The Best Of

~ Release by King Crimson (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleRatingLength
1Epitaph (including March for No Reason and Tomorrow)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
3.958:51
2Larks’ Tongues in Aspic, Part One
producer:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1973-01 until 1973-02)
recording of:
Larks’ Tongues in Aspic, Part One (from 1973-01 until 1973-02)
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp, Jamie Muir and John Wetton
publisher:
E.G. Music Ltd. (publisher) (in 1973)
part of:
Larks’ Tongues in Aspic (number: 1)
revision of:
A Peacemaking Stint Unrolls
3.313:41
3Cadence and Cascade
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar and celesta:
Robert Fripp (from 1970-01 until 1970-04)
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
flute:
Mel Collins (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Gordon Haskell (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cadence and Cascade (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd and Universal Music Publishing MGB Ltd.
34:41
4Cat Food
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
mixer:
Robert Fripp
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
guitar:
Robert Fripp (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cat Food (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
E.G. Music Inc. and UMG Music Publishing Ltd
3.754:57
5Exiles
producer:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1973-01 until 1973-02)
recording of:
Exiles (from 1973-01 until 1973-02)
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
David Cross (King Crimson violinist), Robert Fripp and Richard Palmer‐James (guitarist and lyricist)
publisher:
E.G. Music Ltd. (publisher) (in 1973)
7:48
6Larks’ Tongues in Aspic, Part Two
engineer:
Nick Ryan (1970s engineer)
producer:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1973-01 until 1973-02)
recording of:
Larks’ Tongues in Aspic, Part Two (from 1973-01 until 1973-02)
composer:
Robert Fripp
publisher:
E.G. Music Ltd. (publisher) (in 1973)
part of:
Larks’ Tongues in Aspic (number: 2)
7:12
7In the Wake of Poseidon
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
guitar and mellotron:
Robert Fripp (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
In the Wake of Poseidon (including Libra’s Theme) (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
4.157:57