The 50 Greatest Love Songs

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Label: RCA Records - Catalog #: 07863 68026 2 - EAN: 078636802626

Label: RCA Records - Catalog #: 07863 68026 2 - EAN: 078636802626

Anmerkung zuletzt geändert am 2012-01-04 01:01 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Always on My Mind
Bass:
Emory Gordy (am 1972-03-29)
Gitarre:
James Burton (guitarist) (am 1972-03-29), Charlie Hodge (am 1972-03-29), Dennis Linde (am 1972-03-29) und John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (am 1972-03-29)
Klavier:
Glen D. Hardin (am 1972-03-29)
Perkussion:
Jerry Carrigan (US drummer) (am 1972-03-29)
Schlagzeug:
Ronnie Tutt (drummer) (am 1972-03-29)
Hintergrundgesang:
J.D. Sumner & The Stamps (am 1972-03-29)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1972-03-29)
vocals:
J.D. Sumner & The Stamps
Horn arranger und Saiteninstrumente arranger:
Glen D. Hardin
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956), BMG Entertainment (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Victor, Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1972-03-29)
cover recording of:
Always on My Mind (am 1972-03-29)
Verfasser(in):
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
3.73:41
2And I Love You So
cover recording of:
And I Love You So (am 1975-03-10)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:52
3Suspicious Minds
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-23) und Mike Leech (Nashville session musician and arranger) (am 1969-01-23)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech (Nashville session musician and arranger) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23) und United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 363)
cover recording of:
Suspicious Minds (von 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
4.14:31
4Don’t Cry Daddy
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-15)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969, in 1970) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recording of:
Don’t Cry Daddy (am 1969-01-15)
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
B-n-B Music Inc., Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Songs LLC und Unichappell Music
4.652:49
5Are You Lonesome Tonight?
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 9)
cover recording of:
Are You Lonesome Tonight? (am 1960-04-03)
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
3.13:08
6Surrender
Produzent(in):
Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-10-30)
Gitarre:
Hank Garland (am 1960-10-30) und Scotty Moore (American guitarist and recording engineer) (am 1960-10-30)
Instrumente:
Elvis Presley (“The King of Rock and Roll”) (am 1960-10-30)
Klavier:
Floyd Cramer (am 1960-10-30)
Saxophon:
Boots Randolph (am 1960-10-30)
Schlagzeug:
D.J. Fontana (am 1960-10-30) und Buddy Harman (Session drummer and songwriter) (am 1960-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Charlie Hodge (am 1960-10-30), The Jordanaires (southern gospel group) (am 1960-10-30) und Millie Kirkham (am 1960-10-30)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960, in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-10-30)
recording of:
Surrender (am 1960-10-30)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
Komponist(in):
Ernesto De Curtis (composer)
publisher:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music und R&H Music
basiert auf:
Torna a Surriento
3.31:53
7It’s Now or Never
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
cover recording of:
It’s Now or Never (am 1960-04-03)
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Version von:
’O sole mio
3.753:17
8The Wonder of You
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Imperials (gospel/CCM group), Millie Kirkham und The Sweet Inspirations
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
International Hotel in Winchester, Nevada, Vereinigte Staaten (am 1970-02-17)
live cover recording of:
The Wonder of You (am 1970-02-17)
Texter und Komponist(in):
Baker Knight
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music Ltd., Universal Duchess Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
2.62:36
9You’ve Lost That Loving Feeling
cover recording of:
You’ve Lost That Lovin’ Feelin’ (am 1970-08-13)
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
4:25
10It’s Impossible
Hintergrundgesang:
J.D. Sumner & The Stamps und The Sweet Inspirations
arranger:
Glen D. Hardin
aufgenommen bei:
Elvis Presley at Las Vegas Hilton (1972-02-18) (midnight show)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
aufgenommen bei:
Las Vegas Hilton in Winchester, Nevada, Vereinigte Staaten (am 1972-02-16, am 1972-02-17)
live cover recording of:
It’s Impossible (am 1972-02-16)
Komponist(in):
Armando Manzanero (in 1970)
Übersetzer:
Sid Wayne
publisher:
BMG Songs, Inc.
übersetzte Version von:
Somos novios
live cover recording of:
It’s Impossible (am 1972-02-17)
Komponist(in):
Armando Manzanero (in 1970)
Übersetzer:
Sid Wayne
publisher:
BMG Songs, Inc.
übersetzte Version von:
Somos novios
42:52
11Until It’s Time for You to Go
Bass:
Norbert Putnam (am 1971-05-17)
Gitarre:
James Burton (guitarist) (am 1971-05-17) und Chip Young (American session guitarist, bassist, producer in the genre of country) (am 1971-05-17)
Klavier:
David Briggs (English organist and composer) (am 1971-05-17) und Joe Moscheo (am 1971-05-17)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-17)
Orgel:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-17) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (am 1971-05-17)
Perkussion:
Larry Londin (am 1971-05-17) und Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-17)
Schlagzeug:
Kenny Buttrey (am 1971-05-17) und Jerry Carrigan (US drummer) (am 1971-05-17)
vocals:
Ginger Holladay (American singer-songwriter) (am 1971-05-17), The Imperials (gospel/CCM group) (am 1971-05-17), Millie Kirkham (am 1971-05-17), June Page (am 1971-05-17) und Temple Riser (am 1971-05-17)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1972)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-17)
cover recording of:
Until It’s Time for You to Go (am 1971-05-17)
Texter und Komponist(in):
Buffy Sainte‐Marie
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), Howe Sound Music Publishing LLC und Rondor Music (London) Ltd.
14:00
12You Don’t Have to Say You Love Me
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1970-06-06)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1970-06-06)
cover recording of:
You Don’t Have to Say You Love Me (am 1970-06-06)
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
32:32
13For the Good Times
cover recording of:
For the Good Times (am 1972-03-27)
Texter und Komponist(in):
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. und Universal Music Careers (in 1968)
3:13
14Spanish Eyes
Bass:
Norbert Putnam (am 1973-12-16)
Gitarre:
James Burton (guitarist) (am 1973-12-16), Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (am 1973-12-16), Charlie Hodge (am 1973-12-16), Dennis Linde (am 1973-12-16) und Alan Rush (member of 70's rock group “Jubal”) (am 1973-12-16)
Klavier:
David Briggs (English organist and composer) (am 1973-12-16), Per-Erik Hallin (am 1973-12-16) und Bobby Ogdin (am 1973-12-16)
Orgel:
David Briggs (English organist and composer) (am 1973-12-16), Randy Cullers (drummer, songwriter and producer) (am 1973-12-16) und Per-Erik Hallin (am 1973-12-16)
Schlagzeug:
Ronnie Tutt (drummer) (am 1973-12-16)
vocals:
Ginger Holladay (American singer-songwriter) (am 1973-12-16), Mary Holladay (am 1973-12-16), Mary (Jeannie) Greene (am 1973-12-16), Mary Cain (am 1973-12-16), Susan Pilkington (am 1973-12-16), J.D. Sumner & The Stamps (am 1973-12-16) und Kathy Westmoreland (am 1973-12-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1974)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1973-12-16)
cover recording of:
Spanish Eyes (Moon Over Naples) (am 1973-12-16)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Moon Over Naples
32:24
15There Goes My Everything
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
cover recording of:
There Goes My Everything (1965 song) (am 1970-06-08)
Texter und Komponist(in):
Dallas Frazier (American songwriter and musician)
publisher:
Acuff-Rose Music Limited (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music Inc., Acuff-Rose Publications, Inc. (BMI) (am 1965-11-24), Blue Crest Music, Inc. (am 1965-11-24) und Husky Music (am 1965-11-24)
Version von:
En gång är ingen gång
23:00
16Make the World Go Away
cover recording of:
Make the World Go Away (am 1970-06-07)
Texter und Komponist(in):
Hank Cochran (Nashville singer and songwriter)
publisher:
Sony/ATV Songs LLC und Sony/ATV Tree Publishing (in 1963)
23:37
17She Wears My Ring
cover recording of:
She Wears My Ring (am 1973-12-16)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Music Limited (UK), House of Bryant Publications (publisher; do NOT use as release label) und Sony/ATV Music Publishing
Version von:
La golondrina
13:23
18Unchained Melody
Bass:
Jerry Scheff (am 1977-04-24)
Gitarre:
James Burton (guitarist) (am 1977-04-24), Charlie Hodge (am 1977-04-24) und John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (am 1977-04-24)
Hybrid-Piano:
Bobby Ogdin (am 1977-04-24)
Klavier:
Tony Brown (US producer, pianist and keyboardist) (am 1977-04-24) und Elvis Presley (“The King of Rock and Roll”) (am 1977-04-24)
Schlagzeug:
Ronnie Tutt (drummer) (am 1977-04-24)
vocals:
Sherrill Nielsen (American tenor singer) (am 1977-04-24), J.D. Sumner & The Stamps (am 1977-04-24), The Sweet Inspirations (am 1977-04-24) und Kathy Westmoreland (am 1977-04-24)
Orchester:
Joe Guercio & His Orchestra (am 1977-04-24)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1977)
aufgenommen bei:
Crisler Center in Ann Arbor, Michigan, Vereinigte Staaten (am 1977-04-24)
live cover recording of:
Unchained Melody (am 1977-04-24)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
3.352:32
19It’s Only Love
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
cover recording of:
It’s Only Love (am 1971-05-20)
Verfasser(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”) und Steve Tyrell (American producer and vocalist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:43
20I Just Can’t Help Believin’
aufgenommen bei:
International Hotel in Winchester, Nevada, Vereinigte Staaten (am 1970-08-11, am 1970-08-13)
live cover recording of:
I Just Can’t Help Believin’ (am 1970-08-11)
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Screen Gems-Columbia Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
live cover recording of:
I Just Can’t Help Believin’ (am 1970-08-13)
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Screen Gems-Columbia Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2.54:36
21Let It Be Me
cover recording of:
Let It Be Me (am 1970-02-17)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
3:27
22Rags to Riches
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
cover recording of:
Rags to Riches (am 1970-09-22)
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
1:56
23I’ve Lost You
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1970-06-04)
cover recording of:
I’ve Lost You (am 1970-06-04)
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
13:30
2▼CD
Nr.TitelBewertungLänge
1I Can’t Help Falling in Love
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-03-23)
Celesta [celeste]:
Dudley Brooks (am 1961-03-23)
Gitarre:
Hank Garland (am 1961-03-23), Scotty Moore (American guitarist and recording engineer) (am 1961-03-23) und Tiny Timbrell (am 1961-03-23)
Klavier:
Dudley Brooks (am 1961-03-23) und Floyd Cramer (am 1961-03-23)
Mundharmonika:
George Fields (am 1961-03-23)
Saxophon:
Boots Randolph (am 1961-03-23)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1961-03-23), D.J. Fontana (am 1961-03-23) und Bernie Mattinson (am 1961-03-23)
Steel-Gitarre:
Alvino Rey (am 1961-03-23)
Ukulele:
Bernie Lewis (am 1961-03-23) und Fred Tavares (am 1961-03-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (am 1961-03-23) und The Surfers (a.k.a. The Hawaiian Surfers) (am 1961-03-23)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1961-03-23)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 137)
recording of:
Can’t Help Falling in Love (am 1961-03-23)
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
4.13:02
2Hawaiian Wedding Song
Techniker(in):
Thome Nogar
vocals:
The Jordanaires (southern gospel group) (am 1961-03-22)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1961-03-22)
cover recording of:
Hawaiian Wedding Song (am 1961-03-22)
Komponist(in):
Charles E. King (known as the composer of “Ke kali nei au”)
Übersetzer:
Al Hoffman (in 1958) und Dick Manning (American songwriter) (in 1958)
publisher:
Al Hoffman Songs Inc., Charles E. King Music Co., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal‐MCA Music Publishing (US) und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
übersetzte Version von:
Ke Kali Nei Au
2.52:49
3Fame and Fortune
recording engineer:
Bill Porter (engineer)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-03-20)
cover recording of:
Fame and Fortune (am 1960-03-20)
Texter:
Fred Wise
Komponist(in):
Ben Weisman
publisher:
Chappell & Co., Erika Music Publishing, Gladys Music, Gladys Music Inc., Spirit Two Music Inc. und Williamson Music Company
2.852:31
4Good Luck Charm
accordion:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1961-10-15)
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-10-15)
Gitarre:
Jerry Kennedy (am 1961-10-15) und Scotty Moore (American guitarist and recording engineer) (am 1961-10-15)
Klarinette und Saxophon:
Boots Randolph (am 1961-10-15)
Klavier und Orgel:
Floyd Cramer (am 1961-10-15)
Schlagzeug:
D.J. Fontana (am 1961-10-15) und Buddy Harman (Session drummer and songwriter) (am 1961-10-15)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”), The Jordanaires (southern gospel group) (am 1961-10-15) und Millie Kirkham (am 1961-10-15)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961, in 1962) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-10-15)
cover recording of:
Good Luck Charm (am 1961-10-15)
Verfasser(in):
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Rachel’s Own Music und Williamson Music Company
2.252:25
5She’s Not You
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1962) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recording of:
She’s Not You (am 1962-03-19)
Verfasser(in):
Jerry Leiber, Doc Pomus und Mike Stoller
publisher:
ABG Elvis Songs, Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Songs of Kobalt Music Publishing und Sony/ATV Songs LLC
cover recording of:
She’s Not You
Verfasser(in):
Jerry Leiber, Doc Pomus und Mike Stoller
publisher:
ABG Elvis Songs, Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Songs of Kobalt Music Publishing und Sony/ATV Songs LLC
1.52:10
6Suspicion
Bass:
Bob Moore (U.S. bassist and bandleader) (von 1962-03-18 bis 1962-03-19)
Gitarre:
Harold Bradley (von 1962-03-18 bis 1962-03-19), Grady Martin (country/rockabilly guitarist) (von 1962-03-18 bis 1962-03-19) und Scotty Moore (American guitarist and recording engineer) (von 1962-03-18 bis 1962-03-19)
Klavier und Orgel:
Floyd Cramer (von 1962-03-18 bis 1962-03-19)
Saxophon:
Boots Randolph (von 1962-03-18 bis 1962-03-19)
Schlagzeug:
D.J. Fontana (von 1962-03-18 bis 1962-03-19) und Buddy Harman (Session drummer and songwriter) (von 1962-03-18 bis 1962-03-19)
Vibraphon [vibes]:
Grady Martin (country/rockabilly guitarist) (von 1962-03-18 bis 1962-03-19) und Boots Randolph (von 1962-03-18 bis 1962-03-19)
vocals:
The Jordanaires (southern gospel group) (von 1962-03-18 bis 1962-03-19) und Millie Kirkham (von 1962-03-18 bis 1962-03-19)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1961) und RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1962)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1962-03-18 bis 1962-03-19)
recording of:
Suspicion (von 1962-03-18 bis 1962-03-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
cover recording of:
Suspicion
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
2.52:36
7The Girl of My Best Friend
recording engineer:
Bill Porter (engineer) (am 1960-04-04)
Produzent(in):
Chet Atkins und Steve Sholes
vocals:
The Jordanaires (southern gospel group) (am 1960-04-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960) und RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
The Girl of My Best Friend (am 1960-04-04)
Verfasser(in):
Sam Bobrick und Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music und R&H Music
3.82:23
8The Thrill of Your Love
cover recording of:
Thrill of Your Love (am 1960-04-03)
Texter und Komponist(in):
Stan Kesler (US session musician, composer and producer)
publisher:
R&H Music
3:01
9Pocketful of Rainbows
recording of:
Pocketful of Rainbows (am 1960-05-06)
Texter und Komponist(in):
Ben Weisman und Fred Wise
publisher:
Chappell & Co. und Spirit Two Music Inc.
32:34
10There’s Always Me
vocals:
The Jordanaires (southern gospel group)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-03-12)
recording of:
There’s Always Me (am 1961-03-12)
Texter und Komponist(in):
Don Robertson (composer & instrumentalist)
publisher:
Don Robertson Music Corp. und Gladys Music Inc.
cover recording of:
There’s Always Me
Texter und Komponist(in):
Don Robertson (composer & instrumentalist)
publisher:
Don Robertson Music Corp. und Gladys Music Inc.
32:18
11Love Letters
phonographisches Urheberrecht (℗) von:
BMG Music (in 1966)
cover recording of:
Love Letters (am 1966-05-26)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und Warner/Chappell Music Ltd. (1996–2019)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
3.652:51
12I’ll Remember You
Produzent(in):
Felton Jarvis
cover recording of:
I’ll Remember You (von 1966-06-10 bis 1966-06-12)
Texter und Komponist(in):
Kui Lee (Hawaii, 1932–1966)
publisher:
Herb Montei Music
4:08
13It Hurts Me
phonographisches Urheberrecht (℗) von:
BMG Music (in 1964)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1964-01-12)
recording of:
It Hurts Me (am 1964-01-12)
Verfasser(in):
Joy Byers und Charles Daniels (tenor)
publisher:
Elvis Presley Music Inc.
22:29
14You Don’t Know Me
cover recording of:
You Don’t Know Me
Verfasser(in):
Eddy Arnold und Cindy Walker (US songwriter, singer and dancer)
publisher:
J. Albert & Son, Unichappell Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (publisher) (am 1955-08-19) und Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
2:29
15Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
3.552:44
16True Love
cover recording of:
True Love (High Society) (am 1957-02-23)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
22:07
17I Was the One
recording of:
I Was the One (am 1956-01-11)
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
2:35
18I Want You, I Need You, I Love You
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-04-14)
Gitarre:
Chet Atkins (am 1956-04-14) und Scotty Moore (American guitarist and recording engineer) (am 1956-04-14)
Klavier:
Marvin Hughes (am 1956-04-14)
Schlagzeug:
D.J. Fontana (am 1956-04-14)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-04-14)
vocals:
Brock Speer (am 1956-04-14), Ben Speer (am 1956-04-14), Lena Brock "Mom" Speer (am 1956-04-14) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-04-14)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-04-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 25)
recording of:
I Want You, I Need You, I Love You (am 1956-04-14)
Verfasser(in):
Ira Kosloff und Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music und Williamson Music Company
3.652:41
19Loving You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-02-23 bis 1957-02-24)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-02-23 bis 1957-02-24) und Elvis Presley (“The King of Rock and Roll”) (von 1957-02-23 bis 1957-02-24)
Klavier:
Dudley Brooks (von 1957-02-23 bis 1957-02-24)
Schlagzeug:
D.J. Fontana (von 1957-02-23 bis 1957-02-24)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-24)
vocals:
The Jordanaires (southern gospel group) (von 1957-02-23 bis 1957-02-24)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1957-02-24)
phonographisches Urheberrecht (℗) von:
BMG Music und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-02-23 bis 1957-02-24)
recording of:
Loving You (von 1957-02-23 bis 1957-02-24)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
cover recording of:
Loving You
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
3.52:14
20Love Me
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
cover recording of:
Love Me (von 1956-09-01 bis 1956-09-03)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
recording of:
Love Me, Love Me
Verfasser(in):
George Richey und Glenn Sutton (US songwriter and producer)
42:45
21Old Shep
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Klavier:
Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (von 1956-09-01 bis 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1956-09-01 bis 1956-09-03)
cover recording of:
Old Shep (von 1956-09-01 bis 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (am 1935-06-24)
Texter:
Willis Arthur (lyricist)
Komponist(in):
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
34:12
22That’s When Your Heartaches Begin
cover recording of:
That’s When Your Heartaches Begin (am 1957-01-13)
Verfasser(in):
Fred Fisher, Billy Hill (US songwriter) und William Raskin
publisher:
Fred Fisher Music Co., Inc. und Sony/ATV Tunes LLC (ASCAP)
3.53:23
23Young and Beautiful
cover recording of:
Young and Beautiful (am 1957-04-30)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) und Rachel’s Own Music
42:04
24Don’t Ask Me Why
cover recording of:
Don’t Ask Me Why (am 1958-01-16)
Verfasser(in):
Ben Weisman und Fred Wise
publisher:
Chappell & Co. und Erika Publishing
22:08
25As Long as I Have You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1958-01-15 bis 1958-01-23), Neal Matthews (von 1958-01-15 bis 1958-01-23) und Ray Siegel (von 1958-01-15 bis 1958-01-23)
Becken:
Hoyt Hawkins (von 1958-01-15 bis 1958-01-23)
Bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1958-01-15 bis 1958-01-23)
Gitarre:
Neal Matthews (von 1958-01-15 bis 1958-01-23), Scotty Moore (American guitarist and recording engineer) (von 1958-01-15 bis 1958-01-23) und Elvis Presley (“The King of Rock and Roll”) (von 1958-01-15 bis 1958-01-23)
Klarinette:
Mahlon Clark (von 1958-01-15 bis 1958-01-23)
Klavier:
Dudley Brooks (von 1958-01-15 bis 1958-01-23)
Posaune:
Elmer Schneider (von 1958-01-15 bis 1958-01-23) und Warren Smith (jazz trombonist) (von 1958-01-15 bis 1958-01-23)
Saxophon:
Justin Gordon (von 1958-01-15 bis 1958-01-23)
Schlagzeug:
D.J. Fontana (von 1958-01-15 bis 1958-01-23) und Bernie Mattinson (von 1958-01-15 bis 1958-01-23)
Trompete:
John Ed Buckner (von 1958-01-15 bis 1958-01-23)
Tuba:
Ray Siegel (von 1958-01-15 bis 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (von 1958-01-15 bis 1958-01-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-16, am 1958-01-23)
cover recording of:
As Long as I Have You (von 1958-01-15 bis 1958-01-23)
Verfasser(in):
Ben Weisman und Fred Wise
publisher:
Chappell & Co., Erika Publishing und Gladys Music Inc.
2.51:52
26Don’t
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-09-05 bis 1957-09-07)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-09-05 bis 1957-09-07) und Elvis Presley (“The King of Rock and Roll”) (von 1957-09-05 bis 1957-09-07)
Klavier:
Dudley Brooks (von 1957-09-05 bis 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
Schlagzeug:
D.J. Fontana (, von 1957-09-05 bis 1957-09-07)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1957-09-05 bis 1957-09-07) und Millie Kirkham (von 1957-09-05 bis 1957-09-07)
zusätzlich Hintergrundgesang und zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957, in 1958), BMG Entertainment (in 1958), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1958) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-09-05 bis 1957-09-07)
cover recording of:
Don’t (von 1957-09-05 bis 1957-09-07)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
3.22:50
27A Fool Such as I
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1958-06-10)
Gitarre:
Chet Atkins (am 1958-06-10), Hank Garland (am 1958-06-10) und Elvis Presley (“The King of Rock and Roll”) (am 1958-06-10)
Klavier:
Floyd Cramer (am 1958-06-10)
Schlagzeug:
D.J. Fontana (am 1958-06-10) und Buddy Harman (Session drummer and songwriter) (am 1958-06-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (am 1958-06-10)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1959) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1958-06-10) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 33)
live cover recording of:
(Now and Then There’s) a Fool Such as I (am 1958-06-10)
Texter und Komponist(in):
Bill Trader
publisher:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) und Universal/MCA Music Ltd. (not for release label use!)
cover recording of:
(Now and Then There’s) a Fool Such as I
Texter und Komponist(in):
Bill Trader
publisher:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) und Universal/MCA Music Ltd. (not for release label use!)
2.952:36

Nennungen

Veröffentlichung

ASIN:US: B00005NP7U [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/625468 [Info]