De Tijdloze, Vol. 6

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1I Will Follow
assistierende(r) Techniker(in):
Kevin Moloney
Techniker(in):
Paul Thomas (engineer)
Produzent(in):
Steve Lillywhite
E-Bass:
Adam Clayton
E-Gitarre:
The Edge (U2 guitarist David Evans)
Schlagzeug:
Larry Mullen, Jr.
Sologesang:
Bono (singer of U2)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1980)
aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
I Will Follow
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Chappell Music (UK), Gallo Music, Island Music (Island Music Ltd.), Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Mother Music, PolyGram International Music Publishing B.V., Polygram Music, Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Blue Mountain Music Ltd. (in 1980)
U24.153:34
2Inbetween Days
Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in) und Mix:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Bassgitarre:
Simon Gallup
Bassgitarre [6-string bass] und Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson und Lol Tolhurst
Schlagzeug:
Boris Williams
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
Musikvideos:
In Between Days von The Cure
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 320)
recording of:
In Between Days
Texter und Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure42:57
3The Scientist
recording of:
The Scientist
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay5:10
4Live Forever
recording of:
Live Forever
Texter und Komponist(in):
Noel Gallagher
Oasis3:43
5Piano Man
Techniker(in):
Ron Malo
Produzent(in):
Michael Stewart (US producer/guitarist from California, 1945–2002)
accordion und Keyboard [keyboards]:
Michael Omartian (in 1973)
E-Bass:
Wilton Felder (in 1973)
Gitarre:
Larry Carlton (in 1973) und Dean Parks (American session guitarist) (in 1973)
Gitarre [guitar overdubs]:
William Bennett (guitarist) (in 1973)
Mundharmonika und Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1973)
Perkussion:
Bobbi Hall (in 1973)
Schlagzeug:
Ron Tutt (drummer) (in 1973)
arranger:
Michael Omartian
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973, in 1975), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1973)
Musikvideos:
Piano Man von Billy Joel (American singer‐songwriter and pianist)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 421)
recording of:
Piano Man (in 1973)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) und Joelsongs (in 1973)
Billy Joel4.355:37
6Islands
Techniker(in):
Rodaidh McDonald (producer)
Produzent(in):
Jamie Smith (English DJ, record producer, and remixer)
Mix:
Jamie Smith (English DJ, record producer, and remixer) und Rodaidh McDonald (producer)
Bassgitarre:
Oliver Sim (von 2008-12 bis 2009-04)
drum machine:
Jamie Smith (English DJ, record producer, and remixer) (von 2008-12 bis 2009-04)
Gitarre:
Romy Madley Croft (Romy Madley Croft, of The xx) (von 2008-12 bis 2009-04)
Keyboard:
Baria Qureshi (von 2008-12 bis 2009-04)
vocals:
Baria Qureshi (von 2008-12 bis 2009-04), Romy Madley Croft (Romy Madley Croft, of The xx) (von 2008-12 bis 2009-04) und Oliver Sim (von 2008-12 bis 2009-04)
aufgenommen bei:
XL Studios in London (Greater London), England, Vereinigtes Königreich (von 2008-12 bis 2009-04)
mixed at:
XL Studios in London (Greater London), England, Vereinigtes Königreich (von 2009-04 bis 2009-05)
Musikvideos:
Islands von The xx (UK indie/dream pop trio)
recording of:
Islands (von 2008-12 bis 2009-04)
Texter:
Romy Madley Croft (Romy Madley Croft, of The xx) und Oliver Sim
Komponist(in):
Jamie Smith (English DJ, record producer, and remixer), Baria Qureshi, Romy Madley Croft (Romy Madley Croft, of The xx) und Oliver Sim
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The XX4.152:42
7Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:53
8You Know I’m No Good
recording of:
You Know I’m No Good
Texter und Komponist(in):
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4:15
9Hotellounge
recording of:
Hotellounge (Be the Death of Me)
Texter:
Tom Barman (Belgian musician)
Komponist(in):
Tom Barman (Belgian musician) und Rudy Trouvé (Belgian musician)
dEUS4:42
10Midlife Crisis
Produzent(in):
Faith No More und Matt Wallace (US producer & engineer)
Mix:
Matt Wallace (US producer & engineer)
E-Bow und E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1992) und Slash Records (company, do not use as release label!) (in 1992)
Samples:
Car Thief von Beastie Boys und Cecilia (original stereo mix) von Simon & Garfunkel (Schlagzeug)
Musikvideos:
Midlife Crisis (official video) von Faith No More
recording of:
Midlife Crisis
Texter:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
Komponist(in):
Mike Bordin (American drummer), Roddy Bottum, Billy Gould, Jim Martin (ex-Faith No More guitarist) und Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
publisher:
Big Thrilling Music (music publishing company), Rondor Music (London) Ltd. und Vomit God Music (Mike Patton’s music publishing company)
live recording of:
Midlife Crisis
Texter:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
Komponist(in):
Mike Bordin (American drummer), Roddy Bottum, Billy Gould, Jim Martin (ex-Faith No More guitarist) und Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
publisher:
Big Thrilling Music (music publishing company), Rondor Music (London) Ltd. und Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.154:16
11Fat Lip
recording of:
Fat Lip
Verfasser(in):
Dave Baksh, Steve Jocz und Deryck Whibley
publisher:
EMI April Music Canada, EMI April Music Inc. und Rectum Renovator Music
Sum 413:00
12Radar Love
Produzent(in):
Golden Earring
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.255:04
13Synrise
Goose5:32
14Sleeper in Metropolis
Interpret(in):
David Harrow (English record producer, DJ, and multimedia artist)
recording of:
Sleeper in Metropolis
Verfasser(in):
Anne Clark (English poet, songwriter and electronic musician) und David Harrow (English record producer, DJ, and multimedia artist)
Komponist(in):
David Harrow (English record producer, DJ, and multimedia artist)
publisher:
Red Flame Music Ltd. und Virgin Music (Publishers) Ltd.
Anne Clark54:04
15I’m Not in Love
Bass und Gitarre:
Graham Gouldman (in 1975)
Effektgerät [musical effects]:
Eric (in 1975)
Hybrid-Piano und Sologesang:
Eric Stewart (in 1975)
Klavier:
Lol Creme (in 1975)
Moog:
Kevin Godley (in 1975)
Synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) und Lol (in 1975)
Hintergrundgesang:
Lol Creme (in 1975), Kevin Godley (in 1975) und Graham Gouldman (in 1975)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
Bearbeitung von:
I’m Not in Love (album version) von 10cc
recording of:
I’m Not in Love (in 1975)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc4.23:44
16Mad About You
membranophone-Programmierung:
Phil Chill
Produzent(in):
Alex Callier (member of Hooverphonic) und Roland Herrington
assistierende(r) Mix:
Mark Ryan (mixer)
Mix:
Alex Callier (member of Hooverphonic)
conductor:
Matt Dunkley
Saiteninstrumente arranger:
Matt Dunkley
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Belgium) S.A./N.V. (not for release label use! BE subsidiary of SBE until 2005-7) (in 2000)
mixed at:
SynSound (recording studio) in Brussels (Region Brüssel-Hauptstadt), Belgien
Musikvideos:
Mad About You / V1 von Hooverphonic (Belgian Pop & Trip-Hop band) und Mad About You / V2 von Hooverphonic (Belgian Pop & Trip-Hop band)
Teil von:
ZAMU Award: Song (Nummer: 2000)
recording of:
Mad About You
Texter und Komponist(in):
Alex Callier (member of Hooverphonic)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Hoover Music
Hooverphonic4.353:44
17Last Goodbye
Techniker(in) und Mix:
Andy Wallace (engineer)
Produzent(in):
Mary Guibert, Michael Tighe (singer-songwriter/guitarist) und Andy Wallace (engineer)
Bassgitarre:
Mick Grondahl (bass guitarist)
Gitarre und Sologesang:
Jeff Buckley (American singer, guitarist and songwriter)
Perkussion und Schlagzeug:
Matt Johnson (drummer for Jeff Buckley)
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 3)
recording of:
Last Goodbye
Texter und Komponist(in):
Jeff Buckley (American singer, guitarist and songwriter)
Jeff Buckley3.54:32
2▼CD
Nr.TitelKünstlerBewertungLänge
1My Generation
Produzent(in):
Shel Talmy
Bass:
John Entwistle (am 1965-10-13)
Gitarre:
Pete Townshend (of The Who) (am 1965-10-13)
Klavier:
Nicky Hopkins (pianist and organist) (am 1965-10-13)
Perkussion und Schlagzeug:
Keith Moon (drummer) (am 1965-10-13)
Sologesang:
Roger Daltrey (am 1965-10-13)
vocals:
John Entwistle (am 1965-10-13) und Pete Townshend (of The Who) (am 1965-10-13)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965, in 1970) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1965-10-13)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 37) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 232)
recording of:
My Generation (am 1965-10-13)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH und Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.353:19
2Blauw
recording of:
Blauw
Texter und Komponist(in):
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music und Warner Basart Publ. Group
The Scene4:35
3Jump Around
recording of:
Jump Around
Verfasser(in):
Dave Appell, Kal Mann, Larry Muggerud und Erik Schrody
House of Pain4.653:34
4They Stood Up for Love
recording of:
They Stood Up for Love
Texter:
Ed Kowalczyk
Komponist(in):
Patrick Dahlheimer, Ed Kowalczyk und Chad Taylor (US guitarist for Live)
Live4:04
5Hallelujah
recording engineer und Mix:
Leanne Ungar
zusätzlich recording engineer:
John Smith (US recording engineer)
assistierende(r) Techniker(in):
Lee Friedman
Produzent(in):
John Lissauer
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
vocals:
Jennifer Warnes
arranger:
John Lissauer
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
aufgenommen bei:
Quadrasonic Sound in New York, New York, Vereinigte Staaten
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 38) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 74)
recording of:
Hallelujah (in 1984)
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Leonard Cohen4.154:34
6I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:33
7Papa Was a Rolling Stone
cover recording of:
Papa Was a Rollin’ Stone
Texter und Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations3:56
8Firestarter
Techniker(in):
Neil McLellan
Produzent(in) und Mix:
Liam Howlett
vocals:
Keith Flint (vocalist in The Prodigy)
phonographisches Urheberrecht (℗) von:
XL Recordings (in 1996)
mixed at:
Earthbound Studios in Bradwell, Essex, England, Vereinigtes Königreich
engineered at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
produced at:
Earthbound Studios in Bradwell, Essex, England, Vereinigtes Königreich
Samples:
Close (to the Edit) von Art of Noise und S.O.S. von The Breeders
Bearbeitung von:
Firestarter von Prodigy (UK electronic group, main member Liam Howlett)
recording of:
Firestarter
Verfasser(in):
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. und Zomba Music
basiert auf:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.253:47
9Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
10Common People
recording of:
Common People
Texter:
Jarvis Cocker
Komponist(in):
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) und Russell Senior
Premiere bei:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2018-03-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Pulp2.44:08
11Wrong
Novastar3:35
12Bright Eyes
recording of:
Bright Eyes
Texter und Komponist(in):
Mike Batt
publisher:
April Music, CBS Songs Ltd., EMI Blackwood Music Inc., EMI Music Publishing Germany GmbH (1967–2001), EMI Songs Australia Pty. Ltd., EMI Songs Ltd., SBK Songs Ltd., Watership Productions Ltd. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Art Garfunkel3:56
13Always on the Run
Techniker(in):
David Domanich und Henry Hirsch
Produzent(in):
Lenny Kravitz
Mix:
Henry Hirsch
Bassgitarre, Schlagzeug und Gitarre und Sologesang:
Lenny Kravitz
Gast-Gitarre:
Slash (Guns N’ Roses guitarist)
Gast-Saxophon:
Karl Denson und Butch Tomas
Gast-Trompete:
Mike Hunter (Trumpet player)
Interpret(in):
Slash (Guns N’ Roses guitarist)
Horn arranger:
Lenny Kravitz
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1991)
recording of:
Always on the Run
Texter:
Lenny Kravitz
Komponist(in):
Lenny Kravitz und Slash (Guns N’ Roses guitarist)
publisher:
Dik Hayd Music und Miss Bessie Music
Lenny Kravitz3.73:54
14Get Up Feel Like Beeing a Sex Machine
Produzent(in):
James Brown (The Godfather of Soul)
Bassgitarre:
Bootsy Collins (US funk musician & songwriter)
Gitarre:
Catfish Collins
Klavier:
James Brown (The Godfather of Soul)
Orgel:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Schlagzeug:
John Starks
Tenorsaxophon:
Robert McCollough
Trompete:
Clayton Gunnells und Darryl Hassan Jamison
Sologesang:
James Brown (The Godfather of Soul) (am 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Interpret(in):
The J.B.’s
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 196) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (am 1970-04-25)
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown45:18
15Saturday
phonographisches Urheberrecht (℗) von:
Play It Again Sam (PIAS Belgium & worldwide generic imprint releases, 1983-2008) (in 1999)
aufgenommen bei:
Studio 54 in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien
recording of:
Saturday
Texter und Komponist(in):
David Dewaele und Stephen Dewaele
publisher:
Strictly Confidential und We'll Sue You
Soulwax3:12
16A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
17Hard Times
The Scabs4:49

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