Night Moods: Solo Journey

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Goldberg Variations: Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
4:53
2Suite in E-flat: Prelude
guitar:
Göran Söllscher (classical guitarist) (in 1991-04)
arranger:
Göran Söllscher (classical guitarist)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1991-04)
recording of:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
part of:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
recording of:
Suite no. 4 Es-Dur, BWV 1010: I. Prélude (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: I. Prélude (Cello Suite No. 4 in E-flat major, BWV 1010: I. Prélude)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (catch-all for arrangements)
2:39
3Suite in E-flat: Allemande
guitar:
Göran Söllscher (classical guitarist)
recording of:
Suite no. 4 Es-Dur, BWV 1010: II. Allemande (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: II. Allemande (Cello Suite No. 4 in E-flat major, BWV 1010: II. Allemande)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (catch-all for arrangements)
4:08
4Well Tempered Clavier: Prelude (Book 1)
recorded in:
Moscow, Russia
piano:
Sviatoslav Richter (pianist) (from 1969-04-20 until 1969-04-21)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 1969-04-20 until 1969-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
2:20
5Suite in E-flat: Sarabande
guitar:
Göran Söllscher (classical guitarist)
recording of:
Suite no. 4 Es-Dur, BWV 1010: IV. Sarabande (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: IV. Sarabande (Cello Suite No. 4 in E-flat major, BWV 1010: IV. Sarabande)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (catch-all for arrangements)
2:32
6Suite in E-flat: Gavotte I/II
guitar:
Göran Söllscher (classical guitarist)
recording of:
Suite no. 4 Es-Dur, BWV 1010: V. Bourrées I & II (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: V. Bourrées I & II (Cello Suite No. 4 in E-flat major, BWV 1010: V. Bourrée I & II)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (catch-all for arrangements)
4:03
7English Suite No. 2 in A minor: Allemande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: II. Allemande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
3:03
8Piano Concerto No. 5 in F minor: Largo
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1975-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (catch-all for arrangements) (in 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 (catch-all for unknown arrangements)
3:40
9Sonata No. 2 in E-flat: Sicilienne
piano:
Wilhelm Kempff (pianist)
arranger:
Wilhelm Kempff (pianist)
recording of:
Sonata in E major, BWV 1035: III. Siciliana (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E major, BWV 1035: III. Siciliana
3:38
10Partita No. I in B-flat: Menuet I / Menuet II / Menuet I
piano:
Maria João Pires (pianist)
recording of:
Partita no. 1 in B-flat major, BWV 825: V. Menuet I
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
recording of:
Partita no. 1 in B-flat major, BWV 825: VI. Menuet II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Johan Sebastian Bach: Paraphrase Über Die Partita No. 1 in B-Dur: Reprise
part of:
Partita no. 1 in B-flat major, BWV 825
2:54
11Suite in G Minor: Bourree
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: V. Bourrée (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: V. Bourrée
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
1:19
12Suite in E-flat: Gavotte en Rondeau
producer and balance engineer:
Lars Finnström (engineer)
classical guitar:
Göran Söllscher (classical guitarist) (in 1981-06)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1981-06)
recording of:
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau (catch all for arrangements) (in 1981-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
3:05
13Suite in E-flat: Menuet I/II
guitar:
Göran Söllscher (classical guitarist)
recording of:
Suite E-Dur, BWV 1006.2: IV. Menuet I (former BWV 1006a)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006.2: V. Menuet II (former BWV 1006a)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
4:05
14French Suite No.6 in E: Polonaise
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1993-10)
recording of:
French Suite no. 6 in E major, BWV 817: V. Polonaise (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 6 E-dur, BWV 817 (French Suite No. 6 in E major, BWV 817)
1:37
15French Suite No.6 in E: Menuet
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1993-10)
recording of:
French Suite no. 6 in E major, BWV 817: VI. Menuett (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 6 E-dur, BWV 817 (French Suite No. 6 in E major, BWV 817)
1:15
16Jesu, Joy of Man's Desiring
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
piano arranger:
Wilhelm Kempff (pianist)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1975-04)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesus bleibet meine Freude, BWV 147 (for piano, Kempff)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
arranger:
Wilhelm Kempff (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:22
17Partita No. 1 in B-flat: Praeludium
assistant engineer:
Wolf‐Dieter Karwatky
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk and Helmut Burk (in 1994-01: piano)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Partita no. 1 in B-flat major, BWV 825: I. Prelude (in 1994-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
1:57
18Cello Suite No. 3 in C: Bourree I/II
cello:
Pierre Fournier (cellist) (in 1959)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II) (in 1959)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
3:58
19Violin Sonata No. 2 in A minor: Andante
engineer and balance engineer:
Klaus Hiemann (engineer/producer)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Sonata no. 2 in A minor, BWV 1003: III. Andante (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 2 in A minor, BWV 1003
4:36
20Sleepers' Awake: Chorale Prelude
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1975-04)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (for piano, Kempff) (in 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Wilhelm Kempff (pianist)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
4:47
21Goldberg Variations: Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
4:51