The All Time Greatest Movie Songs, Volume 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:40
2Streets of Philadelphia
tecnico:
Toby Scott
produttore:
Chuck Plotkin e Bruce Springsteen
tecnico di missaggio:
Bob Clearmountain
strumenti:
Bruce Springsteen
voce di accompagnamento:
Tommy Sims (r&b, ccm)
voce principale:
Bruce Springsteen
registrata presso:
Thrill Hill West (Springsteen’s home studio in Beverly Hills) in Beverly Hills, California, Stati Uniti
parte di:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (numero: 9)
registrazione di:
Streets of Philadelphia (nel 1993-09)
editore:
Bruce Springsteen
paroliere e compositore:
Bruce Springsteen (nel 1993-08)
editore:
Zomba Music Publishing (music publisher – add no releases here!) e Zomba Music Publishing Ltd.
parte di:
The 66th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1993 winner)
Bruce Springsteen44:14
3I Want to Spend My Lifetime Loving You
programmazione:
Jeff Bova
assistente tecnico:
Alex Black (engineer), Marc Lane (production music) e Aya Takemura
tecnico:
Steven Rinkoff
co-produttore:
Steven Rinkoff
produttore:
Jim Steinman (nel 1998)
tecnico di missaggio:
Frank Filipetti
voce:
Marc Anthony (Marco Antonio Muñiz, salsa and latin pop singer) e Tina Arena
esecutore:
Jeff Bova
arrangiatore:
Jeff Bova e Jim Steinman
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998) e Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1998)
registrata presso:
Bovaland in New York, New York, Stati Uniti, Chung King Studio in New York, New York, Stati Uniti, Metropolis (London) in London (Greater London), England, Regno Unito e Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
mixata presso:
Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
registrazione di:
I Want to Spend My Lifetime Loving You (The Mask of Zorro) (nel 1998)
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. e TSP Music, Inc.
registrazione cover di:
I Want to Spend My Lifetime Loving You (The Mask of Zorro)
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. e TSP Music, Inc.
Marc Anthony & Tina Arena4:43
4I Finally Found Someone
tecnico:
Felipe Elgueta e Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Marnie Riley
tecnico di missaggio:
Mick Guzauski
voce:
Bryan Adams (Canadian singer/songwriter) (nel 1996) e Barbra Streisand (nel 1996)
arrangiatore archi :
Jack Hayes (American composer & orchestrator)
arrangiatore:
Bryan Adams (Canadian singer/songwriter), David Foster (Canadian music producer, arranger and composer) e Robert John “Mutt” Lange (Robert John Lange)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1996)
parte di:
The Downloader’s Music Source Book (numero: 187)
registrazione di:
I Finally Found Someone (nel 1996)
autore:
Bryan Adams (Canadian singer/songwriter), Marvin Hamlisch, Robert John “Mutt” Lange (Robert John Lange) e Barbra Streisand
editore:
Zomba Enterprises, Inc. (conclusa), Anthem Team Sports Music, Badams Music Limited, Emanuel Music, TSP Music, Inc. e Universal Music–Z Tunes LLC
parte di:
The 69th Academy Award for Best Original Song (numero: 2)
Barbra Streisand & Bryan Adams3:42
5It Had to Be You
arrangiatore e orchestratore:
Marc Shaiman (American score composer and lyricist)
registrazione cover di:
It Had to Be You (nel 1989-05)
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
Harry Connick, Jr.2:40
6I Believe I Can Fly
tecnico di registrazione:
Stephen George e Carl Robinson (US bassist, guitarist & recording engineer)
produttore:
R. Kelly
tecnico di missaggio:
Stephen George e R. Kelly
arrangiatore:
R. Kelly
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 406)
registrazione di:
I Believe I Can Fly
paroliere e compositore:
R. Kelly
editore:
Imagem Music (conclusa), R. Kelly Publishing Inc., Zomba Music Publ. Ltd. e Zomba Songs Inc.
sub-editore:
BMG Music Publishing Hong Kong Ltd
R. Kelly3.45:22
7Gangsta’s Paradise
produttore:
Doug Rasheed
voce:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
voce di accompagnamento:
Trinna Simmons
campionamenti:
Pastime Paradise di Stevie Wonder
video musicali:
Gangsta’s Paradise di Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 98) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 166)
registrazione di:
Gangsta’s Paradise
autore:
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed e Stevie Wonder
editore:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) e Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
si basa su:
Pastime Paradise
Coolio feat. L.V.3.954:02
8Will You Be There
tecnico di registrazione e tecnico di missaggio:
Matt Forger e Bruce Swedien
co-produttore:
Bruce Swedien
produttore:
Michael Jackson (“King of Pop”)
registrazione di:
Will You Be There
paroliere e compositore:
Michael Jackson (“King of Pop”)
Michael Jackson5:53
9Take My Breath Away
tecnico:
Dave Concors, Michael Rosen (US metal producer/engineer) e Tom Whitlock
produttore:
Jerry Bruckheimer, Giorgio Moroder e Don Simpson (American film producer, screenwriter, and actor)
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
Rob Brill
chitarra elettrica :
Ric Olsen
sintetizzatore :
Arthur Barrow e John Crawford (Berlin bassist)
voce principale:
Terri Nunn (Berlin singer)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Take My Breath Away di Berlin (US new wave/synthpop)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 62) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 490)
registrazione di:
Take My Breath Away (song from the 1986 film Top Gun)
paroliere:
Tom Whitlock
compositore:
Giorgio Moroder
editore:
Famous Music Publishing Germany GmbH & Co. KG (conclusa), Jastian Music Inc. (conclusa), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986), GMPC (nel 1986) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 59th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1986 winner)
Berlin3.654:11
10Show Me Heaven
Maria McKee3:26
11What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:18
12Mrs. Robinson
tecnico di registrazione:
Roy Halee (il 1968-02-02)
assistente produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore:
Art Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-02-02)
chitarra :
Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
voce:
Art Garfunkel (il 1968-02-02) e Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1968) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 270)
registrazione di:
Mrs. Robinson (il 1968-02-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:50
13Dream a Little Dream of Me
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1968)
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Cass Elliot3.353:12
14San Francisco
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:59
15A Whole New World
programmazione e produttore:
Walter Afanasieff
programmazione aggiuntiva:
Dan Shea
programmazione degli strumenti:
Gary Cirimelli e Ren Klyce
tecnico:
Dana Jon Chappelle
produttore esecutivo:
Brenda Dash e Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
tecnico di missaggio:
Bruce Botnick
editor:
Kathleen Fogarty-Bennett
chitarra :
Michael Landau
sintetizzatore [Akai] :
Ren Klyce
sintetizzatore basso , synclavier [synclavier acoustic guitar] e tastiera :
Walter Afanasieff
voce:
Regina Belle e Peabo Bryson
arrangiatore:
Walter Afanasieff
arrangiatore aggiunto:
Robbie Buchanan (Canadian producer)
diritti fonografici (℗) detenuti da:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (nel 1992) e Walt Disney Records (nel 1992)
registrazione di:
A Whole New World (Aladdin)
paroliere:
Tim Rice
compositore:
Alan Menken
editore:
Walt Disney Music Company (music publisher, do not use as release label) (nel 1992) e Wonderland Music Company, Inc. (a division of Disney Music Publishing) (nel 1992)
parte di:
The 65th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1992 winner)
parte di:
Aladdin (1992 film soundtrack)
parte di:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle4.24:05
16The Way You Look Tonight
produttore:
Danny Bennett
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1998)
registrazione cover di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
Tony Bennett3:24
17Someday
produttore:
Simon Climie
tecnico di missaggio:
Andy Bradfield
chitarra :
Eric Clapton
voce:
Eternal (British R&B girl group)
esecutore:
Eric Clapton e Eternal (British R&B girl group)
arrangiatore archi :
Nick Ingman
arrangiatore:
Simon Climie e Grant Mitchell (musician, record producer and arranger)
registrazione cover di:
Someday (The Hunchback of Notre Dame)
paroliere:
Stephen Schwartz (musical theatre lyricist/composer)
compositore:
Alan Menken
editore:
Walt Disney Music Company (music publisher, do not use as release label) (nel 1996) e Wonderland Music Company, Inc. (a division of Disney Music Publishing) (nel 1996)
parte di:
The Hunchback of Notre Dame (1996 film soundtrack)
Eternal2.84:20
18Go the Distance
tecnico di registrazione:
Dana Jon Chappelle, John Kurlander (engineer) e David Reitzas
programmazione:
David Gleeson e Dan Shea
assistente tecnico:
Steve Milo
tecnico aggiunto:
David Gleeson
produttore:
Walter Afanasieff e Michael Bolton
tecnico di missaggio:
Mick Guzauski
batteria :
John “JR” Robinson (session drummer)
chitarra :
Michael Landau
tastiera aggiunto:
Dan Shea
voce:
Michael Bolton
voce di accompagnamento:
Sandy Griffith, Claytoven Richardson e Jeanie Tracy
direttore d'orchestra:
Jeremy Lubbock
arrangiatore:
Walter Afanasieff, Michael Bolton e Jeremy Lubbock
diritti fonografici (℗) detenuti da:
Disney Enterprises, Inc. (not for release label use!) (nel 1997) e Walt Disney Records (nel 1997)
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
Go the Distance (Michael Bolton version)
paroliere:
David Zippel
compositore:
Alan Menken
editore:
Walt Disney Music Company (music publisher, do not use as release label) e Wonderland Music Company, Inc. (a division of Disney Music Publishing)
versione di:
Go the Distance (Hercules, film version)
Michael Bolton4:41
19Knockin’ on Heaven’s Door
tecnico:
Dan Wallin
produttore:
Gordon Carroll (producer)
armonium, organo e spinetta :
Carl Fortina (nel 1973-02)
batteria :
Jim Keltner (nel 1973-02)
chitarra :
Bob Dylan (nel 1973-02) e Roger McGuinn (nel 1973-02)
chitarra basso :
Terry Paul (nel 1973-02)
voce:
Bob Dylan (nel 1973-02)
voce di accompagnamento:
Carol Hunter (nel 1973-02), Brenda Patterson (nel 1973-02) e Donna Weiss (nel 1973-02)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973)
lavorazione tecnica effettuata presso:
The Burbank Studios in Burbank, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 190)
registrazione di:
Knockin’ on Heaven’s Door (nel 1973-02)
paroliere e compositore:
Bob Dylan
paroliere aggiunto:
Bob Dylan (il 1975-03-23)
editore:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Ram’s Horn Music (nel 1973)
Bob Dylan4.72:30
20Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
2▼CD
#TitoloArtistaValutazioneDurata
1Men in Black
tecnico di registrazione:
John Shriver
programmazione degli strumenti:
Poke and Tone
produttore:
Poke and Tone
tecnico di missaggio:
Commissioner Gordon (US hip hop producer Gordon Williams) e Tony Maserati (engineer / mixer)
voce di accompagnamento:
Coko (R&B singer Cheryl Gamble)
editore:
Track Masters Entertainment
campionamenti:
Forget Me Nots di Patrice Rushen
registrazione di:
Men in Black
autore:
Fred Washington (US session bassist), Patrice Rushen, Will Smith (US actor aka The Fresh Prince) e Terry McFadden
editore:
Baby Fingers Music, Freddie Dee Music, New Columbia Pictures, Inc, Treyball Music, Inc. e Yamina Music
Will Smith4.153:48
2The Shoop Shoop Song
registrazione cover di:
It’s in His Kiss (The Shoop Shoop Song)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Cher2:37
3Deeper Underground
produttore:
Jay Kay (English singer, Jamiroquai)
registrazione di:
Deeper Underground
compositore:
Jay Kay (English singer, Jamiroquai) e Tobi Smith
editore:
EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3:35
4A View to a Kill
tecnico e tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) e Bernard Edwards (American bassist and record producer)
campionatore :
Jonathan Elias
voce:
Duran Duran (English rock band)
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
A View to a Kill
orchestratore:
John Barry (English score composer)
autore:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
compositore:
John Barry (English score composer) e Duran Duran (English rock band)
editore:
EMI Songs e Gloucester Place Music Ltd.
parte di:
James Bond themes
parte di:
A View to a Kill (from the James Bond film)
Duran Duran3.653:35
5The Sweetest Thing
esecutore:
Ms. Lauryn Hill e Refugee Camp Allstars
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1997)
Lauryn Hill4:52
6Lovefool
tecnico e produttore:
Tore Johansson
batteria e percussione :
Bengt Lagerberg
chitarra :
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
chitarra basso :
Magnus Sveningsson
tastiera :
Lars-Olof Johansson
voce di accompagnamento:
Magnus Sveningsson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
voce principale:
Nina Persson
diritti fonografici (℗) detenuti da:
Stockholm Records e Universal Music AB (Swedish subsidiary of Universal Music Group)
lavorazione tecnica effettuata presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
prodotta presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
video musicali:
Lovefool di The Cardigans (Swedish rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 242)
registrazione di:
Lovefool
paroliere:
Nina Persson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
editore:
Stockholm Songs e Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:17
7Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.33:00
8Brown Eyed Girl
registrazione di:
Brown Eyed Girl
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison2:53
9You Never Can Tell
produttore:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess e Willie Dixon
basso elettrico :
Louis Satterfield (dal 1964-01-07 al 1964-01-09)
batteria :
Odie Payne (American Chicago blues drummer) (dal 1964-01-07 al 1964-01-09)
chitarra :
Chuck Berry (dal 1964-01-07 al 1964-01-09)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1964-01-07 al 1964-01-09)
sassofono tenore :
Rubin Cooper (dal 1964-01-07 al 1964-01-09) e George Patterson (dal 1964-01-07 al 1964-01-09)
voce:
Chuck Berry (dal 1964-01-07 al 1964-01-09)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1964)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (dal 1964-01-07 al 1964-01-09)
registrazione di:
You Never Can Tell (dal 1964-01-07 al 1964-01-09)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. e Isalee Music (nel 1994)
Chuck Berry4.252:42
10Shy Guy
registrazione di:
Shy Guy
autore:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) e Andy Marvel
editore:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music e World of Andy Music
Diana King4:06
11I Can See Clearly Now
produttore:
Paul Henton
produttore aggiunto:
Jimmy Bralower
remixer:
Jimmy Bralower
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
registrazione cover di:
I Can See Clearly Now
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff4.53:16
12When the Going Gets Tough
produttore:
Wayne Brathwaite e Barry Eastmond
tecnico di missaggio:
Nigel Green (engineer)
voce:
Billy Ocean
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.54:08
13Ghostbusters
produttore:
Ray Parker Jr.
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
parte di:
Billboard Hot 100: 2025-11-15 (numero: 22)
registrazione di:
Ghostbusters
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (nel 1984) e Raydiola Music (nel 1984)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
si basa su:
I Want a New Drug
Ray Parker Jr.3.94:05
14Here Comes the Hotstepper
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1994) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1994)
campionamenti:
Heartbeat (club version) di Taana Gardner e Land of 1000 Dances di Cannibal & the Headhunters
registrazione di:
Here Comes the Hotstepper
autore:
Ini Kamoze, Chris Kenner e Salaam Remi
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. e Salaam Remi Music
Ini Kamoze3.154:09
15Mustang Sally
voce:
Andrew Strong (Irish singer)
voce di accompagnamento:
Angeline Ball, Maria Doyle Kennedy e Bronagh Gallagher (Irish singer and actress)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1991) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1991)
registrazione cover di:
Mustang Sally
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:00
16Hot Stuff
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 96)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3:28
17Flashdance… What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:44
18Superfly
tecnico:
Roger Anfinsen
produttore:
Curtis Mayfield
batteria :
Morris Jennings
chitarra :
Curtis Mayfield e Craig McMullen
chitarra basso :
Joseph Scott (US funk/soul bassist)
percussione :
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
voce principale:
Curtis Mayfield
arrangiatore e orchestratore:
Johnny Pate
diritti fonografici (℗) detenuti da:
Curtom Records (nel 1972)
registrazione di:
Superfly
paroliere e compositore:
Curtis Mayfield
editore:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Curtom Publishing Co Inc (dal 1972 al ????)
Curtis Mayfield4.253:53
19Born Slippy
produttore e tecnico di missaggio:
Underworld (UK electronic music group)
diritti fonografici (℗) detenuti da:
Junior Boy’s Own (nel 1996) e Junior Recordings (nel 1996)
registrazione di:
Born Slippy .NUXX (vocal version associated with Trainspotting)
paroliere:
Karl Hyde
autore:
Darren Emerson, Karl Hyde e Rick Smith (electronic producer, member of Underworld)
editore:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. e Underworld (legal entity for the band)
Underworld3.94:22
20Modern Woman
tecnico:
Jim Boyer (producer/engineer)
produttore:
Phil Ramone
basso :
Doug Stegmeyer (bass player, aka Slug Douglas) (nel 1985)
batteria :
Liberty DeVitto (US drummer) (nel 1985)
chitarra :
David Brown (guitarist for Billy Joel) (nel 1985) e Russell Javors (nel 1985)
percussione :
Jimmy Bralower (nel 1985)
sassofono tenore [tenor sax] :
Mark Rivera (nel 1985)
sintetizzatore :
Billy Joel (American singer‐songwriter and pianist) (nel 1985)
orchestratore:
Rob Mounsey
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
mixata presso:
The Power Station, NYC (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Modern Woman (nel 1985)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
Joel Songs (nel 1986)
Billy Joel33:49