The Complete Works

~ Release by Britten (see all versions of this release, 1 available)

Tracklist

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1▼CD: Paul Bunyan, Op.17
#TitleArtistRatingLength
1Paul Bunyan, op. 17: Introduction
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Introduction
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17
Benjamin Britten1:12
2Paul Bunyan, op. 17, Prologue: "Since the Birth Of the Earth"Benjamin Britten3:34
3Paul Bunyan, op. 17, Prologue: "no. No. We Do Not Want Life To Be Slow"Benjamin Britten0:45
4Paul Bunyan, op. 17, Prologue: "Ooh! Ooh! O How Terrible To Be As Old Fashioned As a Tree"Benjamin Britten1:46
5Paul Bunyan, op. 17, Prologue: "You Are All To Leave Here"Benjamin Britten2:34
6Paul Bunyan, op. 17, Prologue: "It Isn't Very Often the Conservatives Are Wrong"Benjamin Britten3:11
7Paul Bunyan, op. 17, Prologue: First Ballad Interlude: "The Cold Wind Blew Through the Crooked Thorn"
vocals:
Pop Wagner (in 1987-05)
conductor:
Philip Brunelle (organist and conductor)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: First Ballad Interlude (Narrator)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17
Benjamin Britten2:57
8Paul Bunyan, op. 17, Act 1: Bunyan's Greeting
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Greeting (Voice of Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten2:50
9Paul Bunyan, op. 17, Act 1: Call Of Lumberjacks
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Call of Lumberjacks (Lumberjacks' Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:32
10Paul Bunyan, op. 17, Act 1: Lumberjacks' Chorus: "My Birthplace Was in Sweden"Benjamin Britten1:58
11Paul Bunyan, op. 17, Act 1: Bunyan's Welcome
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Welcome (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:21
12Paul Bunyan, op. 17, Act 1: Quartet Of Swedes: "Swedish Born and Swedish Bred"
bass vocals:
Thomas Shaffer (operatic bass) (in 1987-05) and Lawrence Weller (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Tim Dahl (in 1987-05) and Phil Jorgenson (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Quartet of Swedes (4 Swedes, Paul Bunyan, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten1:17
13Paul Bunyan, op. 17, Act 1: Western Union Boy's Song: "A Telegram From Oversea"
baritone vocals:
James Bohn (in 1987-05)
bass vocals:
Merle Fristad (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Vern Sutton (in 1987-05) and James Westbrock (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Western Union Boy's Song (Western Union Boy, Paul Bunyan, Hel Helson, Sam Sharkey, Ben Benny, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten1:38
14Paul Bunyan, op. 17, Act 1: Cooks' Duet: "Sam For Soups. Ben For Beans"
bass vocals:
Merle Fristad (operatic bass) (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and Vern Sutton (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Cooks' Duet (Sam Sharkey, Ben Benny, Inkslinger, Paul Bunyan, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten3:36
15Paul Bunyan, op. 17, Act 1: Animal Trio: "Ah! Miaou! The Single Creature Lives a Partial Life"
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Animal Trio (Fido, Moppet, Poppet)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten1:44
16Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (1)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Goodnight (1) (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:34
17Paul Bunyan, op. 17, Act 1: Exit Of Lumberjacks: "Down the Line...Timberrr"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Exit of Lumberjacks (Lumberjacks' Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:47
18Paul Bunyan, op. 17, Act 1: The Blues: "Gold in the North Came the Blizzard To Say"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, Op. 17: Act I. Scene 1. The Blues - Quartet of the Defeated (Paul Bunyan, The Defeated, Insklinger)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten4:25
19Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (2)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Goodnight (2) (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:53
20Paul Bunyan, op. 17, Act 1: Second Ballad Interlude: "The Spring Came and the Summer and Fall"Benjamin Britten3:30
21Paul Bunyan, op. 17, Act 1: Food Chorus: "Do I Look the Sort Of Fellow"
bass vocals:
Merle Fristad (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and Vern Sutton (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Food Chorus (Inkslinger, Sam Sharkey, Ben Benny, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten4:03
22Paul Bunyan, op. 17, Act 1: Chorus Accusation: "There Now Look What You Have Done"
baritone vocals:
Lawrence Weller (in 1987-05)
bass vocals:
Thomas Shaffer (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
tenor vocals:
Tim Dahl (in 1987-05), Dan Dressen (tenor) (in 1987-05) and Phil Jorgenson (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Chorus Accusation (Cross, Inkslinger, Jen, Pete, Andy, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten0:40
23Paul Bunyan, op. 17, Act 1: Slim's Song: "In Fair Days and Foul...I Come From Open Spaces"
bass vocals:
Thomas Shaffer (operatic bass) (in 1987-05) and Lawrence Weller (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
tenor vocals:
Tim Dahl (in 1987-05), Dan Dressen (tenor) (in 1987-05), Phil Jorgenson (in 1987-05) and Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Slim's Song (Slim, Inkslinger, Fido, Moppet, Poppet, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten3:08
24Paul Bunyan, op. 17, Act 1: Bunyan's Return: "Look, the Chief Is Back"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Bunyan's Return (Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten1:03
25Paul Bunyan, op. 17, Act 1: Inkslinger's Song: "It Was Out in the Stick"
tenor vocals:
Dan Dressen (tenor) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Inkslinger's Song (Inkslinger)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten4:51
26Paul Bunyan, op. 17, Act 1: Entrance Of Chorus
bass vocals:
Thomas Shaffer (operatic bass) (in 1987-05) and Lawrence Weller (in 1987-05)
tenor vocals:
Tim Dahl (in 1987-05) and Phil Jorgenson (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Entrance of Chorus (Pete, Andy, Jen, Cross, John)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten0:48
27Paul Bunyan, op. 17, Act 1: Tiny's Entrance
baritone vocals:
James McKeel (in 1987-05)
bass vocals:
Merle Fristad (operatic bass) (in 1987-05) and Lawrence Weller (in 1987-05)
tenor vocals:
Phil Jorgenson (in 1987-05) and Vern Sutton (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Tiny's Entrance (Ben, Sam, Cross, Andy, John)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten1:28
28Paul Bunyan, op. 17, Act 1: Tiny's Song: "Ah!...Whether the Sun Shine Upon Children Playing"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Tiny's Song (Tiny, Inkslinger, Slim, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten4:06
29Paul Bunyan, op. 17, Act 1: Inkslinger's Regret: "All the Little Brooks Of Love"Benjamin Britten2:00
30Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (3)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Bunyan's Goodnight (3) (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten2:04
2▼CD: Paul Bunyan, Op.17
#TitleArtistRatingLength
1Paul Bunyan, op. 17, Act 2: Bunyan's Good Morning
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Bunyan's Good Morning (Voice of Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten3:15
2Paul Bunyan, op. 17, Act 2: Shears' Song: "It Has Always Been My Dream"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05) and James McKeel (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Shears's Song (John Shears, Farmer's Chorus, Paul Bunyan, Hel Helson)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten0:46
3Paul Bunyan, op. 17, Act 2: Bunyan's Warning
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Bunyan's Warning (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten0:26
4Paul Bunyan, op. 17, Act 2: Farmers' Song: "The Shanty
baritone vocals:
James McKeel (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Farmers' Song (John Shears, Second Solo, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten2:11
5Paul Bunyan, op. 17, Act 2: Farmers' Exit
baritone vocals:
Benjamin Allen (baritone) (in 1987-05), James Bohn (bass-baritone) (in 1987-05), Stanford Felix (baritone) (in 1987-05), Jay Ramos (in 1987-05) and Richard Allison (composer) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Farmers' Exit (Cronies, Hel Helson)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten1:14
6Paul Bunyan, op. 17, Act 2: The Mocking Of Hel Helson: "Heron, Heron Winging By"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. The Mocking of Hel Helson (Hel Helson, Heron, Moon, Wind, Beetie, Squirrel, Fido, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten6:13
7Paul Bunyan, op. 17, Act 2: Fido's Sympathy: "Won't You Tell Me What's the Matter?"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Fido's Sympathy (Fido)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten0:43
8Paul Bunyan, op. 17, Act 2: Cats' Creed: "Let Man the Romantic in Vision Espy"
baritone vocals:
Benjamin Allen (baritone) (in 1987-05), James Bohn (bass-baritone) (in 1987-05), Stanford Felix (baritone) (in 1987-05), Jay Ramos (in 1987-05) and Richard Allison (composer) (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Cats' Creed (Moppet, Poppet, Voice of Paul Bunyan, Cronies, Hel Helson)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten1:49
9Paul Bunyan, op. 17, Act 2: The Fight: "What Is It? What's Happening?"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. The Fight (Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten1:27
10Paul Bunyan, op. 17, Act 2: Love Duet: "Move, Move From the Trysting Stone"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05)
tenor vocals:
Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Love Duet (Tiny, Slim, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten2:29
11Paul Bunyan, op. 17, Act 2: Mock Funeral March: "Take Away the Body and Lay It On the Ice"
baritone vocals:
Benjamin Allen (baritone) (in 1987-05), James Bohn (bass-baritone) (in 1987-05), Stanford Felix (baritone) (in 1987-05), Jay Ramos (in 1987-05) and Richard Allison (composer) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Mock Funeral March (Cronies, Hel Helson, Paul Bunyan, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten4:45
12Paul Bunyan, op. 17, Act 2: Hymn: "O Great Day Of Discovery!"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Hymn (Paul Bunyan, Hel Helson, Tiny, Slim, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten3:06
13Paul Bunyan, op. 17, Act 2: Third Ballad Interlude: "So Helson Smiled and Bunyan Smiled"
vocals:
Pop Wagner (in 1987-05)
conductor:
Philip Brunelle (organist and conductor)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Third Ballad Interlude (Narrator)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten2:06
14Paul Bunyan, op. 17, Act 2: The Christmas Party: "Rah! Another Slice Of Turkey"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
partial recording of:
Paul Bunyan, op. 17: Act II. Scene 2. The Christmas Party (Fido, Moppet, Poppet, Inkslinger, 3 Solos from Chorus, John Shears, Western Union Boy, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten1:56
15Paul Bunyan, op. 17, Act 2: "Dear Friends, With Your Leave"Benjamin Britten1:03
16Paul Bunyan, op. 17, Act 2: "Carry Her Over the Water"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
partial recording of:
Paul Bunyan, op. 17: Act II. Scene 2. The Christmas Party (Fido, Moppet, Poppet, Inkslinger, 3 Solos from Chorus, John Shears, Western Union Boy, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten1:21
17Paul Bunyan, op. 17, Act 2: "Where We Are Is Not Very Far"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and James Westbrock (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
partial recording of:
Paul Bunyan, op. 17: Act II. Scene 2. The Christmas Party (Fido, Moppet, Poppet, Inkslinger, 3 Solos from Chorus, John Shears, Western Union Boy, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten2:15
18Paul Bunyan, op. 17, Act 2: "A Telegram From Hollywood"Benjamin Britten1:29
19Paul Bunyan, op. 17, Act 2: "We Always Knew That One Day You"Benjamin Britten1:36
20Paul Bunyan, op. 17, Act 2: Bunyan's Farewell
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 2. Bunyan's Farewell (Voice of Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten2:13
21Paul Bunyan, op. 17, Act 2: Litany: "The Campfire Embers Are Black and Cold"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05) and Maria Jette (soprano) (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 2. Litany (Fido, Moppet, Poppet, Tiny, Slim, Paul Bunyan, Hel Helson, Inkslinger, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten6:01
22Paul Bunyan, op. 17, Appendix: Overture
orchestra:
English Chamber Orchestra (in 1989-06)
conductor:
Philip Brunelle (organist and conductor) (in 1989-06)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1989-06)
partial recording of:
Paul Bunyan, op. 17
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Works of Benjamin Britten by opus number (number: op. 17)
Benjamin Britten5:01
23Paul Bunyan, op. 17, Appendix: Inkslinger's Love Song
choir vocals:
London Philharmonic Choir (in 1989-06)
tenor vocals:
Dan Dressen (tenor) (in 1989-06)
orchestra:
English Chamber Orchestra (in 1989-06)
conductor:
Philip Brunelle (organist and conductor) (in 1989-06)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1989-06)
partial recording of:
Paul Bunyan, op. 17
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Works of Benjamin Britten by opus number (number: op. 17)
Benjamin Britten3:38
24Paul Bunyan, op. 17, Appendix: Lullaby Of Dream Shadows
choir vocals:
London Philharmonic Choir (in 1989-06)
soprano vocals:
Patricia Forbes (soprano) (in 1989-06) and Bronwen Mills (soprano) (in 1989-06)
tenor vocals:
Andrew Murgatroyd (tenor) (in 1989-06) and Angus Smith (tenor) (in 1989-06)
orchestra:
English Chamber Orchestra (in 1989-06)
conductor:
Philip Brunelle (organist and conductor) (in 1989-06)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1989-06)
partial recording of:
Paul Bunyan, op. 17
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Works of Benjamin Britten by opus number (number: op. 17)
Benjamin Britten9:00
3▼CD: Peter Grimes, Op.33
#TitleArtistRatingLength
1Peter Grimes, op. 33, Prologue: "Peter Grimes!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
David Kelly (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: "Peter Grimes!" (Hobson) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten1:28
2Peter Grimes, op. 33, Prologue: "You sailed your boat"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: "You sailed your boat round the coast" (Swallow) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten3:04
3Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: "Peter Grimes: I here advise you!" (Swallow) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten2:10
4Peter Grimes, op. 33, Prologue: "The truth...the pity..."
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: "The truth...the pity...and the truth" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten1:54
5Peter Grimes, op. 33, Prologue: Interlude I: On the beach
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: Interlude I (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten2:58
6Peter Grimes, op. 33, Act 1: "Oh, hang at open doors"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "Oh! hang at open doors the net, the cork," (Women and Fishermen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten5:35
7Peter Grimes, op. 33, Act 1: "Hi! give us a hand"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "Hi! Give us a hand!" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten3:19
8Peter Grimes, op. 33, Act 1: "I have to go from pub to pub"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
David Kelly (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "I have to go from pub to pub" (Hobson) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten1:58
9Peter Grimes, op. 33, Act 1: "Let her among you"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "Let her among you without fault cast the first stone" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten3:09
10Peter Grimes, op. 33, Act 1: "Look, the storm cone!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
James Pease (operatic bass / baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "Look, the storm cone!" (Balstrode) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten2:41
11Peter Grimes, op. 33, Act 1: "And do you prefer the storm"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
James Pease (operatic bass / baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "And do you prefer the storm" (Balstrode) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten4:57
12Peter Grimes, op. 33, Act 1: "What harbour shelters peace"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "What harbour shelters peace" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
Benjamin Britten1:12
13Peter Grimes, op. 33, Act 1: Interlude II: The Storm
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I: Interlude II The Storm (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act I
Benjamin Britten4:08
14Peter Grimes, op. 33, Act 1: "Past time to close!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
contralto vocals:
Jean Watson (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "Past time to close!" (Auntie) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten4:22
15Peter Grimes, op. 33, Act 1: "We live and let live"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
James Pease (operatic bass / baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "We live and let live" (Balstrode) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten1:58
16Peter Grimes, op. 33, Act 1: "Have you heard?"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "Have you heard? The cliff is down" (Keene) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten1:23
17Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "Now the Great Bear and Pleiades" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten3:40
18Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "Old Joe has gone fishing" (Keene) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten2:28
19Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
David Kelly (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "The bridge is down, we half swam over" (Hobson) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten1:39
20Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II: Interlude III (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act II
Benjamin Britten2:25
21Peter Grimes, op. 33, Act 2: "Glitter of waves"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Glitter of waves and glitter of sunlight" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten5:41
22Peter Grimes, op. 33, Act 2: "Let this be a holiday"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Let this be a holiday" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten3:00
23Peter Grimes, op. 33, Act 2: "This unrelenting work"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "This unrelenting work" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten4:41
24Peter Grimes, op. 33, Act 2: "Fool to let it come to this!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
contralto vocals:
Jean Watson (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Fool to let it come to this!" (Auntie) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten2:18
25Peter Grimes, op. 33, Act 2: "What is it?"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "What is it?" (Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten1:03
26Peter Grimes, op. 33, Act 2: "People!...No! I will speak!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Raymond Nilsson (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "People!... No! I will speak!" (Boles) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten2:13
4▼CD: Peter Grimes, Op.33
#TitleArtistRatingLength
1Peter Grimes, op. 33, Act 2: "We planned that their lives"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "We planned that their lives should have a new start" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten2:27
2Peter Grimes, op. 33, Act 2: "Swallow! Shall we go"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
John Lanigan (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Swallow! Shall we go and see Grimes in his hut?" (Rector) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten0:44
3Peter Grimes, op. 33, Act 2: "Now is gossip put on trial"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
mezzo-soprano vocals:
Lauris Margaret Elms (in 1958-12)
tenor vocals:
John Lanigan (tenor) (in 1958-12) and Raymond Nilsson (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten2:12
4Peter Grimes, op. 33, Act 2: "From the gutter"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "From the gutter, why should we trouble at their ribaldries?" (Nieces) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten4:35
5Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II: Scene I: Interlude IV. Passacaglia (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act II
Benjamin Britten5:27
6Peter Grimes, op. 33, Act 2: "Go there!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene II: "Go there!" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 2
Benjamin Britten7:18
7Peter Grimes, op. 33, Act 2: "Now!...Now!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
tenor vocals:
John Lanigan (tenor) (in 1958-12) and Raymond Nilsson (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene II: "Now!... Now!..." (Boles, Rector, Swallow, Keene and Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 2
Benjamin Britten2:09
8Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
John Lanigan (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene II: "Peter Grimes! Nobody here?" (Rector) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 2
Benjamin Britten3:07
9Peter Grimes, op. 33, Act 3: Interlude V: Evening
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III: Interlude V. Evening (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act III
Benjamin Britten4:19
10Peter Grimes, op. 33, Act 3: "Assign your prettiness to me"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Assign your prettiness to me" (Swallow) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten2:36
11Peter Grimes, op. 33, Act 3: "Pah!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Pah! Ahoy!" (Swallow and Keene) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten2:49
12Peter Grimes, op. 33, Act 3: "Come along, Doctor!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Come along, Doctor!" (First Burgess) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten3:19
13Peter Grimes, op. 33, Act 3: "Embroidery in childhood"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Embroidery in childhood was a luxury of idleness" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten5:09
14Peter Grimes, op. 33, Act 3: "Mr.Swallow!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals:
Lauris Margaret Elms (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Mister Swallow! Mister Swallow!" (Mrs Sedley) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten2:00
15Peter Grimes, op. 33, Act 3: "Who holds himself apart"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Who holds himself apart, lets his pride rise" (Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten3:45
16Peter Grimes, op. 33, Act 3: Interlude VI: Fog
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III: Interlude VI Fog (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act III
Benjamin Britten2:36
17Peter Grimes, op. 33, Act 3: "Grimes! Grimes!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene II: "Grimes! Grimes!" (Chorus, Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 2
Benjamin Britten4:56
18Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene II: "Peter, we've come to take you home" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 2
Benjamin Britten2:29
19Peter Grimes, op. 33, Act 3: "To those who pass the Borough"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene II: "To those who pass the Borough" (Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 2
Benjamin Britten5:01
5▶CD: The Rape of Lucretia, Op.37
6▶CD: The Rape of Lucretia, Op.37
7▶CD: Albert Herring, Op.39
8▶CD: Albert Herring, Op.39
9▶CD: Billy Budd, Op.50
10▶CD: Billy Budd, Op.50
11▶CD: Gloriana, Op.53
12▶CD: Gloriana, Op.53
13▶CD: The Turn of the Screw, Op.54
14▶CD: The Turn of the Screw, Op.54
15▶CD: A Midsummer Night's Dream, Op.64
16▶CD: A Midsummer Night's Dream, Op.64
17▶CD: Owen Wingrave, Op. 85
18▶CD: Owen Wingrave, Op. 85
19▶CD: Death in Venice, Op.88
20▶CD: Death in Venice, Op.88
21▶CD: The Beggar's Opera Realised Britten, Op. 43
22▶CD: The Beggar's Opera Realised Britten, Op. 43
23▶CD: Noye's Fludde, Op.59 / The Golden Vanity - A Vaudeville for boys & piano, Op.78
24▶CD: Curlew River, Op.71
25▶CD: The Burning Fiery Furnace, Op.77
26▶CD: The Prodigal Son - Third Parable for Church Performance
27▶CD: The Little Sweep (Let's make an opera), Op.45 / The Children's Crusade, Op.82
28▶CD: The Prince of the Pagodas, Op.57
29▶CD: The Prince of the Pagodas, Op.57 / Plymouth Town
30▶CD: Night Mail / The Tocher (Rossini Suite) / The King's Stamp / Negroes - Music from GPO Film / The Way To The Sea / Telegrams / Peace Of Britain / Men Behind The Meters / Coal Face / When You're Feeling Like Expressing Your Affection
31▶CD: Love From A Stranger / Johnson Over Jordan (Suite) / The Rescue Of Penelope
32▶CD: The Company Of Heaven / The Sword In The Stone / Russian Funeral - march for brass and percussion (1936) / / Fanfare: 'The Eagle has Two Heads' / / On The Frontier / This Way To The Tomb
33▶CD: War Requiem, Op.66
34▶CD: Spring Symphony, Op.44 / Cantata Academica, (Carmen basiliense) Op.62 / / Hymn to St. Cecilia (1942), Op.27
35▶CD: Saint Nicolas, Op.42 / 5 Flower Songs, Op. 47 / Cantata Misericordium, Op.69
36▶CD: A boy was born, Op.3 / Corpus Christi Carol / A Wealden Trio - Christmas Song of the Women / The Sycamore Tree / A Shepherd's Carol (1944) / Christ's Nativity - Christmas Suite For Chorus / Ceremony of Carols, Op.28 / The Holly and the Ivy
37▶CD
38▶CD
39▶CD
40▶CD
41▶CD
42▶CD
43▶CD
44▶CD
45▶CD
46▶CD
47▶CD
48▶CD
49▶CD
50▶CD
51▶CD
52▶CD
53▶CD
54▶CD
55▶CD
56▶CD
57▶CD
58▶CD
59▶CD
60▶CD
61▶CD
62▶CD
63▶CD
64▶CD
65▶CD: Canticle II, Abraham and Isaac, Op.51 / Songs From "Friday Afternoons", Op.7 / On this island, Op.11 / Four Cabaret Songs / Sweet Was The Song / Missa brevis, Op.63 / Piano Concerto, Op.13 / Our Hunting Fathers, Op.8
66▶DVD: The 1967 Recording Of "The Burning Fiery Furnace"