Bridget Jones’s Diary 2: More Music From the Motion Picture and Other V.G. Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Me and Mrs Jones
cover recording of:
Me and Mrs. Jones
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Dramatics3:58
2Someone Like You
Techniker(in) und Mix:
Mick Glossop (producer & engineer)
Produzent(in):
Van Morrison
Sologesang:
Van Morrison
Saiteninstrumente arranger:
Fiachra Trench
arranger:
Van Morrison
phonographisches Urheberrecht (℗) von:
Exile Productions Ltd. (not for Label Release) (in 1987)
recording of:
Someone Like You (in 1987)
Texter und Komponist(in):
Van Morrison
publisher:
Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Van Morrison34:06
3My Lovin’ (Never Gonna Get It)
recording engineer:
Steve Counter
assistierende(r) Techniker(in):
John Jackson (engineer)
zusätzliche(r) Techniker(in):
Neil King (sound engineer) und Michael Semanick
Produzent(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
Mix:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
mixed at:
Can Am Studios in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
The Payback von James Brown (The Godfather of Soul)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
Verfasser(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing und Irving Music (BMI) (vom 1992 bis heute)
En Vogue4.64:42
4Ain't No Mountain High Enough
Produzent(in):
Nickolas Ashford, Henry Cosby und Valerie Simpson
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 6)
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:32
5Woman
sonstige Unterstützung:
Booga Bear (Aufgabe: sequenced by), Tony Cousins (mastering engineer) (Aufgabe: cut by), Johnny Dollar (UK producer & songwriter) (Aufgabe: sequenced by; Aufgabe: cut by) und Crispin Murray (Aufgabe: additional digital noodling)
Programmierung:
Johnny Dollar (UK producer & songwriter)
Techniker(in):
Chris Dibble (engineer) und Johnny Dollar (UK producer & songwriter)
Produzent(in) und Mix:
Booga Bear und Johnny Dollar (UK producer & songwriter)
zusätzliche(r) Produzent(in):
Dave Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Wil Malone
assistierende(r) Mix:
Tristin "Nine Iron" Norwell und Lee Phillips (Engineer)
Editing:
Tony Cousins (mastering engineer) und Johnny Dollar (UK producer & songwriter)
andere Instrumente [beats]:
Booga Bear, Johnny Dollar (UK producer & songwriter) und Mickey P
Instrumente:
Johnny Dollar (UK producer & songwriter)
Waldhorn:
Jeff Bryant (horn player) und Mike Butler (engineer)
Saiteninstrumente arranger:
Johnny Dollar (UK producer & songwriter), Wil Malone, The Session Orchestra und Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (in 1996)
engineered at:
Coin Record in Málaga, Málaga (Province of Málaga), Andalucía (Andalusien), Spanien, CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich, Eastcote in London (Greater London), England, Vereinigtes Königreich, El Curtiju in San Pedro, Albacete (Provinz Albacete), Castilla-La Mancha (Kastilien-La Mancha), Spanien, Mayfair (England) in London (Greater London), England, Vereinigtes Königreich, Power Play in New York, New York, Vereinigte Staaten, Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Soundtrade in Solna City, Stockholms län (Stockholm county), Schweden und Westside in London (Greater London), England, Vereinigtes Königreich
edited at:
Metropolis Mastering in London (Greater London), England, Vereinigtes Königreich
recording of:
Woman
Verfasser(in):
Neneh Cherry, Cameron McVey und Jonathan Sharp (UK producer aka Jonny Dollar)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4.34:27
6Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:20
7Do What You Got to Do
recording engineer:
Ray Hall (engineer) (am 1968-06-24)
A&R-Management:
Tom Berman
Produzent(in):
Joe René
E-Bass:
Jerry Jemmott (am 1968-06-24)
Gitarre:
Eric Gale (am 1968-06-24), Carl Lynch (am 1968-06-24) und Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-24)
Klavier:
Paul Griffin (American pianist, session musician) (am 1968-06-24) und Nina Simone (am 1968-06-24)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1968-06-24)
Pauke und Schlagzeug:
Bernard “Pretty” Purdie
Perkussion, Tamburin und Vibraphon:
Specs Powell (am 1968-06-24)
Posaune:
Garnett Brown (am 1968-06-24)
Trompete:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (am 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (am 1968-06-24) und Joe Shepley (am 1968-06-24)
Sologesang:
Nina Simone (am 1968-06-24)
conductor:
Horace Ott (am 1968-06-24)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-06-24)
Bearbeitung von:
Do What You Gotta Do (1968 version, full length) von Nina Simone
cover recording of:
Do What You Gotta Do (am 1968-06-24)
Texter und Komponist(in):
Hazel O’Connor und Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
Nina Simone33:00
8Say What You Want
recording engineer:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald und Texas (Scottish pop rock band)
Programmierung:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone und Sharleen Spiteri
zusätzliche Programmierung:
Paul Taylor (UK songwriter, producer, keyboardist, programmer, engineer)
Sound-Engineering:
Ash Howes (British mixer, writer and musician)
Produzent(in) und Mix:
Texas (Scottish pop rock band)
zusätzliche(r) Produzent(in):
Boilerhouse Boys
Gitarre:
Johnny McElhone und Ally McErlaine (Scottish guitarist)
Keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) und Johnny McElhone
recording of:
Say What You Want
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
EMI 10 Music
Texas3.83:51
9Don’t Get Me Wrong
Techniker(in):
Bruce Lampcov
Produzent(in):
Bob Clearmountain und Jimmy Iovine
Mix:
Bob Clearmountain
Bass:
Chucho Merchán
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
Klavier und Synthesizer:
Wix (UK / Paul Wickens)
Perkussion und Schlagzeug:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) und Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hynde House of Hits Music
The Pretenders4.23:50
10Out of Reach (acoustic)
Bassgitarre:
Derrick Taylor
Gitarre:
Paul Noble (member of "Warm Jets")
Hintergrundgesang:
Marion Powell
Sologesang:
Gabrielle (British singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Go Beat Ltd.
aufgenommen bei:
Wise Buddah in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Out of Reach (in 2001)
Verfasser(in):
Louise Gabrielle Bobb (British singer‐songwriter) und Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3:50
11Will You Still Love Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:42
12Let’s Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye3.53:58
13Waterfalls
recording of:
Waterfalls
Verfasser(in):
Marqueze Ethridge, Lisa “Left Eye” Lopes und Organized Noize (Atlanta hip-hop production group)
publisher:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
TLC53:33
14Angels
Programmierung:
Steve Power und Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
Gitarre:
Andre Barreau, Chester Kamen und Gary Nuttall
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) und Steve Power
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Hintergrundgesang:
Andre Barreau, Gary Nuttall und Nicole Patterson
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 5)
recording of:
Angels
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) und Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:22
15It Should Have Been Me
cover recording of:
It Should Have Been Me
Verfasser(in):
William Stevenson (Motown songwriter) und Norman Whitfield
Yvonne Fair3:33
16Ooo Baby Baby
Produzent(in):
Bill “Smokey” Robinson (am 1965-01-21)
Hintergrundgesang:
The Miracles (aka Smokey Robinson and The Miracles) (am 1965-01-21)
Sologesang:
Smokey Robinson (am 1965-01-21)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 20) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 262)
recording of:
Ooo Baby Baby (am 1965-01-21)
Verfasser(in):
Warren “Pete” Moore und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Smokey Robinson & The Miracles52:46
17I Don’t Want to Talk About It
assistierende(r) Techniker(in):
Tim Wills
Techniker(in):
Ren Swan
Produzent(in) und Mix:
Nigel Lowis
vocals:
Dina Carroll
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
cover recording of:
I Don’t Want to Talk About It
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Dina Carroll45:28

Nennungen

Veröffentlichung

Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
MCPS (UK rights society; do not use this as a label or work publisher!)
Stamm-Pressung von:Universal M & L, Germany (CD manufacturing plant)
Discogs:https://www.discogs.com/release/4155820 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/506869 [Info]