Annotazione

Discs 1 and 6 are in stereo whereas discs 2, 3, 4 and 5 are in mono.

Annotazione modificata l'ultima volta il 2022-10-31 17:56 UTC.

Elenco tracce

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1SACD ibrido: Ella Fitzgerald: Like Someone in Love
#TitoloArtistaValutazioneDurata
1There’s a Lull in My Life
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-15)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
There’s a Lull in My Life
paroliere:
Mack Gordon
compositore:
Harry Revel (British-born American composer)
editore:
Robbins Music Corp.
Ella Fitzgerald3:30
2More Than You Know
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-15)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione di:
More Than You Know
paroliere:
Edward Eliscu e Billy Rose (lyricist and Broadway producer)
compositore:
Vincent Youmans
editore:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
parte di:
Great Day!
parte di:
Hit the Deck (1955 movie)
Ella Fitzgerald3:17
3What Will I Tell My Heart
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-15)
produttore:
Norman Granz
sassofono :
Stan Getz (il 1957-10-15)
voce:
Ella Fitzgerald (American jazz singer) (il 1957-10-15)
orchestra:
Frank De Vol and His Orchestra (il 1957-10-15)
direttore d'orchestra:
Frank De Vol (il 1957-10-15)
registrazione cover di:
What Will I Tell My Heart (il 1957-10-15)
paroliere e compositore:
Jack Lawrence (US songwriter) e Peter Tinturin
Ella Fitzgerald3:32
4I Never Had a Chance
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-15)
produttore:
Norman Granz
voce:
Ella Fitzgerald (American jazz singer) (il 1957-10-15)
orchestra:
Frank De Vol and His Orchestra (il 1957-10-15)
direttore d'orchestra:
Frank De Vol (il 1957-10-15)
registrazione cover di:
I Never Had a Chance (il 1957-10-15)
paroliere e compositore:
Irving Berlin
Ella Fitzgerald32:48
5Close Your Eyes
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-15)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
Close Your Eyes
paroliere e compositore:
Bernice Petkere (nel 1933)
editore:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. e Sherman, Clay & Co. (nel 1933)
Ella Fitzgerald2:58
6We’ll Be Together Again
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-15)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
We’ll Be Together Again
paroliere:
Frankie Laine
compositore:
Carl T. Fischer (Native American jazz pianist and composer)
editore:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Ella Fitzgerald3:22
7Then I’ll Be Tired of You
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-15)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
Then I’ll Be Tired of You
paroliere:
Yip Harburg
compositore:
Arthur Schwartz
Ella Fitzgerald3:14
8Like Someone in Love
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-15)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
Like Someone in Love
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1944)
compositore:
Jimmy Van Heusen (nel 1944)
editore:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:11
9Midnight Sun
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-28)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
Midnight Sun
paroliere:
Johnny Mercer (nel 1954)
compositore:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1947) e Lionel Hampton (nel 1947)
Ella Fitzgerald3:58
10I Thought About You
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-28)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione di:
I Thought About You
paroliere:
Johnny Mercer
compositore:
Jimmy Van Heusen
editore:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Ella Fitzgerald2:56
11You’re Blase
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-28)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
You’re Blasé
paroliere:
Bruce Sievier
compositore:
Ord Hamilton
Ella Fitzgerald4:00
12Night Wind
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-28)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
Night Wind
autore:
Bob Rothberg (tin-pan alley songwriter)
compositore:
Dave Pollock
Ella Fitzgerald3:21
13What’s New
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-28)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
What’s New?
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Bob Haggart
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Warner Bros., Inc. (not for release label use!)
Ella Fitzgerald3:08
14Hurry Home
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-28)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione di:
Hurry Home
paroliere:
Buddy Bernier
autore:
Robert Emmerich (writer "Our Love") e Joseph Meyer (US songwriter)
Ella Fitzgerald4:42
15How Long Has This Been Going On
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-28)
produttore:
Norman Granz
sassofono :
Stan Getz (nel 1957)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957)
orchestra:
Frank De Vol and His Orchestra
direttore d'orchestra:
Frank De Vol (nel 1957)
registrazione cover di:
How Long Has This Been Going On? (Funny Face, 1957 film)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
New World Music Co. (nel 1927)
parte di:
My One and Only (1983 Broadway musical)
parte di:
Rosalie
Ella Fitzgerald5:50
2SACD ibrido: Anita O’Day: Anita Sings the Most [MONO]
#TitoloArtistaValutazioneDurata
1’s Wonderful / They Can’t Take That Away From Me
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
medley che comprende una registrazione di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
medley che comprende una registrazione di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Anita O’Day3:02
2Tenderly
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Tenderly
paroliere:
Jack Lawrence (US songwriter) (nel 1946)
compositore:
Walter Gross (American composer) (nel 1946)
editore:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music e Range Road Music
Anita O’Day3:23
3Old Devil Moon
registrata a:
Los Angeles, California, Stati Uniti (il 1960-08-03)
produttore:
Norman Granz
batteria :
Mel Lewis (American jazz drummer) (il 1960-08-03)
contrabbasso :
Joe Mondragon (il 1960-08-03)
pianoforte :
Lou Levy (il 1960-08-03)
sassofono contralto :
Joe Maini (il 1960-08-03)
sassofono tenore :
Bill Perkins (jazz saxophonist) (il 1960-08-03)
tromba :
Lee Katzman (il 1960-08-03) e Al Porcino (il 1960-08-03)
trombone :
Frank Rosolino (il 1960-08-03)
voce:
Anita O’Day (il 1960-08-03)
registrazione di:
Old Devil Moon (from “Finian’s Rainbow”) (il 1960-08-03)
paroliere:
Yip Harburg
compositore:
Burton Lane
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Victoria Music Ltd.
adattamenti:
Old Devil Moon / Stari vražji mesec
parte di:
Finian’s Rainbow (1947 Broadway musical)
Anita O’Day2:55
4Love Me or Leave Me
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Anita O’Day2:35
5We’ll Be Together Again
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
We’ll Be Together Again
paroliere:
Frankie Laine
compositore:
Carl T. Fischer (Native American jazz pianist and composer)
editore:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Anita O’Day3:40
6Stella by Starlight
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Stella by Starlight
paroliere:
Ned Washington (nel 1946)
compositore:
Victor Young (American composer, arranger, violinist & conductor) (nel 1944)
editore:
BMG Music Publishing Ltd. e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Anita O’Day42:07
7Taking a Chance on LoveAnita O’Day2:24
8Them There Eyes
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Them There Eyes
paroliere:
William Tracey (nel 1930)
compositore:
Maceo Pinkard (nel 1930) e Doris Tauber (nel 1930)
editore:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) e Warner Chappell Music Limited (2019–present)
Anita O’Day2:40
9I’ve Got the World on a String
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Anita O’Day4:01
10You Turned the Tables on Me
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
You Turned the Tables on Me
paroliere:
Sidney Mitchell
compositore:
Louis Alter
editore:
Sam Fox Publishing Company (publisher; do NOT use as release label) (nel 1936)
Anita O’Day3:44
11Bewitched, Bothered and Bewildered
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Bewitched, Bothered and Bewildered (Pal Joey)
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
WB Music Group (conclusa), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e Williamson Music Company
parte di:
Pal Joey
Anita O’Day3:56
3SACD ibrido: Carmen McRae: After Glow [MONO]
#TitoloArtistaValutazioneDurata
1I Can’t Escape From You
batteria :
Charles “Specs” Wright (il 1957-03-06)
contrabbasso :
Ike Isaacs (bassist) (il 1957-03-06)
pianoforte :
Carmen McRae (il 1957-03-06)
voce:
Carmen McRae (il 1957-03-06)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
I Can’t Escape From You (il 1957-03-06)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Richard A. Whiting (composer)
Carmen McRae3:37
2Guess Who I Saw Today
batteria :
Charles “Specs” Wright (il 1957-03-06)
contrabbasso :
Ike Isaacs (bassist) (il 1957-03-06)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-03-06)
voce:
Carmen McRae (il 1957-03-06)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
Guess Who I Saw Today (il 1957-03-06)
paroliere:
Elisse Boyd (nel 1952)
compositore:
Murray Grand (nel 1952)
editore:
Sony/ATV Tunes LLC (ASCAP)
Carmen McRae3:39
3My Funny Valentine
batteria :
Charles “Specs” Wright (il 1957-03-06)
contrabbasso :
Ike Isaacs (bassist) (il 1957-03-06)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-03-06)
voce:
Carmen McRae (il 1957-03-06)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
My Funny Valentine (from “Babes in Arms”) (il 1957-03-06)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Carmen McRae4:23
4It’s the Little Things That Mean So Much
batteria :
Charles “Specs” Wright (il 1957-03-06)
contrabbasso :
Ike Isaacs (bassist) (il 1957-03-06)
pianoforte :
Carmen McRae (il 1957-03-06)
voce:
Carmen McRae (il 1957-03-06)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
Little Things That Mean So Much (il 1957-03-06)
paroliere:
Harold Adamson
compositore:
Teddy Wilson
Carmen McRae3:18
5I'm Thru With Love
batteria :
Charles “Specs” Wright (il 1957-04-18)
contrabbasso :
Ike Isaacs (bassist) (il 1957-04-18)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-04-18)
voce:
Carmen McRae (il 1957-04-18)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
I’m Thru With Love (il 1957-04-18)
paroliere:
Gus Kahn
compositore:
Fud Livingston e Matty Malneck
editore:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (il 1931-04-17)
Carmen McRae4:13
6Nice Work If You Can Get It
batteria :
Charles “Specs” Wright (il 1957-04-18)
contrabbasso :
Ike Isaacs (bassist) (il 1957-04-18)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-04-18)
voce:
Carmen McRae (il 1957-04-18)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
Nice Work If You Can Get It (il 1957-04-18)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
parte di:
My One and Only (1983 Broadway musical)
Carmen McRae2:33
7East of the Sun (West of the Moon)
batteria :
Charles “Specs” Wright (il 1957-03-06)
contrabbasso :
Ike Isaacs (bassist) (il 1957-03-06)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-03-06)
voce:
Carmen McRae (il 1957-03-06)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
East of the Sun (and West of the Moon) (il 1957-03-06)
paroliere e compositore:
Brooks Bowman (nel 1934)
editore:
Anne-Rachel Music Corp. e Chappell & Co.
Carmen McRae2:18
8Exactly Like You
batteria :
Charles “Specs” Wright (il 1957-03-06)
contrabbasso :
Ike Isaacs (bassist) (il 1957-03-06)
pianoforte :
Carmen McRae (il 1957-03-06)
voce:
Carmen McRae (il 1957-03-06)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
Exactly Like You (il 1957-03-06)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1930)
autore:
Fritz Löhner-Beda (librettist, lyricist, writer)
compositore:
Jimmy McHugh (songwriter) (nel 1930)
Carmen McRae2:13
9All My Life
batteria :
Charles “Specs” Wright (il 1957-04-18)
contrabbasso :
Ike Isaacs (bassist) (il 1957-04-18)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-04-18)
voce:
Carmen McRae (il 1957-04-18)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
Carmen McRae4:18
10Between the Devil and the Deep Blue Sea
batteria :
Charles “Specs” Wright (il 1957-04-18)
contrabbasso :
Ike Isaacs (bassist) (il 1957-04-18)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-04-18)
voce:
Carmen McRae (il 1957-04-18)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
Between the Devil and the Deep Blue Sea (il 1957-04-18)
paroliere:
Ted Koehler
compositore:
Harold Arlen
editore:
Mills Music, S.A. Music Co. e Ted Koehler Music Co.
Carmen McRae2:30
11Dream of Life
batteria :
Charles “Specs” Wright (il 1957-03-06)
contrabbasso :
Ike Isaacs (bassist) (il 1957-03-06)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-03-06)
voce:
Carmen McRae (il 1957-03-06)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
Dream of Life (Carmen McRae song) (il 1957-03-06)
autore:
Luther Henderson e Carmen McRae
Carmen McRae4:04
12Perdido
batteria :
Charles “Specs” Wright (il 1957-03-06)
contrabbasso :
Ike Isaacs (bassist) (il 1957-03-06)
pianoforte :
Carmen McRae (il 1957-03-06)
voce:
Carmen McRae (il 1957-03-06)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrazione di:
Perdido (with lyrics) (il 1957-03-06)
paroliere:
Ervin Drake (songwriter) (nel 1944) e Hans J. Lengsfelder (nel 1944)
compositore:
Juan Tizol (nel 1941)
arrangiatore:
Les Harris (Sr., arranger)
editore:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
versione di:
Perdido (original instrumental version)
Carmen McRae2:19
4SACD ibrido: Peggy Lee: Black Coffee [MONO]
#TitoloArtistaValutazioneDurata
1Black Coffee
batteria :
Ed Shaughnessy (il 1953-05-04)
contrabbasso :
Max Wayne (il 1953-05-04)
pianoforte :
Jimmy Rowles (il 1953-05-04)
tromba :
Pete Candoli (il 1953-05-04)
voce:
Peggy Lee (jazz vocalist) (il 1953-05-04)
registrazione cover di:
Black Coffee (1948 song) (il 1953-05-04)
paroliere:
Paul Francis Webster (nel 1948)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1948)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. e Webster Music Co.
Peggy Lee3:13
2I’ve Got You Under My Skin
batteria :
Ed Shaughnessy (il 1953-04-30)
contrabbasso :
Max Wayne (il 1953-04-30)
pianoforte :
Jimmy Rowles (il 1953-04-30)
tromba :
Pete Candoli (il 1953-04-30)
voce:
Peggy Lee (jazz vocalist) (il 1953-04-30)
registrazione di:
I’ve Got You Under My Skin (il 1953-04-30)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Peggy Lee2:32
3Easy Living
batteria :
Ed Shaughnessy (il 1953-05-01)
contrabbasso :
Max Wayne (il 1953-05-01)
pianoforte :
Jimmy Rowles (il 1953-05-01)
tromba :
Pete Candoli (il 1953-05-01)
voce:
Peggy Lee (jazz vocalist) (il 1953-05-01)
registrazione cover di:
Easy Living (il 1953-05-01)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
autore:
Ralph Rainger (nel 1937) e Leo Robin (US composer, lyricist & songwriter) (nel 1937)
compositore:
Ralph Rainger e Leo Robin (US composer, lyricist & songwriter)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1937, nel 1964)
Peggy Lee2:48
4My Heart Belongs to Daddy
batteria :
Ed Shaughnessy (il 1953-05-01)
contrabbasso :
Max Wayne (il 1953-05-01)
pianoforte :
Jimmy Rowles (il 1953-05-01)
tromba :
Pete Candoli (il 1953-05-01)
voce:
Peggy Lee (jazz vocalist) (il 1953-05-01)
registrazione cover di:
My Heart Belongs to Daddy (il 1953-05-01)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
Peggy Lee2:11
5It Ain’t Necessarily So
arpa :
Stella Castellucci (nel 1956-04)
batteria, percussione e vibrafono :
Larry Bunker (nel 1956-04)
chitarra :
Bill Pitman (nel 1956-04)
contrabbasso :
Buddy Clark (US jazz bassist) (nel 1956-04)
pianoforte :
Lou Levy (nel 1956-04)
voce:
Peggy Lee (jazz vocalist) (nel 1956-04)
registrazione cover di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (nel 1956-04)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Peggy Lee3:25
6Gee Baby, Ain’t I Good to You?
arpa :
Stella Castellucci (nel 1956-04)
batteria, percussione e vibrafono :
Larry Bunker (nel 1956-04)
chitarra :
Bill Pitman (nel 1956-04)
contrabbasso :
Buddy Clark (US jazz bassist) (nel 1956-04)
pianoforte :
Lou Levy (nel 1956-04)
voce:
Peggy Lee (jazz vocalist) (nel 1956-04)
registrazione cover di:
Gee, Baby Ain’t I Good to You (nel 1956-04)
paroliere:
Andy Razaf
compositore:
Don Redman
editore:
Michael H. Goldsen Inc. e Razaf Music
parte di:
The Real Book (compilation of jazz standards, volume I)
Peggy Lee3:27
7A Woman Alone With the Blues
batteria :
Ed Shaughnessy (il 1953-05-01)
contrabbasso :
Max Wayne (il 1953-05-01)
pianoforte :
Jimmy Rowles (il 1953-05-01)
tromba :
Pete Candoli (il 1953-05-01)
voce:
Peggy Lee (jazz vocalist) (il 1953-05-01)
registrazione cover di:
A Woman Alone With the Blues (il 1953-05-01)
paroliere e compositore:
Willard Robison
Peggy Lee3:18
8I Didn’t Know What Time It Was
batteria :
Ed Shaughnessy (il 1953-04-30)
contrabbasso :
Max Wayne (il 1953-04-30)
pianoforte :
Jimmy Rowles (il 1953-04-30)
tromba :
Pete Candoli (il 1953-04-30)
voce:
Peggy Lee (jazz vocalist) (il 1953-04-30)
registrazione cover di:
I Didn’t Know What Time It Was (Pal Joey) (il 1953-04-30)
paroliere:
Lorenz Hart (nel 1939)
compositore:
Richard Rodgers (composer) (nel 1939)
editore:
Lorenz Hart Publishing Co. e Williamson Music Company
parte di:
Pal Joey
Peggy Lee2:20
9When the World Was Young
batteria :
Ed Shaughnessy (il 1953-05-04)
contrabbasso :
Max Wayne (il 1953-05-04)
pianoforte :
Jimmy Rowles (il 1953-05-04)
tromba :
Pete Candoli (il 1953-05-04)
voce:
Peggy Lee (jazz vocalist) (il 1953-05-04)
registrazione di:
When the World Was Young (il 1953-05-04)
paroliere:
Johnny Mercer
compositore:
Philippe-Gérard (French composer & lyricist)
editore:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) e Peter Maurice Music Co. Ltd.
versione di:
Le Chevalier de Paris
Peggy Lee3:21
10Love Me or Leave Me
batteria :
Ed Shaughnessy (il 1953-04-30)
contrabbasso :
Max Wayne (il 1953-04-30)
pianoforte :
Jimmy Rowles (il 1953-04-30)
tromba :
Pete Candoli (il 1953-04-30)
voce:
Peggy Lee (jazz vocalist) (il 1953-04-30)
registrazione cover di:
Love Me or Leave Me (il 1953-04-30)
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Peggy Lee42:11
11You’re My Thrill
arpa :
Stella Castellucci (nel 1956-04)
batteria, percussione e vibrafono :
Larry Bunker (nel 1956-04)
chitarra :
Bill Pitman (nel 1956-04)
contrabbasso :
Buddy Clark (US jazz bassist) (nel 1956-04)
pianoforte :
Lou Levy (nel 1956-04)
voce:
Peggy Lee (jazz vocalist) (nel 1956-04)
registrazione cover di:
You’re My Thrill (nel 1956-04)
paroliere:
Sidney Clare
compositore:
Jay Gorney
editore:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Peggy Lee3:27
12There’s a Small Hotel
arpa :
Stella Castellucci (nel 1956-04)
batteria, percussione e vibrafono :
Larry Bunker (nel 1956-04)
chitarra :
Bill Pitman (nel 1956-04)
contrabbasso :
Buddy Clark (US jazz bassist) (nel 1956-04)
pianoforte :
Lou Levy (nel 1956-04)
voce:
Peggy Lee (jazz vocalist) (nel 1956-04)
registrazione cover di:
There’s a Small Hotel (from “On Your Toes”) (nel 1956-04)
paroliere:
Lorenz Hart (nel 1936)
compositore:
Richard Rodgers (composer) (nel 1936)
parte di:
On Your Toes
parte di:
Pal Joey
Peggy Lee2:53
5SACD ibrido: Helen Merrill: Helen Merril [MONO]
#TitoloArtistaValutazioneDurata
1Don’t Explain
registrazione cover di:
Don’t Explain
autore:
Arthur Herzog, Jr. e Billie Holiday
editore:
Duchess Music Corporation (BMI-affiliated) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:19
2You’d Be So Nice to Come Home To
produttore:
Quincy Jones
basso :
Milt Hinton (il 1954-12-22)
chitarra :
Barry Galbraith (il 1954-12-22)
clarinetto basso e sassofono baritono :
Danny Bank (reeds) (il 1954-12-22)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1954-12-22)
strumenti:
Osie Johnson (il 1954-12-22)
tromba :
Clifford Brown (trumpet) (il 1954-12-22)
voce principale:
Helen Merrill (il 1954-12-22)
direttore d'orchestra:
Quincy Jones
arrangiatore:
Quincy Jones
registrata presso:
Fine Recording Studios in Manhattan, New York, New York, Stati Uniti (il 1954-12-22)
registrazione cover di:
You’d Be So Nice to Come Home To (il 1954-12-22)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Helen Merrill4:24
3What’s New
registrazione cover di:
What’s New?
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Bob Haggart
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Warner Bros., Inc. (not for release label use!)
Helen Merrill5:05
4Falling in Love With Love
registrazione cover di:
Falling in Love With Love
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Chappell & Co., Inc. (USA)
parte di:
The Boys From Syracuse
parte di:
The Real Book (compilation of jazz standards, volume I)
Helen Merrill3:58
5Yesterdays
registrazione cover di:
Yesterdays
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Helen Merrill6:05
6Born to Be Blue
registrazione cover di:
Born to Be Blue
autore:
Mel Tormé (“The Velvet Fog”) e Robert Wells (songwriter)
editore:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e PW 3 ASCAP Songs
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (conclusa), Universal Music Publishing France (not for release label use!) e ロックンロール ミュージック (Rock ’n’ Roll Music)
Helen Merrill5:20
7’s Wonderful
registrazione cover di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
Helen Merrill3:15
6SACD ibrido: Monica Zetterlund: Waltz for Debby
#TitoloArtistaValutazioneDurata
1Come Rain or Come Shine
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione cover di:
Come Rain or Come Shine (il 1964-08-23)
paroliere:
Johnny Mercer (nel 1946)
compositore:
Harold Arlen (nel 1946)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. e Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans4:44
2Beautiful Rose
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
arrangiatore:
Bill Evans (pianist)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione di:
Jag vet en dejlig rosa (il 1964-08-23)
autore e compositore:
[traditional] (special purpose artist)
editore:
Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans2:53
3Once Upon a Summertime
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione di:
Once Upon a Summertime (La Valse des lilas) (il 1964-08-23)
paroliere:
Eddy Marnay (French lyricist)
compositore:
Eddie Barclay e Michel Legrand
traduttore:
Johnny Mercer
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Ltd. (conclusa), Leeds/BIEM, Patricia Editions Musical (SACEM-affiliated publisher), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing AB (Sweden)
versione tradotta di:
La Valse des lilas
Monica Zetterlund & Bill Evans3:03
4So Long Big Time
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione di:
So Long, Big Time! (il 1964-08-23)
paroliere:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
compositore:
Harold Arlen
editore:
Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans3:49
5Waltz for Debby (Monicas vals)
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione di:
Monicas vals (il 1964-08-23)
paroliere:
Gene Lees
compositore:
Bill Evans (pianist)
traduttore:
Beppe Wolgers
editore:
Air Chrysalis Scandinavia e Essex Musikförlaget (Swedish subsidiary of Essex Music)
versione tradotta di:
Waltz for Debby (English lyrics)
registrazione di:
Waltz for Debby (English lyrics)
paroliere:
Gene Lees
compositore:
Bill Evans (pianist)
editore:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
versione di:
Waltz for Debby (instrumental)
Monica Zetterlund & Bill Evans2:47
6Lucky to Be Me
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione di:
On the Town: Lucky to Be Me (il 1964-08-23)
paroliere:
Betty Comden e Adolph Green
compositore:
Leonard Bernstein (American conductor, composer, pianist)
editore:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) e Warner Bros. Music (publisher; do NOT use as release label)
parte di:
On the Town
Monica Zetterlund & Bill Evans3:36
7Sorrow Wind
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
Monica Zetterlund & Bill Evans3:03
8It Could Happen to You
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione cover di:
It Could Happen to You (il 1964-08-23)
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
Chappell & Co., Sony/ATV Harmony e Sony/ATV Music Publishing LLC (1995–2020)
sub-editore:
Gehrmans Musikförlag, Sony/ATV Harmony UK e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Monica Zetterlund & Bill Evans3:00
9Some Other Time
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione di:
On the Town: Some Other Time (il 1964-08-23)
paroliere:
Betty Comden e Adolph Green
compositore:
Leonard Bernstein (American conductor, composer, pianist)
editore:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) e Warner Bros., Inc. (Warner Bros. Music Division)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
On the Town
Monica Zetterlund & Bill Evans5:35
10In the Night (Om natten)
produttore:
Göte Wilhelmson
basso :
Chuck Israels (il 1964-08-23)
batteria :
Larry Bunker (il 1964-08-23)
pianoforte :
Bill Evans (pianist) (il 1964-08-23)
voce principale:
Monica Zetterlund (il 1964-08-23)
registrata presso:
Europa Film in Stockholm, Stockholms län (Stockholm county), Svezia (il 1964-08-23)
registrazione cover di:
Om natten (il 1964-08-23)
paroliere:
Carl Fredrik Reuterswärd
compositore:
Olle Adolphson (Swedish writer, singer and songwriter)
editore:
Universal Music Publishing AB (Sweden)
Monica Zetterlund & Bill Evans1:41