1970’s Classic Rock

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

A Virgin Megastore Exclusive.

Annotation last modified on 2012-10-17 19:26 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Free Ride
recording of:
Free Ride
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and Silver Steed Music
The Edgar Winter Group4.653:09
2More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge (engineer and producer)
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3.954:47
3Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
Santana3.854:19
4All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:32
5Carry On Wayward Son
assistant engineer:
Jeff Glixman
engineer:
Bill Evans (Louisiana‐based producer/engineer, aka Bleu Evans)
producer:
Jeff Glixman
acoustic guitar:
Rich Williams (guitarist of Kansas) (from 1975 until 1976)
bass guitar:
Dave Hope (from 1975 until 1976)
clavinet, Moog and synthesizer [Oberheim synthesizer]:
Kerry Livgren (from 1975 until 1976)
drums (drum set) and percussion:
Phil Ehart (from 1975 until 1976)
electric guitar:
Kerry Livgren (from 1975 until 1976) and Richard Williams (guitarist of Kansas) (from 1975 until 1976)
organ, synthesizer and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
piano:
Kerry Livgren (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
viola and violin:
Robby Steinhardt (from 1975 until 1976)
background vocals:
Robby Steinhardt (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2001)
recorded at and mixed at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 96)
recording of:
Carry On Wayward Son (from 1975 until 1976)
lyricist and composer:
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (from 1976 to present) and EMI Blackwood Music Inc. (from 1976 to present)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas3.655:23
6Rock and Roll Hoochie Koo
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1973)
recording of:
Rock and Roll, Hoochie Koo
lyricist and composer:
Rick Derringer
publisher:
Universal Music Careers
Rick Derringer33:45
7(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 55) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 60)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:08
8Evil Woman
engineer:
Jimmy Iovine and Reinhold Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (from 1975-05 until 1975-06)
cello:
Melvyn Gale (from 1975-05 until 1975-06) and Hugh McDowell (from 1975-05 until 1975-06)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1975-05 until 1975-06)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1975-05 until 1975-06)
guitar:
Jeff Lynne (from 1975-05 until 1975-06) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1975-05 until 1975-06)
violin:
Mik Kaminski (from 1975-05 until 1975-06)
background vocals:
Susan Collins (from 1975-05 until 1975-06), Ellie Greenwich (from 1975-05 until 1975-06), Nancy O'Neill (from 1975-05 until 1975-06) and Margaret Raymond (from 1975-05 until 1975-06)
lead vocals:
Jeff Lynne (from 1975-05 until 1975-06)
conductor:
Louis Clark
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975, in 2005) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1975-05 until 1975-06), Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1975-05 until 1975-06) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975-05 until 1975-06: background vocals)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Evil Woman (from 1975-05 until 1975-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.24:20
9Cat Scratch Fever
engineer:
Tim Geelan and Wayne Tarnowski
producer:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman and Tom Werman
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (number: 12) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 32)
recording of:
Cat Scratch Fever
lyricist and composer:
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music and Round Hill Works
Ted Nugent3.453:40
10Ridin’ the Storm Out
recording of:
Ridin’ the Storm Out
lyricist and composer:
Gary Richrath (guitarist and songwriter)
publisher:
Jonathan Three Music Co., Slam Dunk Music (work publisher), The EMP Company, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
REO Speedwagon5:47
11Hold the Line
recording engineer:
Dana Latham, Gabe Veltri and Tom Knox
assistant engineer:
Dana Latham (task: assistant) and Gabe Veltri (task: assistant)
engineer and mixer:
Tom Knox
producer:
Bruce Dickinson (engineer and producer) and Toto (US rock group)
bass:
David Hungate and Michael Porcaro
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Jeffrey Porcaro and Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Jean-Michel Byron and Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:58
12Two Tickets to Paradise
recording engineer:
Andy Johns (in 1977-06)
assistant engineer:
Mike Clink (task: assistant), Roy Segal (task: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (task: assistant) and Tom Lubin (task: assistant)
engineer:
Andy Johns (task: recording & mixing)
producer:
Bruce Botnick
mixer:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass:
Lonnie Turner
bass guitar:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
harmonica, saxophone and lead vocals:
Eddie Money
keyboard:
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols and Freddie Webb (keyboardist)
percussion:
Kevin Calhoun (percussionist), Gary Mallaber and Kevin Calhoun (composer)
tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals:
Randy Nichols
vocals:
Eddie Money
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (in 1977-06) and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1977-06)
recording of:
Two Tickets to Paradise (in 1977-06)
lyricist and composer:
Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:57