L’elisir d’amore

~ Release by Gaetano Donizetti; Mirella Freni, Renzo Casellato, Mario Basiola jr., Sesto Bruscantini, Elena Zilio, Orchestra Sinfonica e Coro di Torino della RAI, Mario Rossi (see all versions of this release, 1 available)

Annotation

Recording of a performance broadcast on 3 September 1968

Conductor Mario Rossi
Orchestra - RAI Torino
Chorus - RAI Torino

Adina - Mirella Freni
Nemorino - Renzo Casellato
Dulcamara - Sesto Bruscantini
Belcore - Mario Basiola jr.
Giannetta - Elena Zilio

Annotation last modified on 2020-02-01 13:05 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1L’elisir d’amore: Atto I. “Bel conforto al mietitore”
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Coro d’Introduzione “Bel conforto al mietitore” (Giannetta, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:09
2L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara”
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:18
3L’elisir d’amore: Atto I. “Benedette queste carte! Della crudele Isotta”
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!” … “Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:29
4L’elisir d’amore: Atto I. “Come Paride vezzoso”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) (Cavatina) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:41
5L’elisir d’amore: Atto I. “Più tempo, oh Dio, non perdere”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. “Più tempo, oh Dio, non perdere” (Belcore, Adina, Giannetta, Nemorino, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:46
6L’elisir d’amore: Atto I. “Una parola, o Adina”
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:40
7L’elisir d’amore: Atto I. “Chiedi all’aura lusinghiera”
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Duetto “Chiedi all’aura lusinghiera” (Adina, Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:33
8L’elisir d’amore: Atto I. “Per guarir di tal pazzia”
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. “Per guarir di tal pazzia” (Adina, Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:15
9L’elisir d’amore: Atto I. “Che vuol dire codesta suonata?”
choir vocals:
Coro di Torino della RAI (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Coro “Che vuol dire cotesta suonata” (Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:54
10L’elisir d’amore: Atto I. “Udite, udite, o rustici”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Cavatina “Udite, udite, o rustici” … “Così chiaro è come il sole” (Dulcamara, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:48
11L’elisir d’amore: Atto I. “Ardir! Ha forse il cielo”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Recitativo “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:55
12L’elisir d’amore: Atto I. “Voglio dire … lo stupendo elisir”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” … “Obbligato, ah! Sì obbligato!” (Nemorino, Dulcamara) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti6:24
13L’elisir d’amore: Atto I. “Caro elisir! sei mio!”
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:29
14L’elisir d’amore: Atto I. “Esulti pur la barbara”
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (in 1968)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:43
15L’elisir d’amore: Atto I. “Tran tran, tran tran, tran tran”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Terzetto “Tran, tran, tran...In guerra ed in amor” (Belcore, Adina, Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:13
16L’elisir d’amore: Atto I. “Signor sergente, signor sergente”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Scena e quartetto “Signor sargente, di voi richiede la vostra gente” (Giannetta, Belcore, Nemorino, Adina, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:34
17L’elisir d’amore: Atto I. “Adina, credimi, te ne scongiuro …”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto I. Quartetto “Adina credimi, te ne scongiuro” (Nemorino, Belcore, Adina, Giannetta, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:29
2▼CD
#TitleArtistRatingLength
1L’elisir d’amore: Atto II. “Cantiamo, facciam brindisi”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:15
2L’elisir d’amore: Atto II. “ Io son ricco, e tu sei bella”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:05
3L’elisir d’amore: Atto II. “Le feste nuziali”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Recitativo “Le feste nuziali” (Dulcamara, Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:03
4L’elisir d’amore: Atto II. “La donna è un animale”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:19
5L’elisir d’amore: Atto II. “Ai perigli della guerra”
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti5:04
6L’elisir d’amore: Atto II. “Saria possibile”
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:40
7L’elisir d’amore: Atto II. “Dell’elisir mirabile”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:51
8L’elisir d’amore: Atto II. “Come sen va contendo!”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Recitativo “Come sen va contento!” (Adina, Dulcamara) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:40
9L’elisir d’amore: Atto II. “Quanto amore! Ed io, spietata!”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:31
10L’elisir d’amore: Atto II. “Una tenera occhiatina”
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. “Una tenera occhiatina” (Adina, Dulcamara) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:41
11L’elisir d’amore: Atto II. “Una furtiva lagrima”
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti6:12
12L’elisir d’amore: Atto II. “Prendi; per me sei libero”
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti6:50
13L’elisir d’amore: Atto II. “Alto! … fronte! Che vedo?”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
mezzo-soprano vocals [Giannetta]:
Elena Zilio (mezzo-soprano) (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti0:52
14L’elisir d’amore: Atto II. “Ei corregge ogni difetto”
baritone vocals [Belcore]:
Mario Basiola jr. (italian operatic baritone) (in 1968)
bass-baritone vocals [Dulcamara]:
Sesto Bruscantini (bass-baritone) (in 1968)
choir vocals:
Coro di Torino della RAI (in 1968)
soprano vocals [Adina]:
Mirella Freni (soprano) (in 1968)
tenor vocals [Nemorino]:
Renzo Casellato (tenor) (in 1968)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1968)
conductor:
Mario Rossi (Italian conductor) (in 1968)
recording of:
L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:12