Sounds of the Eighties: 1987

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Heaven Is a Place on Earth
recording engineer:
Steve McMillan
Schlagzeug [drum]-Programmierung:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
assistierende(r) Techniker(in):
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble und Joe Schiff
zusätzliche(r) Techniker(in):
Stacy Baird (former audio engineer) und Robert Feist
Produzent(in):
Rick Nowels
zusätzliche(r) Produzent(in):
Robert Feist (sonstiger Gesang [vocal]) und Ellen Shipley (sonstiger Gesang [vocal])
Mix:
Shelly Yakus
Akustikgitarre [acoustic guitars]:
Rick Nowels
Bass:
John Pierce (US session bassist)
E-Gitarre [electric guitars]:
Dan Huff, John McCurry und Rick Nowels
Gitarre [air guitar] und Sologesang:
Belinda Carlisle
Keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
Klavier [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug [drums]:
Kenny Aronoff und Curly Smith (Jo Jo Gunne musician)
Synthesizer [Fairlight]:
Rhett Lawrence
zusätzlich Gitarre:
Tim Pierce (US session guitarist)
zusätzlich Gitarre [guitars]:
Michael Landau
zusätzlich Keyboard [keyboards]:
Thomas Dolby
zusätzlich Perkussion:
Jimmy Bralower und Paulinho da Costa (Brazilian percussionist)
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips und Ellen Shipley
arranger:
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987), Virgin Records Ltd (not for release label use! for company relationships only) (in 1987) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
aufgenommen bei:
American Recording und Ocean Way Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Hollywood Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten und Music Grinder Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 400)
recording of:
Heaven Is a Place on Earth
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.154:15
2C'est la vie
recording of:
C’est la vie
Verfasser(in):
Mark Holding, Robbie Nevil und Duncan Pain (songwriter)
publisher:
AFG House Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) und WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Robbie Nevil53:28
3(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:36
4Head to Toe
recording of:
Head to Toe
Verfasser(in):
Curtis Bedeau, Gerard Charles, Hugh Clarke (bass guitar player, member of Full Force), Brian George (US funk/hip-hop musician aka B-Fine), Lucien George und Paul George (American)
publisher:
Forceful Music, Universal Music Careers und Universal Music–Z Songs
Lisa Lisa & Cult Jam54:03
5You Keep Me Hangin' On
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Peter Wade Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Gitarre:
Steve Byrd
Keyboard:
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Cachitos Nochevieja 2022 (Nummer: 108)
cover recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kim Wilde3.454:18
6Shake Your Love
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Programmierung und Produzent(in):
Fred Zarr
assistierende(r) Techniker(in):
Bill Esses
assistierende(r) Mix:
Jim Goatley
Mix:
Phil Castellano (brother of John, uncle of Richie) und Fred Zarr
Gitarre:
David “Jaz” Grant
Keyboard und Synthesizer:
Fred Zarr
Perkussion:
Bashiri Johnson
Hintergrundgesang:
Carrie Johnson, Libby Johnson und Jeff Smith (US saxophonist)
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Debbie Gibson und Fred Zarr
aufgenommen bei:
Z Studio in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Sorcerer Sound in New York, New York, Vereinigte Staaten
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 8)
recording of:
Shake Your Love
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (vom 1987 bis ????) und Deborah Ann’s Music (vom 1987 bis ????)
Debbie Gibson53:46
7Something So Strong
Produzent(in):
Mitchell Froom
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recording of:
Something So Strong
Texter und Komponist(in):
Neil Finn und Mitchell Froom
Crowded House42:55
8Midnight Blue
Programmierung:
Phil Ashley (rock keyboardist/background vocalist)
assistierende(r) Techniker(in):
Chris Bubacz, Victor Deyglio und Roger Talkov (engineer)
Techniker(in):
Pat Moran (UK male singer, keyboardist sound engineer and producer)
Produzent(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Pat Moran (UK male singer, keyboardist sound engineer and producer)
Bassgitarre:
Stanley Sheldon (bass player) und Bruce Turgon
E-Gitarre [lead guitar]:
Nils Lofgren
Keyboard:
Phil Ashley (rock keyboardist/background vocalist)
zusätzlich Gitarre:
Eddie Martinez (guitar)
arranger:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Bruce Turgon
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Midnight Blue
Komponist(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Bruce Turgon
publisher:
Colgems-EMI Music Inc. und Stray Notes Music
Lou Gramm53:56
9Here I Go Again
Produzent(in):
Kevin Elson, Keith Olsen (US producer and engineer) und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Keith Olsen (US producer and engineer)
E-Bass:
Neil Murray (British bass guitar player)
E-Gitarre und Hintergrundgesang:
John Sykes
Gast-Keyboard und Keyboard:
Don Airey und Bill Cuomo
Perkussion und Schlagzeug:
Aynsley Dunbar
Solo-E-Gitarre:
Adrian Vandenberg
Sologesang:
David Coverdale
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987) und Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Here I Go Again ’87 von Whitesnake
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 17)
recording of:
Here I Go Again
Verfasser(in):
David Coverdale und Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (beendet), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake4.054:37
10I Think We're Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:50
11Let's Go!
Produzent(in):
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
recording of:
Let’s Go
Verfasser(in):
Nick Feldman und Jack Hues
Wang Chung4.654:33
12I Heard a Rumor
Produzent(in):
Stock Aitken Waterman
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987) und London Records Ltd. (not release label) (in 1987)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 80)
recording of:
I Heard a Rumour
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Grow Your Own Music, Mike Stock Publishing Limited, Reverb Music Ltd., Sid’s Songs Limited, Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC, Universal Music Careers, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bananarama43:27
13Nothing's Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:35
14We're Ready
recording of:
We’re Ready
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Hideaway Hits (in 1986)
Boston54:01
15Talk Dirty to Me
Techniker(in):
Jim Faraci
Koproduzent(in):
Jim Faraci
Produzent(in):
Ric Browde
Mix:
Michael Wagener
Bassgitarre:
Bobby Dall
Gitarre:
C.C. DeVille
Schlagzeug:
Rikki Rockett
Sologesang:
Bret Michaels
Interpret(in):
Poison (US glam metal band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 40)
recording of:
Talk Dirty to Me
Verfasser(in):
Bobby Dall, C.C. DeVille, Bret Michaels und Rikki Rockett
publisher:
Cyanide Publishing
Poison4.253:47
16Little Lies
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Christine McVie
Perkussion und Schlagzeug:
Mick Fleetwood
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
Sologesang:
Christine McVie
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
recording of:
Little Lies
Texter und Komponist(in):
Christine McVie und Eddy Quintela
publisher:
BMG Songs, Inc. und Careers–BMG Music Publishing, Inc.
Fleetwood Mac4.153:40
17Looking for a New Love
recording engineer:
Erik Zobler
Produzent(in):
André Cymone und David Z. (producer/engineer David Rivkin)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
aufgenommen bei:
Mama Jo’s in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 5)
recording of:
Looking for a New Love
Verfasser(in):
André Cymone und Jody Watley
publisher:
EMI April Music Inc., Ultrawave Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1986)
Jody Watley54:03
18Lean on Me
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
cover recording of:
Lean on Me
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau3.353:59

Nennungen

Veröffentlichungsgruppe

Teil von:Sounds of the Eighties (Time-Life Music) (Nummer: R988-09) (Reihenfolge: 17)