Platinum 80s Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼Supporto
#TitoloArtistaValutazioneDurata
1The Best
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman e Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
edit di:
The Best di Tina Turner
video musicali:
The Best di Tina Turner
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:10
2Do You Believe in Love
Huey Lewis & the News3:29
3Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
4Urgent
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sassofono :
Mark Rivera
sassofono solista :
Junior Walker
sintetizzatore :
Thomas Dolby
tastiera :
Michael Fonfara e Mick Jones (Foreigner/Spooky Tooth, worked in France)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Urgent
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd. e Somerset Songs Publishing Inc.
sub-editore:
Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner4.154:31
5I Am an Island
basso :
Clive Harrison
batteria :
Jon Farriss
chitarra [guitars] :
Harvey James
organo :
Mick O'Connor (keyboard)
voce di accompagnamento:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1982)
registrazione di:
I Am an Island
autore:
Richard Clapton
editore:
Orient Pacific Music Pty. Ltd.
Richard Clapton5:05
6Hold Me
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera :
Christine McVie
voce:
Christine McVie
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982, nel 2016) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2016)
mixata presso:
George Massenburg Studios in Los Angeles, California, Stati Uniti
registrazione di:
Hold Me
paroliere, autore e compositore:
Christine McVie e Robbie Patton
editore:
Fleetwood Mac Music (publisher) e Red Snapper Music
Fleetwood Mac4.153:45
7We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:52
8Rosanna
produttore:
Toto (US rock group)
basso :
David Hungate
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
tastiera :
David Paich e Steve Porcaro
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
arrangiatore:
David Paich e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione di:
Rosanna
paroliere e compositore:
D. Paich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music e Hudmar Publishing Co. Inc. (nel 1982)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:03
9Addicted to Love
tecnico:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric "E.T." Thorngren
batteria :
Tony Thompson (drummer, best known for his work in CHIC)
chitarra :
Andy Taylor (of Duran Duran)
chitarra basso :
Bernard Edwards (American bassist and record producer)
voce di accompagnamento:
Benny Diggs e Fonzi Thornton
arrangiatore voci:
Chaka Khan
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1985) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer44:26
10Whatever You Want
produttore:
Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979), Mercury Records Ltd. (London) (for copyrights use only) (nel 1979), Mercury Records Ltd. (UK) (nel 1979) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1979)
registrazione di:
Whatever You Want
scritta a:
Jersey
autore:
Andy Bown e Rick Parfitt (UK guitarist for Status Quo)
editore:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton e Shawbury Music Ltd. (publisher)
Status Quo43:48
11Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonanno e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Volcano Entertainment III, L.L.C. (nel 1985)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.73:48
12Rock 'n' Roll Is King
edit di:
Rock ’n’ Roll Is King di Rose Tattoo (Australian hard rock band)
registrazione di:
Rock 'n' Roll Is King
autore:
Angry Anderson e Mick Cocks
editore:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Rose Tattoo3:26
13Run to Paradise
basso :
Ian Hulme
batteria :
Lindsay Tebbutt
chitarra :
Brad Carr e Mark Gable
voce:
Mark Gable
diritti fonografici (℗) detenuti da:
Mushroom Records (nel 1987)
registrazione di:
Run to Paradise
autore:
Brad Carr e Mark Gable
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Choirboys44:08
14Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird (former audio engineer) e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.154:07
15Live It Up
tecnico:
Thom Panunzio
produttore:
Richard Gottehrer (American songwriter and music executive)
diritti fonografici (℗) detenuti da:
Syray Pty. Limited (Australian record company copyright holder and distributor) (nel 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1986) e Festival Records (Australian) (nel 1999)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia
registrazione di:
Live It Up
paroliere e compositore:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
editore:
Syray Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:49
16Solid Rock
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1982, nel 1997) e Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1982)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 47)
registrazione di:
Solid Rock (Sacred Ground)
autore:
Shane Howard (Australian singer / songwriter)
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Goanna4:31
17Cheap Wine
tecnico:
Mark Opitz e Neil Rawle
produttore:
Cold Chisel
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
pianoforte :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
voce:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) e Ian Moss
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1999) e Cold Chisel Pty Ltd (nel 2011)
registrazione di:
Cheap Wine
paroliere e compositore:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor e Rondor Music (Australia) Pty Ltd
Cold Chisel33:20
2▼Supporto
#TitoloArtistaValutazioneDurata
1Great Southern Land
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 35)
registrazione di:
Great Southern Land
paroliere e compositore:
Iva Davies
editore:
EMI Songs Australia e EMI Songs Australia Pty. Ltd.
Icehouse25:17
2Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
The Pretenders4.43:04
3Love Shack
assistente tecnico:
Martin Kunitz
tecnico:
Dave Cook (US engineer and producer)
produttore:
Don Was
tecnico di missaggio:
Tom Durack
batteria ospite :
Charley Drayton
chitarra :
Keith Strickland
chitarra basso ospite :
Sara Lee (UK bassist, singer & songwriter)
corno ospite :
Uptown Horns (US horn section, formed in 1980)
tastiera :
Kate Pierson
voce:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) e Cindy Wilson
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrata presso:
Dreamland Studios in Hurley, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
prodotta in aggiunta presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
video musicali:
Love Shack di The B‐52’s
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 243)
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s4.25:22
4Shake It Up
assistente tecnico:
Thom Moore (Syncro Sound engineer, Gang Green producer) e Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
tecnico:
Ian Taylor (rock producer/engineer)
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1981) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981)
registrata presso:
Syncro Sound in Boston, Massachusetts, Stati Uniti
registrazione di:
Shake It Up
editore:
Ric Ocasek (nel 1981)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc.
The Cars4.33:34
5Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:31
6How Soon Is Now?
tecnico:
Stephen Street (famous producer, songwriter)
produttore:
John Porter (producer and musician US and UK)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1984) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 3), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 421) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 486)
registrazione di:
How Soon Is Now? (nel 1984-07)
paroliere:
Morrissey (English singer‐songwriter)
autore:
Johnny Marr e Morrissey (English singer‐songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths4.756:46
7I Want Your Love
registrazione di:
I Want Your Love
paroliere e compositore:
Nick Christian Sayer
editore:
Notting Hill Music (UK) Ltd.
sub-editore:
Kobalt Music Publishing France
Transvision Vamp3:32
8Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (songwriter and producer) (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the singer, active as a solo artist 1975–present) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975–present) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:28
9White Wedding
produttore:
Keith Forsey (drummer, producer and songwriter)
basso :
Phil Feit (nel 1982)
batteria :
Steve Missal (nel 1982)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1982) e Steve Stevens (US guitarist and songwriter) (nel 1982)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1982)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982)
edit di:
White Wedding, Part 1 di Billy Idol (English rock singer‐songwriter)
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 53)
registrazione di:
White Wedding (nel 1982)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol2.653:35
10Boys in Town
basso :
Rick Grossman
batteria :
Richard Harvey (Australian drummer)
chitarra :
Bjarn Ohlin e Mark McEntee
tastiera :
Bjarn Ohlin
voce:
Christina Amphlett
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983)
registrazione di:
Boys in Town
autore:
Chrissy Amphlett, Mark McEntee e Jeremy Paul (bassist, Air Supply, Divinyls)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e EMI Songs
Divinyls32:51
11Beautiful World
registrazione di:
Beautiful World
autore:
Gerald Casale e Mark Mothersbaugh
editore:
J. Albert & Son Pty. Ltd.
DEVO3:33
12Love My Way
registrazione di:
Love My Way
paroliere e compositore:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) e Vince Ely
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. e EMI Songs Musikverlag GmbH
The Psychedelic Furs3:33
13Glittering Prize
produttore:
Keith Forsey (drummer, producer and songwriter) e Peter Walsh (UK producer)
registrazione di:
Glittering Prize
autore:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Publishing Ltd.
Simple Minds4:00
14Beat Surrender
produttore:
Peter Wilson (UK Producer)
tromba :
Martin Drover e Luke Tunney
voce di accompagnamento:
Afrodiziac, Claudia Fontaine (vocals, background vocals), Tracie (80s UK pop singer Tracie Young) e Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
registrata presso:
Phonogram Studios in London (Greater London), England, Regno Unito (nel 1982-10)
registrazione di:
Beat Surrender (nel 1982-10)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd. e Stylist Music Ltd.
The Jam3:22
15Rock 'n' Roll High School
registrazione di:
Rock ’n’ Roll High School
autore:
Douglas Glenn Colvin, Jeffrey Hyman e John Cummings
Ramones2:22