The Masterworks (40CD 2004 Brilliant compilation)

~ Release by Handel (see all versions of this release, 1 available)

Annotation

Warning

Note that this compilation and the 2001 edition do not use the same recordings for all works. Be sure you are using the right one.

Problems

CD12, Johannes Passion: Artist credits on CD cover looks like: "Chamber Choir; Capella Savaria, Pál Németh". I have entered relationships for "Capella Savaria" and "Pál Németh", but I have no idea what is "Chamber Choir" — it's too generic name.

CD23, Italian Cantatas, Volume 1: Disc title in MB has a comment: "(Capella Savaria feat. conductor: Pál Németh)". However, credits on disc cover is different: "Mária Zádori, soprano; Concerto Armonico; Artistic Directors: Péter Szüts, Miklós Spányi".

Individual barcodes

CD 01: 5028421239019
CD 02: 5028421239026
CD 03: 5028421239033
CD 04: 5028421239040
CD 05: 5028421239057
CD 06: 5028421239064
CD 07: 5028421239071
CD 08: 5028421239088
CD 09: 5028421239095
CD 10: 5028421239109
CD 11: 5028421239116
CD 12: 5028421239123
CD 13: 5028421239130
CD 14: 5028421239147
CD 15: 5028421239154
CD 16: 5028421239161
CD 17: 5028421239178
CD 18: 5028421239185
CD 19: 5028421239192
CD 20: 5028421390208
CD 21: 5028421390215
CD 22: 5028421390222
CD 23: 5028421390239
CD 24: 5028421390246
CD 25: 5028421390253
CD 26: 5028421390260
CD 27: 5028421390277
CD 28: 5028421390284
CD 29: 5028421390291
CD 30: 5028421390307
CD 31: 5028421390314
CD 32: 5028421390321
CD 33: 5028421390338
CD 34: 5028421390345
CD 35: 5028421390352
CD 36: 5028421390369
CD 37: 5028421390376
CD 38: 5028421390383
CD 39: 5028421390390
CD 40: 5028421390406

Annotation last modified on 2019-03-11 01:09 UTC.

Tracklist

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1▼CD: Jephtha, Part 1
#TitleArtistRatingLength
1Jephtha: Ouverture
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: no. 0. Overture (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70
George Frideric Handel5:30
2Jephtha: Menuet
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: no. 0a. Minuet (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70
George Frideric Handel1:38
3Jephtha: Act I. Accompagnato “It must be so” (Zebul)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 1. Accompagnato "It must be so or these wile Ammonites" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel1:30
4Jephtha: Act I. Air “Pour forth no more” (Zebul)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 2. Air "Pour forth no more unheeded pray'rs" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel4:58
5Jephtha: Act I. Chorus “No more to Ammon’s god and king”
vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 3. Chorus "No more to Ammon's god and King" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel2:38
6Jephtha: Act I. Recitative “But Jephtha comes” (Zebul, Jephtha)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 3a. Recitative "But Jephtha comes" (Zebul, Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel1:05
7Jephtha: Act I. Air “Virtue my soul shall still embrace” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 4. Air "Virtue my soul shall still embrace" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel4:07
8Jephtha: Act I. Recitative “Twill be a painful separation” (Storge)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 4a. Recitative "Twill be a painful separation" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:30
9Jephtha: Act I. Air “In gentle murmurs will I mourn” (Storge)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 5. Air "In gentle murmurs will I mourn" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel5:10
10Jephtha: Act I. Recitative “Happy this embassy” (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 5a. Recitative "Happy this embassy" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:51
11Jephtha: Act I. Air “Dull delay, in piercing anguish” (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 6. Air "Dull delay, in piercing anguish" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel3:05
12Jephtha: Act I. Recitative “Ill suits the voice of love” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 6a. Recitative "Ill suits the voice of love" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:30
13Jephtha: Act I. Air “Take the heart you fondly gave” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 7. Air "Take the heart you fondly gave" (Iphis) (in 1994)
lyricist:
Thomas Morell
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70: Act I
George Frideric Handel3:57
14Jephtha: Act I. Recitative “I go, my soul” (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 7a. Recitative "I go. My soul, inspir'd by thy command" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:31
15Jephtha: Act I. Duet “These labours past, how happy we” (Iphis, Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 8. Duet "These labours past, how happy we" (Iphis, Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel5:47
16Jephtha: Act I. Recitative “What mean these doubtful fancies” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 8a. Recitative "What mean these doubtful fancies" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:56
17Jephtha: Act I. Accompagnato “If, Lord, sustained” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 9. Accompagnato "If, Lord, sustain'd by Thy almighty pow'r" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 9a. Recitative "'Tis said. Attend, ye chiefs" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel1:10
18Jephtha: Act I. Chorus “O God, behold our sore distress”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 10. Chorus "O God, behold our sore distress" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel4:10
19Jephtha: Act I. Recitative “Some dire event” (Storge)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 10a. Recitative "Some dire event hangs o'er our heads" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:28
20Jephtha: Act I. Air “Scenes of horror, scenes of woe” (Storge)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 11. Air "Scenes of horror, scenes of woe" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel4:17
21Jephtha: Act I. Recitative “Say, my dear mother” (Iphis, Storge)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 11a. Recitative "Say, my dear mother" (Iphis, Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:59
22Jephtha: Act I. Air “The smiling dawn of happy days” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 12. Air "The smiling dawn of happy days" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel3:18
23Jephtha: Act I. Recitative “Such, Jephtja, was the haughty king’s reply” (Zebul, Jephtha)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 12a. Recitative "Such, Jephtha, was the haughty King's reply" (Zebul, Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:29
24Jephtha: Act I. Chorus “When his loud voice in thunder spoke”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 13. Chorus "When His loud voice in thunder spoke" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel4:20
2▼CD: Jephtha, Part 2
#TitleArtistRatingLength
1Jephtha: Act II. Recitative “Glad things of great joy” (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 13a. Recitative "Glad things of great joy" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel1:19
2Jephtha: Act II. Chorus “Cherub and Seraphim”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 14. Chorus "Cherub and Seraphim, unbodied forms" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel3:07
3Jephtha: Act II. Air “Up the dreadful steep ascending” (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 15. Air "Up the dreadful steep ascending" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel4:33
4Jephtha: Act II. Recitative “Tis well, haste, haste, ye maidens” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 15a. Recitative "'Tis well. Haste, haste, ye maidens" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel0:23
5Jephtha: Act II: Air “Tune the soft melodious lute” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 16: Air "Tune the soft melodious lute" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel4:19
6Jephtha: Act II. Recitative “Heav’n smiles once more” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 16a. Recitative "Heav'n smiles once more" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
recording of:
Jephtha, HWV 70: Act II, no. 17a. Recitative "Zebul, thy deeds were valiant" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel0:33
7Jephtha: Act II. Air “His mighty arm” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 18. Air "His mighty arm, with sudden blow" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel5:26
8Jephtha: Act II. Chorus “In glory high”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 19. Chorus: "In glory high, in might serene" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel2:24
9Jephtha: Act II. Symphony
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 20. Symphony (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel1:13
10Jephtha: Act II. Recitative “Hail, glorious conqueror!” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 20a. Recitative "Hail, glorious conqueror!" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel0:24
11Jephtha: Act II. Air And Chorus “Welcome, as the cheerful light” (Iphis)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 21. Air and Chorus: "Welcome, as the cheerful light" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel3:57
12Jephtha: Act II. Recitative “Horror! confusion!” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 21a. Recitative "Horror! Confusion! Harsh this music grates" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel0:26
13Jephtha: Act II. Air “Open thy marble jaws, O tomb” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 22. Air "Open thy marble jaws, o tomb" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel4:32
14Jephtha: Act II. Recitative “Why is my brother thus afflicted?” (Zebul, Jephtha)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 22a. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel1:06
15Jephtha: Act II. Accompagnato and Arioso “First perish thou” (Storge)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 23. Accompagnato and Arioso "First perish thou and perish all the world!" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel2:14
16Jephtha: Act II. Recitative “If such thy cruel purpose” (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 23a. Recitative "If such thy cruel purpose, lo!" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel0:23
17Jephtha: Act II. Air “On me let blind mistake zeal” (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 24. Air "On me let blind mistake zeal" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel1:36
18Jephtha: Act II. Quartet “O spare your daughter!” (Storge, Hamor, Jephtha, Zebul)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 25. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel2:47
19Jephtha: Act II. Recitative “Such news flies swift” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 25a. Recitative "Such news flies swift" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel0:30
20Jephtha: Act II. Accompagnato “For joys so vast” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 26. Accompagnato "For joys so vast, too little is the price" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel0:49
21Jephtha: Act II. Air “Happy they!” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 27. Air "Happy they! This vital breath with content" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel3:40
22Jephtha: Act II. Accompagnato “Deeper and deeper still” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 28. Accompagnato "Deeper and deeper still, thy goodness" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel3:37
23Jephtha: Act II. Chorus “How dark, O Lord, are thy decrees!”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel7:09
3▼CD: Jephtha, Part 3
#TitleArtistRatingLength
1Jephtha: Act III. Arioso “Hide thou thy hated beams” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 30. Arioso "Hide thou thy hated beams" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel2:40
2Jephtha: Act III. Accompagnato “A father, Off’ring up” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 31. Accompagnato "A father, off'ring up his only child" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel0:26
3Jephtha: Act III. Air “Waft her, angels” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel4:06
4Jephtha: Act III. Accompagnato “Ye sacred priests” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 33. Accompagnato "Ye sacred priests, whose hands" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel0:35
5Jephtha: Act III. Air “Farewell, ye limpid springs” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 34. Air "Farewell, ye limpid springs and floods" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel5:02
6Jephtha: Act III. Chorus “Doubtful fear and reverend awe” (Preists)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 35. Chorus "Doubtful fear and reverend awe" (Preists) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel3:43
7Jephtha: Act III. Symphony
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 36. Symphony (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel1:54
8Jephtha: Act III. Recitative “Rise, Jephtha” (Angel)
soprano vocals [Angel]:
Julia Gooding (soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 36a. Recitative "Rise, Jephtha, and ye reverend priests" (Angel) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel1:10
9Jephtha: Act III. Air “Happy, Iphis, shalt thou live” (Angel)
soprano vocals [Angel]:
Julia Gooding (soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 37. Air "Happy, Iphis, shalt thou live" (Angel) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel4:42
10Jephtha: Act III. Arioso “For ever blessed be” (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 38. Arioso "For ever blessed be thy holy name" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel1:31
11Jephtha: Act III. Chorus “Theme Sublime”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 39. Chorus "Theme sublime of endless praise" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel3:25
12Jephtha: Act III. Recitative “Let me congratulate” (Zebul)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 39a. Recitative "Let me congratulate this happy turn" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel0:30
13Jephtha: Act III. Air “Laud her, all ye virgin train” (Zebul)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 40. Air "Laud her, all ye virgin train" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel2:16
14Jephtha: Act III. Recitative “O let me fold thee” (Storge)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 40a. Recitative "O let me fold thee in a mother's arms" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel0:20
15Jephtha: Act III. Air “Sweet as sight to the blind” (Storge)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 41. Air "Sweet as sight to the blind" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel1:56
16Jephtha: Act III. Recitative “With transport, Iphis” (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 41a. Recitative "With transport, Iphis, I behold thy safety" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel0:21
17Jephtha: Act III. Recitative “My faithful Hamor” (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 42a. Recitative "My faithful Hamor, may that Providence" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel0:15
18Jephtha: Act III. Quintet “All that is in Hamor mine”
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 43b. Quintet "All that is in Hamor mine" (Iphis, Hamor, storge, Jephtha, Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel3:36
19Jephtha: Act III. Chorus “Ye house of Gilead”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 44. Chorus "Ye house of Gilead, with one voice" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel3:21
4▼CD: Belsazar, Part 1
#TitleArtistRatingLength
1Belsazar: Ouverture
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Overture, Maestoso - Allegro (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
part of:
Belshazzar, HWV 61
part of:
Belshazzar, HWV 61 (German translation)
George Frideric Handel6:06
2Belsazar: Act I. Recitativo “Ach, unstet eitles Los” (Nitocris)
soprano vocals [Nitocris]:
Renate Frank-Reinecke (soprano) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 1a. Accompagnato "Ach, unstet eitles Los" (Nitocris) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 1, Accompagnato ed Arioso "Vain, fluctuating state of human empire!" (Nitocris)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel4:41
3Belsazar: Act I. Aria “Du, Gott der Höh’” (Nitocris)
soprano vocals [Nitocris]:
Renate Frank-Reinecke (soprano) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 2. Arie "Du, Gott der Höh'" (Nitocris) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 1, Air "Thou, God most high, and Thou alone" (Nitocris)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel3:39
4Belsazar: Act I. Recitativo “Das Schicksal Babylons” (Nitocris, Daniel)
alto vocals [Daniel]:
Gisela Pohl (mezzo-soprano) (in 1976)
soprano vocals [Nitocris]:
Renate Frank-Reinecke (soprano) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 2a. Recitative "Das Schicksal Babylons" (Nitocris) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 1, Recitativo "The fate of Babylon, I fear, is nigh" (Nitocris, Daniel)
part of:
Belshazzar, HWV 61: Act I (German translation)
recording of:
Belshazzar, HWV 61: Act I, no. 2b. Recitative "Geliebter du bei Gott und Menschen" (Nitocris, Daniel) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 1, Recitativo "O much belov'd of God and man!" (Nitocris, Daniel)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel1:28
5Belsazar: Act I. Aria “Wehlage nicht im eitlem Schmerz” (Daniel)
alto vocals [Daniel]:
Gisela Pohl (mezzo-soprano) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 3. Arie "Wehlage nicht im eitlem Schmerz" (Daniel) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 1, Air "Lament not thus, oh Queen, in vain!" (Daniel)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel4:27
6Belsazar: Act I. Choir “Da seht, wie Persiens junger Held”
choir vocals:
Berliner Singakademie (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 4. Choir "Da seht, wie Persiens junger Held" (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Chorus "Behold, by Persia's hero made" (Babylonians)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel2:35
7Belsazar: Act I. Recitativo “Uns gilt ihr Hohn” (Gobrias, Cyrus)
alto vocals [Cyrus]:
Ute Trekel-Burckhardt (in 1976)
bass vocals [Gobrias]:
Hermann Christian Polster (operatic bass) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 4a. Recitative "Uns gilt ihr Hohn" (Gobrias, Cyrus) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "Well may they laugh" (Gobrias, Cyrus)
part of:
Belshazzar, HWV 61: Act I (German translation)
recording of:
Belshazzar, HWV 61: Act I, no. 5. Accompagnato "O wecke mir nicht diesen bitteren Schmerz" (Gobrias) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Accompagnato "Oh memory! Still bitter to my soul" (Gobrias)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel1:35
8Belsazar: Act I. Aria “Gebeugt von unheilbarem Schmerz” (Gobrias)
bass vocals [Gobrias]:
Hermann Christian Polster (operatic bass) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 6. Accompagnato "Gebeugt von unheilbarem Schmerz" (Gobrias) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Air "Opprest with never-ceasing grief" (Gobrias)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel3:19
9Belsazar: Act I. Aria “Still’ der eitlen Tränen Flut” (Cyrus)
alto vocals [Cyrus]:
Ute Trekel-Burckhardt (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I. no. 7. Arie "Still' der eitlen Tränen Flut" (Cyrus) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Air "Dry thoes unavailing tears" (Cyrus)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel2:26
10Belsazar: Act I. Recitativo “Ermanne dich” (Cyrus, Gobrias)
alto vocals [Cyrus]:
Ute Trekel-Burckhardt (in 1976)
bass vocals [Gobrias]:
Hermann Christian Polster (operatic bass) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 7a. Recitative "Ermanne dich" (Cyrus, Gobrias) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "Be comforted: safe though the tyrant seem" (Cyrus)
part of:
Belshazzar, HWV 61: Act I (German translation)
recording of:
Belshazzar, HWV 61: Act I, no. 8. Accompagnato "Mir schien, dass am Gestad' des großen Euphrat" (Cyrus) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Accompagnato "Methought, as on the bank of deep Euphrates" (Cyrus)
part of:
Belshazzar, HWV 61: Act I (German translation)
recording of:
Belshazzar, HWV 61: Act I, no. 8a. Recitative "Nun sage, Gobrias, strömet dieser Euphrat" (Cyrus, Gobrias) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "Now, tell me, Gobrias" (Cyrus, Gobrias)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel4:06
11Belsazar: Act I. Aria “O schau den Wüstling” (Gobrias)
bass vocals [Gobrias]:
Hermann Christian Polster (operatic bass) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 9. Arie "O schau den Wüstling" (Gobrias) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Air "Behold the monstrous human beast" (Gobrias)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel3:19
12Belsazar: Act I. Recitativo “Befremdet’s dich denn so” (Cyrus)
alto vocals [Cyrus]:
Ute Trekel-Burckhardt (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 9a. Recitative "Befremdet's dich denn so" (Cyrus) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "Can you then think it strange" (Cyrus)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel0:17
13Belsazar: Act I. Aria “Du Gott! Der, mir nur fern bekannt” (Cyrus)
alto vocals [Cyrus]:
Ute Trekel-Burckhardt (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 10. Arie "Du Gott! Der, mir nur fern bekannt" (Cyrus) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Air "Great God! who, yet but darkly known" (Cyrus)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel2:38
14Belsazar: Act I. Recitativo “Freunde, habt Zuversicht” (Cyrus)
alto vocals [Cyrus]:
Ute Trekel-Burckhardt (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 10a. Recitative "Freunde, habt Zuversicht" (Cyrus) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "My friends, be confident" (Cyrus)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel0:49
15Belsazar: Act I. Choir “Die Reiche stehn in Gottes Rat”
choir vocals:
Berliner Singakademie (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 11. Choir "Die Reiche stehn in Gottes Rat" (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 2, Chorus "All empires upon God depend"
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel3:07
16Belsazar: Act I. Aria “O Heil’ges Buch” (Daniel)
alto vocals [Daniel]:
Gisela Pohl (mezzo-soprano) (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 12. Arie "O Heil'ges Buch" (Daniel) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 3, "O sacred oracles of truth" (Daniel)
part of:
Belshazzar, HWV 61: Act I (German translation)
recording of:
Belshazzar, HWV 61: Act I, no. 13. Accompagnato "Sei freudig, o mein Volk" (Daniel) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 3, Accompagnato "Rejoice, my countrymen"
part of:
Belshazzar, HWV 61: Act I (German translation)
recording of:
Belshazzar, HWV 61: Act I, no. 13a. Accompagnato "For long ago, whole ages ere this Cyrus" (Daniel) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 3, Recitativo "For long ago, whole ages ere this Cyrus" (Daniel)
part of:
Belshazzar, HWV 61: Act I (German translation)
recording of:
Belshazzar, HWV 61: Act I, no. 14. Recitative "So sprach der Herr zu Cyrus" (Daniel) (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 3, Air "Thus saith the Lord to Cyrus" (Daniel)
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel7:49
17Belsazar: Act I. Choir “Singt, Himmel singt”
choir vocals:
Berliner Singakademie (in 1976)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 1976)
conductor:
Dietrich Knothe (conductor) (in 1976)
recording of:
Belshazzar, HWV 61: Act I, no. 15. Choir "Singt, Himmel singt" (German translation) (in 1976)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
translated version of:
Belshazzar, HWV 61: Act 1, Scene 3, Chorus, "Sing, oh ye heav'ns!"
part of:
Belshazzar, HWV 61: Act I (German translation)
George Frideric Handel4:08
5▶CD: Belsazar, Part 2
6▶CD: Belsazar, Part 3
7▶CD: Messiah, Part 1
8▶CD: Messiah, Part 2
9▶CD: Brockes Passion, Part 1
10▶CD: Brockes Passion, Part 2
11▶CD: Brockes Passion, Part 3
12▶CD: Johannes Passion
13▶CD: Acis & Galatea, Part 1
14▶CD: Acis & Galatea, Part 2
15▶CD: Imeneo, Part 1
16▶CD: Imeneo, Part 2
17▶CD: Faramondo, Part 1
18▶CD: Faramondo, Part 2
19▶CD: Faramondo, Part 3
20▶CD: Rinaldo, Part 1
21▶CD: Rinaldo, Part 2
22▶CD: Coronation Anthems
23▶CD: Italian Cantatas, Volume 1
24▶CD: Italian Cantatas, Volume 2
25▶CD: German Arias
26▶CD: Music for the Royal Fireworks / Water Music
27▶CD: Concerti grossi, op. 3
28▶CD: Concerti grossi, op. 6 nos. 1–4
29▶CD: Concerti grossi, op. 6 nos. 5–8
30▶CD: Concerti grossi, op. 6 nos. 9–12
31▶CD: Concerti a due cori
32▶CD: Organ Concertos, Volume 1
33▶CD: Organ Concertos, Volume 2
34▶CD: Organ Concertos, Volume 3
35▶CD: Flute Sonatas
36▶CD: Violin Sonatas / Oboe Sonatas
37▶CD: Trio Sonatas, op. 2
38▶CD: Trio Sonatas, op. 5
39▶CD: Trio Sonatas for 2 Violins & b.c.
40▶CD: Recorder Sonatas