Greatest Hits of the ’80’s: The Definitive Singles Collection 1980–1989

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

This release was not in Belgium but in Benelux, (a name for Belgium, Netherlands and Luxembourg)

Annotazione modificata l'ultima volta il 2011-11-05 15:21 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1She Drives Me Crazy
tecnico:
David Z. (producer/engineer David Rivkin)
co-produttore:
Fine Young Cannibals e David Z. (producer/engineer David Rivkin)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988) e London Records Ltd. (not release label) (nel 1989)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 77)
registrazione di:
She Drives Me Crazy (Fine Young Cannibals song)
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:36
2Beast of Burden
voce principale:
Bette Midler
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrazione cover di:
Beast of Burden
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
Colgems-EMI Music Co. (publisher)
Bette Midler43:45
3Abracadabra
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
tecnico aggiunto:
Gary Mallaber
produttore:
Gary Mallaber e Steve Miller (leader of Steve Miller Band)
basso :
Gerald Johnson
batteria e tastiera :
Gary Mallaber
chitarra [guitars] e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
sintetizzatore e tastiera [keyboards] :
Byron Allred
diritti fonografici (℗) detenuti da:
Sailor Records (Steve Miller label)
registrazione di:
Abracadabra
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
Sailor Music
Steve Miller Band4.855:07
4Pamela
registrazione di:
Pamela
autore:
David Paich e Joseph Williams (vocalist for Toto, son of composer John Williams)
editore:
Hudmar Publishing Co. Inc. e Jogi Wimball Music
Toto5:10
5I Won’t Let You Down
registrazione di:
I Won’t Let You Down
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Tony Hymas
PHD44:00
6What’s a Matter Baby
registrazione di:
What’s a Matter Baby
autore:
Joy Byers e Clyde Otis (American songwriter and record producer)
Ellen Foley3:36
7I’ll Find My Way Home
produttore:
Vangelis (Greek composer of electronic, new age and classical)
strumenti e esecutore:
Vangelis (Greek composer of electronic, new age and classical)
voce:
Jon Anderson (Yes/Jon & Vangelis)
voce principale:
Jon Anderson (Yes/Jon & Vangelis)
arrangiatore:
Vangelis (Greek composer of electronic, new age and classical)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1981) e Spheric B.V. (nel 1981)
registrazione di:
I’ll Find My Way Home
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell North America
Jon and Vangelis44:31
8Cry
produttore:
Godley & Creme e Trevor Horn
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1985) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1985)
registrata da:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
registrazione di:
Cry
autore:
Lol Creme e Kevin Godley
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd. (nel 1985)
Godley & Creme43:55
9Rain in May
registrazione di:
Rain in May
autore:
Chris Meldon e Chris Pilgram (singer, songwriter, arranger, producer)
editore:
Nada Music GmbH e Roba Music (publisher)
Max Werner3:34
10Rock Me Amadeus
produttore:
Ferdi Bolland e Rob Bolland
diritti fonografici (℗) detenuti da:
GiG Records (Austrian label) (nel 1985) e TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (nel 1985)
video musicali:
Rock Me Amadeus di Falco (Austrian pop & rock musician)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 15) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 87)
registrazione di:
Rock Me Amadeus (nel 1985)
paroliere:
Ferdi Bolland, Rob Bolland e Falco (Austrian pop & rock musician)
compositore:
Ferdi Bolland e Rob Bolland
editore:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) e Nada Music (Dutch publisher)
Falco3.653:21
11Half a Boy & Half a Man
voce:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
registrazione di:
Half a Boy, Half a Man
paroliere e compositore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
editore:
BMG Platinum Songs US e BMG Rights Management (see annotation)
Nick Lowe42:55
12The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
13Peter Gunn
registrazione cover di:
Peter Gunn
paroliere e compositore:
Henry Mancini (US composer, conductor & arranger)
parte di:
Peter Gunn (American TV series 1958–1961)
Emerson, Lake & Palmer4:30
14For America
produttore:
David Motion
registrazione di:
For America
paroliere e compositore:
Simon Toulson-Clarke
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Red Box53:45
15Only Crying
registrazione di:
Only Crying
paroliere e compositore:
Keith Marshall (British singer and guitarist)
Keith Marshall4:09
16The Sign of the Times
tecnico:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) e Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
batteria :
Judy Parsons
chitarra :
Sarah‐Jane Owen
chitarra basso :
Lesley Shone
sassofono contralto :
Miranda Joyce
voce principale:
Jennie Matthias
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1983)
registrazione di:
Sign of the Times
autore:
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons e Lesley Shone
The Belle Stars4.652:53
17Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:02
18Words
produttore:
Jean-Michel Gallois-Montbrun (Rolando Tambin) e Frédéric Leibovitz
arrangiatore:
Daniel Darras, F.R. David e Frédéric Leibovitz
diritti fonografici (℗) detenuti da:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (nel 1982)
registrazione di:
Words
paroliere:
Martin Kupersmith e Louis Sandy Yagura
autore:
Martin Kupersmith, Louis Sandy Yagura e Robert Fitoussi (French artist)
compositore:
Robert Fitoussi (French artist)
editore:
Fable Music e Warner Chappell
versione tradotta di:
Sen můj a Lízin
F.R. David4.43:24
19Wunderbar
Tenpole Tudor2:59
2▼CD
#TitoloArtistaValutazioneDurata
1Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.253:47
2Why
produttore:
Mike Thorne (UK producer & keyboardist)
registrazione di:
Why?
compositore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
Bronski Beat3.254:03
3Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
4Heartbeat
tecnico:
Gary McGachan
tecnico aggiunto:
David Axelbaum
produttore:
Chas Sandford
tecnico di missaggio:
Gary McGachan e Chas Sandford
basso :
Mark Leonard
batteria :
William “Curly” Smith (Jo Jo Gunne musician)
chitarra :
Chas Sandford
tastiera :
Charles Judge (American guitarist, pianist, arranger and songwriter)
voce di accompagnamento:
Bill Champlin e Tamara Champlin
voce principale:
Don Johnson (US actor, Miami Vice)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 58)
registrazione cover di:
Heartbeat
autore:
Eric Kaz e Wendy Waldman
editore:
Cotillion Music Inc. (BMI), Glasco Music Company e Moon and Stars Music
Don Johnson24:17
5Everything She Wants
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
chitarra elettrica :
Andrew Ridgeley (nel 1984)
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
George Michael
voce di accompagnamento e voce principale:
George Michael (nel 1984)
esecutore:
Wham! (British pop-duo) (nel 1984)
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Everything She Wants
paroliere e compositore:
George Michael
editore:
Chappell Music (UK)
Wham!4.45:02
6I Want You
registrazione di:
I Want You
paroliere e compositore:
Declan Patrick MacManus
Elvis Costello5:48
7(Feels Like) Heaven
produttore:
Peter Wilson (UK Producer)
arrangiatore:
Chic Medley e Kevin Patterson (songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1983)
registrazione di:
(Feels Like) Heaven
paroliere e compositore:
Eddie Jordan (songwriter) e Kevin Patterson (songwriter)
editore:
Carlin Music Corp.
Fiction Factory43:32
8Hold On Tight
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1981)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1981)
chitarra , pianoforte e sintetizzatore :
Jeff Lynne (nel 1981) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1981)
pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1981)
voce principale:
Jeff Lynne (nel 1981)
direttore d'orchestra:
Rainer Pietsch (musician, songwriter and arranger) (nel 1981)
diritti fonografici (℗) detenuti da:
Jet Records (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1981)
registrazione di:
Hold On Tight (nel 1981)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. (British branch), Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.153:07
9Pretend
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1981)
registrazione di:
Pretend (1952 song popularized by Nat King Cole)
paroliere:
Lew Douglas, Frank Lavere e Cliff Parman
compositore:
Dan Belloc, Lew Douglas, Frank Lavere e Cliff Parman
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
registrazione cover di:
Pretend (1952 song popularized by Nat King Cole)
paroliere:
Lew Douglas, Frank Lavere e Cliff Parman
compositore:
Dan Belloc, Lew Douglas, Frank Lavere e Cliff Parman
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
Alvin Stardust42:42
10Breakaway
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1982, nel 1983)
registrazione cover di:
Breakaway
autore:
Jackie DeShannon e Sharon Sheeley
editore:
United Artists Music Ltd.
Tracey Ullman3.652:37
11When the Lady Smiles
tecnico:
John Kriek
produttore:
Shell Schellekens
basso elettrico e tastiera :
George Kooymans
batteria :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra :
Barry Hay e George Kooymans
voce:
Barry Hay e George Kooymans
diritti fonografici (℗) detenuti da:
CNR (Dutch label, distributor and record company) e 21 Records (nel 1984)
registrata presso:
Kooymans' Pseudo Studios (George Kooymans residence & recording studio) in Rijkevorsel, Antwerpen (Provincia d'Anversa), Flanders (Flemish Region), Belgio
mixata presso:
Sound Push Studios in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
When the Lady Smiles
paroliere:
Barry Hay
compositore:
George Kooymans
Golden Earring45:37
12Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:04
13I Don’t Wanna Dance
registrazione di:
I Don’t Wanna Dance
paroliere e compositore:
Eddy Grant
Eddy Grant33:39
14Feel the Love
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 2014)
registrazione di:
Feel the Love - Oomachasaooma
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
10cc55:04
15When the Going Gets Tough, the Tough Get Going
produttore:
Barry J. Eastmond e Wayne Brathwaite
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:09
16Fame
registrazione di:
Fame
paroliere:
Dean Pitchford
compositore:
Michael Gore (composer)
editore:
EMI Affiliated Catalog Inc.
parte di:
The 53rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1980 winner)
Irene Cara53:46
17Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:19
18Baby Makes Her Blue Jeans Talk
registrazione di:
Baby Makes Her Blue Jeans Talk
autore:
Ron Haffkine, Dennis Locorriere e Sam Weedman (singer/songwriter, bassist, guitarist, mandolin, engineer)
registrazione cover di:
Baby Makes Her Blue Jeans Talk
autore:
Ron Haffkine, Dennis Locorriere e Sam Weedman (singer/songwriter, bassist, guitarist, mandolin, engineer)
Dr. Hook3:46
19Sometimes
produttore:
Flood (British producer Mark Ellis)
tecnico di missaggio:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) e Mike Pela
tromba :
Guy Barker
parte di:
Cachitos Nochevieja 2022 (numero: 107)
registrazione di:
Sometimes
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:33

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