Dies Irae: The Essential Choral Collection

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 4 beschikbaar)

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Nummerlijst

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#TitelArtiestWaarderingDuur
1Requiem: Dies Irae
koor:
Ernst‐Senff‐Chor
orkest:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
was dirigent:
Carlo Maria Giulini (conductor)
Giuseppe Verdi2:51
2Nabucco: Chorus of the Hebrew Slaves
producent:
Hans Hirsch (producer at Deutsche Grammophon) en Wolfgang Stengel (in 1982-05)
koor:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
was dirigent:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balanstechnicus:
Klaus Hiemann (engineer/producer) (in 1982-05)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1983)
opgenomen bij:
Haus des Rundfunks: Großer Sendesaal in Berlin, Duitsland (in 1982-05)
is een opname van:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
componist:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
deel van:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:57
3Carmen: Entrance of the Toreadors
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1977-08 tot 1977-09) en George Watson’s College Boys’ Chorus (van 1977-08 tot 1977-09)
orkest:
London Symphony Orchestra (van 1977-08 tot 1977-09)
was dirigent:
John McCarthy (British choral conductor, scholar, composer and arranger) en Claudio Abbado (conductor) (van 1977-08 tot 1977-09)
was koorleider:
Patrick Criswell (chorusmaster) (van 1977-08 tot 1977-09) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1977-08 tot 1977-09)
balanstechnicus:
Karl‐August Naegler (balance engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) en Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
George Watson’s College in Edinburgh, Scotland, Verenigd Koninkrijk (in 1977-08) en St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1977-09)
is een opname van:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (van 1977-08 tot 1977-09)
componist:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) en Henri Meilhac
deel van:
Carmen : Acte IV
Georges Bizet3:54
4Symphony No 9: Ode to Joy
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
orkest:
Wiener Philharmoniker (Vienna Philharmonic)
was dirigent:
Karl Böhm (Austrian conductor)
is een gedeeltelijke opname van:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
componist:
Ludwig van Beethoven (German composer) (van 1822 tot 1824)
librettist:
Friedrich Schiller (German poet and playwright)
bevat geciteerde tekst uit:
An die Freude
deel van:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:48
5Zadok the Priest
leidinggevend producent:
Dr. Andreas Holschneider
producent:
Dr. Gerd Ploebsch
orgel:
Simon Preston (organist, conductor, composer) en Trevor Pinnock (conductor / harpsichord) (in 1981-10)
koor:
Choir of Westminster Abbey (in 1981-10)
sopraanvocalen:
Lynne Dawson (soprano)
orkest:
The English Concert Orchestra (in 1981-10)
was dirigent:
Simon Preston (organist, conductor, composer) (in 1981-10)
uitvoerend artiest:
Choir of Westminster Abbey
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1982)
opgenomen bij:
Henry Wood Hall (London) in London (Greater London), England, Verenigd Koninkrijk (in 1981-10)
is een opname van:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1981-10)
componist:
George Frideric Handel (German‐British baroque composer) (in 1727)
had de première bij:
Westminster Abbey in London (Greater London), England, Verenigd Koninkrijk (op 1727-10-11)
deel van:
Händel-Werke-Verzeichnis (nummer: HWV 258)
deel van:
The Four Coronation Anthems
Georg Friedrich Händel5:18
6Lohengrin: Bridal Chorus
koor:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orkest:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
was dirigent:
Rafael Kubelík (conductor)
is een opname van:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
componist:
Richard Wagner (composer) (van 1846 tot 1848)
librettist:
Richard Wagner (composer)
deel van:
Lohengrin, WWV 75: Akt III
Richard Wagner4:59
7Cavalleria Rusticana: Easter Hymn
koor:
Chorus of the Royal Opera House, Covent Garden
mezzo-sopraanvocalen:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) en Vera Baniewicz (mezzo-soprano)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
was dirigent:
Giuseppe Sinopoli (conductor)
Pietro Mascagni4:35
8Requiem in D Minor, K. 626: Kyrie
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
sopraanvocalen:
Edith Mathis (soprano)
orkest:
Wiener Philharmoniker (Vienna Philharmonic)
was dirigent:
Karl Böhm (Austrian conductor)
is een opname van:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
deel van:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart6:27
9Pavane for Orchestra and Choir Op. 50
opnametechnicus:
Werner Mayer (classical producer) (in 1986-11)
producent:
Hanno Rinke
koor:
Tanglewood Festival Chorus (in 1986-11)
orkest:
Boston Symphony Orchestra (in 1986-11)
was dirigent:
Seiji Ozawa (conductor and composer) (in 1986-11)
was koorleider:
John Oliver (chorus master) (in 1986-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1986-11)
is een opname van:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
tekstschrijver:
Robert de Montesquiou
componist:
Gabriel Fauré (French composer) (in 1887)
arrangement van:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:49
10Gloria in D major, R. 589: Gloria in excelsis Deo
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Dr, Gerd Ploebsch
hobo (als gast):
David Reichenberg (oboist) (in 1987-02)
trompet (als gast):
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1987-02)
koor:
The English Concert Choir (in 1987-02)
orkest:
The English Concert (in 1987-02)
was dirigent:
Trevor Pinnock (conductor / harpsichord) (in 1987-02)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1987-02)
is een opname van:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1987-02)
componist:
Antonio Vivaldi (Italian baroque composer and violinist)
deel van:
Gloria in D major, RV 589
is een opname van:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (in 1987-02)
tekstschrijver:
Anonymous ([anoniem], special purpose artist)
aanvullend componist:
Gian Francesco Malipiero (Italian composer)
componist:
Antonio Vivaldi (Italian baroque composer and violinist)
is gebaseerd op:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
deel van:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:25
11Messiah: For Unto Us a Child Is Born
producent:
Dr. Gerd Ploebsch
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:13
12The Magic Flute: O Isis und Osiris
producent:
Wolfgang Lohse
koor:
RIAS Kammerchor (German chamber choir) (in 1964-06)
orkest:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
was dirigent:
Karl Böhm (Austrian conductor) (in 1964-06)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1964-06)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1964-06)
is een opname van:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1964-06)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
deel van:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:09
13Messe solennelle de Ste. Cécile: Credo in unum deum
koor:
Pražský filharmonický sbor (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orkest:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra)
was dirigent:
Igor Markevitch (conductor)
was koorleider:
Josef Veselka (chorus master)
is een gedeeltelijke opname van:
Messe solennelle de Sainte Cécile : III. Credo
componist:
Charles Gounod (French composer)
deel van:
Messe solennelle de Sainte Cécile, CG 56 (St. Cecilia Mass, en sol majeur pour solistes, chœur, orchestre et orgue)
Charles‐François Gounod4:42
14I Vow to Thee, My Country
opnametechnicus:
Jean‐Marie Geijsen (in 1996-01) en Cees Heijkoop (recording engineer) (in 1996-01)
producent:
Anna Barry (classical producer) (in 1996-01)
koor:
Royal Choral Society (The Royal Choral Society) (in 1996-01)
mezzo-sopraanvocalen:
Della Jones (mezzo-soprano) (in 1996-01)
orkest:
BBC Concert Orchestra (in 1996-01)
was dirigent:
Barry Wordsworth (conductor) (in 1996-01)
was koorleider:
Richard Cooke (chorus master/conductor) (in 1996-01)
arrangeerde de koor:
Royal Choral Society (The Royal Choral Society)
balanstechnicus:
Erdo Groot (sound engineer for recordings of classical music)
fonografisch auteursrecht (℗):
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
opgenomen bij:
All Saints Church (Tooting, London) in London (Greater London), England, Verenigd Koninkrijk (in 1996-01)
is een opname van:
I Vow to Thee, My Country (in 1996-01)
tekstschrijver:
Sir Cecil Spring-Rice (in 1918)
componist:
Gustav Holst (composer) (in 1921)
uitgever:
EMI Music Publishing Ltd. (PRS‐affiliated) en Rive Droite Music Ltd.
deel van:
A thematic catalogue of Gustav Holst’s music (nummer: H. 148)
Gustav Holst4:43
15Turandot: Padre Augusto
koor:
The John Alldis Choir
sopraanvocalen:
Joan Sutherland (soprano)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
was dirigent:
Zubin Mehta (conductor)
Giacomo Puccini1:52
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#TitelArtiestWaarderingDuur
1Carmina Burana: O Fortuna
producent:
Hans Hirsch (producer at Deutsche Grammophon)
koor:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
was dirigent:
Eugen Jochum (conductor) (in 1967-10)
was koorleider:
Walter Hagen-Groll (chorus master) (in 1967-10)
balanstechnicus:
Klaus Scheibe (editor/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1968)
opgenomen bij:
UFA-Tonstudio in Berlin, Duitsland (in 1967-10)
is een opname van:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
componist:
Carl Orff (composer) (in 1936)
uitgever:
B. Schott’s Söhne (publisher; do not use as label)
versie van:
O Fortuna (Poem, CB 17)
deel van:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:41
2Aida: Triumphal March
koor:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
was dirigent:
Giuseppe Sinopoli (conductor)
is een opname van:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
deel van:
Aida: Atto II
is een opname van:
Aida: Grand March (catch-all for arrangements)
componist:
Giuseppe Verdi (Italian opera composer)
arrangement van:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Giuseppe Verdi5:10
3Vespers: 'Deus in Adiutorium / Domine AD Adiuvandum'
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-05)
tenorvocalen:
Nigel Robson (tenor) (in 1989-05)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1989-05) en His Majestys Sagbutts and Cornetts (British early music group) (in 1989-05)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-05)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Basilica di San Marco in Venezia (Venice), Venezia, Veneto, Italië (in 1989-05)
is een live-opname van:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1989-05)
componist:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
deel van:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
is een opname van:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (catch all for arrangements) (in 1989-05)
componist:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
arrangement van:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Claudio Monteverdi2:11
4Judas Maccabaeus: See the Conquering Hero Comes
koor:
Wandsworth School Boys’ Choir
orkest:
English Chamber Orchestra
was dirigent:
Charles Mackerras (Australian conductor)
was koorleider:
Russell Burgess
is een opname van:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
componist:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
deel van:
Judas Maccabaeus, HWV 63: Act III
Georg Friedrich Händel2:52
5Peer Gynt: In the Hall of the Mountain King
gesproken vocalen:
Tor Stokke (in 1987-06)
koor:
Gösta Ohlin's Vocal Ensemble (in 1987-06) en Pro Musica Chamber Choir (Swedish choir) (in 1987-06)
vocalen:
Tor Stokke (in 1987-06)
orkest:
Gothenburg Symphony Orchestra (in 1987-06)
was dirigent:
Neeme Järvi (Estonian conductor) (in 1987-06)
was koorleider:
Gösta Ohlin (in 1987-06)
is een opname van:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (in 1987-06)
componist:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
deel van:
Peer Gynt, op. 23
Edvard Grieg52:52
6Magnificat: Magnificat Anima Mea
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Karl-Heinz Schneider (producer)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balanstechnicus:
Walter Alfred Wettler
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1733-07-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:04
7Requiem: Agnus Dei
opnametechnicus:
Hans Weber (producer/engineer)
leidinggevend producent:
Günther Breest (producer for classical music)
orgel:
Timothy Farrell (organist) (in 1986-03)
baritonvocalen:
Andreas Schmidt (bass-baritone & teacher)
koor:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
sopraanvocalen:
Kathleen Battle (soprano)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
was dirigent:
Carlo Maria Giulini (conductor) (in 1986-03)
was koorleider:
Horst Neumann (choir master and conductor)
balanstechnicus:
Klaus Scheibe (editor/engineer)
opgenomen bij:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Verenigd Koninkrijk (in 1986-03)
is een opname van:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1986-03)
componist:
Gabriel Fauré (French composer) (van 1886 tot 1900)
deel van:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:07
8Madama Butterfly: Humming chorus
producent:
Wolfgang Stengel
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1987-04)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
was dirigent:
Giuseppe Sinopoli (conductor) (in 1987-04)
was koorleider:
John McCarthy (British choral conductor, scholar, composer and arranger)
balanstechnicus:
Klaus Hiemann (engineer/producer)
opgenomen bij:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Verenigd Koninkrijk (in 1987-04)
is een opname van:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987-04)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:07
9St. Matthew Passion: Ich Will Hier Bei Dir Stechen
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
leidinggevend producent:
Dr. Gerd Ploebsch
producent:
Dr. Gerd Ploebsch
cello:
Fritz Kiskalt (cellist) (van 1979-06 tot 1979-08)
contrabas:
Herbert Duft (double bass player) (van 1979-06 tot 1979-08)
dwarsfluit [transverse flute I]:
Aurèle Nicolet (flutist) (van 1979-06 tot 1979-08)
dwarsfluit [transverse flute II]:
Wolfgang Haag (flautist) (van 1979-06 tot 1979-08)
fagot:
Karl Kolbinger (bassoonist) (van 1979-06 tot 1979-08)
hobo [oboe I] en oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (van 1979-06 tot 1979-08)
hobo [oboe II] en oboe d’amore [oboe d'amore II]:
Robert Eliscú (van 1979-06 tot 1979-08)
jachthobo [oboe da caccia I]:
Edgar Shann (oboist) (van 1979-06 tot 1979-08)
jachthobo [oboe da caccia II]:
Andreas Schwinn (oboist) (van 1979-06 tot 1979-08)
klavecimbel:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1979-06 tot 1979-08)
orgel:
Friedemann Winkelhofer (organist) (van 1979-06 tot 1979-08) en Elmar Schloter (organist) (van 1979-06 tot 1979-08)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (van 1979-06 tot 1979-08)
viool:
Gerhart Hetzel (violinist) (van 1979-06 tot 1979-08)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (van 1979-06 tot 1979-08) en Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (van 1979-06 tot 1979-08)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1979-06 tot 1979-08)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1979-06 tot 1979-08)
was koorleider:
Georg Ratzinger (German choir conductor and composer) (van 1979-06 tot 1979-08)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1980)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1979-06 tot 1979-08)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (van 1979-06 tot 1979-08)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:11
10Tannhäuser: Entry of the Guests
koor:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
was dirigent:
Giuseppe Sinopoli (conductor)
was koorleider:
Walter Hagen-Groll (chorus master)
Richard Wagner7:07
11Don Carlo: Auto da Fe
koor:
Coro del Teatro alla Scala di Milano
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
was dirigent:
Gabriele Santini (conductor)
is een gedeeltelijke opname van:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene)
componist:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto II (III)
Giuseppe Verdi3:36
12Prince Igor: Polovetsian Dances
basvocalen:
Torgny Sporsén (bass)
koor:
Göteborgs Symfoniska Kör (Gothenburg Symphony Chorus)
orkest:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra)
was dirigent:
Neeme Järvi (Estonian conductor)
was koorleider:
Ove Gotting (chorus master)
is een opname van:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
componist:
Александр Порфирьевич Бородин (Aleksandr Borodin, Russian composer)
verzorgde het arrangement:
Александр Константинович Глазунов (Aleksandr Glazoenov, Russian composer, 1865–1936) en Николай Андреевич Римский‐Корсаков (Nikolaj Rimski-Korsakov, Russian composer)
Александр Порфирьевич Бородин8:35
13Il Trovatore: Anvil Chorus
koor:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
was dirigent:
Giuseppe Sinopoli (conductor)
was koorleider:
Walter Hagen-Groll (chorus master)
is een opname van:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:46
14Pomp & Circumstance: Land of Hope and Glory
opnametechnicus:
Jean‐Marie Geijsen (in 1996-01) en Cees Heijkoop (recording engineer) (in 1996-01)
producent:
Anna Barry (classical producer) (in 1996-01)
koor:
Royal Choral Society (The Royal Choral Society) (in 1996-01)
orkest:
BBC Concert Orchestra (in 1996-01)
was dirigent:
Barry Wordsworth (conductor) (in 1996-01)
was koorleider:
Richard Cooke (chorus master/conductor) (in 1996-01)
balanstechnicus:
Erdo Groot (sound engineer for recordings of classical music)
fonografisch auteursrecht (℗):
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
opgenomen bij:
All Saints Church (Tooting, London) in London (Greater London), England, Verenigd Koninkrijk (in 1996-01)
is een opname van:
Land of Hope and Glory (in 1996-01)
volkslied van:
England, Verenigd Koninkrijk (beëindigd)
tekstschrijver:
Arthur Christopher Benson
componist:
Edward Elgar (composer) (in 1902)
is gebaseerd op:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
Sir Edward Elgar5:54
15Messiah: Hallelujah Chorus
producent:
Dr. Gerd Ploebsch
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocalen:
The John Alldis Choir
orkest:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) en London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
deel van:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:02