X-Men Origins: Wolverine

~ Release by Harry Gregson‐Williams (see all versions of this release, 4 available)

Tracklist

1▼Digital Media
#	Title	Rating	Length
1	Logan Through Time recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Logan Through Time composer: Harry Gregson‐Williams (English score composer)		4:17
2	Special Privileges recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Special Privileges composer: Halli Cauthery and Harry Gregson‐Williams (English score composer)		1:59
3	Lagos, Nigeria recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Lagos, Nigeria composer: Harry Gregson‐Williams (English score composer)		5:10
4	Wade Goes to Work recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Wade Goes to Work composer: Harry Gregson‐Williams (English score composer)		1:29
5	Kayla recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Kayla composer: Harry Gregson‐Williams (English score composer)		2:50
6	Victor Visits recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Victor Visits composer: Harry Gregson‐Williams (English score composer)		2:06
7	Adamantium recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Adamantium composer: Harry Gregson‐Williams (English score composer)		4:18
8	Agent Zero Comes for Logan recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Agent Zero Comes for Logan composer: Harry Gregson‐Williams (English score composer)		3:06
9	Logan Meets Gambit recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Logan Meets Gambit composer: Halli Cauthery and Harry Gregson‐Williams (English score composer)		4:36
10	To the Island recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: To the Island composer: Harry Gregson‐Williams (English score composer)		3:44
11	Deadpool recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Deadpool composer: Harry Gregson‐Williams (English score composer) and Christopher Willis (soundtrack and concert composer)		4:10
12	The Towers Collapse recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: The Towers Collapse composer: Harry Gregson‐Williams (English score composer)		3:23
13	Memories Lost recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: Memories Lost composer: Harry Gregson‐Williams (English score composer)		2:57
14	"...I'll Find My Own Way" recording engineer: Joel Iwataki producer: Harry Gregson‐Williams (English score composer) mixer: Malcom Luker assistant editor: Meri Gavin editor: Richard Whitfield orchestra: Hollywood Studio Symphony conductor: Harry Gregson‐Williams (English score composer) orchestrator: Ladd McIntosh phonographic copyright (℗) by: Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) recorded at: Newman Scoring Stage in Century City, Los Angeles, California, United States mixed at: Wavecrest Studios in Venice, Los Angeles, California, United States recording of: "... I'll Find My Own Way" composer: Harry Gregson‐Williams (English score composer)		1:24

Credits

Release

executive producer:	Robert Townson (soundtrack producer)
producer:	Harry Gregson‐Williams (English score composer)

purchase for download:	https://itunes.apple.com/us/album/id759737432 [info]
ASIN:	US: B0029Q7P1U [info]
streaming page:	https://play.qobuz.com/album/0003020669672 [info]

Release group

Discogs:	https://www.discogs.com/master/281529 [info]
other databases:	http://www.soundtrackcollector.com/title/87034/ [info]
IMDb:	https://www.imdb.com/title/tt0458525/ [info]
Allmusic:	https://www.allmusic.com/album/mw0000815713 [info]
discography entry:	https://www.last.fm/music/Harry+Gregson-Williams/X-Men+Origins:+Wolverine:+Original+Motion+Picture+Soundtrack [info]

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Release information

Barcode:: [none]
Format:: Digital Media
Length:: 45:29

Additional details

Type:: Album + Soundtrack
Packaging:: None
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Varèse Sarabande
[none]

Release events

[Worldwide]
2009-05-05

Release group rating

3 (see all ratings)

Release group reviews

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External links

Release group external links

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Last updated on 2017-01-06 06:00 UTC