Happy Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Don't Stop Me Now
additional engineer:
John Etchells
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1978-07 until 1978-10)
electric guitar:
Brian May (Queen guitarist) (from 1978-07 until 1978-10)
percussion:
Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
piano:
Freddie Mercury (from 1978-07 until 1978-10)
vocals:
Brian May (Queen guitarist) (from 1978-07 until 1978-10), Freddie Mercury (from 1978-07 until 1978-10) and Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
arranger:
Queen (UK rock group)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) and Raincloud Productions Ltd. (in 1978, in 2011)
recorded at:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1978-07 until 1978-10) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1978-07 until 1978-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 74)
recording of:
Don’t Stop Me Now (from 1978-07 until 1978-10)
written in:
Montreux, Vaud (Canton of Vaud), Switzerland and Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
lyricist and composer:
Freddie Mercury (from 1978-07 until 1978-10)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., Sony/ATV, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
Queen4.253:31
2Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.53:00
3I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.552:46
4Hey Ya!
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon and Pete Novak
programming and producer:
André 3000
mixer:
Neal Pogue (mix engineer)
acoustic guitar and keyboard and lead vocals:
André 3000
keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
music videos:
Hey Ya! by OutKast
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 14), Triple J’s Hottest 100: Twenty Years (2013) (number: 18), VH1’s Big Song of 2003 (number: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 180) and Indie 88: Top 500 Indie Rock Songs (number: 198)
recording of:
Hey Ya!
lyricist and composer:
André Benjamin
publisher:
Chrysalis Music, Inc. and Gnat Booty
OutKast43:53
5Can't Get You Out of My Head
drum machine programming:
Rob Davis (songwriter/producer was in Mud)
engineer and mixer:
Tim Orford
producer:
Rob Davis (songwriter/producer was in Mud) and Cathy Dennis
electric guitar and keyboard:
Rob Davis (songwriter/producer was in Mud)
background vocals and lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and KDB Pty Limited (in 2001)
produced for:
19 Productions
music videos:
Can’t Get You Out of My Head by Kylie Minogue
part of:
triple j’s Hottest 100 of Australian Songs (number: 27), Billboard Year-End Hot 100 singles of 2002 (number: 45) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 207)
recording of:
Can’t Get You Out of My Head
lyricist:
Cathy Dennis
composer:
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kylie Minogue43:50
6Lovin' Each Day
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
music video for:
Lovin Each Day by Ronan Keating
recording of:
Lovin’ Each Day
writer:
Gregg Alexander and Rick Nowels
publisher:
Keepin’ It Real, How ’Bout You? and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ronan Keating2.653:31
7I'll Be There for You
executive producer:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) and Marta Kauffman
producer and mixer:
Gavin MacKillop
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
lyricist:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem, Danny Wilde (The Rembrandts, Great Buildings & The Quick) and Allee Willis
composer:
Michael Skloff
publisher:
100 Billion Dollar Music, W3705 Music (publisher), Warner Brothers Music Corp (1929–2019) and Warner–Tamerlane Publishing Corp (publisher; do NOT use as release label)
The Rembrandts43:05
8Move Your Feet
additional recording engineer and additional mixer:
Eggstone
additional engineer:
Jesper Reginal
engineer:
Thomas Troelsen
producer:
Junior (Jesper Mortensen) and Thomas Troelsen
mixer:
Jesper Reginal and Thomas Troelsen
editor:
The Great Nalna and Jesper Reginal
bass guitar:
Junior (Jesper Mortensen) and Thomas Troelsen
drums (drum set):
Thomas Troelsen
guitar:
Junior (Jesper Mortensen)
handclaps:
Senior (Jeppe Laursen)
background vocals:
Anna Køster (Danish), Signe Marie Schmidt-Jacobsen, Thomas Troelsen, Lars Vognstrup, Sara Wölck and Yebo (Danish musician)
vocals:
Junior (Jesper Mortensen), Senior (Jeppe Laursen) and Thomas Troelsen
performer:
Thomas Troelsen
phonographic copyright (℗) by:
Crunchy Frog (label founded by the band Pezz) (in 2002)
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: 29)
recording of:
Move Your Feet
lyricist and composer:
Jesper Mortensen
Junior Senior4.253:02
9Love Shack
assistant engineer:
Martin Kunitz
engineer:
Dave Cook (US engineer and producer)
producer:
Don Was
mixer:
Tom Durack
guest bass guitar:
Sara Lee (UK bassist, singer & songwriter)
guest drums (drum set):
Charley Drayton
guest horn:
Uptown Horns (US horn section, formed in 1980)
guitar:
Keith Strickland
keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) and Cindy Wilson
phonographic copyright (℗) by:
Reprise Records (in 1989)
recorded at:
Dreamland Studios in Hurley, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
additionally produced at:
Bearsville Studios in Bearsville, New York, United States
music videos:
Love Shack by The B‐52’s
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 243)
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:23
10Don't Stop
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:11
11Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:54
12December, 1963 (Oh, What a Night)
recording engineer:
Steve Maslow
producer:
Bob Gaudio
mixer:
Val Garay
bass:
Don Ciccone
drums (drum set):
Gerry Polci
guitar:
John Paiva
keyboard:
Bob Gaudio and Lee Shapiro
piano:
Bob Gaudio
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci and John Paiva
brass [horns] arranger and strings arranger:
Lee Shapiro
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 64)
recording of:
December, 1963 (Oh, What a Night)
lyricist:
Bob Gaudio and Judy Parker
composer:
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
The Four Seasons3.853:28
13Love Is in the Air
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
phonographic copyright (℗) by:
Albert Productions (in 1977, in 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1978) and Volcano Entertainment III, L.L.C. (in 1998)
recording of:
Love Is in the Air (in 1978)
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:26
14You're the First, the Last, My Everything
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) and Barry White
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
Barry White43:20
15Give It Up
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:02
16Flashdance... What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:54
17Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.44:30
18Stuck With You
engineer:
Jim Gaines and Robert Missbach
producer:
Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) and Chrysalis Records, Inc. (not for release label use!) (in 1986)
recording of:
Stuck with You
lyricist and composer:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hulex Music (publisher) (in 1986)
Huey Lewis & the News44:26
19Happy Together
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 257)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner (singer and songwriter) and Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.42:54
20(Your Love Keeps Lifting Me) Higher and Higher
producer:
Carl Davis (record producer)
bass:
James Jamerson (on 1967-07-06)
drums (drum set):
Richard "Pistol" Allen (on 1967-07-06)
guitar:
Robert White (US funk/soul guitarist) (on 1967-07-06)
keyboard:
Johnny Griffith (on 1967-07-06)
lead vocals:
Jackie Wilson (soul singer) (on 1967-07-06)
performer:
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographic copyright (℗) by:
Brunswick Recording Corporation (in 1967)
recorded at:
Columbia Recording Studios (Chicago) in Chicago, Illinois, United States (on 1967-07-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 246) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (on 1967-07-06)
writer:
Gary Jackson (songwriter), Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
MJ: The Musical
Jackie Wilson4.82:58
21Twist & Shout
cover recording of:
Twist and Shout (in 1962)
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.652:30
2CD
#TitleArtistRatingLength
1What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and Project 3 Records Inc. (in 1988)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.952:18
2Don't Worry Be Happy
producer:
Linda Goldstein
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3.553:55
3Good Vibrations
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:35
4Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (session drummer) (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:04
5Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
part of:
Cachitos Nochevieja 2022 (number: 43) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 252)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations3.52:52
6My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:46
7Two Hearts
producer:
Phil Collins (of Genesis), Lamont Dozier and Hugh Padgham
bass:
Freddie Washington (US session bassist)
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
guitar:
Michael Landau
percussion:
Paulinho da Costa (Brazilian percussionist)
recording of:
Two Hearts
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Beau‐Di‐O‐Do Music (in 1988), Hit & Run Music (Publishing) Ltd (in 1988), Philip Collins Ltd. (in 1988) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1988)
part of:
The 61st Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1988 nominee)
Phil Collins33:24
8House of Fun
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
House of Fun
lyricist:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:47
9Alright
engineer:
John Cornfield
producer:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
mixer:
John Cornfield and Sam Williams (producer & musician. ex‐member of The Animalhouse)
bass guitar:
Mick Quinn (from 1994-01 until 1994-07)
drums (drum set):
Danny Goffey (from 1994-02 until 1994-08)
guitar:
Mick Quinn (from 1994-02 until 1994-08)
piano and lead vocals:
Gaz Coombes (from 1994-02 until 1994-08)
background vocals:
Danny Goffey (from 1994-02 until 1994-08) and Mick Quinn (from 1994-02 until 1994-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Sawmills Studio in Golant, Cornwall, England, United Kingdom (from 1994-02 until 1994-08)
part of:
TV Cream: Real 100 Best Singles Ever (number: 65)
recording of:
Alright (from 1994-02 until 1994-08)
writer:
Gaz Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.73:01
10Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
Blondie3.552:16
11Walking on Sunshine
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.63:39
12Heaven Is a Place on Earth
recording engineer:
Steve McMillan
drums (drum set) [drum] programming:
Charles Judge (American guitarist, pianist, arranger and songwriter) and Rick Nowels
additional engineer:
Stacy Baird (former audio engineer) and Robert Feist
assistant engineer:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble and Joe Schiff
additional producer:
Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
producer:
Rick Nowels
mixer:
Shelly Yakus
acoustic guitar [acoustic guitars]:
Rick Nowels
additional guitar:
Tim Pierce (US session guitarist)
additional guitar [guitars]:
Michael Landau
additional keyboard [keyboards]:
Thomas Dolby
additional percussion:
Jimmy Bralower and Paulinho da Costa (Brazilian percussionist)
bass:
John Pierce (US session bassist)
drums (drum set) [drums]:
Kenny Aronoff and Curly Smith (Jo Jo Gunne musician)
electric guitar [electric guitars]:
Dan Huff, John McCurry and Rick Nowels
guitar [air guitar] and lead vocals:
Belinda Carlisle
keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) and Rick Nowels
piano [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
synthesizer [Fairlight]:
Rhett Lawrence
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
arranger:
Rick Nowels
phonographic copyright (℗) by:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987), Virgin Records Ltd (not for release label use! for company relationships only) (in 1987) and Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
additionally recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
recorded at:
American Recording and Ocean Way Studio in Hollywood, Los Angeles, California, United States
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 400)
recording of:
Heaven Is a Place on Earth
writer:
Rick Nowels and Ellen Shipley
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) and Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.153:53
13Good Life
engineer:
Ben Grosse (American producer and engineer)
producer:
Kevin Saunderson
mixer:
Ben Grosse (American producer and engineer) and Kevin "Master Reese" Saunderson
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
writer:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson and Kevin Saunderson
publisher:
Drive On Music and Virgin Songs
Inner City3.254:04
14Groovejet (If This Ain't Love)
engineer:
Gabriel Covacich
co-producer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Boris Dlugosch
background vocals:
Sharon Scott (UK acid jazz singer)
guest lead vocals:
Sophie Ellis‐Bextor
phonographic copyright (℗) by:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (from 2000 to present) and Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (in 2000)
co-produced for:
F&G Management UK
samples:
Love Is You by Carol Williams (US disco musician) and Love Is You (original mix) by Carol Williams (US disco musician)
recording of:
Groovejet (If This Ain’t Love)
lyricist:
Sophie Ellis‐Bextor
composer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Rob Davis (songwriter/producer was in Mud)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music and Universal Music (plain logo: “Universal Music”)
is based on:
Love Is You
version of:
Groovejet
Spiller feat. Sophie Ellis‐Bextor33:47
15Make Luv
producer:
Vito Lucente (Electronic dance producer and DJ)
guest vocals:
Oliver Cheatham
samples:
Get Down Saturday Night by Oliver Cheatham
recording of:
Make Luv
writer:
Vito Lucente (Electronic dance producer and DJ)
is based on:
Get Down Saturday Night
Room 5 feat. Oliver Cheatham33:31
16Lola's Theme
producer:
The Shapeshifters (UK electronic group, aka Shape:UK, and Shapeshifters)
bass:
Simon Marlin
keyboard:
Simon Marlin and Max Reich
background vocals:
Nate James and Karen Poole
lead vocals:
Cookie (featured vocalist with Shapeshifters)
phonographic copyright (℗) by:
Nocturnal Groove Ltd. (in 2004)
recording of:
Lola’s Theme
lyricist:
Karen Poole
writer:
Gianni Bini, Sylvia Macura, Simon Marlin, Patrick Moten (producer, arranger, writer, pianist, keyboardist and synthesizer player), Fulvio Perniola, Karen Poole and Max Reich
publisher:
AFP-Sony ATV, BMG Platinum Songs (Rosetta), Brightsail, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Virgin Songs, Inc., Kassner Associated Publishers, Nocturnal Groove, Pay Back Publishing Company, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, Spaced Hands Music, Supreme Songs Ltd, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
What About My Love
quotes lyrics from:
Love Me Tonight
The Shapeshifters3.53:26
17Sun Is Shining
remixer:
Funkstar De Luxe (in 1999)
phonographic copyright (℗) by:
Trojan Recordings Ltd. (in 1999)
music videos:
Sun Is Shining by Bob Marley (Jamaican reggae artist) vs. Funkstar De Luxe
recording of:
Sun Is Shining (original version)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music and Bronjo Music
Bob Marley vs. Funkstar De Luxe3.653:53
18Heaven Must Be Missing an Angel
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
edit of:
Heaven Must Be Missing an Angel by Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:28
19I Can Make You Feel GoodShalamar3:38
20You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:01
21In the Summertime
recording engineer:
Dr. Marshall Harris (engineer) and Sting Int'l
miscellaneous support:
Dennis Donald (task: track layed by), George Miller (task: track layed by), Robert Livingston (Jamaican reggae and dancehall producer) (task: track layed by) and Paul Crosdale (task: track layed by)
producer:
Robert Livingston (Jamaican reggae and dancehall producer) and Shaun "Sting Int'l" Pizzonia
mixer:
Lynford "Fatta" Marshall
additional performer:
Rayvon
produced for:
Big Yard Production
recorded at:
H.C.&F. Recording Studio (defunct) in Freeport, Hempstead, New York, United States (other vocals [vocals]) and Music Works Recording Studio (fka Music Works Recording Studio, Music Works Studio, Music Works. aka Anchor Music Works, Anchor Recording Studio) in Kingston (Kingston Parish), Jamaica
mixed at:
Mixing Lab Recording Studio in Kingston (Kingston Parish), Jamaica
cover recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Shaggy feat. Rayvon3.053:45
22Sunshine DayOsibisa4:58