Il trovatore

~ Release by Giuseppe Verdi; Franco Corelli, Leontyne Price, Giulietta Simionato, Ettore Bastianini, Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan (see all versions of this release, 4 available)

Annotation

Live recording of a performance at the Salzburg Festival (31 July 1962)

Conductor - Herbert von Karajan
Orchestra - Wiener Philharmoniker
Chorus - Wiener Staatsoper

Manrico - Franco Corelli
Azucena - Giulietta Simionato
Leonora - Leontyne Price
Conte di Luna - Ettore Bastianini
Ferrando - Nicola Zaccaria
Ines - Laurence Dutoit
Ruiz - Siegfried Rudolf Frese
Un vecchio zingaro - Rudolf Zimmer
Un messo - Kurt Equiluz

Annotation last modified on 2020-06-02 23:10 UTC.

Tracklist

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1Il trovatore: Atto I. “All'erta! all'erta!”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:43
2Il trovatore: Atto I. “Di due figli vivea padre beato” - “Abbietta zingara" / “Sull'orlo dei tetti”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi7:24
3Il trovatore: Atto I. “Che più t'arresti?”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:13
4Il trovatore: Atto I. “Tacea la notte placida” - “Di tale amor”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:52
5Il trovatore: Atto I. “Tace la notte!“
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:53
6Il trovatore: Atto I. “Deserto sulla terra”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi5:59
7Il trovatore: Atto II. “Vedi! le fosche notturne spoglie” (Anvil Chorus)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:54
8Il trovatore: Atto II. “Stride la vampa!” - “Perchè piangete?”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [un vecchio zingaro]:
Rudolf Zimmer (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:41
9Il trovatore: Atto II. “Soli or siamo” “Condotta ell'era in ceppi”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:44
10Il trovatore: Atto II. “Non son tuo figlio?” / “Mal reggendo all'aspro asalto”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:34
11Il trovatore: Atto II. “L'usato messo Ruiz invia”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
tenor vocals [un messo]:
Kurt Equiluz (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:12
12Il trovatore: Atto II. “Tutto è deserto” - “E deggio e posso crederlo?”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:29
13Il trovatore: Atto II. “Il balen del suo sorriso” - “Ah! se l'error t'ingombra”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:19
14Il trovatore: Atto II. “Qual suono! Oh ciel!” - “Ah! se l'error t'ingombra“
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:40
15Il trovatore: Atto II. “Perchè piangete?”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:25
16Il trovatore: Atto II. “E deggio e posso crederlo?”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:10
2▼CD
#TitleArtistRatingLength
1Il trovatore: Atto III. “Or co' dadi” - “Squilli, echeggi la tromba”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
live recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:11
2Il trovatore: Atto III. “In braccio al mio rival!”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:01
3Il trovatore: Atto III. “Giorni poveri vivea”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:30
4Il trovatore: Atto III. “Quale d'armi fragor”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:11
5Il trovatore: Atto III. “Ah sì ben mio”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:07
6Il trovatore: Atto III. “L'onda de' suoni mistici”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:33
7Il trovatore: Atto III. “Di quella pira”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:28
8Il trovatore: Atto IV. “Siam giunti: ecco la torre”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:00
9Il trovatore: Atto IV. “D'amor sull'ali rosee”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:46
10Il trovatore: Atto IV. “Miserere” / “Ah! che la morte ognora”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:45
11Il trovatore: Atto IV. “Udiste? Come albeggi”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:56
12Il trovatore: Atto IV. “Vivrà! … contende il giubilo”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:40
13Il trovatore: Atto IV. “Madre, non dormi?”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:48
14Il trovatore: Atto IV. “Si, la stanchezza m'opprime, o figlio” - “Ai nostri monti”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:34
15Il trovatore: Atto IV. “Che! Non m'inganno! Quel fioco lume …”
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:12
16Il trovatore: Atto IV. “Ti scosta!” - “Non respingermi” (Manrico, Leonora, Il Conte, Azucena)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:37