De pré historie: De jaren ’80, vol. 3: De ultieme 10 CD collectie

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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1▼CD: 1980
#TitoloArtistaValutazioneDurata
1Pedro
registrazione di:
Pedro
paroliere e compositore:
Gianni Boncompagni (Italian TV and radio presenter, songwriter, writer, director, music producer & singer)
Raffaella Carrà3:21
2Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.43:03
3When You’re in Love With a Beautiful Woman
Dr. Hook2:52
4Bad Case of Lovin’ You
tecnico di registrazione e tecnico di missaggio:
Karl Pitterson
produttore:
Robert Palmer (English singer‐songwriter)
assistente tecnico di missaggio:
Benjamin Armbrister e Kendal Stubbs
basso elettrico :
Pierre Brock
batteria :
Dony Wynn
chitarra :
Eddie Martinez (guitar) e Kenny Mazur
tastiera :
Steve Robbins (US keyboardist) e Jack Waldman
voce:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Bad Case of Lovin’ You
paroliere e compositore:
Moon Martin
editore:
Bug Music Ltd. e Sony/ATV Songs LLC
Robert Palmer4.653:12
5Heart of Glass
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie3:46
6Hot Stuff
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
voce:
Donna Summer (soul/disco diva)
diritti fonografici (℗) detenuti da:
UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2003, nel 2013) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2003)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 103)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer4.45:17
7Lost in Music
registrazione di:
Lost in Music
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge3:23
8Fly Too High
Janis Ian5:05
9I’m Coming Out
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980) e Motown Records (not for label use; use “Motown” instead) (nel 1980)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 385) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 436)
registrazione di:
I’m Coming Out
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Diana Ross3.95:23
10Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:57
11I Keep Forgettin’
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:40
12Boys Don’t Cry
registrazione di:
Boys Don’t Cry
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Lol Tolhurst
editore:
APB Music Co.
The Cure2:36
13My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack3.94:00
14What I Like About You
produttore:
Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1979) e Nemperor Records, Inc. (nel 1979)
registrata presso:
Coconut Recording in Miami, Florida, Stati Uniti (nel 1979-10)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 483)
registrazione di:
What I Like About You (nel 1979-10)
autore:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) e Mike Skill (Singer, bassist, guitarist, songwriter)
editore:
EMI April Music Inc. e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
Freaky Friday (2003)
The Romantics4.552:57
15Whatever You Want
assistente tecnico:
Freek Feenstra
tecnico:
John Eden (producer) e Barry Hammond
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
tecnico di missaggio:
Simon Sullivan
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979), Mercury Records Ltd. (London) (for copyrights use only) (nel 1979), Mercury Records Ltd. (UK) (nel 1979), Phonogram Ltd. (not for release label use!) (nel 1979) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1979)
è stato produttore per:
Handle Records Ltd.
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
Whatever You Want di Status Quo (UK boogie rock band)
registrazione di:
Whatever You Want
scritta a:
Jersey
autore:
Andy Bown e Rick Parfitt (UK guitarist for Status Quo)
editore:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton e Shawbury Music Ltd. (publisher)
Status Quo44:01
16Video Killed the Radio Star
produttore:
The Buggles
chitarra elettrica e voce principale:
Trevor Horn (nel 1979)
tastiera :
Geoff Downes (English keyboardist) (nel 1979)
cori:
Debi Doss (photographer and singer, Kinks) (nel 1979) e Linda Jardim (nel 1979)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 40)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes (English keyboardist), Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:18
17It’s Different for Girls
Joe Jackson3:43
18Broken English
registrazione di:
Broken English
autore:
Marianne Faithfull, Joe Mavety, Barry Reynolds, Terry Stannard e Steve York (British rock bassist)
Marianne Faithfull4:36
19I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:19
20One Day I’ll Fly Away
Randy Crawford4:20
2▼CD: 1981
#TitoloArtistaValutazioneDurata
1(Just Like) Starting Over
tecnico:
Lee DeCarlo
produttore:
Jack Douglas, John Lennon (The Beatles) e Yoko Ono (Japanese‐American musician and artist)
batteria :
Andy Newmark
chitarra basso :
Tony Levin (US rock bassist/Chapman stick player)
chitarra elettrica :
John Lennon (The Beatles), Hugh McCracken e Earl Slick
percussione :
Arthur Jenkins
tastiera :
George Small
voce di accompagnamento:
Cheryl Mason Jacks, Michelle Simpson, Eric Troyer e Cassandra Wooten
voce principale:
John Lennon (The Beatles)
diritti fonografici (℗) detenuti da:
The David Geffen Company (legal rights relating to Geffen Records) (nel 1980) e Calderstone Productions Limited (nel 2016)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1980-08-09)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1980-09-25 al 1980-09-26)
video musicali:
(Just Like) Starting Over di John Lennon (The Beatles)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 76)
registrazione di:
(Just Like) Starting Over
paroliere e compositore:
John Lennon (The Beatles)
editore:
Lenono Music e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
John Lennon3.753:55
2De Do Do Do de da da Da
registrazione di:
De Do Do Do, De Da Da Da
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Control (not for release label use! this is only for copyrights and publishing relationships) (conclusa), EMI Blackwood Music Inc. (conclusa), GM Sumner, Magnetic Publishing Ltd., Chappell Music (UK) (dal 1980 al ????), Chappell Music Co. (dal 1980 al ????), Virgin Music (Publishers) Ltd. (dal 1980 al ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (dal 1980 al ????), Virgin Publishing (dal 1984 al ????), EMI Music Publishing, Ltd. (PRS‐affiliated) (dal 2003 al ????) e Songs of Universal, Inc. (BMI) (dal 2022-02 a oggi)
The Police4:06
3Roof Garden
assistente tecnico:
Debbie Thompson (engineer)
tecnico:
Joe Bogan (Recording- and mixing engineer)
tecnico aggiunto:
Jay Graydon
produttore e tecnico di missaggio:
Jay Graydon
produttore associato:
Tom Canning
batteria :
Steve Gadd (drummer)
chitarra basso :
Abe LaBoriel
chitarra elettrica :
Jay Graydon
piano Rhodes :
George Duke
tromba :
Chuck Findley (trumpet, trombone, horn player) e Jerry Hey
trombone :
Bill Reichenbach (jazz trombonist)
voce di accompagnamento:
Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Al Jarreau (jazz, pop and r&b singer-songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
voce principale:
Al Jarreau (jazz, pop and r&b singer-songwriter)
arrangiatore ottoni [horns] :
Jerry Hey
arrangiatore percussione [rhythm] :
Tom Canning, Jay Graydon e Al Jarreau (jazz, pop and r&b singer-songwriter)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981)
registrata in aggiunta presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrata presso:
Dawnbreaker Studios in San Fernando, California, Stati Uniti
mixata presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Roof Garden
autore:
Tom Canning, Jay Graydon e Al Jarreau (jazz, pop and r&b singer-songwriter)
editore:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music e Universal Music Careers
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
Al Jarreau6:19
4Cambodia
produttore:
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
Cherry Pop (a division of Cherry Red Records Ltd.), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, nel 1981, nel 2001), RAK, EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrazione di:
Cambodia
autore:
Marty Wilde e Ricky Wilde
editore:
2P'sW Music, EMI Music (do not use as release label! this is a music publisher), Finchley Music Corp., Music & Media International, RAK Publishing Ltd., Rickim Music Ltd. e Warner/Chappell Music Scandinavia AB
Kim Wilde53:56
5Say Hello, Wave Goodbye
registrazione di:
Say Hello, Wave Goodbye
paroliere:
Marc Almond (English pop singer and songwriter)
compositore:
Dave Ball (UK electronic musician, part of Soft Cell)
editore:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e WB Music Corp. (1929–2019)
Soft Cell5:24
6Queen of Hearts
tecnico di registrazione:
Joe Chiccarelli
produttore:
Richard Landis
produttore associato:
Otha Young
tecnico di missaggio:
Michael Verdick
arrangiatore:
Charles Calello
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981)
mixata presso:
Location Recorders, Inc. in New York, New York, Stati Uniti
registrazione cover di:
Queen of Hearts (il 1980-10-21)
paroliere e compositore:
Hank DeVito
editore:
Bug Music (music publishing) e Drunk Monkey Music (nel 1979)
Juice Newton3.83:24
7One Way or Another
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 298)
registrazione di:
One Way or Another (dal 1978-06 al 1978-07)
autore:
Nigel Harrison e Deborah Harry
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. e Rare Blue Music Inc (nel 1978)
Blondie4.153:32
8What You’re Proposing
produttore:
John Eden (producer) e Status Quo (UK boogie rock band)
arrangiatore:
John Eden (producer) e Status Quo (UK boogie rock band)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1980) e Phonogram Ltd. (not for release label use!) (nel 1980)
registrazione di:
What You’re Proposing
autore:
Bernie Frost e Francis Rossi
editore:
Birchwood Music Ltd., Dump Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher) e EMI Music Publishing Ltd. (PRS‐affiliated)
Status Quo4:16
9Don’t Push It Don’t Force It
Leon Haywood5:27
10Love Games
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1980)
registrazione di:
Love Games
autore:
Phil Gould e Mark King (bass guitarist and vocalist)
editore:
ATV Music, Chappell Music Ltd. e Level 42 Music Ltd.
Level 425:12
11While You See a Chance
Steve Winwood5:10
12Japanese Boy
produttore:
Neil Ross (UK based Music Engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 26)
registrazione di:
Japanese Boy
paroliere e compositore:
Bobby Heatlie (songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
Aneka3.353:59
13Wedding Bells
registrata da:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
registrazione di:
Wedding Bells
autore:
Lol Creme e Kevin Godley
editore:
St. Anne’s Music Ltd.
Godley & Creme4.353:24
14I’ll Find My Way Home
produttore:
Vangelis (Greek composer of electronic, new age and classical)
strumenti e esecutore:
Vangelis (Greek composer of electronic, new age and classical)
voce:
Jon Anderson (Yes/Jon & Vangelis)
voce principale:
Jon Anderson (Yes/Jon & Vangelis)
arrangiatore:
Vangelis (Greek composer of electronic, new age and classical)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1981) e Spheric B.V. (nel 1981)
registrazione di:
I’ll Find My Way Home
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell North America
Jon and Vangelis44:30
15Souvenir
Orchestral Manoeuvres in the Dark3:34
16Golden Brown
The Stranglers3:26
17Lady
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
diritti fonografici (℗) detenuti da:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1980) e Liberty Records, Inc. (nel 1980)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 67)
registrazione di:
Lady (nel 1980)
paroliere e compositore:
Lionel Richie, Jr.
editore:
Brockman Music
Kenny Rogers33:52
18I’ve Seen That Face Before (Libertango)
Grace Jones4:32
3▼CD: 1982
#TitoloArtistaValutazioneDurata
1Ebony and Ivory
assistente tecnico di registrazione:
Mike Stavrou (producer/engineer) (dal 1981-02-28 al 1981-10)
tecnico di registrazione:
Geoff Emerick (British recording engineer) (dal 1981-02-28 al 1981-10)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistente tecnico di missaggio:
Jon Jacobs (UK producer/engineer) (il 1982-01-19)
tecnico di missaggio:
Geoff Emerick (British recording engineer) (il 1982-01-19)
basso elettrico , chitarra , pianoforte e vocoder :
Paul McCartney (The Beatles) (dal 1981-02-28 al 1981-10)
batteria e pianoforte elettrico :
Stevie Wonder (dal 1981-02-28 al 1981-10)
percussione , sintetizzatore e voce di accompagnamento e voce principale:
Paul McCartney (The Beatles) (dal 1981-02-28 al 1981-10) e Stevie Wonder (dal 1981-02-28 al 1981-10)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Paul McCartney (The Beatles)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1982)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (il 1981-03-30) e Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1981-10)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (il 1982-01-19)
registrazione di:
Ebony and Ivory (dal 1981-02-28 al 1981-10)
paroliere e compositore:
Paul McCartney (The Beatles)
editore:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
versione parodia di:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:42
2Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates4.44:30
3I Won’t Let You Down
registrazione di:
I Won’t Let You Down
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Tony Hymas
Ph.D.43:57
4Jackie Wilson Said (I’m in Heaven When You Smile)
Kevin Rowland & Dexys Midnight Runners3:07
5The Lion Sleeps Tonight
Tight Fit3:05
6Pass the Dutchie
Musical Youth3:23
7Love Plus One
Haircut One Hundred3:31
8Poison Arrow
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
voce principale:
Martin Fry
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
The Downloader’s Music Source Book (numero: 76)
registrazione di:
Poison Arrow
autore:
Martin Fry, Mark Lickley, Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. e Virgin Music (Publishing) Ltd.
parte di:
Mantrap (ABC long-form film)
ABC4.43:23
9Inside Out
Odyssey3:45
10Mama Used to Say
registrazione di:
Mama Used to Say
autore:
Bob Carter (keyboardist for Linx) e Junior Giscombe (Norman Washington Giscombe, Jr.)
Junior3:36
11I Can Make You Feel Good
tecnico di registrazione e tecnico di missaggio:
Steve Hodge (engineer and producer)
tecnico:
Bob Brown (recording, mixing and mastering engineer) e Jim Shifflett
produttore:
Leon Sylvers III
batteria :
Ed Greene (drummer)
chitarra :
Ernest "Pepper" Reed (guitarist)
chitarra [uncredited] :
Earnest Reed
percussione :
Wayne Milstein
strumenti:
Leon Sylvers III
tastiera [uncredited] :
Joey Gallo (songwriter, producer and keyboardist) e Rickey Smith (funk/soul songwriter & keyboard player)
voce di accompagnamento:
Jeffrey Daniel (soul singer), Howard Hewett e Jody Watley
voce principale:
Howard Hewett
arrangiatore:
Gene Dozier (Pianist, keyboardist, songwriter, arranger, and producer), Leon Sylvers III e William Shelby
registrazione di:
I Can Make You Feel Good
autore:
Howard Hewett, Renwick Jackson e William Shelby
Shalamar44:17
12Senses Working Overtime
XTC4:52
13Under the Boardwalk
tecnico di registrazione e tecnico di missaggio:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
registrazione cover di:
Under the Boardwalk
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
Tom Tom Club45:45
14A Town Called Malice
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam2:52
15I Need You
registrazione di:
I Need You
autore:
Martin Belmont, Paul Carrack e Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Paul Carrack2:49
16Maid of Orleans (The Waltz Joan of Arc)
Orchestral Manoeuvres in the Dark4:11
17It Started With a Kiss
Hot Chocolate4:01
18Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.653:59
19More Than This
registrazione di:
More Than This
paroliere e compositore:
Bryan Ferry
editore:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. e E.G. Music Ltd. (publisher) (nel 1982)
Roxy Music44:27
20Real Men
tecnico:
Michael Ewasko
co-produttore e co-tecnico di missaggio:
Joe Jackson (English musician) e David Kershenbaum
famiglia dei violini ospite :
Ed Roynesdal
voce principale:
Joe Jackson (English musician)
arrangiatore:
Joe Jackson (English musician)
registrata presso:
Blue Rock Studio in New York, New York, Stati Uniti (dal 1982-03 al 1982-06)
registrazione di:
Real Men
paroliere e compositore:
Joe Jackson (English musician)
editore:
Albion Music, Pokazuka Limited e Universal/MCA Music (music publisher; do not use as release label!)
Joe Jackson34:05
4▼CD: 1983
#TitoloArtistaValutazioneDurata
1Sweet Dreams (Are Made of This)
tecnico:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) e R. Crash
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
esecutore:
Eurythmics
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1983) e RCA Ltd. (UK arm of RCA) (nel 1983)
video musicali:
Sweet Dreams di Eurythmics
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 353) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 357)
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4.23:35
2Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:26
3I Can Hear Your Heartbeat
Chris Rea3:19
4She Works Hard for the Money
produttore:
Michael Omartian
registrazione di:
She Works Hard for the Money (nel 1983)
autore:
Michael Omartian e Donna Summer (soul/disco diva)
editore:
Warner Chappell, See This House Music (dal 1983 a oggi) e Sweet Summer Night Music (dal 1983 a oggi)
Donna Summer54:32
5All Night Long (All Night)
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983) e Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
All Night Long (All Night)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Music e Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:17
6Maniac
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:01
7Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.753:59
8The Reflex
Duran Duran4:24
9You Are Beautiful
tecnico di registrazione e tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
batteria :
Tony Thompson (drummer, best known for his work in CHIC)
chitarra basso :
Bernard Edwards (American bassist and record producer)
famiglia delle chitarre :
Nile Rodgers
tastiera :
Rob Sabino
voce:
Alfa Anderson, Curtis King (American singer and songwriter), Luci Martin, Fonzi Thornton e Brenda White‐King
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
registrazione di:
You Are Beautiful
compositore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
Chic54:34
10Hi de Hi, Hi de Ho
Kool & the Gang4:20
11Awel Mercie
Urbanus4:08
12The Sun Goes Down (Living It Up)
produttore:
Larry Dunn e Verdine White
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1983)
registrazione di:
The Sun Goes Down (Living It Up)
autore:
Wally Badarou, Phil Gould, Mark King (bass guitarist and vocalist) e Mike Lindup
Level 424:15
13Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:49
14Steppin’ Out
Joe Jackson4:18
15Beats of Love
diritti fonografici (℗) detenuti da:
EMI Music Belgium (nel 1983, nel 2004) e Antler Records (nel 1984)
registrazione di:
Beats of Love
paroliere e compositore:
Patrick Schools (Singer of Nacht Und Nebel)
editore:
BE’s Songs (publisher)
Nacht und Nebel3:16
16Love Will Tear Us Apart
registrazione cover di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Paul Young4:11
17All of My Heart
ABC5:15
18Suddenly Last Summer
tecnico di registrazione e produttore:
Val Garay
tecnico di missaggio:
Doug Sax
voce principale:
Martha Davis (of The Motels)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (dal 1983-01-30 al 1983-08-05)
registrazione di:
Suddenly Last Summer
paroliere e compositore:
Martha Davis (of The Motels)
The Motels43:39
19Blue Eyes
tecnico di registrazione:
Bill Price (UK producer/engineer) (nel 1982-02)
produttore:
Chris Thomas (UK record producer / remixer)
basso elettrico :
Dee Murray (nel 1982-02)
batteria :
Jeffrey Porcaro (nel 1982-02)
chitarra :
Richie Zito (nel 1982-02)
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1982-02)
pianoforte elettrico e sintetizzatore :
James Newton Howard (American score composer) (nel 1982-02)
arrangiatore archi e arrangiatore ottoni :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Happenstance Ltd. (record and publishing company) (nel 1982)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (nel 1982-02)
video musicali:
Blue Eyes di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
Blue Eyes (nel 1982-02)
paroliere:
Gary Osborne
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John33:26
5▼CD: 1984
#TitoloArtistaValutazioneDurata
1Dancing in the Dark
registrazione di:
Dancing in the Dark
editore:
Bruce Springsteen (nel 1984)
paroliere e compositore:
Bruce Springsteen (nel 1984)
editore:
Bruce Springsteen Music, Jonathan Msc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen3:58
2Jump (for My Love)
registrazione di:
Jump (for My Love)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters4:23
3I Feel for You
registrazione cover di:
I Feel for You
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Chaka Khan3.354:05
4Yah Mo B There
produttore:
Quincy Jones
batteria [drums] :
John “JR” Robinson (session drummer)
percussione :
Paulinho da Costa (Brazilian percussionist)
sintetizzatore :
Michael Boddicker, James Ingram (R&B singer), Michael McDonald (R&B & soul singer) e Rod Temperton
altra voce [African voices]:
Quincy Jones
voce principale:
James Ingram (R&B singer)
voce principale ospite aggiuntiva:
Michael McDonald (R&B & soul singer)
esecutore:
James Ingram (R&B singer)
arrangiatore:
James Ingram (R&B singer), Quincy Jones, Michael McDonald (R&B & soul singer) e Rod Temperton
diritti fonografici (℗) detenuti da:
Qwest Records (nel 1983)
registrazione di:
Yah Mo B There
autore:
James Ingram (R&B singer), Quincy Jones, Michael McDonald (R&B & soul singer) e Rod Temperton
editore:
Eiseman Music Co., Inc., Genevieve Music, Hen-Al Pub. (related to Hen-Al Music and Hen-Al Publishing Co.), Kings Road Music (US work publisher), Rodsongs (publisher), Rondor Music (London) Ltd. e Yellowbrick Road Music
James Ingram & Michael McDonald54:40
5You’re My Heart, You’re My Soul
registrazione di:
You’re My Heart, You’re My Soul
paroliere e compositore:
Steve Benson (German songwriter Dieter Bohlen)
editore:
Arabella Musikverlag GmbH, Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) e Warner Chappell
Modern Talking3:48
6Tentations
Jo Lemaire3:03
7Treat Her Like a Lady
produttore:
Ralph Johnson (Earth, Wind & Fire drummer) e Al McKay
produttore esecutivo:
Suzee Ikeda
voce principale:
Ali Ollie Woodson
arrangiatore:
Victor Carstarphen (keyboardist, composer and producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
Treat Her Like a Lady
compositore:
Otis Williams (US baritone singer, member of The Temptations & The Distants) e Ali Ollie Woodson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. e Tall Temptations Music
The Temptations3.54:14
8Somebody’s Watching Me
tecnico di registrazione:
Arne Frager, Joe Q. Hall (engineer), Booker T. Jones III e Scott Skidmore
programmazione degli strumenti:
Rockwell (R & B – “Somebody’s Watching Me”) (nel 1983)
produttore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
batteria , drum machine , organo , sintetizzatore e vocoder :
Rockwell (R & B – “Somebody’s Watching Me”) (nel 1983)
voce:
Michael Jackson (“King of Pop”)
voce di accompagnamento:
Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1983) e Michael Jackson (“King of Pop”) (nel 1983)
arrangiatore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
arrangiatore voci:
Curtis Anthony Nolen
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2021)
arrangiata per e è stato produttore per:
Super Three Productions
registrata presso:
Mars Recording Studio (Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
video musicali:
Somebody’s Watching Me di Rockwell (R & B – “Somebody’s Watching Me”)
parte di:
Billboard Hot 100: 2025-11-15 (numero: 24)
registrazione di:
Somebody’s Watching Me
paroliere e compositore:
Rockwell (R & B – “Somebody’s Watching Me”)
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Rockwell4.54:56
9I Love to Love
Tina Charles3:04
10Crocodile Rock
registrazione di:
Crocodile Rock
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John13:54
11Rattlesnakes
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1984)
registrazione di:
Rattlesnakes
paroliere:
Lloyd Cole
compositore:
Neil Clark (Scottish guitarist, The Commotions) e Lloyd Cole
editore:
CBS Songs Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS) e EMI April Music Inc.
Lloyd Cole and the Commotions53:25
12Change
programmazione:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
chitarra :
Roland Orzabal (UK musician, songwriter and producer)
chitarra basso :
Curt Smith
percussione :
Manny Elias e Chris Hughes (producer, aka “Merrick”)
tastiera :
Roland Orzabal (UK musician, songwriter and producer), Curt Smith e Ian Stanley
voce:
Curt Smith
direttore d'orchestra:
Chris Hughes (producer, aka “Merrick”)
esecutore:
Ross Cullum e Phil Palmer (guitarist)
registrazione di:
Change
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
Roland Orzabal Ltd.
Tears for Fears44:12
13Our House
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3:22
14The Scratchin’ Zwaantjes
registrazione di:
The Scratchin’ Zwaantjes
autore:
Jean Blaute (Belgian producer & multi-instrumentalist), Urbanus (Belgian comedian & singer) e Evert Verhees (Belgian bassist & producer)
Urbanus4:06
15Breakin’... There’s No Stopping Us
Ollie & Jerry3:42
16Change of Heart
Change3:50
17Opération coup de poing
2 Belgen3:52
18Missing You
produttore:
Gary Gersh, David Thoener e John Waite
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1984)
edit di:
Missing You di John Waite
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.653:33
19Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
20We All Stand Together
Paul McCartney4:23
6▶CD: 1985
7▶CD: 1986
8▶CD: 1987
9▶CD: 1988
10▶CD: 1989