More Complete Eighties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼Copy Control CD
Nr.TitelKünstlerBewertungLänge
1Dreaming My Dreams With You
phonographisches Urheberrecht (℗) von:
Wizard Records (Germany, hard-trance) (in 1980)
recording of:
Dreaming My Dreams With You
Texter und Komponist(in):
Allen Reynolds
publisher:
Image Music (Australian) und Jack Music, Inc.
Colleen Hewett3:44
2Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:29
3Everybody's Got to Learn Sometime
phonographisches Urheberrecht (℗) von:
Action Replay Records (in 1990)
recording of:
Everybody’s Got to Learn Sometime
Texter und Komponist(in):
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) und Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:03
4Generals and Majors
Techniker(in):
Hugh Padgham
Produzent(in):
Steve Lillywhite
recording of:
Generals and Majors
Texter und Komponist(in):
Colin Ivor Moulding
publisher:
Virgin Music Publishers
XTC53:40
5Feels Like I'm in Love
recording of:
Feels Like I’m in Love
Texter und Komponist(in):
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) und Satellite Music Ltd.
Kelly Marie3:16
6State of the Heart
phonographisches Urheberrecht (℗) von:
Fable Records (in 1980)
Teil von:
Mixtape – Game Soundtrack (Nummer: 9)
recording of:
State of the Heart
Texter und Komponist(in):
Eric McCusker
publisher:
Origin Music (publisher)
Mondo Rock4:16
7Lady
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) und Liberty Records, Inc. (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 67)
recording of:
Lady (in 1980)
Texter und Komponist(in):
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers33:53
8Why Won't You Explain
recording of:
Why Won’t You Explain
Texter:
Denis Walter (Host of 3AW 693 Afternoons in Melbourne)
Komponist(in):
Guido De Angelis (singer, composer, arranger and musician) und Maurizio De Angelis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Karen Knowles3:43
9To Cut a Long Story Short
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
To Cut a Long Story Short
Texter und Komponist(in):
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. und Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
10They Won't Let My Girlfriend Talk to Me
recording of:
They Won't Let My Girlfriend Talk to Me
Komponist(in):
Tim Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jimmy & the Boys3:15
11The Unguarded Moment
Produzent(in):
Bob Clearmountain und Chris Gilbey
Mix:
Bob Clearmountain
Bass und Keyboard:
Steve Kilbey
Gitarre:
Peter Koppes und Marty Willson-Piper
Schlagzeug:
Richard Ploog
vocals:
Steve Kilbey
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!), Sony/ATV Music Publishing (in 1981) und Sony/ATV Northern Productions Pty Limited (in 1981)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 75)
recording of:
The Unguarded Moment
Verfasser(in):
Steve Kilbey und Michelle Parker
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher) und Sony/ATV Music Publishing Ltd.
The Church4:15
12Things Don't Seem
Techniker(in):
Dave Marett (engineer)
Produzent(in):
Peter Dawkins
Akustikgitarre, E-Gitarre und Slide-Gitarre:
Simon Binks (von 1981-03 bis 1981-04)
Bass:
Paul Williams (bassist in 'Australian Crawl') (von 1981-03 bis 1981-04)
Gitarre:
Guy McDonough (von 1981-03 bis 1981-04) und Brad Robinson (von 1981-03 bis 1981-04)
Klavier und Sologesang:
James Reyne (von 1981-03 bis 1981-04)
Perkussion und Schlagzeug:
Bill McDonough (von 1981-03 bis 1981-04)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1981, in 1998) und Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1981)
aufgenommen bei und mixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australien (von 1981-03 bis 1981-04)
recording of:
Things Don't Seem (von 1981-03 bis 1981-04)
Komponist(in):
Sean Higgins (songwriter) und Guy McDonough
publisher:
Warner/Chappell Pty. Ltd.
Australian Crawl3:55
13This Little Girl
recording of:
This Little Girl
Texter und Komponist(in):
Bruce Springsteen (in 1980)
Gary “U.S.” Bonds3:42
14Queen of Hearts
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Queen of Hearts (am 1980-10-21)
Texter und Komponist(in):
Hank DeVito
publisher:
Bug Music (music publishing) und Drunk Monkey Music (in 1979)
Juice Newton3.83:23
15Chequered Love
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Chequered Love (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde53:20
16We Got the Beat
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
recording of:
We Got the Beat
Texter und Komponist(in):
Charlotte Caffey
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978)
publisher:
Daddy-Oh Music und Universal Music–MGB Songs
The Go‐Go’s4.52:31
17Freeze Frame
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981)
recording of:
Freeze-Frame
Verfasser(in):
Seth Justman und Peter Wolf (US rock vocalist, member of J. Geils Band)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Kobalt Songs Music Publishing (USA, ASCAP affiliated)
J. Geils Band53:56
18Do You Believe in Love
recording engineer:
Jim Gaines
Produzent(in):
Huey Lewis and the News (American pop rock band)
Mix:
Bob Clearmountain
Bassgitarre:
Mario Cipollina
Gitarre:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Schlagzeug und Perkussion:
Bill Gibson (US drummer for Huey Lews & the News)
Sologesang:
Huey Lewis
recording of:
Do You Believe in Love
Texter und Komponist(in):
Robert John “Mutt” Lange (Robert John Lange)
publisher:
Out-of-Pocket Productions Ltd.
Huey Lewis & the News43:27
19More Than This
recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:16
2▼Copy Control CD
Nr.TitelKünstlerBewertungLänge
1Rapture
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980, in 1981, in 2002)
recording of:
Rapture
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
Blondie4.155:35
2View From a Bridge
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
View From a Bridge
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde43:31
3Hungry Like the Wolf
Techniker(in) und Produzent(in):
Colin Thurston
Interpret(in):
Duran Duran (English rock band) (in 1982)
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 398)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran3.353:25
4Talk Talk
Produzent(in):
Rhett Davies
recording of:
Talk Talk (Talk Talk)
Texter und Komponist(in):
Ed Hollis (British songwriter and producer) und Mark Hollis
Talk Talk52:56
5Take the L
recording of:
Take the L
Verfasser(in):
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer), Martha Davis (of The Motels) und Marty Jourard (keyboardist and vocalist for The Motels)
publisher:
Bug Music (music publishing), Hello Mr. Wilson und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Motels43:39
6Don't Go
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Don’t Go
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Scandinavia KB
Yazoo4.53:01
7It Started With a Kiss
Produzent(in):
Mickie Most (English record producer)
Sologesang:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
Musikvideos:
It Started With a Kiss von Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate34:01
8Do You Really Want to Hurt Me?
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:21
9Science Fiction
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1983)
recording of:
Science Fiction (Divinyls song)
Verfasser(in):
Chrissy Amphlett und Mark McEntee
publisher:
EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Divinyls3:30
10The Message
Produzent(in):
J. Chase und Sylvia Robinson
vocals:
Duke Bootee und Melle Mel (Melvin Glover aka Melle Mel)
phonographisches Urheberrecht (℗) von:
Sugar Hill Records (US late 70s/early 80s rap) (vom 1982 bis heute)
Bearbeitung von:
The Message (original version) von Grandmaster Flash & The Furious Five
recording of:
The Message (in 1982)
Verfasser(in):
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.353:11
11The Other Guy
recorded in:
Melbourne, Victoria, Australien (in 1982-09)
Produzent(in):
Little River Band und Ern Rose
Akustikgitarre:
Beeb Birtles (in 1982-09) und Graham Goble (in 1982-09)
Bass:
Wayne Nelson (in 1982-09)
Gitarre:
Beeb Birtles (in 1982-09) und Stephen Housden (guitarist) (in 1982-09)
Hybrid-Piano:
David Hirschfelder (Australian score composer) (in 1982-09)
Schlagzeug:
Derek Pellicci (in 1982-09)
Synthesizer:
Peter Jones (Australian pianist/composer) (in 1982-09)
Sologesang:
John Farnham (in 1982-09)
vocals:
Beeb Birtles (in 1982-09) und Graham Goble (in 1982-09)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982, in 2002) und Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
recording of:
The Other Guy (in 1982-09)
Texter und Komponist(in):
Graeham Goble
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal/MCA Music Publishing Pty Ltd
Little River Band3.52:49
12We've Got Tonight
Sologesang:
Sheena Easton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
Interpret(in):
Sheena Easton
cover recording of:
We’ve Got Tonite
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records & Distributors, Inc. und Gear Publishing Co (in 1976)
sub-publisher:
大洋音楽 (Taiyō Music)
recording of:
We’ve Got Tonite
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records & Distributors, Inc. und Gear Publishing Co (in 1976)
sub-publisher:
大洋音楽 (Taiyō Music)
Kenny Rogers & Sheena Easton33:48
13She Blinded Me With Science
drum machine und andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Dolby und Tim Friese‐Greene
Gast-Moog [Moog bass]:
Matthew Seligman (in 1982-08)
Geige / Violine:
Simon House (in 1982-08)
Hintergrundgesang:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) und Miriam Stockley (in 1982-08)
Sprecher:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 76)
recording of:
She Blinded Me With Science (in 1982-08)
Texter:
Thomas Dolby und Tim Kerr (songwriter working with Thomas Dolby)
Komponist(in):
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Participation Music Inc.
Thomas Dolby43:42
14Jeopardy
phonographisches Urheberrecht (℗) von:
Castle Communications PLC (not for label use, copyright holder) (in 1983)
recording of:
Jeopardy
Verfasser(in):
Greg Kihn und Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:50
15No Tragedy
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1983)
recording of:
No Tragedy
Verfasser(in):
Geoff Turner (Australian)
publisher:
Rondor Music (Australia) Pty Ltd
The Radiators4:01
16(Keep Feeling) Fascination
Produzent(in):
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
Musikvideos:
(Keep Feeling) Fascination von The Human League
recording of:
(Keep Feeling) Fascination
Verfasser(in):
Jo Callis und Philip Oakey
The Human League3.253:43
17Listening
Techniker(in):
Glenn Phimister
Koproduzent(in):
Ross Fraser
Produzent(in) und Mix:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) und Brian Canham (Australian singer ex. Pseudo Echo)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1984)
recording of:
Listening
Verfasser(in):
Brian Canham (Australian singer ex. Pseudo Echo) und Tony Lugton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music Pty. Ltd.
Pseudo Echo52:59
18Computer One
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recording of:
Computer One
Verfasser(in):
Martin Fisher (keyboards, in Dear Enemy) und Chris Langford
publisher:
EMI Music Publishing (do not use as a release label!)
Dear Enemy4:36
19Temptation
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 1734:11
3▼Copy Control CD
Nr.TitelKünstlerBewertungLänge
1True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:35
2This Is Not a Love Song
Produzent(in) und Mix:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd.44:11
3Everywhere I Go
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1984)
recording of:
Everywhere I Go
Verfasser(in):
Tony Backhouse und Jenny Morris (NZ‐born Australian singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
QED3:31
4The Politics of Dancing
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1984)
recording of:
The Politics of Dancing
Texter und Komponist(in):
Paul Fishman (UK musician, songwriter and producer. One half of Goldfish Productions.)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited und Metric Music Ltd.
Re‐Flex3.353:45
5Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:46
6Rush, Rush
recording of:
Rush Rush
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
MCA Music Ltd.
Deborah Harry4:45
7A Beat for You
Koproduzent(in):
Ross Fraser
Produzent(in) und Mix:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) und Brian Canham (Australian singer ex. Pseudo Echo)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1984)
recording of:
A Beat for You (Pseudo Echo)
publisher:
Brian Canham (Australian singer ex. Pseudo Echo)
Texter und Komponist(in):
Brian Canham (Australian singer ex. Pseudo Echo)
Pseudo Echo53:43
8Dancing With Tears in My Eyes
Techniker(in):
Rik Walton
Produzent(in):
Ultravox
Mix:
John Hudson (producer, recording and mixing engineer) (am 1984-03-19)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984, in 2025)
aufgenommen bei:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich (am 1983-08-08)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (am 1984-03-19)
Musikvideos:
Dancing With Tears in My Eyes von Ultravox
recording of:
Dancing With Tears in My Eyes (am 1983-08-08)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox43:53
9What's Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.153:48
10Searchin' (I Gotta Find a Man)
recording of:
Searchin’ (I Gotta Find a Man) (in 1983)
Texter und Komponist(in):
Ian Anthony Stephens
Hazell Dean3:36
11The War Song
assistierende(r) Techniker(in):
Peter Lees
Techniker(in):
Gordon Milne (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1984)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
Gast-Posaune:
Kenneth McGregor (in 1984)
Gast-Saxophon:
Steve Grainger (saxophonist) (in 1984)
Gast-Trompete:
Ron Williams (Trumpeter) (in 1984)
Gast Hintergrundgesang:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) und Clare Torry (in 1984)
vocals:
Boy George (in 1984)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1984)
Musikvideos:
The War Song von Culture Club (English pop group)
recording of:
The War Song (in 1984)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club3.654:10
12Too Late for Goodbyes
recording of:
Too Late for Goodbyes
Texter und Komponist(in):
Julian Lennon
publisher:
Charisma Music Publishing Ltd und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Julian Lennon3:30
13The Wild Boys
Techniker(in), Audio-Engineering und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Duran Duran (English rock band) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984, in 1998)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 54)
recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
live recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
Duran Duran4.14:16
14We Belong
assistierende(r) Techniker(in):
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
Produzent(in):
Pete Coleman und Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistierende(r) Mix:
Murray Dvorkin und Bino Espinoza
Bassgitarre:
Donnie Nossov
Gitarre und Mundharmonika:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Perkussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) und Myron Grombacher
Schlagzeug:
Myron Grombacher
zusätzlich Gast-Bassgitarre:
Roger Capps
Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Belong
Verfasser(in):
Eric Lowen und Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:40
15Strut
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Strut
Verfasser(in):
Charlie Dore und Julian Littman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und PolyGram Music Publishing
Sheena Easton3:58
16Body Rock
phonographisches Urheberrecht (℗) von:
Capitol Records Ltd. (not for release label use; UK company)
recording of:
Body Rock
Verfasser(in):
John Bettis und Sylvester Levay
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:40
17Solid
recording of:
Solid
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:07
4▼Copy Control CD
Nr.TitelKünstlerBewertungLänge
1Don't You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
2Kiss Me
recording of:
Kiss Me
Texter und Komponist(in):
Stephen Duffy
publisher:
EMI Music Ltd. (in 1985)
Stephen "Tin Tin" Duffy3.353:32
3Get It On (Bang a Gong)
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
zusätzliche(r) Techniker(in):
Rob Eaton, Steve Rinkoff und Tony Taverner
Produzent(in):
Bernard Edwards (American bassist and record producer)
Bassgitarre:
John Taylor (UK bassist for Duran Duran)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Sologesang:
Robert Palmer (English singer‐songwriter)
mixed at und engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
cover recording of:
Get It On (Bang a Gong)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
The Power Station45:31
4Call Me
recording of:
Call Me
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
Go West4:07
5Bittersweet
Techniker(in):
John Bee
Produzent(in):
Charles Fisher (Australian producer)
Bassgitarre:
Clyde Bramley
Becken und Schlagzeug:
Mark Kingsmill
Sologesang:
Dave Faulkner (David Faulkner)
phonographisches Urheberrecht (℗) von:
Hoodoo Gurus Pty Ltd (in 1985)
mixed at:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australien (in 1985-05)
recording of:
Bittersweet
Texter und Komponist(in):
Dave Faulkner (David Faulkner)
publisher:
Best of All Music und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
EMI Music Publishing France
Hoodoo Gurus3:45
6Crazy in the Night (Barking at Airplanes)
Musikvideos:
Crazy in the Night (Barking at Airplanes) (music video) von Kim Carnes
recording of:
Crazy in the Night (Barking at Airplanes)
Texter und Komponist(in):
Kim Carnes
Kim Carnes3:27
7Never Surender
recording of:
Never Surrender
Texter und Komponist(in):
Corey Hart
Corey Hart4:51
8The Whole of the Moon
Produzent(in):
Mike Scott (The Waterboys)
Mix:
Mick Glossop (producer & engineer)
Bass-Synthesizer und Synthesizer:
Karl Wallinger (in 1985-05)
Gitarre und Klavier:
Mike Scott (The Waterboys) (in 1985-05)
Perkussion:
Martin Ditcham (in 1985-05)
Saxophon:
Anthony Thistlethwaite (in 1985-05)
Schlagzeug:
Chris Whitten (in 1985-05)
Trompete:
Roddy Lorimer (in 1985-05)
Hintergrundgesang:
Max Edie (in 1985-05) und Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
phonographisches Urheberrecht (℗) von:
Ensign Records Ltd. (company; do NOT use as release label) (in 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1985) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 2020)
recording of:
The Whole of the Moon (in 1985-05)
Texter und Komponist(in):
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:01
9You Little Thief
Mix:
Shelly Yakus
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (vom 1985 bis heute)
recording of:
You Little Thief
Texter und Komponist(in):
Benmont Tench
Feargal Sharkey55:04
10Far Side of Crazy
recording of:
Far Side of Crazy
Komponist(in):
Andy Prieboy
Wall of Voodoo4:00
11Love Missile F1-11
recording of:
Love Missile F1‐11
Texter und Komponist(in):
Martin Degville, Tony James (UK bassist/guitarist) und Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik3:46
12Mad About You
Techniker(in):
William Orbit (English musician, composer and record producer)
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
remixer:
William Orbit (English musician, composer and record producer)
phonographisches Urheberrecht (℗) von:
International Record Syndicate, Inc. (in 1986) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
produced for:
Mike Curb Productions
recording of:
Mad About You
Verfasser(in):
Paula Jean Brown, Mitchel Young Evans und James Whelan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Belinda Carlisle3.353:35
13Stuck With You
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1986)
recording of:
Stuck with You
Texter und Komponist(in):
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hulex Music (publisher) (in 1986)
Huey Lewis & the News4:24
14Human
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986, in 2003)
Musikvideos:
Human von The Human League
recording of:
Human
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Flyte Tyme Tunes
The Human League3.53:45
15Wild Wild Life
Assistent recording engineer:
Kathy Botich, Nick Del Re und Melanie West (engineer)
recording engineer:
Eric “E.T.” Thorngren
Produzent(in):
Talking Heads
assistierende(r) Mix:
Charles Brocco, Robin Laine und Tom Nist (engineer)
Mix:
Mick Guzauski
Bassgitarre [bass]:
Tina Weymouth
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug [drums]:
Chris Frantz
Hintergrundgesang:
Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1986)
aufgenommen bei:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
O’Henry Studios in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Wild Wild Life
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads3.653:40
16(Forever) Live and Die
recording engineer und Mix:
Tom Lord‐Alge
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
aufgenommen bei und mixed at:
Studio de la Grande Armée in Paris, Île-de-France, Frankreich
recording of:
(Forever) Live and Die
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark), Graham Weir und Neil Weir
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark1.53:27
17I Wanna Wake Up With You
recording of:
I Want to Wake Up With You
Texter und Komponist(in):
Ben Peters (country music songwriter)
publisher:
Ben Peters Music (BMI) und IQ Music
Boris Gardiner3:03
5▼Copy Control CD
Nr.TitelKünstlerBewertungLänge
1Sometimes
Produzent(in):
Flood (British producer Mark Ellis)
Mix:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) und Mike Pela
Trompete:
Guy Barker
Teil von:
Cachitos Nochevieja 2022 (Nummer: 107)
recording of:
Sometimes
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:39
2Sweet Sixteen
Techniker(in):
Dave Concors, Neil Dorfsman und Dave Wittman
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
assistierende(r) Mix:
Craig Vogel
Mix:
Gary Langan
Bass:
Marcus Miller (jazz musician) (in 1986)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1986) und Steve Stevens (US guitarist and songwriter) (in 1986)
Keyboard und Schlagzeug:
Keith Forsey (drummer, producer and songwriter) (in 1986)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1986)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986), BMG Ariola München GmbH (in 1987) und Chrysalis Records, Inc. (not for release label use!) (in 1987)
aufgenommen bei:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideo für:
Sweet Sixteen von Billy Idol (English rock singer‐songwriter)
recording of:
Sweet Sixteen (in 1986)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music und Rare Blue Music Inc
Billy Idol3.84:12
3Alone
assistierende(r) Techniker(in):
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) und Toby Wright (producer & engineer)
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Gitarre:
Howard Leese
Schlagzeug:
Denny Carmassi
Hintergrundgesang:
Howard Leese und Nancy Wilson (guitarist/singer of “Heart”)
Sologesang:
Ann Wilson (lead singer of Heart)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Musikvideos:
Alone von Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (vom 1983 bis heute) und Denise Barry Music (vom 1983 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.653:39
4Friday on My Mind
cover recording of:
Friday on My Mind
Verfasser(in):
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. und Unart Music Corporation (in 1973)
Gary Moore4:12
5Shattered Dreams
Produzent(in):
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) und Mike Nocito
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
Texter und Komponist(in):
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sweet Oily Music
Johnny Hates Jazz4.53:26
6Heart and Soul
recording of:
Heart and Soul
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd und Virgin Music (Publishing) Ltd.
T’Pau4:07
7Fall of Rome
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recording of:
Fall of Rome
Texter und Komponist(in):
James Reyne
publisher:
Mushroom Music Pty. Ltd. und Mushroom Music Publishing
James Reyne4:59
8That’s the Way It Is
recording of:
That’s the Way It Is
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mel & Kim23:23
9Boys (Summertime Love)
Produzent(in):
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
Texter:
Claudio Cecchetto (Italian record producer & talent scout) und Malcolm Charlton
Komponist(in):
Matteo Bonsanto und Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.63:43
10Nothin’ but a Good Time
Techniker(in):
Duane Baron
Produzent(in):
Tom Werman
Mix:
Duane Baron, John Purdell und Tom Werman
Bassgitarre:
Bobby Dall
Gitarre:
C.C. DeVille
Schlagzeug:
Rikki Rockett
Sologesang:
Bret Michaels
recording of:
Nothin’ but a Good Time
Verfasser(in):
Bobby Dall, C.C. DeVille, Bret Michaels und Rikki Rockett
publisher:
Cyanide Publishing
Poison4.43:45
11Hey Little Boy
recording of:
Hey Little Boy
Verfasser(in):
Don Baskin und Bob Gonzalez
Divinyls3:21
12All Fired Up
cover recording of:
All Fired Up
Texter und Komponist(in):
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar34:09
13She Makes My Day
Techniker(in):
Tim Kramer (engineer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
phonographisches Urheberrecht (℗) von:
Remlap Co. Inc. (in 1988)
recording of:
She Makes My Day
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Island Music Ltd.
Robert Palmer34:19
14I’m on My Way
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
I’m on My Way
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers33:33
15How’m I Gonna Sleep
recording of:
How'm I Gonna Sleep
Verfasser(in):
Tim Finn
Tim Finn3:51
16Cry in Shame
recording engineer:
Terry Manning (US recording engineer) (von 1988-08 bis 1988-09)
Produzent(in) und Mix:
Terry Manning (US recording engineer)
Bass:
Johnny 'Tatt' Dalzell (von 1988-08 bis 1988-09)
Gitarre:
Diesel (Australian pop rock aka Mark Lizotte) (von 1988-08 bis 1988-09)
Saxophon und Hintergrundgesang:
Bernie Bremond (von 1988-08 bis 1988-09)
instruments arranger:
Brent Eccles und Terry Manning (US recording engineer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten (von 1988-08 bis 1988-09)
recording of:
Cry in Shame (von 1988-08 bis 1988-09)
Texter und Komponist(in):
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs
Johnny Diesel & the Injectors34:43
17Back to Life (However Do You Want Me)
recording of:
Back to Life
Verfasser(in):
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo und Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul3:45

Nennungen

Veröffentlichung

hergestellt in:Australien
hergestellt von:EMI Music Australia Pty. Limited (not for release label use!)
vertrieben von:EMI Music Group Australasia (not for release label use! manufacturer and distributor)
urheberrechtlich geschützt (©) von:EMI Music Australia Pty. Limited (not for release label use!) (in 2006)
vermarkted von:EMI Music Australia Pty. Limited (not for release label use!)
EMI Music Group Australasia (not for release label use! manufacturer and distributor)
Discogs:https://www.discogs.com/release/2231402 [Info]