The Collection (The Collector Series)

~ Veröffentlichung von Jerry Lee Lewis (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Title variant: The Jerry Lee Lewis Collection.

Anmerkung zuletzt geändert am 2012-10-09 18:24 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Be-Bop-A-Lula
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1962-06-14)
Gitarre:
Roland Janes (am 1962-06-14) und Scotty Moore (American guitarist and recording engineer) (am 1962-06-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
Orgel:
Shirley Sisk (am 1962-06-14)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
Remix von:
Be‐Bop‐A‐Lula (stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Be‐Bop‐a‐Lula (am 1962-06-14)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
2:29
2Dixie (instrumental)
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (von 1956-11 bis 1956-12)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
Schlagzeug:
Jimmy Van Eaton (von 1956-11 bis 1956-12)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
instrumental cover recording of:
Dixie (von 1956-11 bis 1956-12)
Texter und Komponist(in):
Daniel Decatur Emmett (19th century songwriter)
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Klezmer Corp (publisher, ASCAP)
1:34
3Goodnight Irene
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (von 1956-11 bis 1956-12)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
Schlagzeug:
Jimmy Van Eaton (von 1956-11 bis 1956-12)
Hintergrundgesang und Chorgesang:
Ed Bruce (American country music songwriter, singer and actor) (am 1958-04-04), Vernon Drane (am 1958-04-04), Lee Holt (am 1958-04-04), Charlie Rich (US country singer) (am 1958-04-04), Alice Rumple (am 1958-04-04), Bob Strong (am 1958-04-04) und Bobby Thompson (1950s country singer) (am 1958-04-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
phonographisches Urheberrecht (℗) von:
Sun Record Company (vom 1958 bis heute, in 1958)
Remix von:
Goodnight Irene (undubbed master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-04-04)
cover recording of:
Goodnight Irene (am 1958-04-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Ledbetter und John A. Lomax
publisher:
Lodlow Music, Spencer Music Corp., TRO-Ludlow Music, Inc. und Tyler Music Ltd.
Teil von:
Roud Folk Song Index (Nummer: 11681)
übersetzte Version von:
Godnatt Irene
2:53
4Great Balls of Fire
Produzent(in):
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) und Sam Phillips (founder of Sun Records) (in 1957)
Bassgitarre:
Sidney Stokes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-10-08)
Bearbeitung von:
Great Balls of Fire (chat & master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 242)
recording of:
Great Balls of Fire (in 1957-10)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
cover recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
4.351:54
5High School Confidential
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
Gitarre:
Roland Janes (in 1958-03) und Billy Lee Riley (in 1958-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
Schlagzeug:
Jimmy Van Eaton (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
recording of:
High School Confidential (in 1958-03)
Verfasser(in):
Ron Hargrave (von 1958-01 bis 1958-01-28) und Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01 bis 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music und Penron Music Publishing
2:30
6Lewis Boogie
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
Gitarre:
Roland Janes (in 1957-06)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
Schlagzeug:
Jimmy Van Eaton (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographisches Urheberrecht (℗) von:
Sun Record Company (vom 1958 bis heute, in 1958)
recording of:
Lewis Boogie (in 1957-06)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
2:08
7Matchbox
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (von 1958-02 bis 1958-03)
Gitarre:
Roland Janes (von 1958-02 bis 1958-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-02 bis 1958-03)
Schlagzeug:
Jimmy Van Eaton (von 1958-02 bis 1958-03)
Hintergrundgesang und Chorgesang:
Ed Bruce (American country music songwriter, singer and actor) (am 1958-04-04), Vernon Drane (am 1958-04-04), Lee Holt (am 1958-04-04), Charlie Rich (US country singer) (am 1958-04-04), Alice Rumple (am 1958-04-04), Bob Strong (am 1958-04-04) und Bobby Thompson (1950s country singer) (am 1958-04-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-02 bis 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
Remix von:
Matchbox (undubbed master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-04-04)
cover recording of:
Matchbox (am 1958-04-04)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
1:45
8Money
Bearbeitung von:
Money (extended) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
2:37
9Sixty Minute Man
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
Gitarre:
Roland Janes (in 1957-06)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
Schlagzeug:
Jimmy Van Eaton (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
cover recording of:
Sixty Minute Man (in 1957-06)
Texter und Komponist(in):
Rose Marks (manager and songwriter) (bis 1951) und Billy Ward (US r&b/soul vocalist) (bis 1951)
1:50
10Ubangi Stomp
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (von 1958-02 bis 1958-03)
Gitarre:
Roland Janes (von 1958-02 bis 1958-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-02 bis 1958-03)
Schlagzeug:
Jimmy Van Eaton (von 1958-02 bis 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-02 bis 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
cover recording of:
Ubangi Stomp (von 1958-02 bis 1958-03)
Texter und Komponist(in):
Charles Underwood
publisher:
Jason Clement Music und Hi Lo Music (vom 1956 bis heute)
sub-publisher:
Artemis Muziekuitgeverij B V und Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division)
1:48
11Whole Lotta Shakin' Goin' On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
4.652:54
12Wine Drinkin' Spo-Dee-O-Dee
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1957-02-05)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
2:36
13C.C. Rider
Bearbeitung von:
C. C. Rider (version 1 extended stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
C. C. Rider (Jerry Lee Lewis version) (in 1960-06)
Verfasser(in):
C. Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Version von:
See See Rider Blues
2:37
14Good Golly Miss Molly
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Floyd Chance (am 1962-09-11)
Gitarre:
Fred Carter (am 1962-09-11) und Kelton ‘Kelso’ Herston (am 1962-09-11)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1962-09-11)
Chorgesang und Hintergrundgesang:
Helen Chance (am 1962-09-11), Neal Matthews (am 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (am 1962-09-11) und Marijohn Wilkin (am 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1962)
Remix von:
Good Golly Miss Molly (master stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Good Golly Miss Molly (am 1962-09-11)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
2:18
15Good Rockin' Tonight
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-02-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
cover recording of:
Good Rockin’ Tonight (am 1958-02-14)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
2:42
16Hang Up My Rock & Roll Shoes
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
Leo Lodner (in 1960-06)
Gitarre:
Roland Janes (in 1960-06)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1960-06)
Saxophon:
Martin Willis (US saxophonist) (in 1960-06)
Schlagzeug:
Jimmy Van Eaton (in 1960-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1960-06)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1969)
cover recording of:
Hang Up My Rock and Roll Shoes (in 1960-06)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Tideland Music Publishing Corporation und Unichappell Music, Inc.
2:35
17Johnny B. Goode
Produzent(in):
Jack Clement und Bill Justis
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1958-07-11 bis 1958-07-19)
Gitarre:
Roland Janes (von 1958-07-11 bis 1958-07-19)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
Schlagzeug:
Jimmy Van Eaton (von 1958-07-11 bis 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1969)
cover recording of:
Johnny B. Goode (von 1958-07-11 bis 1958-07-19)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
2:42
18Long Gone Lonesome Blues
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Long Gone Lonesome Blues (am 1957-02-05)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1950-03-01)
2:05
19Mean Woman Blues
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Sid Manker (am 1957-09-10)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-09-10)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-10)
Schlagzeug:
Otis Jett (am 1957-09-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
cover recording of:
Mean Woman Blues (am 1957-09-10)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
2:25
20Pumpin' Piano Rock
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
J.W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1957-05-30)
Gitarre:
Roland Janes (am 1957-05-30)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-05-30)
Schlagzeug:
Russell Smith (US 1950s drummer) (am 1957-05-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-05-30)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
recording of:
Pumpin' Piano Rock (am 1957-05-30)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:05
21Sweet Little Sixteen
Bearbeitung von:
Sweet Little Sixteen (version 2: slate & take 1 stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Sweet Little Sixteen
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:30
22What'd I Say
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Bob Moore (U.S. bassist and bandleader) (am 1961-02-09)
Gitarre:
Hank Garland (am 1961-02-09) und Kelton ‘Kelso’ Herston (am 1961-02-09)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1961-02-09)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1961-02-09)
Chorgesang und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1961-02-09)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1961)
Remix von:
What’d I Say (master stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
What’d I Say (am 1961-02-09)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2:28
23Will the Circle Be Unbroken
Produzent(in):
Ernie Barton
Bassgitarre:
Leo Lodner (von 1959-06-25 bis 1959-06-26)
Gitarre:
Roland Janes (von 1959-06-25 bis 1959-06-26) und Billy Lee Riley (von 1959-06-25 bis 1959-06-26)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1959-06-25 bis 1959-06-26)
Schlagzeug:
Russell Smith (US 1950s drummer) (von 1959-06-25 bis 1959-06-26)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1959-06-25 bis 1959-06-26)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1970)
cover recording of:
Can the Circle Be Unbroken (By and By) (von 1959-06-25 bis 1959-06-26)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (am 1907-04-30)
Texter:
Ada Ruth Habershon (christian hymnist and writer) (in 1907)
zusätzlicher Texter und zusätzliche(r) Komponist(in):
A.P. Carter
Komponist(in):
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1935-06-22)
Version von:
Will the Circle Be Unbroken?
2:25
24Let the Good Times Roll
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
Gitarre:
Roland Janes (in 1958-03) und Billy Lee Riley (in 1958-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
Schlagzeug:
Jimmy Van Eaton (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Let the Good Times Roll (in 1958-03)
Verfasser(in):
Fleecie Moore (in 1946) und Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing und Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:10

Nennungen

Veröffentlichungsgruppe

Teil von:The Collector Series (Castle Communications) (Reihenfolge: 8)