Requiem • Missa Mi-Mi

~ Release by Ockeghem, The Hilliard Ensemble (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Introitus
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Introitus (from 1984-09-17 until 1984-09-19)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem5:37
2Kyrie
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Kyrie (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem4:38
3Graduale
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Graduale: Si ambulem (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem5:23
4Tractus
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Tractus (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem8:15
5Offertorium
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Offertorium (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem9:51
6Sanctus & Benedictus (Gregorian chant)
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa pro defunctis: Sanctus (from 1984-09-17 until 1984-09-19)
composer:
[anonymous] (special purpose artist)
part of:
Missa pro defunctis (Gregorian)
Johannes Ockeghem0:43
7Agnus Dei (Gregorian chant)
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa pro defunctis: Agnus Dei (from 1984-09-17 until 1984-09-19)
composer:
[anonymous] (special purpose artist)
part of:
Missa pro defunctis (Gregorian)
Johannes Ockeghem0:48
8Communio (Gregorian chant)
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa pro defunctis: Communio “Lux aeterna” (from 1984-09-17 until 1984-09-19)
composer:
[anonymous] (special purpose artist)
part of:
Missa pro defunctis (Gregorian)
Johannes Ockeghem0:50
9Postcommunio (Gregorian chant)
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Requiescant in pace (from 1984-09-17 until 1984-09-19)
composer:
[anonymous] (special purpose artist)
Johannes Ockeghem0:26
10Kyrie
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Kyrie (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem2:21
11Gloria
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Gloria (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem5:06
12Credo
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Credo (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem7:45
13Sanctus & Benedictus
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Sanctus (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem5:45
14Agnus Dei
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Agnus Dei (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem5:18