NOW That’s What I Call a 60s & 70s Summer

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Surfin’ U.S.A.
registrazione di:
Surfin’ U.S.A.
paroliere:
Brian Wilson (Beach Boys co‐founder)
compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
ロックンロール ミュージック (Rock ’n’ Roll Music)
si basa su:
Sweet Little Sixteen
The Beach Boys2:27
2Surf City
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1963)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 32)
registrazione di:
Surf City
autore:
Jan Berry e Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jan & Dean32:27
3Wipe Out
produttore:
The Surfaris
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 47)
registrazione di:
Wipe Out
compositore:
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) e Ron Wilson (drummer of The Surfaris)
editore:
Miraleste Music e Robin Hood Music Co.
The Surfaris4.152:11
4Under the Boardwalk
registrazione di:
Under the Boardwalk
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters2:42
5(Sittin’ on) The Dock of the Bay
registrazione di:
(Sittin’ on) the Dock of the Bay
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:42
6(There’s) Always Something There to Remind Me
voce:
Sandie Shaw (nel 1964)
diritti fonografici (℗) detenuti da:
Pye International (nel 1964) e Pye Records (nel 1964)
registrazione cover di:
(There’s) Always Something There to Remind Me (nel 1964)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
registrazione di:
(There’s) Always Something There to Remind Me
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Sandie Shaw42:43
7Do You Know the Way to San Jose
registrazione di:
Do You Know the Way to San Jose
paroliere:
Hal David (nel 1968)
compositore:
Burt Bacharach (nel 1968)
editore:
Blue Seas Music, Inc. e JAC Music Co., Inc.
Dionne Warwick2:55
8The Girl From Ipamema
registrazione di:
The Girl From Ipanema
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, volume I)
Stan Getz / João Gilberto / Astrud Gilberto3:40
9Sealed With a Kiss
registrazione di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland2:40
10Daydream Believer
produttore:
Chip Douglas
basso :
Chip Douglas (dal 1967-06-14 al 1967-08-09)
batteria :
Eddie Hoh (dal 1967-06-14 al 1967-08-09)
chitarra :
Michael Nesmith (dal 1967-06-14 al 1967-08-09)
percussione :
William E. Martin (dal 1967-06-14 al 1967-08-09)
pianoforte :
Peter Tork (dal 1967-06-14 al 1967-08-09)
tromba :
Pete Candoli (dal 1967-06-14 al 1967-08-09), Al Porcino (dal 1967-06-14 al 1967-08-09) e Manuel Stevens (dal 1967-06-14 al 1967-08-09)
trombone :
Richard Noel (trombonist) (dal 1967-06-14 al 1967-08-09)
trombone basso :
Richard Leith (trombonist) (dal 1967-06-14 al 1967-08-09) e Phil Teele (dal 1967-06-14 al 1967-08-09)
violino :
Nathan Kaproff (dal 1967-06-14 al 1967-08-09), George Kast (dal 1967-06-14 al 1967-08-09), Alex Murray (violinist) (dal 1967-06-14 al 1967-08-09) e Erno Neufeld (dal 1967-06-14 al 1967-08-09)
voce di accompagnamento:
Micky Dolenz (dal 1967-06-14 al 1967-08-09)
voce principale:
Davy Jones (The Monkees member) (dal 1967-06-14 al 1967-08-09)
arrangiatore corno e archi :
Shorty Rogers (trumpet)
video musicali:
Daydream Believer di The Monkees
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 39)
registrazione di:
Daydream Believer (dal 1967-06-14 al 1967-08-09)
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:55
11Different Drum
The Stone Poneys feat. Linda Ronstadt2:36
12I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
13Mr. Tambourine Man
registrazione di:
Mr. Tambourine Man
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
adattamenti:
Setä pelimanni
The Byrds2:21
14Everybody’s Talkin’ (from “Midnight Cowboy”)
Harry Nilsson2:50
15Wichita Lineman
produttore:
Al De Lory
voce principale:
Glen Campbell (US country singer, guitarist & actor)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968) e Capitol Records Nashville (nel 2016)
registrata in aggiunta presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1968-08-14)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1968-05-27)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 192) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 206)
registrazione di:
Wichita Lineman (il 1968-05-27)
paroliere:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (nel 1968)
Glen Campbell3.653:04
16San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:58
17Let’s Go to San Francisco
registrazione di:
Let’s Go to San Francisco
autore:
John Carter (songwriter & producer, b. 1942) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
Peermusic Ltd. (BMI)
The Flower Pot Men4:04
18Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:41
19Something in the Air
registrazione di:
Something in the Air
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman3:54
20California Dreamin’
registrazione di:
California Dreamin’
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas2:39
21Born Free (from “Born Free”)
registrazione di:
Born Free
paroliere:
Don Black (English lyricist)
compositore:
John Barry (English score composer)
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music Ltd.
parte di:
The 39th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1966 winner)
parte di:
Born Free
Matt Monro2:46
22White Horses
registrazione di:
White Horses
paroliere:
Ben Nisbet
compositore:
Michael Carr (songwriter)
editore:
Gerrard Music
Jacky2:19
23Aquarius / Let the Sunshine In (The Flesh Failures)
tecnico audio, tecnico e produttore:
Bones Howe
assistente produttore:
Ann McClelland
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo e Ron Townson
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
arrangiatore voci:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
diritti fonografici (℗) detenuti da:
Arista (American label owned by Sony Music Entertainment) (nel 1969)
video musicali:
Age of Aquarius / Let the Sunshine In di The 5th Dimension (1960’s group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 435)
medley che comprende una registrazione di:
Aquarius (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI United Partnership Ltd. e United Artist Music Publishing
parte di:
Hair (1967 musical)
registrazione di:
Aquarius / Let the Sunshine In (The Flesh Failures)
autore:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) e Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. e United Artists Music Co., Inc.
adattamenti:
Era de aquário / Deixa o sol entrar
medley di:
Aquarius (from “Hair”)
medley di:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley che comprende una registrazione di:
Let the Sunshine In
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Music Publishing Scandinavia AB e United Artists Music Co., Inc.
The 5th Dimension4.154:47
2▼CD
#TitoloArtistaValutazioneDurata
1Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:11
2I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:45
3The Grease Mega‐Mix (from “Grease”)
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin' di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
4Sugar Baby Love
tecnico:
John Mackswith (English sound engineer)
produttore:
Wayne Bickerton
registrazione di:
Sugar Baby Love (The Rubettes)
paroliere:
Wayne Bickerton
compositore:
Tony Waddington
eseguita per la prima volta da:
The Rubettes (nel 1974-01)
editore:
Arlovol Music, Budde Music Inc. (US publisher) e WB Music Corp. (1929–2019)
The Rubettes3:28
5Summerlove Sensation
registrazione di:
Summerlove Sensation
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
Martin-Coulter Music Ltd
Bay City Rollers3:14
6In the Summertime
produttore:
Barry Murray (producer, associated with Mungo Jerry)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1970) e Dawn (UK 70s 'underground and progressive' label, a subsidiary of Pye Records) (nel 1970)
prima pubblicazione:
In the Summertime di Mungo Jerry
video musicali:
In the Summertime di Mungo Jerry
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 40) e Billboard Year-End Hot 100 singles of 1970 (numero: 53)
registrazione di:
In the Summertime
paroliere e compositore:
Ray Dorset
editore:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.753:31
7Seaside Shuffle
registrazione di:
Seaside Shuffle
autore:
Jona Lewie
Terry Dactyl and the Dinosaurs2:42
8Jeans On
diritti fonografici (℗) detenuti da:
Air (UK record company and label, related to Air Studios) (nel 1976) e Chrysalis Copyrights Ltd. (nel 1976)
registrazione di:
Jeans On (nel 1976)
autore:
David Dundas e Roger Greenaway
editore:
Mushroom Music Pty. Ltd. e Air Edel Associates Ltd. (dal 1976 a oggi)
David Dundas3:19
9Co‐Co
registrazione di:
Co‐Co
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Ariola (company mostly named as distributor in Europe)
The Sweet3:10
10Silly Love Songs
assistente tecnico di registrazione e assistente tecnico di missaggio:
Mark Vigars (engineer) (dal 1976-01-16 al 1976-03)
tecnico di registrazione e tecnico di missaggio:
Pete Henderson (engineer) (dal 1976-01-16 al 1976-03)
produttore:
Paul McCartney (The Beatles)
basso e voce principale:
Paul McCartney (The Beatles) (dal 1976-01-16 al 1976-03)
batteria :
Joe English (dal 1976-01-16 al 1976-03)
chitarra elettrica :
Jimmy McCulloch (dal 1976-01-16 al 1976-03)
corno :
Howie Casey (dal 1976-01-16 al 1976-03), Tony Dorsey (dal 1976-01-16 al 1976-03), Steve Howard (trumpeter) (dal 1976-01-16 al 1976-03) e Thaddeus Richard (dal 1976-01-16 al 1976-03)
voce di accompagnamento:
Denny Laine (dal 1976-01-16 al 1976-03), Linda McCartney (dal 1976-01-16 al 1976-03) e Paul McCartney (The Beatles) (dal 1976-01-16 al 1976-03)
direttore d'orchestra:
Paul McCartney (The Beatles) (dal 1976-01-16 al 1976-03)
arrangiatore archi :
Tony Dorsey
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 2014) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (nel 2014)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1976-01-16, dal 1976-01-16 al 1976-03)
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1976-01-16 al 1976-03)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 67)
registrazione di:
Silly Love Songs (dal 1976-01-16 al 1976-03)
paroliere e compositore:
Paul McCartney (The Beatles)
autore:
Linda McCartney
editore:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Wings3.555:54
11Paloma blanca
produttore:
Hans Bouwens
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Paloma blanca
paroliere e compositore:
Hans Bouwens
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) e EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (nel 1975)
George Baker Selection3:26
12Y viva España
Sylvia Vrethammar3:27
13Happy to Be on an Island in the Sun
registrazione di:
Happy to Be on an Island in the Sun (1970s song)
paroliere e compositore:
David Lewis (UK singer‐songwriter, former frontman of Andwella’s Dream)
Demis Roussos3:09
14Angelo
registrazione di:
Angelo
autore:
Tony Hiller, Martin Lee (singer, of UK pop group Brotherhood of Man) e Lee Sheriden
editore:
ATV Music Ltd., Castle (publisher), E.M.I. Pub. Ltd., EMI Music Publishing Germany GmbH (1967–2001), Tony Hiller Music (publisher) e Tony Hills Music Co. Ltd.
Brotherhood of Man3:16
15Love Will Keep Us Together
registrazione cover di:
Love Will Keep Us Together
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. e Neil Sedaka Music (BMI-affiliated)
Captain & Tennille3:19
16Mississippi
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:33
17Blanket on the Ground
registrazione di:
Blanket on the Ground
paroliere e compositore:
Roger Bowling
editore:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Publishing (UK) Ltd.
Billie Jo Spears3:32
18I Can Help
registrazione di:
I Can Help
paroliere e compositore:
Billy Swan
editore:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Billy Swan3:59
19I’m Not in Love
basso e chitarra :
Graham Gouldman (nel 1975)
effetti [musical effects] :
Eric (nel 1975)
moog :
Kevin Godley (nel 1975)
pianoforte :
Lol Creme (nel 1975)
pianoforte elettrico e voce principale:
Eric Stewart (nel 1975)
synclavier [control desk] :
Eric (nel 1975), Graham (nel 1975), Kevin (nel 1975) e Lol (nel 1975)
voce di accompagnamento:
Lol Creme (nel 1975), Kevin Godley (nel 1975) e Graham Gouldman (nel 1975)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
edit di:
I’m Not in Love (album version) di 10cc
registrazione di:
I’m Not in Love (nel 1975)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc4.23:44
20Seasons in the Sun
produttore:
Terry Jacks
arrangiatore:
Terry Jacks
diritti fonografici (℗) detenuti da:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (nel 1973), Arista Records, LLC (holding company - file NO releases here!) (nel 1974) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980)
è stato produttore per:
Poppy Family Productions Ltd.
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 19)
registrazione cover di:
Seasons in the Sun
paroliere e traduttore:
Rod McKuen
compositore:
Jacques Brel
editore:
E.B. Marks Music Corp. e Francis, Day & Hunter Ltd. (nel 1973)
versione tradotta di:
Le Moribond
registrazione di:
Seasons in the Sun
paroliere e traduttore:
Rod McKuen
compositore:
Jacques Brel
editore:
E.B. Marks Music Corp. e Francis, Day & Hunter Ltd. (nel 1973)
versione tradotta di:
Le Moribond
Terry Jacks3.53:29
3▼CD
#TitoloArtistaValutazioneDurata
1House of the Rising Sun
registrazione di:
House of the Rising Sun
paroliere e compositore:
[traditional] (special purpose artist)
editore:
Beechwood Music Corp., Ole Cantaloupe Music e Sonet Publishing Ltd.
The Animals4:29
2A Whiter Shade of Pale
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4:06
3Telstar
registrazione di:
Telstar
compositore:
Joe Meek
editore:
Ivy Music Ltd.
The Tornados3:19
4Cathy’s Clown
basso :
Floyd Chance (il 1960-03-18)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1960-03-18)
chitarra :
Don Everly (il 1960-03-18)
pianoforte :
Floyd Cramer (il 1960-03-18)
esecutore:
The Everly Brothers (il 1960-03-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 149)
registrazione di:
Cathy’s Clown (il 1960-03-18)
paroliere e compositore:
Don Everly
autore:
Don Everly e Phil Everly
editore:
Acuff-Rose (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.52:23
5Everlasting Love
registrazione cover di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
Love Affair43:02
6Build Me Up Buttercup
registrazione di:
Build Me Up Buttercup
autore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) e Tony Macaulay
editore:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. e Welbeck Music (publisher)
The Foundations2:55
7I Can’t Help Myself (Sugar Pie, Honey Bunch)
registrazione di:
I Can’t Help Myself (Sugar Pie, Honey Bunch)
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
Four Tops2:44
8A Lover’s Concerto
registrazione di:
A Lover’s Concerto
autore:
Sandy Linzer e Denny Randell
editore:
EMI Music Publishing (do not use as a release label!)
si basa su:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:39
9(Love Is Like a) Heat Wave
registrazione di:
(Love Is Like a) Heat Wave
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music e Stone Agate Music Division
Martha Reeves and the Vandellas2:45
10Da Doo Ron Ron
registrazione di:
Da Doo Ron Ron
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (conclusa), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (fino al 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Crystals2:21
11Leader of the Pack
diritti fonografici (℗) detenuti da:
Red Bird (nel 1964)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 316) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 447)
registrazione di:
Leader of the Pack (nel 1964)
autore:
Jeff Barry, Ellie Greenwich e George “Shadow” Morton
editore:
Robert Mellin Music Publishing Corp., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tender Tunes Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
ミュージカル・ライツ・東京 (Musical Lights Tokyo)
The Shangri‐Las4.52:51
12Limbo Rock
registrazione cover di:
Limbo Rock
paroliere:
Jon Sheldon
compositore:
Billy Strange
Chubby Checker2:25
13The More I See You
registrazione di:
The More I See You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music International Ltd.
versione tradotta di:
The More I See You (Valli’s version with french lyrics)
Chris Montez2:38
14It’s Now or Never
registrazione cover di:
It’s Now or Never
paroliere:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
compositore:
Eduardo Di Capua
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
versione di:
’O sole mio
Elvis Presley3:15
15Do Wah Diddy Diddy
registrazione di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann2:22
16Have I the Right
registrazione di:
Have I the Right
autore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Ivy Music Ltd.
The Honeycombs2:57
17The Loco‐Motion
registrazione di:
The Loco‐Motion (aka Locomotion)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva2:16
18Be My Baby
supporto a vario titolo:
Phil Spector (incarico: under license of)
tecnico:
Larry Levine
produttore:
Phil Spector
voce:
Ronnie Spector (nel 1963-07)
esecutore:
The Ronettes
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Phil Spector Records (nel 1963)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1963-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 22)
registrazione di:
Be My Baby (nel 1963-07)
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. e Trio Music Co., Inc. (nel 1963)
sub-editore:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (fino al 2014-12-31), EMI Music Publishing Japan C.F. division (fino al 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1963), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Ronettes4.152:39
19The Happening
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1967-03-02)
strumenti:
The Funk Brothers (il 1967-03-02)
voce di accompagnamento:
Florence Ballard (il 1967-03-02) e Mary Wilson (il 1967-03-02)
voce principale:
Diana Ross (il 1967-03-02)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-02)
registrazione di:
The Happening (il 1967-03-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Frank De Vol, Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes52:49
20My Girl
diritti fonografici (℗) detenuti da:
Lightsource
registrazione di:
My Girl
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations42:56
21Ferry Cross the Mersey
registrazione di:
Ferry Cross the Mersey
paroliere e compositore:
Gerry Marsden
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gerry and the Pacemakers2:23
22The Sun Ain’t Gonna Shine Anymore
registrazione di:
The Sun Ain’t Gonna Shine (Anymore)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Walker Brothers3:13
4▼CD
#TitoloArtistaValutazioneDurata
1Hooray! Hooray! It’s a Holi‐Holiday
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett, Frank Farian e Liz Mitchell
registrazione di:
Hooray! Hooray! It’s a Holi‐Holiday
compositore:
Frank Farian e Fred Jay
editore:
BMG Music
si basa su:
Polly Wolly Doodle
Boney M.23:56
2Good Times
basso :
Bernard Edwards (American bassist and record producer) (nel 1979)
batteria :
Tony Thompson (drummer, best known for his work in CHIC) (nel 1979)
chitarra :
Nile Rodgers (nel 1979)
pianoforte :
Rob Sabino (nel 1979)
pianoforte elettrico :
Raymond Jones (nel 1979)
voce principale:
Alfa Anderson (nel 1979) e Luci Martin (nel 1979)
esecutore:
Chic (US disco group) (nel 1979)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1979)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 68) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 224)
registrazione di:
Good Times (nel 1979)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Chic53:43
3Love Is in the Air
registrazione di:
Love Is in the Air
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
John Paul Young3:28
4Young Hearts Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton3:49
5Philadelphia Freedom
basso elettrico :
Dee Murray (nel 1974-08)
batteria :
Nigel Olsson (nel 1974-08)
chitarra acustica e chitarra elettrica :
Davey Johnstone (nel 1974-08)
congas , maracas e tamburello :
Ray Cooper (percussionist) (nel 1974-08)
pianoforte elettrico e voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1974-08)
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 2004, nel 2005, nel 2011)
registrazione di:
Philadelphia Freedom (nel 1974-08)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Leeds Music Corp., Universal–Songs of PolyGram International, Inc. e Big Pig Music Ltd. (publisher) (nel 1974)
Elton John3.555:22
6Dancing in the City
registrazione di:
Dancing in the City
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:45
7Yes Sir, I Can Boogie
produttore:
Rolf Soja
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1977) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1977)
registrazione di:
Yes Sir, I Can Boogie (original English version)
paroliere:
Frank Dostal
compositore:
Rolf Soja
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music e Peermusic (UK) Ltd.
Baccara4.754:32
8Do It Do It Again (A far l’amore comincia tu)
Raffaella Carrà2:42
9Let’s Fly Away
registrazione di:
Let’s Fly Away
autore:
Marc Chantereau, Pierre-Alain Dahan e Slim Pezin
Voyage4:00
10Singin’ in the Rain
registrazione cover di:
Singin’ in the Rain
paroliere:
Arthur Freed
compositore:
Nacio Herb Brown (US songwriter)
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Singin’ in the Rain (stage musical)
parte di:
Singin’ in the Rain (soundtrack of the 1952 film)
parte di:
The Hollywood Revue (1929 MGM musical film)
Sheila & B. Devotion3:47
11Shake It Down
Mud3:50
12Copacabana
edit di:
Copacabana di Barry Manilow
registrazione di:
Copacabana (original 1978 disco/pop song)
paroliere:
Jack Feldman e Bruce Sussman
autore:
Bruce Sussman e Jack Feldman
compositore:
Barry Manilow
editore:
Appoggiatura Music, Inc., Camp Songs Music e Universal Music Careers
sub-editore:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Copacabana (1985 TV film soundtrack)
parte di:
Foul Play (1978 film soundtrack)
Barry Manilow4.53:57
13Get a Little Sand Between Your Toes
The New Edition3:10
14Beach Baby
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class4:49
15Theme From the Deep (Down Deep Inside)
registrazione di:
Theme from The Deep (Down, Deep Inside)
paroliere:
John Barry (English score composer) e Donna Summer (soul/disco diva)
compositore:
John Barry (English score composer)
Donna Summer4:23
16Can’t Give You Anything (but My Love)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1975)
registrazione di:
I Can’t Give You Anything (But My Love)
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Abilene Music Inc. e Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:12
17When Will I See You Again
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Sheila Ferguson (nel 1973), Valerie Holiday (nel 1973) e Fayette Pinkney (nel 1973)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
When Will I See You Again (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:59
18Summer Breeze, Pt. 1
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e T-Neck Records, Inc. (for copyrights use only; for release labels, use “T-Neck”) (nel 1973)
edit di:
Summer Breeze di The Isley Brothers
registrazione cover di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Isley Brothers43:08
19Until You Come Back to Me (That’s What I’m Gonna Do)
tecnico:
Lew Hahn
produttore:
Aretha Franklin, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1973-09-07)
batteria :
Bernard “Pretty” Purdie (il 1973-09-07)
chitarra :
Hugh McCracken (il 1973-09-07)
flauto solista :
Joe Farrell (il 1973-09-07)
organo :
Richard Tee (il 1973-09-07)
pianoforte e voce principale:
Aretha Franklin (il 1973-09-07)
pianoforte elettrico :
Donny Hathaway (il 1973-09-07)
sintetizzatore :
Ken Bichel (keyboardist) (il 1973-09-07)
voce di accompagnamento:
Margaret Branch (il 1973-09-07), Ann S. Clark (il 1973-09-07) e Pat Smith (soul vocalist) (il 1973-09-07)
arrangiatore:
Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1973-09-07)
registrazione di:
Until You Come Back to Me (That’s What I’m Gonna Do) (il 1973-09-07)
autore:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul e Stevie Wonder
editore:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau e Stone Agate Music
Aretha Franklin4.353:26
20Lovin’ You
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3:23
21Albatross
produttore:
Mike Vernon
basso elettrico :
John McVie (il 1968-10-06)
batteria :
Mick Fleetwood (il 1968-10-06)
chitarra :
Peter Green (former member of Fleetwood Mac) (il 1968-10-06) e Danny Kirwan (Fleetwood Mac) (il 1968-10-06)
diritti fonografici (℗) detenuti da:
Blue Horizon Records (nel 1968) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 52)
registrazione di:
Albatross (il 1968-10-06)
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited e Palan Music Publishing Ltd.
Fleetwood Mac43:07

Accreditamenti

Pubblicazione

ASIN:UK: B0B2CJT25B [info]

Gruppo di pubblicazioni

parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 117)