Riverside Profiles

~ Release by Cannonball Adderley (see all versions of this release, 2 available)

Annotation

UPC is correct even though it is the same as CD version. Verified by iTunes.

Annotation last modified on 2017-01-16 10:49 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1This Here
The Cannonball Adderley Quintet11:47
2Dizzy’s Business (live, remastered)
The Cannonball Adderley Sextet7:00
3Nardis (take 5)
producer:
Orrin Keepnews
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989)
recording of:
Nardis
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
The Cannonball Adderley Quintet5:33
4Things Are Getting Better (instrumental)
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon (Folk singer, songwriter, lyricist and poet) and Julian Adderley
Cannonball Adderley & Milt Jackson7:13
5Jive Samba
alto saxophone:
Cannonball Adderley (from 1962-09-22 until 1962-09-23)
cornet:
Nat Adderley (from 1962-09-22 until 1962-09-23)
double bass:
Sam Jones (US jazz bassist) (from 1962-09-22 until 1962-09-23)
drums (drum set):
Louis Hayes (from 1962-09-22 until 1962-09-23)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-09-22 until 1962-09-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-09-22 until 1962-09-23)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1962-09-22 until 1962-09-23)
live recording of:
The Jive Samba (in 1962-09)
composer:
Nat Adderley
Cannonball Adderley11:01
6Star Eyes
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recording of:
Star Eyes
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
The Cannonball Adderley Quintet7:05
7African Waltz (instrumental)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009)
Cannonball Adderley and His Orchestra2:12
8Know What I Mean? (Re-take 7)
recorded in:
New York, New York, United States (on 1961-03-13)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
bass and double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011, in 2012), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Know What I Mean? (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
Cannonball Adderley & Bill Evans4:55
9The Work Song (instrumental)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009)
The Cannonball Adderley Sextet9:09
2▼Digital Media
#TitleArtistRatingLength
1Dat Dere
Bobby Timmons5:25
2Airegin
recording of:
Airegin (instrumental)
composer:
Sonny Rollins (American saxophonist) (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music (US drum & bass)
Wes Montgomery4:28
3Soft Winds
recording of:
Soft Winds (also attributed to Fletcher Henderson)
composer:
Benny Goodman (clarinetist and bandleader)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label) and Twenty-Eighth Street Music
Chet Baker6:32
4My Foolish Heart
instrumental recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Bill Evans Trio4:57
5Desafinado
Charlie Byrd2:29
6Thermo
recording engineer:
Ray Fowler (US recording engineer) (from 1962-10-23 until 1962-10-24)
producer:
Orrin Keepnews
bass:
Reggie Workman (on 1962-10-24)
double bass [bass]:
Reggie Workman (from 1962-10-23 until 1962-10-24)
drums (drum set):
Art Blakey (from 1962-10-23 until 1962-10-24, on 1962-10-24)
piano:
Cedar Walton (from 1962-10-23 until 1962-10-24, on 1962-10-24)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1962-10-23 until 1962-10-24, on 1962-10-24)
trombone:
Curtis Fuller (from 1962-10-23 until 1962-10-24, on 1962-10-24)
trumpet:
Freddie Hubbard (from 1962-10-23 until 1962-10-24, on 1962-10-24)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-10-23 until 1962-10-24, on 1962-10-24)
recording of:
Thermo (from 1962-10-23 until 1962-10-24)
composer:
Freddie Hubbard (from 1962-10-23 until 1962-10-24)
Art Blakey & The Jazz Messengers6:48
7Bemsha Swing
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1956-12-07)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-12-07)
piano:
Thelonious Monk (on 1956-12-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-12-07)
trumpet:
Clark Terry (American swing trumpeter) (on 1956-12-07)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-07)
recording of:
Bemsha Swing (instrumental) (on 1956-12-07)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Thelonious Monk7:45
8Bohemia After Dark
recording of:
Bohemia After Dark
composer:
Oscar Pettiford (in 1955)
The Cannonball Adderley Quintet7:49

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