Il Trovatore / Rigoletto (Excerpts)

~ Veröffentlichung von Giuseppe Verdi; Nürnberger Symphoniker, Hans Zanotelli (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Il trovatore: Atto I. “All’erta” – “Di due figli vivea padre beato”
Bass-Gesang [Ferrando]:
Ernst Wiemann (operatic bass)
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto I. Il duello
Giuseppe Verdi4:45
2Il trovatore: Atto I. “Tacea la notte placida”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Soprangesang [Leonora]:
Eva Illes (operatic soprano)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto I. Il duello
Giuseppe Verdi5:02
3Il trovatore: Atto I. “Deserto sulla terra”
Baritongesang [Conte Luna]:
Rudolf Knoll (operatic baritone)
Tenor-Gesang [Manrico]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:46
4Il trovatore: Atto II. “Vedi, le fosche notturne spoglie”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:45
5Il trovatore: Atto II. “Strida la vampa”
Mezzosoprangesang [Azucena]:
Ruth Hesse (mezzo-soprano, contralto)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:38
6Il trovatore: Atto II. “Condotta ell’era in ceppi”
Mezzosoprangesang [Azucena]:
Ruth Hesse (mezzo-soprano, contralto)
Tenor-Gesang [Manrico]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:13
7Il trovatore: Atto II. “Tutto è deserto”
Baritongesang [Conte Luna]:
Rudolf Knoll (operatic baritone)
Bass-Gesang [Ferrando]:
Ernst Wiemann (operatic bass)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:35
8Il trovatore: Atto III. “Or co’dadi, ma fra poco”
Bass-Gesang [Ferrando]:
Ernst Wiemann (operatic bass)
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:35
9Il trovatore: Atto III. “Quale d’armi fragor”
Soprangesang [Leonora]:
Eva Illes (operatic soprano)
Tenor-Gesang [Manrico]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:47
10Il trovatore: Atto IV. “Manrico – Che? – La zingara” – “Di quella pira”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Soprangesang [Leonora]:
Eva Illes (operatic soprano)
Tenor-Gesang [Manrico]:
Juan Perez (Peruvian tenor)
Tenor-Gesang [Ruiz]:
Willem Verkerk (tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:49
11Il trovatore: Atto IV. “D’amor sull’ali rosee” – “Miserere d’una alma già vicina”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Soprangesang [Leonora]:
Eva Illes (operatic soprano)
Tenor-Gesang [Manrico]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi10:11
12Il trovatore: Atto IV. “Che, non m’inganna quel fioco lume”
Baritongesang [Conte Luna]:
Rudolf Knoll (operatic baritone)
Mezzosoprangesang [Azucena]:
Ruth Hesse (mezzo-soprano, contralto)
Soprangesang [Leonora]:
Eva Illes (operatic soprano)
Tenor-Gesang [Manrico]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi7:33
2▼CD
Nr.TitelKünstlerBewertungLänge
1Rigoletto: Preludio
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: N°1 Preludio
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Teil von:
Rigoletto
Teil von:
Rigoletto (german lyrics)
Teil von:
Rigoletto (english lyrics)
Giuseppe Verdi2:25
2Rigoletto: “Questo o quella per me pari sono”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Tenor-Gesang [Duca]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi1:45
3Rigoletto: “Quel vecchio maledivami”
Baritongesang [Rigoletto]:
Rudolf Knoll (operatic baritone)
Bass-Gesang [Sparafucile]:
Ernst Wiemann (operatic bass)
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. N°3 Duetto “Quel vecchio maledivami!” - “Signor?” (Rigoletto, Sparafucile)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi4:55
4Rigoletto: “Pari siamo”
Baritongesang [Rigoletto]:
Rudolf Knoll (operatic baritone)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. N°4 Aria “Pari siamo!” (Rigoletto)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi11:53
5Rigoletto: “Giovanna, ho dei rimorsi”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Soprangesang [Gilda]:
Bella Jasper (soprano)
Soprangesang [Giovanna]:
Ute Herbert (soprano)
Tenor-Gesang [Duca]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. N°5 “Giovanna, ho dei rimorsi …” (Gilda, Giovanna) / Duetto “T'amo! T'amo” (Duca, Gilda)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
übersetzte Version von:
Rigoletto: Act I, Scene II. “Giovanna, I should have told him” (Gilda, Giovanna, Duke)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi2:49
6Rigoletto: “E il sol dell’anima”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Soprangesang [Gilda]:
Bella Jasper (soprano)
Soprangesang [Giovanna]:
Ute Herbert (soprano)
Tenor-Gesang [Duca]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1850)
Librettist:
Francesco Maria Piave (in 1850)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi2:57
7Rigoletto: “Che m’ami”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Soprangesang [Gilda]:
Bella Jasper (soprano)
Soprangesang [Giovanna]:
Ute Herbert (soprano)
Tenor-Gesang [Duca]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. “Che m'ami, deh, ripetimi” (Duca, Gilda, Ceprano, Borsa, Giovanna)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi1:40
8Rigoletto: “Gualtier Maldè, nome di lui si amato”
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Soprangesang [Gilda]:
Bella Jasper (soprano)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi5:23
9Rigoletto: “Cortegiani, vil razza dannata”
Baritongesang [Rigoletto]:
Rudolf Knoll (operatic baritone)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto II
Giuseppe Verdi4:29
10Rigoletto: “La donna è mobile”
Baritongesang [Rigoletto]:
Rudolf Knoll (operatic baritone)
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Soprangesang [Gilda]:
Bella Jasper (soprano)
Tenor-Gesang [Duca]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi2:11
11Rigoletto: “Bella figlia dell’amore”
Baritongesang [Rigoletto]:
Rudolf Knoll (operatic baritone)
Mezzosoprangesang [Maddalena]:
Ruth Hesse (mezzo-soprano, contralto)
Soprangesang [Gilda]:
Bella Jasper (soprano)
Tenor-Gesang [Duca]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi5:43
12Rigoletto: “V’ho ingannato, colpevole fui”
Baritongesang [Rigoletto]:
Rudolf Knoll (operatic baritone)
Soprangesang [Gilda]:
Bella Jasper (soprano)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. "V'ho ingannato, colpevole fui" (Gilda, Rigoletto)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi6:42