The Complete Works

~ Release by Britten (see all versions of this release, 1 available)

Tracklist

| |
1CD: Paul Bunyan, Op.17
#TitleArtistRatingLength
1Paul Bunyan, op. 17: Introduction
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Introduction
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17
Benjamin Britten1:12
2Paul Bunyan, op. 17, Prologue: "Since the Birth Of the Earth"Benjamin Britten3:34
3Paul Bunyan, op. 17, Prologue: "no. No. We Do Not Want Life To Be Slow"Benjamin Britten0:45
4Paul Bunyan, op. 17, Prologue: "Ooh! Ooh! O How Terrible To Be As Old Fashioned As a Tree"Benjamin Britten1:46
5Paul Bunyan, op. 17, Prologue: "You Are All To Leave Here"Benjamin Britten2:34
6Paul Bunyan, op. 17, Prologue: "It Isn't Very Often the Conservatives Are Wrong"Benjamin Britten3:11
7Paul Bunyan, op. 17, Prologue: First Ballad Interlude: "The Cold Wind Blew Through the Crooked Thorn"
vocals:
Pop Wagner (in 1987-05)
conductor:
Philip Brunelle (organist and conductor)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: First Ballad Interlude (Narrator)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17
Benjamin Britten2:57
8Paul Bunyan, op. 17, Act 1: Bunyan's Greeting
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Greeting (Voice of Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten2:50
9Paul Bunyan, op. 17, Act 1: Call Of Lumberjacks
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Call of Lumberjacks (Lumberjacks' Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:32
10Paul Bunyan, op. 17, Act 1: Lumberjacks' Chorus: "My Birthplace Was in Sweden"Benjamin Britten1:58
11Paul Bunyan, op. 17, Act 1: Bunyan's Welcome
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Welcome (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:21
12Paul Bunyan, op. 17, Act 1: Quartet Of Swedes: "Swedish Born and Swedish Bred"
bass vocals:
Thomas Shaffer (operatic bass) (in 1987-05) and Lawrence Weller (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Tim Dahl (in 1987-05) and Phil Jorgenson (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Quartet of Swedes (4 Swedes, Paul Bunyan, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten1:17
13Paul Bunyan, op. 17, Act 1: Western Union Boy's Song: "A Telegram From Oversea"
baritone vocals:
James Bohn (in 1987-05)
bass vocals:
Merle Fristad (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Vern Sutton (in 1987-05) and James Westbrock (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Western Union Boy's Song (Western Union Boy, Paul Bunyan, Hel Helson, Sam Sharkey, Ben Benny, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten1:38
14Paul Bunyan, op. 17, Act 1: Cooks' Duet: "Sam For Soups. Ben For Beans"
bass vocals:
Merle Fristad (operatic bass) (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and Vern Sutton (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Cooks' Duet (Sam Sharkey, Ben Benny, Inkslinger, Paul Bunyan, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten3:36
15Paul Bunyan, op. 17, Act 1: Animal Trio: "Ah! Miaou! The Single Creature Lives a Partial Life"
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Animal Trio (Fido, Moppet, Poppet)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten1:44
16Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (1)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Goodnight (1) (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:34
17Paul Bunyan, op. 17, Act 1: Exit Of Lumberjacks: "Down the Line...Timberrr"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Exit of Lumberjacks (Lumberjacks' Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:47
18Paul Bunyan, op. 17, Act 1: The Blues: "Gold in the North Came the Blizzard To Say"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, Op. 17: Act I. Scene 1. The Blues - Quartet of the Defeated (Paul Bunyan, The Defeated, Insklinger)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten4:25
19Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (2)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Goodnight (2) (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 1
Benjamin Britten0:53
20Paul Bunyan, op. 17, Act 1: Second Ballad Interlude: "The Spring Came and the Summer and Fall"Benjamin Britten3:30
21Paul Bunyan, op. 17, Act 1: Food Chorus: "Do I Look the Sort Of Fellow"
bass vocals:
Merle Fristad (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and Vern Sutton (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Food Chorus (Inkslinger, Sam Sharkey, Ben Benny, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten4:03
22Paul Bunyan, op. 17, Act 1: Chorus Accusation: "There Now Look What You Have Done"
baritone vocals:
Lawrence Weller (in 1987-05)
bass vocals:
Thomas Shaffer (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
tenor vocals:
Tim Dahl (in 1987-05), Dan Dressen (tenor) (in 1987-05) and Phil Jorgenson (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Chorus Accusation (Cross, Inkslinger, Jen, Pete, Andy, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten0:40
23Paul Bunyan, op. 17, Act 1: Slim's Song: "In Fair Days and Foul...I Come From Open Spaces"
bass vocals:
Thomas Shaffer (operatic bass) (in 1987-05) and Lawrence Weller (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
tenor vocals:
Tim Dahl (in 1987-05), Dan Dressen (tenor) (in 1987-05), Phil Jorgenson (in 1987-05) and Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Slim's Song (Slim, Inkslinger, Fido, Moppet, Poppet, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten3:08
24Paul Bunyan, op. 17, Act 1: Bunyan's Return: "Look, the Chief Is Back"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Bunyan's Return (Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten1:03
25Paul Bunyan, op. 17, Act 1: Inkslinger's Song: "It Was Out in the Stick"
tenor vocals:
Dan Dressen (tenor) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Inkslinger's Song (Inkslinger)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten4:51
26Paul Bunyan, op. 17, Act 1: Entrance Of Chorus
bass vocals:
Thomas Shaffer (operatic bass) (in 1987-05) and Lawrence Weller (in 1987-05)
tenor vocals:
Tim Dahl (in 1987-05) and Phil Jorgenson (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Entrance of Chorus (Pete, Andy, Jen, Cross, John)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten0:48
27Paul Bunyan, op. 17, Act 1: Tiny's Entrance
baritone vocals:
James McKeel (in 1987-05)
bass vocals:
Merle Fristad (operatic bass) (in 1987-05) and Lawrence Weller (in 1987-05)
tenor vocals:
Phil Jorgenson (in 1987-05) and Vern Sutton (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Tiny's Entrance (Ben, Sam, Cross, Andy, John)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten1:28
28Paul Bunyan, op. 17, Act 1: Tiny's Song: "Ah!...Whether the Sun Shine Upon Children Playing"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Tiny's Song (Tiny, Inkslinger, Slim, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten4:06
29Paul Bunyan, op. 17, Act 1: Inkslinger's Regret: "All the Little Brooks Of Love"Benjamin Britten2:00
30Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (3)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act I. Scene 2. Bunyan's Goodnight (3) (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act I. Scene 2
Benjamin Britten2:04
2CD: Paul Bunyan, Op.17
#TitleArtistRatingLength
1Paul Bunyan, op. 17, Act 2: Bunyan's Good Morning
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Bunyan's Good Morning (Voice of Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten3:15
2Paul Bunyan, op. 17, Act 2: Shears' Song: "It Has Always Been My Dream"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05) and James McKeel (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Shears's Song (John Shears, Farmer's Chorus, Paul Bunyan, Hel Helson)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten0:46
3Paul Bunyan, op. 17, Act 2: Bunyan's Warning
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Bunyan's Warning (Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten0:26
4Paul Bunyan, op. 17, Act 2: Farmers' Song: "The Shanty
baritone vocals:
James McKeel (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Farmers' Song (John Shears, Second Solo, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten2:11
5Paul Bunyan, op. 17, Act 2: Farmers' Exit
baritone vocals:
Benjamin Allen (baritone) (in 1987-05), James Bohn (bass-baritone) (in 1987-05), Stanford Felix (baritone) (in 1987-05), Jay Ramos (in 1987-05) and Richard Allison (composer) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Farmers' Exit (Cronies, Hel Helson)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten1:14
6Paul Bunyan, op. 17, Act 2: The Mocking Of Hel Helson: "Heron, Heron Winging By"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. The Mocking of Hel Helson (Hel Helson, Heron, Moon, Wind, Beetie, Squirrel, Fido, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten6:13
7Paul Bunyan, op. 17, Act 2: Fido's Sympathy: "Won't You Tell Me What's the Matter?"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Fido's Sympathy (Fido)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten0:43
8Paul Bunyan, op. 17, Act 2: Cats' Creed: "Let Man the Romantic in Vision Espy"
baritone vocals:
Benjamin Allen (baritone) (in 1987-05), James Bohn (bass-baritone) (in 1987-05), Stanford Felix (baritone) (in 1987-05), Jay Ramos (in 1987-05) and Richard Allison (composer) (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Cats' Creed (Moppet, Poppet, Voice of Paul Bunyan, Cronies, Hel Helson)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten1:49
9Paul Bunyan, op. 17, Act 2: The Fight: "What Is It? What's Happening?"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. The Fight (Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten1:27
10Paul Bunyan, op. 17, Act 2: Love Duet: "Move, Move From the Trysting Stone"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05)
tenor vocals:
Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Love Duet (Tiny, Slim, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten2:29
11Paul Bunyan, op. 17, Act 2: Mock Funeral March: "Take Away the Body and Lay It On the Ice"
baritone vocals:
Benjamin Allen (baritone) (in 1987-05), James Bohn (bass-baritone) (in 1987-05), Stanford Felix (baritone) (in 1987-05), Jay Ramos (in 1987-05) and Richard Allison (composer) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Mock Funeral March (Cronies, Hel Helson, Paul Bunyan, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten4:45
12Paul Bunyan, op. 17, Act 2: Hymn: "O Great Day Of Discovery!"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Hymn (Paul Bunyan, Hel Helson, Tiny, Slim, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten3:06
13Paul Bunyan, op. 17, Act 2: Third Ballad Interlude: "So Helson Smiled and Bunyan Smiled"
vocals:
Pop Wagner (in 1987-05)
conductor:
Philip Brunelle (organist and conductor)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 1. Third Ballad Interlude (Narrator)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 1
Benjamin Britten2:06
14Paul Bunyan, op. 17, Act 2: The Christmas Party: "Rah! Another Slice Of Turkey"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
partial recording of:
Paul Bunyan, op. 17: Act II. Scene 2. The Christmas Party (Fido, Moppet, Poppet, Inkslinger, 3 Solos from Chorus, John Shears, Western Union Boy, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten1:56
15Paul Bunyan, op. 17, Act 2: "Dear Friends, With Your Leave"Benjamin Britten1:03
16Paul Bunyan, op. 17, Act 2: "Carry Her Over the Water"
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Maria Jette (soprano) (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
partial recording of:
Paul Bunyan, op. 17: Act II. Scene 2. The Christmas Party (Fido, Moppet, Poppet, Inkslinger, 3 Solos from Chorus, John Shears, Western Union Boy, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten1:21
17Paul Bunyan, op. 17, Act 2: "Where We Are Is Not Very Far"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and James Westbrock (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
partial recording of:
Paul Bunyan, op. 17: Act II. Scene 2. The Christmas Party (Fido, Moppet, Poppet, Inkslinger, 3 Solos from Chorus, John Shears, Western Union Boy, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten2:15
18Paul Bunyan, op. 17, Act 2: "A Telegram From Hollywood"Benjamin Britten1:29
19Paul Bunyan, op. 17, Act 2: "We Always Knew That One Day You"Benjamin Britten1:36
20Paul Bunyan, op. 17, Act 2: Bunyan's Farewell
spoken vocals:
James Lawless (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 2. Bunyan's Farewell (Voice of Paul Bunyan)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten2:13
21Paul Bunyan, op. 17, Act 2: Litany: "The Campfire Embers Are Black and Cold"
baritone vocals:
James Bohn (bass-baritone) (in 1987-05)
choir vocals:
Chorus of the Plymouth Music Series (in 1987-05)
mezzo-soprano vocals:
Janice Hardy (in 1987-05) and Sue Herber (in 1987-05)
soprano vocals:
Elisabeth Comeaux (in 1987-05) and Maria Jette (soprano) (in 1987-05)
spoken vocals:
James Lawless (in 1987-05)
tenor vocals:
Dan Dressen (tenor) (in 1987-05) and Clifton Ware (in 1987-05)
orchestra:
Orchestra of the Plymouth Music Series (in 1987-05)
conductor:
Philip Brunelle (organist and conductor) (in 1987-05)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1987-05)
recording of:
Paul Bunyan, op. 17: Act II. Scene 2. Litany (Fido, Moppet, Poppet, Tiny, Slim, Paul Bunyan, Hel Helson, Inkslinger, Chorus)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Paul Bunyan, op. 17: Act II. Scene 2
Benjamin Britten6:01
22Paul Bunyan, op. 17, Appendix: Overture
orchestra:
English Chamber Orchestra (in 1989-06)
conductor:
Philip Brunelle (organist and conductor) (in 1989-06)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1989-06)
partial recording of:
Paul Bunyan, op. 17
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Works of Benjamin Britten by opus number (number: op. 17)
Benjamin Britten5:01
23Paul Bunyan, op. 17, Appendix: Inkslinger's Love Song
choir vocals:
London Philharmonic Choir (in 1989-06)
tenor vocals:
Dan Dressen (tenor) (in 1989-06)
orchestra:
English Chamber Orchestra (in 1989-06)
conductor:
Philip Brunelle (organist and conductor) (in 1989-06)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1989-06)
partial recording of:
Paul Bunyan, op. 17
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Works of Benjamin Britten by opus number (number: op. 17)
Benjamin Britten3:38
24Paul Bunyan, op. 17, Appendix: Lullaby Of Dream Shadows
choir vocals:
London Philharmonic Choir (in 1989-06)
soprano vocals:
Patricia Forbes (soprano) (in 1989-06) and Bronwen Mills (soprano) (in 1989-06)
tenor vocals:
Andrew Murgatroyd (tenor) (in 1989-06) and Angus Smith (tenor) (in 1989-06)
orchestra:
English Chamber Orchestra (in 1989-06)
conductor:
Philip Brunelle (organist and conductor) (in 1989-06)
performer:
Soloists, Chorus & Orchestra of the Plymouth Music Series
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1989-06)
partial recording of:
Paul Bunyan, op. 17
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
W. H. Auden
part of:
Works of Benjamin Britten by opus number (number: op. 17)
Benjamin Britten9:00
3CD: Peter Grimes, Op.33
#TitleArtistRatingLength
1Peter Grimes, op. 33, Prologue: "Peter Grimes!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
David Kelly (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: "Peter Grimes!" (Hobson) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten1:28
2Peter Grimes, op. 33, Prologue: "You sailed your boat"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: "You sailed your boat round the coast" (Swallow) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten3:04
3Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: "Peter Grimes: I here advise you!" (Swallow) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten2:10
4Peter Grimes, op. 33, Prologue: "The truth...the pity..."
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: "The truth...the pity...and the truth" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten1:54
5Peter Grimes, op. 33, Prologue: Interlude I: On the beach
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Prologue: Interlude I (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Prologue
Benjamin Britten2:58
6Peter Grimes, op. 33, Act 1: "Oh, hang at open doors"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "Oh! hang at open doors the net, the cork," (Women and Fishermen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten5:35
7Peter Grimes, op. 33, Act 1: "Hi! give us a hand"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "Hi! Give us a hand!" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten3:19
8Peter Grimes, op. 33, Act 1: "I have to go from pub to pub"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
David Kelly (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "I have to go from pub to pub" (Hobson) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten1:58
9Peter Grimes, op. 33, Act 1: "Let her among you"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "Let her among you without fault cast the first stone" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten3:09
10Peter Grimes, op. 33, Act 1: "Look, the storm cone!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
James Pease (operatic bass / baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "Look, the storm cone!" (Balstrode) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten2:41
11Peter Grimes, op. 33, Act 1: "And do you prefer the storm"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
James Pease (operatic bass / baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "And do you prefer the storm" (Balstrode) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten4:57
12Peter Grimes, op. 33, Act 1: "What harbour shelters peace"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene I: "What harbour shelters peace" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
Benjamin Britten1:12
13Peter Grimes, op. 33, Act 1: Interlude II: The Storm
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I: Interlude II The Storm (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act I
Benjamin Britten4:08
14Peter Grimes, op. 33, Act 1: "Past time to close!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
contralto vocals:
Jean Watson (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "Past time to close!" (Auntie) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten4:22
15Peter Grimes, op. 33, Act 1: "We live and let live"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
James Pease (operatic bass / baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "We live and let live" (Balstrode) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten1:58
16Peter Grimes, op. 33, Act 1: "Have you heard?"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "Have you heard? The cliff is down" (Keene) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten1:23
17Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "Now the Great Bear and Pleiades" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten3:40
18Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "Old Joe has gone fishing" (Keene) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten2:28
19Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
David Kelly (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act I Scene II: "The bridge is down, we half swam over" (Hobson) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten1:39
20Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II: Interlude III (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act II
Benjamin Britten2:25
21Peter Grimes, op. 33, Act 2: "Glitter of waves"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Glitter of waves and glitter of sunlight" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten5:41
22Peter Grimes, op. 33, Act 2: "Let this be a holiday"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Let this be a holiday" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten3:00
23Peter Grimes, op. 33, Act 2: "This unrelenting work"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "This unrelenting work" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten4:41
24Peter Grimes, op. 33, Act 2: "Fool to let it come to this!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
contralto vocals:
Jean Watson (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Fool to let it come to this!" (Auntie) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten2:18
25Peter Grimes, op. 33, Act 2: "What is it?"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "What is it?" (Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten1:03
26Peter Grimes, op. 33, Act 2: "People!...No! I will speak!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Raymond Nilsson (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "People!... No! I will speak!" (Boles) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten2:13
4CD: Peter Grimes, Op.33
#TitleArtistRatingLength
1Peter Grimes, op. 33, Act 2: "We planned that their lives"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "We planned that their lives should have a new start" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten2:27
2Peter Grimes, op. 33, Act 2: "Swallow! Shall we go"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
John Lanigan (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Swallow! Shall we go and see Grimes in his hut?" (Rector) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten0:44
3Peter Grimes, op. 33, Act 2: "Now is gossip put on trial"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
mezzo-soprano vocals:
Lauris Margaret Elms (in 1958-12)
tenor vocals:
John Lanigan (tenor) (in 1958-12) and Raymond Nilsson (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten2:12
4Peter Grimes, op. 33, Act 2: "From the gutter"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene I: "From the gutter, why should we trouble at their ribaldries?" (Nieces) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten4:35
5Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II: Scene I: Interlude IV. Passacaglia (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act II
Benjamin Britten5:27
6Peter Grimes, op. 33, Act 2: "Go there!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Peter Pears (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene II: "Go there!" (Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 2
Benjamin Britten7:18
7Peter Grimes, op. 33, Act 2: "Now!...Now!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
tenor vocals:
John Lanigan (tenor) (in 1958-12) and Raymond Nilsson (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene II: "Now!... Now!..." (Boles, Rector, Swallow, Keene and Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 2
Benjamin Britten2:09
8Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
John Lanigan (tenor) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act II Scene II: "Peter Grimes! Nobody here?" (Rector) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 2
Benjamin Britten3:07
9Peter Grimes, op. 33, Act 3: Interlude V: Evening
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III: Interlude V. Evening (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act III
Benjamin Britten4:19
10Peter Grimes, op. 33, Act 3: "Assign your prettiness to me"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Assign your prettiness to me" (Swallow) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten2:36
11Peter Grimes, op. 33, Act 3: "Pah!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Geraint Evans (baritone) (in 1958-12)
bass vocals:
Owen Brannigan (operatic bass) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Pah! Ahoy!" (Swallow and Keene) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten2:49
12Peter Grimes, op. 33, Act 3: "Come along, Doctor!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Come along, Doctor!" (First Burgess) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten3:19
13Peter Grimes, op. 33, Act 3: "Embroidery in childhood"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Embroidery in childhood was a luxury of idleness" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten5:09
14Peter Grimes, op. 33, Act 3: "Mr.Swallow!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals:
Lauris Margaret Elms (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Mister Swallow! Mister Swallow!" (Mrs Sedley) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten2:00
15Peter Grimes, op. 33, Act 3: "Who holds himself apart"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene I: "Who holds himself apart, lets his pride rise" (Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten3:45
16Peter Grimes, op. 33, Act 3: Interlude VI: Fog
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III: Interlude VI Fog (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act III
Benjamin Britten2:36
17Peter Grimes, op. 33, Act 3: "Grimes! Grimes!"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene II: "Grimes! Grimes!" (Chorus, Peter) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 2
Benjamin Britten4:56
18Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Claire Watson (soprano) (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene II: "Peter, we've come to take you home" (Ellen) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 2
Benjamin Britten2:29
19Peter Grimes, op. 33, Act 3: "To those who pass the Borough"
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1958-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Peter Grimes: Act III Scene II: "To those who pass the Borough" (Chorus) (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 2
Benjamin Britten5:01
5CD: The Rape of Lucretia, Op.37
6CD: The Rape of Lucretia, Op.37
7CD: Albert Herring, Op.39
8CD: Albert Herring, Op.39
9CD: Billy Budd, Op.50
10CD: Billy Budd, Op.50
11CD: Gloriana, Op.53
12CD: Gloriana, Op.53
13CD: The Turn of the Screw, Op.54
14CD: The Turn of the Screw, Op.54
15CD: A Midsummer Night's Dream, Op.64
16CD: A Midsummer Night's Dream, Op.64
17CD: Owen Wingrave, Op. 85
18CD: Owen Wingrave, Op. 85
19CD: Death in Venice, Op.88
20CD: Death in Venice, Op.88
21CD: The Beggar's Opera Realised Britten, Op. 43
22CD: The Beggar's Opera Realised Britten, Op. 43
23CD: Noye's Fludde, Op.59 / The Golden Vanity - A Vaudeville for boys & piano, Op.78
24CD: Curlew River, Op.71
25CD: The Burning Fiery Furnace, Op.77
26CD: The Prodigal Son - Third Parable for Church Performance
27CD: The Little Sweep (Let's make an opera), Op.45 / The Children's Crusade, Op.82
28CD: The Prince of the Pagodas, Op.57
29CD: The Prince of the Pagodas, Op.57 / Plymouth Town
30CD: Night Mail / The Tocher (Rossini Suite) / The King's Stamp / Negroes - Music from GPO Film / The Way To The Sea / Telegrams / Peace Of Britain / Men Behind The Meters / Coal Face / When You're Feeling Like Expressing Your Affection
31CD: Love From A Stranger / Johnson Over Jordan (Suite) / The Rescue Of Penelope
32CD: The Company Of Heaven / The Sword In The Stone / Russian Funeral - march for brass and percussion (1936) / / Fanfare: 'The Eagle has Two Heads' / / On The Frontier / This Way To The Tomb
33CD: War Requiem, Op.66
34CD: Spring Symphony, Op.44 / Cantata Academica, (Carmen basiliense) Op.62 / / Hymn to St. Cecilia (1942), Op.27
35CD: Saint Nicolas, Op.42 / 5 Flower Songs, Op. 47 / Cantata Misericordium, Op.69
36CD: A boy was born, Op.3 / Corpus Christi Carol / A Wealden Trio - Christmas Song of the Women / The Sycamore Tree / A Shepherd's Carol (1944) / Christ's Nativity - Christmas Suite For Chorus / Ceremony of Carols, Op.28 / The Holly and the Ivy
37CD
38CD
39CD
40CD
41CD
42CD
43CD
44CD
45CD
46CD
47CD
48CD
49CD
50CD
51CD
52CD
53CD
54CD
55CD
56CD
57CD
58CD
59CD
60CD
61CD
62CD
63CD
64CD
65CD: Canticle II, Abraham and Isaac, Op.51 / Songs From "Friday Afternoons", Op.7 / On this island, Op.11 / Four Cabaret Songs / Sweet Was The Song / Missa brevis, Op.63 / Piano Concerto, Op.13 / Our Hunting Fathers, Op.8
66DVD: The 1967 Recording Of "The Burning Fiery Furnace"