The King of Soul

~ Release by Otis Redding (see all versions of this release, 3 available)

Tracklist

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1▼Digital Media: 1
#TitleRatingLength
1These Arms of Mine
recorded in:
Memphis, Tennessee, United States (in 1962-10)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
bass guitar:
Lewie Steinberg (in 1962-10)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
guitar:
Steve Cropper (in 1962-10) and Johnny Jenkins (US blues guitarist) (in 1962-10)
organ:
Booker T. Jones (in 1962-10)
piano:
Steve Cropper (in 1962-10)
tenor saxophone:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp. (BMI)
3.52:31
2Hey Hey Baby
baritone saxophone:
Floyd Newman
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) and Lewie Steinberg
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper and Johnny Jenkins (US blues guitarist)
organ and piano:
Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
vocals:
Otis Redding
2.52:44
3That's What My Heart Needs
baritone saxophone:
Floyd Newman
bass guitar:
Lewie Steinberg
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
organ and piano:
Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
3.652:41
4Mary's Little Lamb
2:36
5Pain in My Heart
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass guitar:
Lewie Steinberg
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
organ and piano:
Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
recording of:
Pain in My Heart (soul ballad performed by Otis Redding, The Rolling Stones)
lyricist and composer:
Naomi Neville
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
is based on:
Ruler of My Heart
32:22
6Something Is Worrying Me
baritone saxophone:
Floyd Newman
bass guitar:
Lewie Steinberg
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
organ and piano:
Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
recording of:
Something Is Worrying Me
writer:
Phil Walden
2.52:27
7Come to Me
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
2.52:46
8Don't Leave Me This Way
2:57
9Security
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
organ and piano:
Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
recording of:
Security
lyricist and composer:
Otis Redding
3.652:33
10Chained and Bound
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
recording of:
Chained and Bound
writer:
Otis Redding
2.52:38
11Your One and Only Man
recording of:
Your One and Only Man
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc.
43:10
12That's How Strong My Love Is
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
cover recording of:
That’s How Strong My Love Is
lyricist and composer:
Roosevelt Jamison
publisher:
Three Wise Boys Music LLC
3.22:27
13Mr. Pitiful
recorded in:
Memphis, Tennessee, United States (on 1964-12-28)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (on 1964-12-28)
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1964-12-28)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1964-12-28)
guitar:
Steve Cropper (on 1964-12-28)
piano:
Booker T. Jones (on 1964-12-28)
tenor saxophone:
Charles “Packy” Axton (on 1964-12-28)
trumpet:
Sammy Coleman (on 1964-12-28)
vocals:
Otis Redding (on 1964-12-28)
recording of:
Mr. Pitiful (on 1964-12-28)
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
3.62:40
14A Woman, a Lover, a Friend
2.53:19
15Nothing Can Change This Love
53:01
16It's Too Late
3.53:01
17For Your Precious Love
52:52
18Home in Your Heart
2.52:04
19I've Been Loving You Too Long (To Stop Now)
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-04)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-04)
guitar:
Steve Cropper (in 1965-04)
keyboard:
Isaac Hayes (in 1965-04) and Booker T. Jones (in 1965-04)
membranophone:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-04)
tenor saxophone:
Andrew Love (in 1965-04)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-04) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-04)
background vocals:
Earl Sims (in 1965-04)
recording of:
I’ve Been Loving You Too Long (in 1965-04)
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
2:58
20I'm Depending on You
recording of:
I’m Depending on You
lyricist and composer:
Otis Redding
2:29
21Respect
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
recording engineer:
Tom Dowd
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-07-09)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Booker T. Jones (in 1965-07) and Isaac Hayes (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-07-09)
background vocals:
Earl Sims (on 1965-07-09)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
3.852:05
22Ole Man Trouble
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
recording of:
Ole Man Trouble (in 1965-07)
lyricist and composer:
Otis Redding
42:36
23Change Gonna Come
cover recording of:
A Change Is Gonna Come
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
4:12
2▼Digital Media: 2
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1Shake
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
Shake (Sam Cooke song) (in 1965-07)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd.
3.652:38
2Satisfaction
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
(I Can’t Get No) Satisfaction (in 1965-07)
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
3.52:43
3Down in the Valley
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
Down in the Valley (in 1965-07)
composer:
Bert Russell Berns, Solomon Burke, Babe Chivian and Joe Martin (songwriter)
42:58
4My Girl
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
My Girl (in 1965-07)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
3.82:54
5Rock Me Baby
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
Rock Me Baby (in 1965-07)
writer:
Joe Josea and B.B. King
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Powerforce Music, Sidney A. Seidenberg Music Ltd., Universal Music Careers, BMG Music (in 1994) and Modern Sparta Music Ltd. (in 1994)
is based on:
Rockin’ and Rollin’
33:23
6You Don't Miss Your Water
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
You Don’t Miss Your Water (in 1965-07)
lyricist and composer:
William Bell
publisher:
Irving Music, Inc.
3.52:48
7I Can't Turn You Loose
recording of:
I Can’t Turn You Loose
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc., Shapiro Bernstein & Co. Ltd., East/Memphis Music Corp. (from 1969 to ????) and Time Music (from 1969 to ????)
2:36
8Just One More Day
recording of:
Just One More Day
writer:
Steve Cropper, Otis Redding and McElvoy Robinson
32:59
9Any Ole Way
cover recording of:
Any Ole Way
writer:
Steve Cropper and Otis Redding
2.652:31
10It's Growing
2.52:43
11Cigarettes and Coffee
recording of:
Cigarettes and Coffee
writer:
Jerry Butler (soul singer), Eddie Thomas and Jay Walker
publisher:
Gil Music Corporation and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
43:50
12Chain Gang
cover recording of:
Chain Gang (Sam Cooke song)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
33:01
13Nobody Knows You (When You're Down and Out)
baritone saxophone:
Floyd Newman
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
keyboard:
Isaac Hayes and Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
trumpet:
Sammy Coleman and Gene “Bowlegs” Miller (American trumpeter)
vocals:
Otis Redding
cover recording of:
Nobody Knows You When You’re Down and Out
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
2.53:08
14Good to Me
cover recording of:
Good to Me
writer:
Julius Green (In Group The Mad Lads) and Otis Redding
2.53:47
15Everybody Makes a Mistake
2.53:20
16Just One More Day (live, 1966)
live recording of:
Just One More Day (in 1966-04)
writer:
Steve Cropper, Otis Redding and McElvoy Robinson
5:25
17Mr. Pitiful (live, 1966)
live recording of:
Mr. Pitiful (in 1966-04)
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
2:06
18(I Can't Get No) Satisfaction (live, 1966)
live cover recording of:
(I Can’t Get No) Satisfaction (in 1966-04)
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
3:47
19These Arms of Mine (live, 1966)
live recording of:
These Arms of Mine (in 1966-04)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp. (BMI)
4:01
20Papa's Got a Brand New Bag (live, 1966)
live recording of:
Papa’s Got a Brand New Bag (in 1966-04)
lyricist and composer:
James Brown (The Godfather of Soul)
part of:
MJ: The Musical
4:46
21Don't Mess With Cupid
baritone saxophone:
Floyd Newman
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
keyboard:
Isaac Hayes and Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
trumpet:
Sammy Coleman and Gene “Bowlegs” Miller (American trumpeter)
vocals:
Otis Redding
recording of:
Don’t Mess With Cupid
writer:
Steve Cropper, Eddie Floyd and Deanie Parker (singer/songwriter, producer)
publisher:
Irving Music, Inc.
32:30
22My Lover's Prayer
recorded in:
Memphis, Tennessee, United States (on 1966-05-03)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (on 1966-05-03)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-05-03)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-05-03)
guitar:
Steve Cropper (on 1966-05-03)
keyboard [piano, organ]:
Isaac Hayes (on 1966-05-03)
tenor saxophone:
Charles Axton (on 1966-05-03)
trumpet:
Sammy Coleman (on 1966-05-03) and Gene “Bowlegs” Miller (American trumpeter) (on 1966-05-03)
vocals:
Otis Redding (on 1966-05-03)
recording of:
My Lover’s Prayer (on 1966-05-03)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc.
33:05
3▼Digital Media: 3
#TitleArtistRatingLength
1Try a Little Tenderness
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer)
electric bass guitar [electric bass], organ, piano and vibraphone [vibes]:
Booker T. Jones
guitar:
Steve Cropper
tenor saxophone:
Gilbert Caple and Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Try a Little Tenderness (in 1966)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding33:24
2Fa-Fa-Fa-Fa-Fa (Sad Song)
recorded in:
Memphis, Tennessee, United States (on 1966-08-30)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-08-30)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-08-30)
guitar:
Steve Cropper (on 1966-08-30)
organ:
Isaac Hayes (on 1966-08-30)
piano:
Booker T. Jones (on 1966-08-30)
tenor saxophone:
Gilbert Caples (on 1966-08-30) and Andrew Love (on 1966-08-30)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-08-30)
vocals:
Otis Redding (on 1966-08-30)
recording of:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song) (on 1966-08-30)
writer:
Steve Cropper and Otis Redding
Otis Redding2.52:41
3I'm Sick Y'All
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-09-13)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
recording of:
I’m Sick Y’all (on 1966-09-13)
writer:
Steve Cropper, David Porter (US soul musician, producer & songwriter) and Otis Redding
Otis Redding12:55
4Tennessee Waltz
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-09-13)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
cover recording of:
Tennessee Waltz (on 1966-09-13)
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Otis Redding12:54
5Sweet Lorene
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-09-13)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
recording of:
Sweet Lorene (on 1966-09-13)
writer:
Isaac Hayes, Alvertis Isbell and Otis Redding
Otis Redding2:26
6Day Tripper
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-09-13)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
cover recording of:
Day Tripper (on 1966-09-13)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Otis Redding3.652:33
7You're Still My Baby
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-09-13)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
cover recording of:
You’re Still My Baby (on 1966-09-13)
lyricist and composer:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Edward Kassner Music Co. Ltd.
recording of:
You’re Still My Baby
lyricist and composer:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Edward Kassner Music Co. Ltd.
Otis Redding13:49
8Hawg for You
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-09-13)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
recording of:
Hawg for You (on 1966-09-13)
lyricist and composer:
Otis Redding
Otis Redding3:46
9I Love You More Than Words Can Say
recording of:
I Love You More Than Words Can Say
writer:
Eddie Floyd and Booker T. Jones
Otis Redding22:51
10Let Me Come on Home
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
keyboard:
Isaac Hayes and Booker T. Jones
tenor saxophone:
Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
recording of:
Let Me Come on Home
writer:
Booker T. Jones and Otis Redding
Otis Redding22:56
11Open the Door
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
keyboard:
Isaac Hayes and Booker T. Jones
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
recording of:
Open the Door
lyricist and composer:
Otis Redding
Otis Redding52:24
12Tramp
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
keyboard:
Isaac Hayes (from 1967-01 until 1967-02) and Booker T. Jones (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
background vocals:
Carla Thomas (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
performer:
Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tramp (from 1967-01 until 1967-02)
writer:
Lowell Fulson and Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. and Powerforce Music
Otis Redding & Carla Thomas3.853:00
13Knock on Wood
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Knock on Wood (from 1967-01 until 1967-02)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
Otis Redding & Carla Thomas42:50
14Let Me Be Good to You
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Let Me Be Good to You (from 1967-01 until 1967-02)
writer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Carl Wells
Otis Redding & Carla Thomas2:53
15Lovey Dovey
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Lovey Dovey (from 1967-01 until 1967-02)
writer:
Memphis Curtis and Nuggy (US songwriter/producer)
publisher:
Progressive Music Co. (ended) and Unichappell Music, Inc.
Otis Redding & Carla Thomas2:35
16New Year's Resolution
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
New Year's Resolution (from 1967-01 until 1967-02)
writer:
Randle Catron, Deanie Catron (singer/songwriter, producer) and Mary Frierson
Otis Redding & Carla Thomas43:17
17Ooh Carla, Ooh Otis
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
recording of:
Ooh Carla, Ooh Otis (from 1967-01 until 1967-02)
writer:
Alvertis Isbell and Otis Redding
Otis Redding & Carla Thomas42:33
18White Christmas
cover recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Otis Redding43:07
19Merry Christmas Baby
cover recording of:
Merry Christmas Baby
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music, Inc.
recording of:
Merry Christmas Baby
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music, Inc.
Otis Redding32:29
20The Glory of Love
recording of:
The Glory of Love
lyricist and composer:
Billy Hill (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Otis Redding2:38
21The Huckle-Buck
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
keyboard:
Isaac Hayes and Booker T. Jones
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
cover recording of:
The Hucklebuck
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
additional writer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
composer:
Andy Gibson (trumpet, arranger, composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal/MCA Music Publishing Pty Ltd
Otis Redding13:02
22Tell the Truth
Otis Redding33:07
4▼Digital Media: 4
#TitleRatingLength
1Respect (live, 1967)
live recording of:
Respect (on 1967-03-21)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
3:43
2Can't Turn You Loose (live, 1967)
live recording of:
I Can’t Turn You Loose (on 1967-03-21)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc., Shapiro Bernstein & Co. Ltd., East/Memphis Music Corp. (from 1969 to ????) and Time Music (from 1969 to ????)
3:28
3I've Been Loving You Too Long (To Stop Now) (live, 1967)
live recording of:
I’ve Been Loving You Too Long (on 1967-03-21)
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
44:07
4My Girl (live, 1967)
recorded in:
Europe (on 1967-03-21)
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1967-03-21)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1967-03-21)
guitar:
Steve Cropper (on 1967-03-21)
organ:
Booker T. Jones (on 1967-03-21)
tenor saxophone:
Joe Arnold (on 1967-03-21) and Andrew Love (on 1967-03-21)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-03-21)
vocals:
Otis Redding (on 1967-03-21)
live cover recording of:
My Girl (on 1967-03-21)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
2:42
5Shake (live, 1967)
recorded in:
Europe (on 1967-03-21)
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1967-03-21)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1967-03-21)
guitar:
Steve Cropper (on 1967-03-21)
organ:
Booker T. Jones (on 1967-03-21)
tenor saxophone:
Joe Arnold (on 1967-03-21) and Andrew Love (on 1967-03-21)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-03-21)
vocals:
Otis Redding (on 1967-03-21)
live cover recording of:
Shake (Sam Cooke song) (on 1967-03-21)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd.
2:53
6Fa-Fa-Fa-Fa-Fa (Sad Song) (live, 1967)
live recording of:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song) (on 1967-03-21)
writer:
Steve Cropper and Otis Redding
4:03
7Try a Little Tenderness (live, 1967)
recorded in:
Europe (on 1967-03-21)
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1967-03-21)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1967-03-21)
guitar:
Steve Cropper (on 1967-03-21)
organ:
Booker T. Jones (on 1967-03-21)
tenor saxophone:
Joe Arnold (on 1967-03-21) and Andrew Love (on 1967-03-21)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-03-21)
vocals:
Otis Redding (on 1967-03-21)
live cover recording of:
Try a Little Tenderness (on 1967-03-21)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
55:06
8I've Got Dreams to Remember
recording of:
I’ve Got Dreams to Remember
writer:
Otis Redding, Zelma Redding and Joe Rock (US songwriter/band manager)
publisher:
GMB Unlimited Publishing (ASCAP) and Irving Music, Inc.
33:15
9Nobody's Fault but Mine
recording of:
Nobody’s Fault but Mine (Otis Redding song)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc.
2.52:23
10Hard to Handle
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
4.152:18
11Thousand Miles Away
42:10
12The Happy Song (Dum-Dum-De-De-De-Dum-Dum)
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
The Happy Song (Dum‐Dum)
lyricist, writer and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
2.352:41
13A Waste of Time
recording of:
A Waste of Time
writer:
Otis Redding
43:18
14Champagne and Wine
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Champagne (& Wine)
writer:
Roy Lee Johnson (US R&B singer and guitarist), Otis Redding and Allen Walden
43:00
15A Fool for You
2:55
16I'm a Changed Man
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
I’m a Changed Man
writer:
Steve Cropper and Otis Redding
22:17
17Direct Me
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Direct Me
writer:
Steve Cropper and Otis Redding
12:19
18Love Man
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Love Man
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc.
42:18
19Look at That Girl
12:36
20Free Me
producer:
Steve Cropper and Otis Redding
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (in 1967)
recording of:
Free Me (in 1967)
lyricist and composer:
Otis Redding
13:07
21The Match Game
2:54
22A Little Time
2:31
23Johnny's Heartbreak
2:25
24Amen
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Amen
writer:
[traditional] (special purpose artist)
arranger:
Otis Redding
33:04
25(Sittin' on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
4.32:41