L2Wrap Your Troubles in Dreams
recorded in:
New York, New York, United States (on 1957-09-25)
clarinet:
Bob Wilber (on 1957-09-25)
double bass:
Leonard Gaskin (on 1957-09-25)
drums (drum set):
George Wettling (on 1957-09-25)
guitar:
Eddie Condon (on 1957-09-25)
piano:
Gene Schroeder (on 1957-09-25)
trombone:
Cutty Cutshall (on 1957-09-25)
trumpet:
Billy Butterfield (on 1957-09-25)
instrumental recording of:
Wrap Your Troubles in Dreams (on 1957-09-25)
lyricist:
Ted Koehler (in 1931) and Billy Moll (songwriter) (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
2:39
L3When a Woman Loves a Man
recorded in:
New York, New York, United States (on 1957-09-25)
clarinet:
Bob Wilber (on 1957-09-25)
double bass:
Leonard Gaskin (on 1957-09-25)
drums (drum set):
George Wettling (on 1957-09-25)
guitar:
Eddie Condon (on 1957-09-25)
piano:
Gene Schroeder (on 1957-09-25)
trombone:
Cutty Cutshall (on 1957-09-25)
trumpet:
Billy Butterfield (on 1957-09-25)
recording of:
When a Woman Loves a Man (on 1957-09-25)
lyricist:
Johnny Mercer (in 1938)
composer:
Bernie Hanighen (in 1938) and Gordon Jenkins (in 1938)
publisher:
Anne-Rachel Music Corp.
3:11
L4The Minor Drag (alternate take)
recorded in:
New York, New York, United States (on 1957-09-25)
clarinet:
Bob Wilber (on 1957-09-25)
double bass:
Leonard Gaskin (on 1957-09-25)
drums (drum set):
George Wettling (on 1957-09-25)
guitar:
Eddie Condon (on 1957-09-25)
piano:
Gene Schroeder (on 1957-09-25)
trombone:
Cutty Cutshall (on 1957-09-25)
trumpet:
Billy Butterfield (on 1957-09-25)
2:32
L5The Minor Drag
recorded in:
New York, New York, United States (on 1957-09-25)
clarinet:
Bob Wilber (on 1957-09-25)
double bass:
Leonard Gaskin (on 1957-09-25)
drums (drum set):
George Wettling (on 1957-09-25)
guitar:
Eddie Condon (on 1957-09-25)
piano:
Gene Schroeder (on 1957-09-25)
trombone:
Cutty Cutshall (on 1957-09-25)
trumpet:
Billy Butterfield (on 1957-09-25)
2:52
L6Why Was I Born?
recorded in:
New York, New York, United States (on 1957-09-25)
clarinet:
Bob Wilber (on 1957-09-25)
double bass:
Leonard Gaskin (on 1957-09-25)
drums (drum set):
George Wettling (on 1957-09-25)
guitar:
Eddie Condon (on 1957-09-25)
piano:
Gene Schroeder (on 1957-09-25)
trombone:
Cutty Cutshall (on 1957-09-25)
trumpet:
Billy Butterfield (on 1957-09-25)
instrumental recording of:
Why Was I Born? (on 1957-09-25)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
composer:
Jerome Kern (in 1929)
2:49
7▼12" Vinyl
#TitleRatingLength
M1Midnight in Moscow
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
recording of:
Midnight in Moscow (English version of Russian song “Moscow Nights”) (on 1962-01-27)
lyricist:
Михаил Матусовский
composer:
Василий Соловьёв-Седой (Vasily Solovyov-Sedoy, Russian composer)
translated version of:
Подмосковные вечера
2:58
M2Meadowlands
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
2:57
M3Dark Eyes
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
4:08
M4Theme From Swan Lake
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
3:05
M5Londonderry Air
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
recording of:
Londonderry Air (on 1962-01-27)
composer:
[traditional] (special purpose artist)
arranger:
John Pell (classical guitar)
arrangement of:
Londonderry Air (for Harp, arr. Carlos Salzedo)
3:15
M6La Vie En Rose
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
instrumental recording of:
La Vie en rose (French original) (on 1962-01-27)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi) and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:08
M7Loch Lomond
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Knobby Totah (jazz bassist) (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
recording of:
Loch Lomond (Scottish folk song) (on 1962-01-27)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 9598)
2:47
N1Hindustan
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
instrumental recording of:
Hindustan (on 1962-01-27)
lyricist:
Oliver Wallace (English composer and conductor, Walt Disney Studios)
composer:
Harold Weeks
3:20
N2The Sheik of Araby
recorded in:
New York, New York, United States (on 1962-01-27)
clarinet:
Peanuts Hucko (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
drums (drum set):
Buzzy Drootin (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
instrumental recording of:
The Sheik of Araby (on 1962-01-27)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
2:23
N3Japanese Sandman
recorded in:
New York, New York, United States (on 1962-01-27)
double bass:
Jack Lesberg (on 1962-01-27)
guitar:
Eddie Condon (on 1962-01-27)
tambourine:
Peanuts Hucko (on 1962-01-27)
trombone:
Lou McGarity (on 1962-01-27)
trumpet:
Bobby Hackett (on 1962-01-27)
recording of:
The Japanese Sandman (on 1962-01-27)
lyricist:
Raymond B. Egan (in 1920)
writer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
composer:
Richard A. Whiting (composer) (in 1920)
2:13
N4Baby Elephant Walk
clarinet:
Peanuts Hucko (on 1962-09-04)
double bass:
Jack Lesberg (on 1962-09-04)
drums (drum set):
George Wettling (on 1962-09-04)
guitar:
Eddie Condon (on 1962-09-04)
keyboard:
John Mortillaro (on 1962-09-04)
trombone:
Cutty Cutshall (on 1962-09-04)
trumpet:
Bobby Hackett (on 1962-09-04)
recording of:
Baby Elephant Walk (Hatari!) (on 1962-09-04)
composer:
Henry Mancini (US composer, conductor & arranger)
arrangement of:
Variaciones sobre “El paso del elefantito”
2:45
N5Over and Over Again
clarinet:
Peanuts Hucko (on 1962-09-04)
double bass:
Jack Lesberg (on 1962-09-04)
drums (drum set):
George Wettling (on 1962-09-04)
guitar:
Eddie Condon (on 1962-09-04)
keyboard:
John Mortillaro (on 1962-09-04)
trombone:
Cutty Cutshall (on 1962-09-04)
trumpet:
Bobby Hackett (on 1962-09-04)
2:57
N6The Circus on Parade
clarinet:
Peanuts Hucko (on 1962-09-04)
double bass:
Jack Lesberg (on 1962-09-04)
drums (drum set):
George Wettling (on 1962-09-04)
guitar:
Eddie Condon (on 1962-09-04)
keyboard:
John Mortillaro (on 1962-09-04)
trombone:
Cutty Cutshall (on 1962-09-04)
trumpet:
Bobby Hackett (on 1962-09-04)
instrumental recording of:
Circus on Parade (on 1962-09-04)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
1:55
N7Tiger Rag (alternate take)
clarinet:
Peanuts Hucko (on 1962-09-04)
double bass:
Jack Lesberg (on 1962-09-04)
drums (drum set):
George Wettling (on 1962-09-04)
guitar:
Eddie Condon (on 1962-09-04)
keyboard:
John Mortillaro (on 1962-09-04)
trombone:
Cutty Cutshall (on 1962-09-04)
trumpet:
Bobby Hackett (on 1962-09-04)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1962-09-04)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
4:28
N8Tiger Rag
clarinet:
Peanuts Hucko (on 1962-09-04)
double bass:
Jack Lesberg (on 1962-09-04)
drums (drum set):
George Wettling (on 1962-09-04)
guitar:
Eddie Condon (on 1962-09-04)
keyboard:
John Mortillaro (on 1962-09-04)
trombone:
Cutty Cutshall (on 1962-09-04)
trumpet:
Bobby Hackett (on 1962-09-04)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1962-09-04)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
4:33