Karajan Master Recordings

~ Release by Herbert von Karajan (see all versions of this release, 2 available)

Annotation

Countries excluded (Deezer)

(As of 2024-07-18).

  • Eastern Africa: 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io)
  • Western Asia: 🇬🇪 Georgia (ge)
  • Southern Asia: 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd)
  • Melanesia: 🇻🇺 Vanuatu (vu)
Annotation last modified on 2024-07-18 20:09 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Ein Heldenleben, Op. 40 : R. Strauss: Ein Heldenleben, Op. 40: I. Der Held (Recorded 1959)
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: I. Der Held (A Hero’s Life, op. 40: 1. The Hero) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Berliner Philharmoniker4:13
2Ein Heldenleben, Op. 40 : R. Strauss: Ein Heldenleben, Op. 40: II. Des Helden Widersacher (Recorded 1959)
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: II. Des Helden Widersacher (A Hero’s Life, op. 40: 2. The Hero’s Adversaries) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Berliner Philharmoniker3:28
3Ein Heldenleben, Op. 40 : R. Strauss: Ein Heldenleben, Op. 40: III. Des Helden Gefährtin (Recorded 1959)
producer:
Hans Ritter
violin:
Michel Schwalbé (Polish violinist) (from 1959-03-02 until 1959-03-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: III. Des Helden Gefährtin (A Hero’s Life, op. 40: 3. The Hero’s Companion) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Michel Schwalbé13:01
4Ein Heldenleben, Op. 40 : R. Strauss: Ein Heldenleben, Op. 40: IV. Des Helden Walstatt “Battle Scene” (Recorded 1959)
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: IV. Des Helden Walstatt (A Hero’s Life, op. 40: 4. The Hero at Battle) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Berliner Philharmoniker7:16
5Ein Heldenleben, Op. 40 : R. Strauss: Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke (Recorded 1959)
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: V. Des Helden Friedenswerke (A Hero’s Life, op. 40: 5. The Hero’s Works of Peace) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Berliner Philharmoniker6:04
6Ein Heldenleben, Op. 40 : R. Strauss: Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung (Recorded 1959)
producer:
Hans Ritter
violin:
Michel Schwalbé (Polish violinist) (from 1959-03-02 until 1959-03-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung (A Hero’s Life, op. 40: 6. The Hero’s Retreat from the World and Fulfillment) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Michel Schwalbé11:35
7R. Strauss: Till Eulenspiegels lustige Streiche, Op. 28 (Recorded 1972)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-12-07 until 1973-01-08)
conductor:
Herbert von Karajan (conductor) (from 1972-12-07 until 1973-01-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-12-07 until 1973-01-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-12-07 until 1973-01-08)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (from 1972-12-07 until 1973-01-08)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Berliner Philharmoniker15:30
2▼Digital Media
#TitleArtistRatingLength
1Symphony No. 3 in E‐Flat Major, Op. 55 - “Eroica” : Beethoven: Symphony No. 3 in E‐Flat Major, Op. 55 - “Eroica”: I. Allegro con brio
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Berliner Philharmoniker14:44
2Symphony No. 3 in E‐Flat Major, Op. 55 - “Eroica” : Beethoven: Symphony No. 3 in E‐Flat Major, Op. 55 - “Eroica”: II. Marcia funebre. Adagio assai
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Berliner Philharmoniker17:05
3Symphony No. 3 in E‐Flat Major, Op. 55 - “Eroica” : Beethoven: Symphony No. 3 in E‐Flat Major, Op. 55 - “Eroica”: III. Scherzo. Allegro vivace
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Berliner Philharmoniker5:44
4Symphony No. 3 in E‐Flat Major, Op. 55 - “Eroica” : Beethoven: Symphony No. 3 in E‐Flat Major, Op. 55 - “Eroica”: IV. Finale. Allegro molto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Berliner Philharmoniker12:20
5Symphony No. 4 in B‐Flat Major, Op. 60 : Beethoven: Symphony No. 4 in B‐Flat Major, Op. 60: I. Adagio. Allegro vivace
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-14 until 1962-11-09)
conductor:
Herbert von Karajan (conductor) (from 1962-03-14 until 1962-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-14 until 1962-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-14 until 1962-11-09)
recording of:
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace (from 1962-03-14 until 1962-11-09)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Berliner Philharmoniker9:49
6Symphony No. 4 in B‐Flat Major, Op. 60 : Beethoven: Symphony No. 4 in B‐Flat Major, Op. 60: II. Adagio
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-14 until 1962-11-09)
conductor:
Herbert von Karajan (conductor) (from 1962-03-14 until 1962-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-14 until 1962-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-14 until 1962-11-09)
recording of:
Symphony no. 4 in B-flat major, op. 60: II. Adagio (from 1962-03-14 until 1962-11-09)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Berliner Philharmoniker9:55
7Symphony No. 4 in B‐Flat Major, Op. 60 : Beethoven: Symphony No. 4 in B‐Flat Major, Op. 60: III. Allegro vivace
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-14 until 1962-11-09)
conductor:
Herbert von Karajan (conductor) (from 1962-03-14 until 1962-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-14 until 1962-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-14 until 1962-11-09)
recording of:
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace (from 1962-03-14 until 1962-11-09)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Berliner Philharmoniker5:42
8Symphony No. 4 in B‐Flat Major, Op. 60 : Beethoven: Symphony No. 4 in B‐Flat Major, Op. 60: IV. Allegro ma non troppo
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-14 until 1962-11-09)
conductor:
Herbert von Karajan (conductor) (from 1962-03-14 until 1962-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-14 until 1962-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-14 until 1962-11-09)
recording of:
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo (from 1962-03-14 until 1962-11-09)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Berliner Philharmoniker5:24
3▼Digital Media
#TitleArtistRatingLength
1Piano Concerto No. 1 in B‐Flat Minor, Op. 23 : Tchaikovsky: Piano Concerto No. 1 in B‐Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito
producer:
Otto Ernst Wohlert
editor:
Rolf Peter Schröder
piano:
Sviatoslav Richter (pianist) (from 1962-09-24 until 1962-09-26)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1962-09-24 until 1962-09-26)
conductor:
Herbert von Karajan (conductor) (from 1962-09-24 until 1962-09-26)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1962-09-24 until 1962-09-26)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (from 1962-09-24 until 1962-09-26)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Sviatoslav Richter22:07
2Piano Concerto No. 1 in B‐Flat Minor, Op. 23 : Tchaikovsky: Piano Concerto No. 1 in B‐Flat Minor, Op. 23: II. Andantino semplice – Prestissimo – Tempo I
producer:
Otto Ernst Wohlert
editor:
Rolf Peter Schröder
piano:
Sviatoslav Richter (pianist) (from 1962-09-24 until 1962-09-26)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1962-09-24 until 1962-09-26)
conductor:
Herbert von Karajan (conductor) (from 1962-09-24 until 1962-09-26)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1962-09-24 until 1962-09-26)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed) (from 1962-09-24 until 1962-09-26)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Sviatoslav Richter6:55
3Piano Concerto No. 1 in B‐Flat Minor, Op. 23 : Tchaikovsky: Piano Concerto No. 1 in B‐Flat Minor, Op. 23: III. Allegro con fuoco – Molto meno mosso – Allegro vivo
producer:
Otto Ernst Wohlert
editor:
Rolf Peter Schröder
piano:
Sviatoslav Richter (pianist) (from 1962-09-24 until 1962-09-26)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1962-09-24 until 1962-09-26)
conductor:
Herbert von Karajan (conductor) (from 1962-09-24 until 1962-09-26)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1962-09-24 until 1962-09-26)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed) (from 1962-09-24 until 1962-09-26)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Sviatoslav Richter7:09
4Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction. Moderato quasi andante
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi andante (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich0:54
5Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Theme. Moderato semplice
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Tema. Moderato semplice (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich1:43
6Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Var. 1. Tempo della thema –
producer:
Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione I. Tempo del Tema (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich0:52
7Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Var. 2. Tempo della thema
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione II. Tempo del Tema (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich1:13
8Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Var. 3. Andante sostenuto
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione III. Andante sostenuto (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich3:59
9Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Var. 4. Andante grazioso –
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione IV. Andante grazioso (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich1:53
10Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Var. 5. Allegro moderato
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione V. Allegro moderato (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich3:28
11Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Var. 6. Andante
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VI. Andante (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich2:52
12Variations on a Rococo Theme, Op. 33 : Tchaikovsky: Variations on a Rococo Theme, Op. 33: Var. 7 – Coda. Allegro vivo
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VII. e Coda. Allegro vivo (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mstislav Rostropovich1:59
4▼Digital Media
#TitleArtistRatingLength
1Symphony No. 2 in D Major, Op. 73 : Brahms: Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-10 until 1963-10-11)
conductor:
Herbert von Karajan (conductor) (from 1963-10-10 until 1963-10-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-10 until 1963-10-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-10 until 1963-10-11)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo (from 1963-10-10 until 1963-10-11)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Berliner Philharmoniker15:39
2Symphony No. 2 in D Major, Op. 73 : Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo - L’istesso tempo, ma grazioso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-10 until 1963-10-11)
conductor:
Herbert von Karajan (conductor) (from 1963-10-10 until 1963-10-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-10 until 1963-10-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-10 until 1963-10-11)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo (from 1963-10-10 until 1963-10-11)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Berliner Philharmoniker10:50
3Symphony No. 2 in D Major, Op. 73 : Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso ( Quasi andantino) - Presto ma non assai
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-10 until 1963-10-11)
conductor:
Herbert von Karajan (conductor) (from 1963-10-10 until 1963-10-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-10 until 1963-10-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-10 until 1963-10-11)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) (from 1963-10-10 until 1963-10-11)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Berliner Philharmoniker5:18
4Symphony No. 2 in D Major, Op. 73 : Brahms: Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-10 until 1963-10-11)
conductor:
Herbert von Karajan (conductor) (from 1963-10-10 until 1963-10-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-10 until 1963-10-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-10 until 1963-10-11)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito (from 1963-10-10 until 1963-10-11)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Berliner Philharmoniker9:02
5Symphony No. 3 in F Major, Op. 90 : Brahms: Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-09-28 until 1964-09-30)
conductor:
Herbert von Karajan (conductor) (from 1964-09-28 until 1964-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-09-28 until 1964-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-09-28 until 1964-09-30)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: I. Allegro con brio (from 1964-09-28 until 1964-09-30)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Berliner Philharmoniker9:44
6Symphony No. 3 in F Major, Op. 90 : Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-09-28 until 1964-09-30)
conductor:
Herbert von Karajan (conductor) (from 1964-09-28 until 1964-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-09-28 until 1964-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-09-28 until 1964-09-30)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: II. Andante (from 1964-09-28 until 1964-09-30)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Berliner Philharmoniker7:38
7Symphony No. 3 in F Major, Op. 90 : Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-09-28 until 1964-09-30)
conductor:
Herbert von Karajan (conductor) (from 1964-09-28 until 1964-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-09-28 until 1964-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-09-28 until 1964-09-30)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1964-09-28 until 1964-09-30)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Berliner Philharmoniker5:54
8Symphony No. 3 in F Major, Op. 90 : Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-09-28 until 1964-09-30)
conductor:
Herbert von Karajan (conductor) (from 1964-09-28 until 1964-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-09-28 until 1964-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-09-28 until 1964-09-30)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: IV. Allegro (from 1964-09-28 until 1964-09-30)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Berliner Philharmoniker8:45
5▼Digital Media
#TitleArtistRatingLength
1The Rite of Spring, K15, Pt. 1 : Stravinsky: The Rite of Spring, K15, Pt. 1: I. Introduction
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Berliner Philharmoniker3:17
2The Rite of Spring, K15, Pt. 1 : Stravinsky: The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Berliner Philharmoniker3:24
3The Rite of Spring, K15, Pt. 1 : Stravinsky: The Rite of Spring, K15, Pt. 1: III. Ritual of Abduction
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Berliner Philharmoniker1:10
4The Rite of Spring, K15, Pt. 1 : Stravinsky: The Rite of Spring, K15, Pt. 1: IV. Spring Rounds
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Berliner Philharmoniker3:37
5The Rite of Spring, K15, Pt. 1 : Stravinsky: The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Berliner Philharmoniker1:51
6The Rite of Spring, K15, Pt. 1 : Stravinsky: The Rite of Spring, K15, Pt. 1: VI. Procession of the Sage
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Berliner Philharmoniker0:41
7The Rite of Spring, K15, Pt. 1 : Stravinsky: The Rite of Spring, K15, Pt. 1: VII. Adoration of the Earth (The Sage)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Berliner Philharmoniker0:25
8The Rite of Spring, K15, Pt. 1 : Stravinsky: The Rite of Spring, K15, Pt. 1: VIII. Dance of the Earth
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Berliner Philharmoniker1:10
9The Rite of Spring, K15, Pt. 2 : Stravinsky: The Rite of Spring, K15, Pt. 2: IX. Introduction
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Berliner Philharmoniker4:37
10The Rite of Spring, K15, Pt. 2 : Stravinsky: The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Berliner Philharmoniker3:27
11The Rite of Spring, K15, Pt. 2 : Stravinsky: The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Berliner Philharmoniker1:32
12The Rite of Spring, K15, Pt. 2 : Stravinsky: The Rite of Spring, K15, Pt. 2: XII. Evocation of the Ancestors
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Berliner Philharmoniker0:46
13The Rite of Spring, K15, Pt. 2 : Stravinsky: The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-17 until 1964-02-10)
conductor:
Herbert von Karajan (conductor) (from 1963-10-17 until 1964-02-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-17 until 1964-02-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-17 until 1964-02-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (from 1963-10-17 until 1964-02-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Berliner Philharmoniker3:57
14The Rite of Spring, K15, Pt. 2 : Stravinsky: The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-12-03 until 1977-01-30)
conductor:
Herbert von Karajan (conductor) (from 1975-12-03 until 1977-01-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-12-03 until 1977-01-30)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-12-03 until 1977-01-30)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (from 1975-12-03 until 1977-01-30)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Berliner Philharmoniker4:44
15Concerto for Orchestra, Sz. 116 : Bartók: Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace
executive producer:
Otto Gerdes (conductor and producer)
producer:
Otto Ernst Wohlert and Otto Ernst Wohlert (task: recording producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965-09, from 1965-09-20 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (in 1965-09, from 1965-09-20 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09-20 until 1965-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-09) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-09-20 until 1965-11-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (from 1965-09-20 until 1965-11-09)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Berliner Philharmoniker10:09
16Concerto for Orchestra, Sz. 116 : Bartók: Concerto for Orchestra, Sz. 116: 2. Giuoco della coppie (Allegretto scherzando)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Otto Ernst Wohlert and Otto Ernst Wohlert (task: recording producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965-09, from 1965-09-20 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (in 1965-09, from 1965-09-20 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09-20 until 1965-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-09) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-09-20 until 1965-11-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (from 1965-09-20 until 1965-11-09)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Berliner Philharmoniker6:50
17Concerto for Orchestra, Sz. 116 : Bartók: Concerto for Orchestra, Sz. 116: 3. Elegia (Andante, non troppo)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Otto Ernst Wohlert and Otto Ernst Wohlert (task: recording producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965-09, from 1965-09-20 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (in 1965-09, from 1965-09-20 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09-20 until 1965-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-09) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-09-20 until 1965-11-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (from 1965-09-20 until 1965-11-09)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Berliner Philharmoniker8:15
18Concerto for Orchestra, Sz. 116 : Bartók: Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto (Allegretto)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Otto Ernst Wohlert and Otto Ernst Wohlert (task: recording producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965-09, from 1965-09-20 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (in 1965-09, from 1965-09-20 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09-20 until 1965-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-09) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-09-20 until 1965-11-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (from 1965-09-20 until 1965-11-09)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Berliner Philharmoniker4:19
19Concerto for Orchestra, Sz. 116 : Bartók: Concerto for Orchestra, Sz. 116: 5. Finale (Pesante - Presto)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Otto Ernst Wohlert and Otto Ernst Wohlert (task: recording producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965-09, from 1965-09-20 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (in 1965-09, from 1965-09-20 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09-20 until 1965-11-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-09) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-09-20 until 1965-11-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (from 1965-09-20 until 1965-11-09)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Berliner Philharmoniker9:24
6▼Digital Media
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1La mer, L. 109 : Debussy: La mer, L. 109: I. From Dawn Till Noon On The Sea
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Berliner Philharmoniker8:35
2La mer, L. 109 : Debussy: La mer, L. 109: II. Play Of The Waves
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Berliner Philharmoniker6:13
3La mer, L. 109 : Debussy: La mer, L. 109: III. Dialogue Of The Wind And The Sea
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Berliner Philharmoniker7:51
4Debussy: Prélude à l’après‐midi d’un faune, L.86
producer:
Otto Gerdes (conductor and producer)
flute:
Karlheinz Zöller (flutist) (on 1964-03-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-03-11)
conductor:
Herbert von Karajan (conductor) (on 1964-03-11)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-03-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-03-11)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1964-03-11)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Karlheinz Zoeller9:51
5Daphnis et Chloé Suite No. 2, M. 57b : Ravel: Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour – II. Pantomime – III. Danse générale (Recorded 1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-03-10 until 1964-03-11)
conductor:
Herbert von Karajan (conductor) (from 1964-03-10 until 1964-03-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-10 until 1964-03-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-10 until 1964-03-11)
recording of:
Daphnis et Chloé, Suite no. 2 (from 1964-03-10 until 1964-03-11)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 57b)
is based on:
Daphnis et Chloé
Berliner Philharmoniker15:15
6Ravel: Boléro, M. 81 (Recorded 1966)
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-03-14 until 1966-03-19)
conductor:
Herbert von Karajan (conductor) (from 1966-03-14 until 1966-03-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-03-14 until 1966-03-19)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-03-14 until 1966-03-19)
recording of:
Boléro (from 1966-03-14 until 1966-03-19)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Berliner Philharmoniker516:09
7▼Digital Media
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1Symphony No. 8 in B Minor, D. 759 “Unfinished” : Schubert: Symphony No. 8 in B Minor, D. 759 “Unfinished”: I. Allegro moderato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-10-27)
conductor:
Herbert von Karajan (conductor) (on 1964-10-27)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-10-27)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-10-27)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato (on 1964-10-27)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Berliner Philharmoniker11:29
2Symphony No. 8 in B Minor, D. 759 “Unfinished” : Schubert: Symphony No. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-10-27)
conductor:
Herbert von Karajan (conductor) (on 1964-10-27)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-10-27)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-10-27)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (on 1964-10-27)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Berliner Philharmoniker12:34
3Symphony No. 9 in C Major, D. 944 “The Great” : Schubert: Symphony No. 9 in C Major, D. 944 “The Great”: I. Andante – Allegro ma non troppo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1968-09-24 until 1968-09-30)
conductor:
Herbert von Karajan (conductor) (from 1968-09-24 until 1968-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1968-09-24 until 1968-09-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1968-09-24 until 1968-09-30)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo (from 1968-09-24 until 1968-09-30)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Berliner Philharmoniker12:39
4Symphony No. 9 in C Major, D. 944 “The Great” : Schubert: Symphony No. 9 in C Major, D. 944 “The Great”: II. Andante con moto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1968-09-24 until 1968-09-30)
conductor:
Herbert von Karajan (conductor) (from 1968-09-24 until 1968-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1968-09-24 until 1968-09-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1968-09-24 until 1968-09-30)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto (from 1968-09-24 until 1968-09-30)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Berliner Philharmoniker12:15
5Symphony No. 9 in C Major, D. 944 “The Great” : Schubert: Symphony No. 9 in C Major, D. 944 “The Great”: III. Scherzo. Allegro vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1968-09-24 until 1968-09-30)
conductor:
Herbert von Karajan (conductor) (from 1968-09-24 until 1968-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1968-09-24 until 1968-09-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1968-09-24 until 1968-09-30)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace (from 1968-09-24 until 1968-09-30)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Berliner Philharmoniker10:03
6Symphony No. 9 in C Major, D. 944 “The Great” : Schubert: Symphony No. 9 in C Major, D. 944 “The Great”: IV. Finale. Allegro vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1968-09-24 until 1968-09-30)
conductor:
Herbert von Karajan (conductor) (from 1968-09-24 until 1968-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1968-09-24 until 1968-09-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1968-09-24 until 1968-09-30)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace (from 1968-09-24 until 1968-09-30)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Berliner Philharmoniker11:29
8▼Digital Media
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1La traviata: Act III. Prelude
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
La traviata: Atto III. Preludio (from 1967-09-22 until 1967-09-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:23
2Cavalleria rusticana: Intermezzo
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:26
3Suor Angelica: Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Suor Angelica: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Giacomo Puccini (Italian composer)
part of:
Suor Angelica
Giacomo Puccini4:32
4Pagliacci: Act 1. Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Pagliacci: Atto I. Intermezzo (from 1967-09-22 until 1967-09-25)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:35
5Khovanshchina: Act IV. Entracte
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Khovanshchina: Act IV. Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Хованщина: Действие 4
Modest Mussorgsky4:05
6Manon Lescaut: Act III. Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (from 1967-09-22 until 1967-09-25)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut
Giacomo Puccini5:31
7Notre Dame: Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Notre Dame, op. 2: Act I. Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Franz Schmidt (Austrian composer)
part of:
Notre Dame, op. 2: Act I
Franz Schmidt4:37
8Thaïs: Meditation
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berlin Philharmonic Orchestra (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1967-09-22 until 1967-09-25)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:00
9Fedora: Act II: Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Fedora: Atto II. Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
part of:
Fedora: Atto II
Umberto Giordano1:59
10Adriana Lecouvreur: Act 2. Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Adriana Lecouvreur: Atto III. Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Francesco Cilea (composer)
part of:
Adriana Lecouvreur: Atto III
Francesco Cilea2:21
11I gioielli della Madonna: Act III. Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
I gioielli della Madonna: Act III. Intermezzo (popular concert piece - if no info, assume this) (from 1967-09-22 until 1967-09-25)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
I gioielli della Madonna
Ermanno Wolf‐Ferrari3:36
12L’amico Fritz: Act III. Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
L'amico Fritz: Atto III. Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni4:55
9▼Digital Media
#TitleArtistRatingLength
1Requiem, K. 626 : Mozart: Requiem, K. 626: I. Introitus. Requiem aeternam (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
Anna Tomowa‐Sintow5:38
2Requiem, K. 626 : Mozart: Requiem, K. 626: II. Kyrie (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
revision of:
Requiem in D minor, K. 626: II. Kyrie (original version, fragment)
Berliner Philharmoniker2:49
3Requiem, K. 626 : Mozart: Requiem, K. 626: IIIa. Dies irae (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Berliner Philharmoniker1:51
4Requiem, K. 626 : Mozart: Requiem, K. 626: IIIb. Tuba mirum (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1975-09-27 until 1975-09-28)
contralto vocals:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1975-09-27 until 1975-09-28)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-27 until 1975-09-28)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Anna Tomowa‐Sintow4:12
5Requiem, K. 626 : Mozart: Requiem, K. 626: IIIc. Rex tremendae (Recorded 1975)
producer:
Michel Glotz
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Berliner Philharmoniker2:25
6Requiem, K. 626 : Mozart: Requiem, K. 626: IIId. Recordare (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1975-09-27 until 1975-09-28)
contralto vocals:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1975-09-27 until 1975-09-28)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-27 until 1975-09-28)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (Süßmayr Edition; soprano, alto, tenor, bass solos) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Anna Tomowa‐Sintow5:17
7Requiem, K. 626 : Mozart: Requiem, K. 626: IIIe. Confutatis (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Berliner Philharmoniker2:24
8Requiem, K. 626 : Mozart: Requiem, K. 626: IIIf. Lacrimosa (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Berliner Philharmoniker3:17
9Requiem, K. 626 : Mozart: Requiem, K. 626: IVa. Domine Jesu (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
contralto vocals:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1975-09-27 until 1975-09-28)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-27 until 1975-09-28)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (Süßmayr Edition; choir with solo quartet) (from 1975-09-27 until 1975-09-28)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
Anna Tomowa‐Sintow3:47
10Requiem, K. 626 : Mozart: Requiem, K. 626: IVb. Hostias (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
Berliner Philharmoniker4:27
11Requiem, K. 626 : Mozart: Requiem, K. 626: V. Sanctus (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
Berliner Philharmoniker1:45
12Requiem, K. 626 : Mozart: Requiem, K. 626: VI. Benedictus (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
contralto vocals:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1975-09-27 until 1975-09-28)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-27 until 1975-09-28)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (Süßmayr Edition; solo quartet, then choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
Anna Tomowa‐Sintow5:13
13Requiem, K. 626 : Mozart: Requiem, K. 626: VII. Agnus Dei (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: VI. Agnus Dei (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
additional orchestrator:
Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr (until 1792-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
Berliner Philharmoniker3:35
14Requiem, K. 626 : Mozart: Requiem, K. 626: VIII. Communio. Lux aeterna (Recorded 1975)
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: VIII. Communio: a. Lux aeterna (Süßmayr Edition; soprano solo and choir) (from 1975-09-27 until 1975-09-28)
additional orchestrator:
Franz Beyer (violist) and Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: VIII. Communio (Süßmayr edition)
Anna Tomowa‐Sintow6:10
15Mass in C Major, K. 317 “Coronation Mass” : Mozart: Mass in C Major, K. 317 “Coronation Mass”: I. Kyrie
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-26 until 1975-09-27)
choir vocals:
Wiener Singverein (from 1975-09-26 until 1975-09-27)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-26 until 1975-09-27)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-26 until 1975-09-27)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-26 until 1975-09-27)
conductor:
Herbert von Karajan (conductor) (from 1975-09-26 until 1975-09-27)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-26 until 1975-09-27)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-26 until 1975-09-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-26 until 1975-09-27)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie (Mass in C, K. 317 "Coronation Mass": I. Kyrie) (from 1975-09-26 until 1975-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Anna Tomowa‐Sintow3:14
16Mass in C Major, K. 317 “Coronation Mass” : Mozart: Mass in C Major, K. 317 “Coronation Mass”: II. Gloria
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-26 until 1975-09-27)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1975-09-26 until 1975-09-27)
choir vocals:
Wiener Singverein (from 1975-09-26 until 1975-09-27)
contralto vocals:
Agnes Baltsa (mezzo-soprano) (from 1975-09-26 until 1975-09-27)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-26 until 1975-09-27)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-26 until 1975-09-27)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-26 until 1975-09-27)
conductor:
Herbert von Karajan (conductor) (from 1975-09-26 until 1975-09-27)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-26 until 1975-09-27)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-26 until 1975-09-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-26 until 1975-09-27)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria (Mass in C, K. 317 "Coronation Mass": II. Gloria) (from 1975-09-26 until 1975-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Anna Tomowa‐Sintow3:58
17Mass in C Major, K. 317 “Coronation Mass” : Mozart: Mass in C Major, K. 317 “Coronation Mass”: III. Credo
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-26 until 1975-09-27)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1975-09-26 until 1975-09-27)
choir vocals:
Wiener Singverein (from 1975-09-26 until 1975-09-27)
contralto vocals:
Agnes Baltsa (mezzo-soprano) (from 1975-09-26 until 1975-09-27)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-26 until 1975-09-27)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-26 until 1975-09-27)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-26 until 1975-09-27)
conductor:
Herbert von Karajan (conductor) (from 1975-09-26 until 1975-09-27)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-26 until 1975-09-27)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-26 until 1975-09-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-26 until 1975-09-27)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: III. Credo (Mass in C, K. 317 "Coronation Mass": III. Credo) (from 1975-09-26 until 1975-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Anna Tomowa‐Sintow6:38
18Mass in C Major, K. 317 “Coronation Mass” : Mozart: Mass in C Major, K. 317 “Coronation Mass”: IV. Sanctus
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-26 until 1975-09-27)
choir vocals:
Wiener Singverein (from 1975-09-26 until 1975-09-27)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-26 until 1975-09-27)
conductor:
Herbert von Karajan (conductor) (from 1975-09-26 until 1975-09-27)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-26 until 1975-09-27)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-26 until 1975-09-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-26 until 1975-09-27)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: IV. Sanctus (Mass in C, K. 317 "Coronation Mass": IV. Sanctus) (from 1975-09-26 until 1975-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Berliner Philharmoniker1:59
19Mass in C Major, K. 317 “Coronation Mass” : Mozart: Mass in C Major, K. 317 “Coronation Mass”: V. Benedictus
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-26 until 1975-09-27)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1975-09-26 until 1975-09-27)
choir vocals:
Wiener Singverein (from 1975-09-26 until 1975-09-27)
contralto vocals:
Agnes Baltsa (mezzo-soprano) (from 1975-09-26 until 1975-09-27)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-26 until 1975-09-27)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-26 until 1975-09-27)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-26 until 1975-09-27)
conductor:
Herbert von Karajan (conductor) (from 1975-09-26 until 1975-09-27)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-26 until 1975-09-27)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-26 until 1975-09-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-26 until 1975-09-27)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus (Mass in C, K. 317 "Coronation Mass": V. Benedictus) (from 1975-09-26 until 1975-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Anna Tomowa‐Sintow3:17
20Mass in C Major, K. 317 “Coronation Mass” : Mozart: Mass in C Major, K. 317 “Coronation Mass”: VIa. Agnus Dei
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-26 until 1975-09-27)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-26 until 1975-09-27)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-26 until 1975-09-27)
conductor:
Herbert von Karajan (conductor) (from 1975-09-26 until 1975-09-27)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-26 until 1975-09-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-26 until 1975-09-27)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei) (from 1975-09-26 until 1975-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Anna Tomowa‐Sintow3:51
21Mass in C Major, K. 317 “Coronation Mass” : Mozart: Mass in C Major, K. 317 “Coronation Mass”: VIIb. Dona nobis pacem
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-26 until 1975-09-27)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1975-09-26 until 1975-09-27)
choir vocals:
Wiener Singverein (from 1975-09-26 until 1975-09-27)
contralto vocals:
Agnes Baltsa (mezzo-soprano) (from 1975-09-26 until 1975-09-27)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1975-09-26 until 1975-09-27)
tenor vocals:
Werner Krenn (tenor) (from 1975-09-26 until 1975-09-27)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-26 until 1975-09-27)
conductor:
Herbert von Karajan (conductor) (from 1975-09-26 until 1975-09-27)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-26 until 1975-09-27)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-26 until 1975-09-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-26 until 1975-09-27)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei) (from 1975-09-26 until 1975-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Anna Tomowa‐Sintow2:47
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