Aria Awards 20th Anniversary

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

ARIA = Australian Recording Industry Association

Annotazione modificata l'ultima volta il 2014-01-01 05:03 UTC.

Elenco tracce

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1CD
#TitoloArtistaValutazioneDurata
1You're the Voice
tecnico di registrazione e tecnico di missaggio:
Doug Brady (engineer)
programmazione degli strumenti:
Dave (Australian score composer), Jack e Ross
assistente tecnico:
Michael Wickow (engineer)
produttore:
Ross Fraser
basso senza tasti :
Roger McLachlan
chitarra :
Brett Garsed
sintetizzatore [Fairlight] e tastiera :
David Hirschfelder (Australian score composer)
voce di accompagnamento:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton e Sandy Weekes
voce principale:
Whispering Jack
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
diritti fonografici (℗) detenuti da:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (nel 1986), BMG Australia Limited (not for release label use!) (nel 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1986), Wheatley Records Pty. Ltd. (nel 1986) e RCA/Ariola (nel 1987)
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 15)
registrazione di:
You’re the Voice
autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham4.15:02
2Electric Blue
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 92)
registrazione di:
Electric Blue
autore:
Iva Davies e John Oates
editore:
BMG Music, EMI Songs, EMI Songs Australia Pty. Ltd., Kobalt Music Publishing Australia P/L e Universal Music Publishing MGB Australia
Icehouse4:24
3Beds Are Burning
supporto artisti & repertorio (A&R):
S. Ralbovsky
assistente tecnico:
Kathy Naunton (editor)
tecnico:
Guy Gray
produttore:
Warne Livesey e Midnight Oil (Australian rock band)
basso :
Peter Gifford
batteria [drums] :
Rob Hirst
chitarra :
Jim Moginie e Martin Rotsey
corno francese :
Jeremy Smith (Horns)
tastiera :
Warne Livesey e Jim Moginie
trombone :
Glad Reed
violoncello :
John Ockwell (Cello Artist)
diritti fonografici (℗) detenuti da:
Midnight Oil (Australian rock band) (nel 1987)
diritti fonografici (℗) detenuti da:
Midnight Oil Ents Pty Ltd (nel 1987) e Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1987)
registrata presso:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 18) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 95)
registrazione di:
Beds Are Burning
autore:
Peter Garrett, Rob Hirst e Jim Moginie
editore:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sprint Music Pty. Ltd.
Midnight Oil4.54:17
4Better Be Home Soon
tecnico di registrazione:
Tchad Blake
produttore:
Mitchell Froom
tecnico di missaggio:
Bob Clearmountain
basso elettrico [bass] :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra e voce principale:
Neil Finn
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1988)
mixata per:
Fast Forward Productions, Ltd.
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 38)
registrazione di:
Better Be Home Soon
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing e Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:10
5Under the Milky Way
assistente tecnico:
Duane Seykora
tecnico:
Shep Lonsdale
produttore:
The Church, Greg Ladanyi e Waddy Wachtel
tecnico di missaggio:
Greg Ladanyi, Shep Lonsdale e Waddy Wachtel
basso e voce principale:
Steve Kilbey
batteria :
Richard Ploog
chitarra :
Peter Koppes e Marty Willson-Piper
synclavier :
Awesome Welles
tastiera :
Greg Kuehn
diritti fonografici (℗) detenuti da:
The Church (nel 2009)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987, nel 1988) e The Church Pty Limited (nel 1988, nel 2005)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 29) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 84)
registrazione di:
Under the Milky Way
autore:
Karin Jansson e Steve Kilbey
editore:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) e Universal/MCA Music Publishing Pty Ltd
The Church4.354:59
6Tucker's Daughter
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1989)
registrazione di:
Tucker's Daughter (Ian Moss song)
autore:
Ian Moss e Don Walker (Australian musician and songwriter, member of Cold Chisel)
editore:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Rondor Music, Rondor Music (Australia) P/L, Sony/ATV Music Publishing e Sony/ATV Music Publishing Australia Pty Ltd.
Ian Moss4:34
7Crying in the Chapel
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1989)
registrazione di:
Crying in the Chapel (Peter Blakeley song)
autore:
Peter Blakeley e Aaron Zigman (American score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal/MCA Music Publishing Pty Ltd, Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Peter Blakeley3:41
8Blue Sky Mine
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Warne Livesey e Midnight Oil (Australian rock band)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 99)
registrazione di:
Blue Sky Mine
autore:
Midnight Oil (Australian rock band)
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
Midnight Oil34:21
9I Don't Wanna Be With Nobody but You
diritti fonografici (℗) detenuti da:
rooART Pty Ltd (nel 1989) e Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1990)
registrazione cover di:
I Don’t Want to Be With Nobody but My Baby
autore:
Eddie Floyd e Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L e Rondor Music (Australia) Pty Ltd
registrazione di:
I Don’t Want to Be With Nobody but My Baby
autore:
Eddie Floyd e Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L e Rondor Music (Australia) Pty Ltd
Absent Friends4:48
10Early Warning
tecnico:
Kevin Shirley (producer & mixer)
produttore:
Mike Chapman (Australian producer and songwriter)
tecnico di missaggio:
Mike Chapman (Australian producer and songwriter) e Kevin Shirley (producer & mixer)
batteria [drums] :
Frank Celenza
chitarra :
Suze DeMarchi e Dave Leslie
chitarra basso [bass] :
Eddie Parise
voce:
Dave Leslie e Eddie Parise
voce principale [vocals]:
Suze DeMarchi
diritti fonografici (℗) detenuti da:
Imago Recording Company (nel 2007)
registrazione di:
Early Warning
autore:
Suze DeMarchi, Dave Leslie e Eddie Parise
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. e Mushroom Music Publishing
Baby Animals3:58
11Treaty (Filthy Lucre remix)Yothu Yindi4:04
12Tip of My Tongue
assistente tecnico di registrazione:
Marc DeSisto
tecnico di registrazione:
John Philip Shenale e Rick Will
assistente tecnico:
Stoli Jaeger
tecnico e tecnico di missaggio:
Rick Will
produttore:
Don Gehman
assistente tecnico di missaggio:
Marc DeSisto e Ulrich Wild
basso :
Tommy Sims (r&b, ccm)
batteria :
Yak Sherrit (drummer)
arrangiatore archi , arrangiatore percussione e arrangiatore tastiera :
John Philip Shenale
diritti fonografici (℗) detenuti da:
Chrysalis Australia (nel 1992), EMI Music Australia (defunct holding company, not for release label use!) (nel 1992), EMI Music Australia Pty. Limited (not for release label use!) (nel 1992) e EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1992)
registrata presso:
Hot Tin Roof in Hollywood, Los Angeles, California, Stati Uniti (nel 1991)
registrazione di:
Tip of My Tongue
autore:
Diesel (Australian pop rock aka Mark Lizotte) e John Daniel Tate
editore:
BMG Gold Songs, BMG Rights Management Canada A, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Virgin Music Publishing, EMI Virgin Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Mushroom Records e Tate Music Group
Diesel34:12
13The Day You Went Away
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1992) e Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1992)
registrazione cover di:
The Day You Went Away
autore:
Guy Batson e Johnny Male
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Wendy Matthews4:42
14The Honeymoon Is Over
diritti fonografici (℗) detenuti da:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1993) e Polydor Records Australia (nel 1993)
registrazione di:
The Honeymoon Is Over
autore:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) e Dan Rumour
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:08
15Chains
tecnico di missaggio:
Chris Lord‐Alge
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1994), Sony Music Productions (for copyrights use only) (nel 1994) e Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1998)
registrazione di:
Chains
autore:
Tina Arena (nel 1993-10), Pam Reswick (American songwriter) (nel 1993-10) e Steve Werfel (nel 1993-10)
editore:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena4:03
16Tomorrow
tecnico di registrazione e tecnico di missaggio:
Kevin Shirley (producer & mixer)
produttore:
Kevin ‘Caveman’ Shirley (producer & mixer)
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1994) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1995)
registrata presso:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia
mixata presso:
Eclipse Studio in Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 17)
registrazione di:
Tomorrow
paroliere e compositore:
Ben Gillies e Daniel Johns
editore:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1995), Sony/ATV Music Publishing Australia Pty Ltd. (dal 1997-10-14 al 2020-12-15) e Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (dal 2020-12-15 a oggi)
Silverchair4.14:26
2CD
#TitoloArtistaValutazioneDurata
1Soldiers
assistente tecnico di registrazione:
Warwick Buzacott
tecnico di registrazione:
Wayne Connolly e Paul McKercher
produttore:
You Am I
assistente tecnico di missaggio:
Jamie Seyberth
tecnico di missaggio:
David Bianco (American engineer and record producer) e Wayne Connolly
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 2013)
registrata presso:
Q Studios in Sydney, New South Wales, Australia (nel 1995-12)
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Soldiers
paroliere e compositore:
Tim Rogers
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I32:31
2Where the Wild Roses Grow
tecnico di registrazione:
Tony Cohen e Victor van Vugt
produttore:
Nick Cave & the Bad Seeds, Tony Cohen e Victor van Vugt
tecnico di missaggio:
Gregg Jackman
basso :
Martyn P. Casey
batteria :
Thomas Wydler
campana :
Jim Sclavunos
chitarra :
Blixa Bargeld (German musician)
chitarra acustica e chitarra :
Mick Harvey
pianoforte :
Nick Cave (Australian singer‐songwriter, musician and score composer)
viola :
Kerran Coulter
violino :
Jen Anderson e Sue Simpson
violoncello :
Helen Mountfort
voce di accompagnamento:
Mick Harvey e Conway Savage
voce principale:
Nick Cave (Australian singer‐songwriter, musician and score composer) e Kylie Minogue
arrangiatore archi :
Nick Cave (Australian singer‐songwriter, musician and score composer) e Mick Harvey
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1995, nel 1996)
mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
video musicali:
Where the Wild Roses Grow di Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
registrazione di:
Where the Wild Roses Grow
paroliere e compositore:
Nick Cave (Australian singer‐songwriter, musician and score composer)
editore:
Mute Song (international) e Mute Song Ltd.
Nick Cave & the Bad Seeds feat. Kylie Minogue4.453:57
3Polyester Girl
assistente tecnico di registrazione:
Argonaut (Australian engineer Jason Gendrolious)
tecnico di registrazione:
Magoo (Australian producer Lachlan Goold) e Regurgitator
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1997)
registrata presso:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australia
video musicali:
Polyester Girl (music video) di Regurgitator
registrazione di:
Polyester Girl
paroliere e compositore:
Quan Yeomans
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Regurgitator33:31
4Torn
produttore:
Phil Thornalley
tecnico di missaggio:
Nigel Godrich (English record producer)
voce principale:
Natalie Imbruglia
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (dal 1997 a oggi) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1997)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 32), Cachitos Nochevieja 2022 (numero: 60) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 333)
registrazione cover di:
Torn
paroliere:
Anne Preven
compositore:
Scott Cutler, Anne Preven e Phil Thornalley
editore:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:05
5The Day You ComePowderfinger34:00
6Mascara
registrazione di:
Mascara
compositore:
Ella Hooper e Jesse Hooper (Killing Heidi)
editore:
Wah Wah Music Ltd.
Killing Heidi34:50
7Don't Call Me Baby
tecnico e tecnico di missaggio:
Mark Rachelle
produttore:
Madison Avenue (Australian electronic music duo)
voce principale:
Cheyne Coates
diritti fonografici (℗) detenuti da:
Vicious Grooves (nel 1999)
lavorazione tecnica effettuata presso:
Backbeach Recording Co. in Rye, Shire of Mornington Peninsula, Victoria, Australia
campionamenti:
Ma quale idea di Pino D’Angiò (Italo disco artist)
edit di:
Don’t Call Me Baby (original 12” mix) di Madison Avenue (Australian electronic music duo)
registrazione di:
Don’t Call Me Baby
autore:
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison e John Whitehead
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crisler, Universal Music (plain logo: “Universal Music”) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
si basa su:
Ma quale idea
Madison Avenue2.83:49
8My Happiness
tecnico di registrazione e tecnico di missaggio:
Nick DiDia
produttore:
Nick DiDia e Powderfinger (Australian rock band)
diritti fonografici (℗) detenuti da:
Grudge Records Australia (nel 2000)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 6) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2000)
registrazione di:
My Happiness
autore:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug e Darren Middleton
editore:
Egg the Nest Music e Kobalt Music Publishing Australia P/L
Powderfinger44:39
9Not Pretty Enough
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 2001)
registrazione di:
Not Pretty Enough
paroliere e compositore:
Kasey Chambers (Australian country singer‐songwriter)
editore:
Mushroom Music Pty. Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:20
10Can't Get You Out of My Head
programmazione degli strumenti:
Rob Davis (songwriter/producer was in Mud)
tecnico e tecnico di missaggio:
Tim Orford
produttore:
Rob Davis (songwriter/producer was in Mud) e Cathy Dennis
chitarra elettrica e tastiera :
Rob Davis (songwriter/producer was in Mud)
voce di accompagnamento e voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e KDB Pty Limited (nel 2001)
è stato produttore per:
19 Productions
video musicali:
Can’t Get You Out of My Head di Kylie Minogue
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 27), Billboard Year-End Hot 100 singles of 2002 (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 207)
registrazione di:
Can’t Get You Out of My Head
paroliere:
Cathy Dennis
compositore:
Rob Davis (songwriter/producer was in Mud)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kylie Minogue43:51
11(Baby I've Got You) On My Mind
assistente tecnico:
Catherine Claire (engineer)
tecnico:
Nick DiDia
tecnico aggiunto:
Anton Hagop
produttore:
Nick DiDia e Tony Reyes (songwriter/producer/multi‐instrumentalist)
tecnico di missaggio:
Brendan O’Brien (engineer)
registrata presso:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia (dal 2003-01 al 2003-02)
mixata presso:
Southern Tracks in Atlanta, Georgia, Stati Uniti (nel 2003-03)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 70)
registrazione di:
(Baby I've Got You) On My Mind (dal 2003-01 al 2003-02)
autore:
Powderfinger (Australian rock band)
editore:
Kobalt Music Publishing Australia P/L
Powderfinger33:22
12Born to Try
produttore:
Ric Wake
voce principale:
Delta Goodrem
arrangiatore:
Ric Wake
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 2002)
video musicali:
Born to Try (ten year anniversary acoustic version) di Delta Goodrem
registrazione di:
Born to Try
paroliere e compositore:
Delta Goodrem e Audius Mtawarira
Delta Goodrem4:13
13Are You Gonna Be My Girl?
assistente tecnico:
Evil Chris
tecnico:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
tecnico aggiunto:
Greg Gordon (producer/engineer)
produttore e tecnico di missaggio:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
batteria :
Chris Cester
chitarra :
Cam Muncey e Nic Cester
chitarra aggiunto:
Brooklyn’s own Dave Sardy (American score composer)
chitarra basso :
Mark Wilson (Bass player for Jet)
voce:
Cam Muncey, Chris Cester e Nic Cester
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2003), Real Horrorshow Pty. Ltd. (nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2003)
registrata presso:
Larrabee East in Los Angeles, California, Stati Uniti e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
video musicali:
Are You Gonna Be My Girl di Jet (Australian garage rock band)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 23), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2003), Sean Michaels: The Top 30 Songs of 2003 (numero: runner-up) e Indie 88: Top 500 Indie Rock Songs (numero: 364)
registrazione di:
Are You Gonna Be My Girl
autore:
Nic Cester e Cameron Muncey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:36
14Scar
basso elettrico :
Keith Christopher (American bassist)
batteria :
Dean Butterworth
chitarra :
Stuart Mathis (guitarist)
chitarra [electric & acoustic guitars] :
John Porter (producer and musician US and UK)
chitarra acustica :
Jay Newland (producer, engineer and mixer)
flicorno soprano :
Darrell Leonard
percussione :
Debra Dobkin
tastiera :
Jamie Muhoberac
violoncello elettrico :
Martin Tillman
voce:
Missy Higgins
diritti fonografici (℗) detenuti da:
Eleven: A Music Company (nel 2004)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 4)
registrazione di:
Scar
editore:
Missy Higgins
autore:
Kevin Griffin (member of Better Than Ezra) e Missy Higgins
editore:
Mushroom Music Pty. Ltd.
Missy Higgins33:35
15Catch My Disease
diritti fonografici (℗) detenuti da:
Inertia Recordings (Australian electronic label/publisher) (nel 2005)
registrazione di:
Catch My Disease
autore:
Ben Lee (Australian singer/songwriter) e Markey Southworth McGowan
editore:
BMG Music Publishing Australia Pty Ltd, McGowan Music, Songs for the World Music, Universal Music Publishers MGB Australia Pty Ltd e Universal Music Publishing Group
Ben Lee4.54:14

Accreditamenti

Pubblicazione

note di libretto:Glenn A. Baker (nel 2006-08)
Discogs:https://www.discogs.com/release/802706 [info]