Christmas With Elvis and the Royal Philharmonic Orchestra (deluxe, mastered for iTunes)

~ Release by Elvis Presley with the Royal Philharmonic Orchestra (see all versions of this release, 3 available)

Tracklist

1Digital Media
#TitleRatingLength
1Santa Claus Is Back in Town
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) and Laurie Cottle
drums (drum set):
D.J. Fontana and Ralph Salmins
guitar:
Scotty Moore (American guitarist and recording engineer), John Parricelli and Elvis Presley (“The King of Rock and Roll”)
piano:
Dudley Brooks and Richard Cottle
background vocals:
Andy Caine, Miriam Grey, The Jordanaires (southern gospel group), Andrew Playfoot, Phoebe Street and Shèna Winchester
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
recording of:
Santa Claus Is Back in Town
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:29
2White Christmas
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) and Laurie Cottle
drums (drum set):
D.J. Fontana and Ralph Salmins
guitar:
Scotty Moore (American guitarist and recording engineer), John Parricelli and Elvis Presley (“The King of Rock and Roll”)
piano:
Dudley Brooks and Richard Cottle
background vocals:
Andy Caine, Miriam Grey, The Jordanaires (southern gospel group), Andrew Playfoot, Phoebe Street and Shèna Winchester
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
2:42
3Here Comes Santa Claus (Right Down Santa Claus Lane)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) and Laurie Cottle
drums (drum set):
D.J. Fontana and Ralph Salmins
guitar:
Scotty Moore (American guitarist and recording engineer), John Parricelli and Elvis Presley (“The King of Rock and Roll”)
piano:
Dudley Brooks and Richard Cottle
solo saxophone:
Richard Cottle
background vocals:
Andy Caine, Miriam Grey, The Jordanaires (southern gospel group), Andrew Playfoot, Phoebe Street and Shèna Winchester
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Here Comes Santa Claus (Right Down Santa Claus Lane)
lyricist and composer:
Gene Autry (“The Singing Cowboy”), Oakley Haldeman (songwriter) and Harriett Melka
writer:
Oakley Haldeman (songwriter) and Harriett Melka
publisher:
Campbell Connelly & Co., EMI Davis Music Australia Pty Limited, Remick Music Corp., Warner Bros. Music Corp. and Gene Autry Music Publishing, Inc. (on 1947-11-20)
2:03
4Merry Christmas Baby
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Steve Pearce (UK bassist)
drums (drum set):
Ralph Salmins
guitar:
James Burton (guitarist), John Parricelli and Chip Young (American session guitarist, bassist, producer in the genre of country)
piano:
David Briggs (English organist and composer) and Dominic Ferris
background vocals:
Andy Caine, Miriam Grey, Andrew Playfoot and Phoebe Street
orchestra:
Royal Philharmonic Orchestra
conductor:
Sally Herbert (violinist, composer, and conductor)
orchestrator:
Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Merry Christmas Baby
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music, Inc.
54:51
5Blue Christmas
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) and Laurie Cottle
drums (drum set):
D.J. Fontana and Ralph Salmins
guitar:
Scotty Moore (American guitarist and recording engineer), John Parricelli and Elvis Presley (“The King of Rock and Roll”)
piano:
Dudley Brooks and Richard Cottle
solo saxophone:
Richard Cottle
background vocals:
Andy Caine, Miriam Grey, The Jordanaires (southern gospel group), Andrew Playfoot, Phoebe Street and Shèna Winchester
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Blue Christmas
writer:
Bill Hayes (songwriter) and Jay Johnson (songwriter of “Blue Christmas”)
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., J. Albert & Son Pty. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal Polygram International, Inc.
2:10
6I’ll Be Home for Christmas
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) and Laurie Cottle
drums (drum set):
D.J. Fontana and Ralph Salmins
guitar:
Scotty Moore (American guitarist and recording engineer), John Parricelli and Elvis Presley (“The King of Rock and Roll”)
piano:
Dudley Brooks and Richard Cottle
background vocals:
Andy Caine, Miriam Grey, The Jordanaires (southern gospel group), Andrew Playfoot, Phoebe Street and Shèna Winchester
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
I’ll Be Home for Christmas
lyricist:
James Kimball Gannon
additional writer:
Buck Ram
composer:
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:18
7Winter Wonderland
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Steve Pearce (UK bassist)
drums (drum set):
Ralph Salmins
guitar:
James Burton (guitarist), John Parricelli and Chip Young (American session guitarist, bassist, producer in the genre of country)
piano:
Dominic Ferris
background vocals:
Andy Caine, Miriam Grey, Andrew Playfoot and Phoebe Street
orchestra:
Royal Philharmonic Orchestra
conductor:
Sally Herbert (violinist, composer, and conductor)
orchestrator:
Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Winter Wonderland
lyricist:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
composer:
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:21
8Santa Bring My Baby Back (to Me)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) and Laurie Cottle
drums (drum set):
D.J. Fontana and Ralph Salmins
guitar:
Scotty Moore (American guitarist and recording engineer), John Parricelli and Elvis Presley (“The King of Rock and Roll”)
piano:
Dudley Brooks and Richard Cottle
background vocals:
Andy Caine, Miriam Grey, The Jordanaires (southern gospel group), Andrew Playfoot, Phoebe Street and Shèna Winchester
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Santa Bring My Baby Back (to Me)
writer:
Claude Demetrius and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Cherry Lane Music Co., Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
1:53
9Silver Bells
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Steve Pearce (UK bassist)
drums (drum set):
Ralph Salmins
guitar:
John Parricelli
piano:
Dominic Ferris
background vocals:
Andy Caine, Capital Voices, Miriam Grey, Ginger Holladay (American singer-songwriter), The Imperials (gospel/CCM group), Millie Kirkham, June Page, Andrew Playfoot, Elvis Presley (“The King of Rock and Roll”), Temple Riser and Phoebe Street
orchestra:
Royal Philharmonic Orchestra
conductor:
Sally Herbert (violinist, composer, and conductor)
orchestrator:
Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Silver Bells (Christmas song)
lyricist and composer:
Ray Evans (American songwriter) and Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Jay Livingston Music Inc., Paramount Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Harmony (in 1950)
sub-publisher:
Sony/ATV Harmony Canada and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:56
10Oh Little Town of Bethlehem
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) and Laurie Cottle
drums (drum set):
D.J. Fontana and Ralph Salmins
guitar:
Scotty Moore (American guitarist and recording engineer), John Parricelli and Elvis Presley (“The King of Rock and Roll”)
piano:
Dudley Brooks and Richard Cottle
background vocals:
Andy Caine, Miriam Grey, The Jordanaires (southern gospel group), Andrew Playfoot, Phoebe Street and Shèna Winchester
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
lyricist:
Phillips Brooks (in 1868)
composer:
Lewis Henry Redner (in 1868)
is based on:
St. Louis (hymn tune)
2:50
11O Come All Ye Faithful
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Steve Pearce (UK bassist)
drums (drum set):
Ralph Salmins
guitar:
John Parricelli
piano:
Dominic Ferris
background vocals:
Andy Caine, Capital Voices, Miriam Grey, Ginger Holladay (American singer-songwriter), The Imperials (gospel/CCM group), Millie Kirkham, June Page, Andrew Playfoot, Elvis Presley (“The King of Rock and Roll”), Temple Riser and Phoebe Street
orchestra:
Royal Philharmonic Orchestra
conductor:
Sally Herbert (violinist, composer, and conductor)
orchestrator:
Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
translator:
Frederick Oakeley (in 1841)
arrangement of:
O Come, All Ye Faithful
translated version of:
Adeste fideles (original latin version)
3:04
12The First Noel
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Steve Pearce (UK bassist)
drums (drum set):
Ralph Salmins
guitar:
John Parricelli
piano:
Dominic Ferris
background vocals:
Andy Caine, Capital Voices, Miriam Grey, Ginger Holladay (American singer-songwriter), The Imperials (gospel/CCM group), Millie Kirkham, June Page, Andrew Playfoot, Elvis Presley (“The King of Rock and Roll”), Temple Riser and Phoebe Street
orchestra:
Royal Philharmonic Orchestra
conductor:
Sally Herbert (violinist, composer, and conductor)
orchestrator:
Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
recording of:
The First Noel (arrangement by Elvis Presley)
arranger:
Elvis Presley (“The King of Rock and Roll”)
publisher:
Cherry River Music, Elvis Presley Music and R&H Music
arrangement of:
The First Noël
2:54
13Silent Night
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
additional programming:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
additional percussion:
Nick Patrick and Don Reedman (producer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) and Laurie Cottle
drums (drum set):
D.J. Fontana and Ralph Salmins
guitar:
Scotty Moore (American guitarist and recording engineer), John Parricelli and Elvis Presley (“The King of Rock and Roll”)
piano:
Dudley Brooks and Richard Cottle
background vocals:
Andy Caine, Miriam Grey, The Jordanaires (southern gospel group), Andrew Playfoot, Phoebe Street and Shèna Winchester
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (composer/author) (in 1816)
composer:
Franz Xaver Gruber (composer/author) (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
2:41
14(There’ll Be) Peace in the Valley (for Me)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
cover recording of:
There’ll Be Peace in the Valley for Me
publisher:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (on 1939-01-25)
lyricist and composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:26
15I Believe
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
cover recording of:
I Believe
writer:
Ervin Drake (songwriter), Irvin Graham, Jimmy Shirl (songwriter) and Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company and TRO Essex Music Ltd.
3:00
16Take My Hand, Precious Lord
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
cover recording of:
Take My Hand, Precious Lord
lyricist and arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:42
17It Is No Secret (What God Can Do)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2017)
cover recording of:
It Is No Secret
lyricist and composer:
Stuart Hamblen
publisher:
Duchess Music Corporation (BMI-affiliated), Hamblen Music, MCA Music Ltd. and Songs of Universal, Inc. (BMI)
4:27

Credits